THE BULLETIN OF THE ASSOCIATION OF ART HISTORIANS No.l. November 1975.
THE BULLETIN The Bulletin is intended to distribute information about the Association's activities and to be a means of communication between members. Initially, at least, it will be circulated to members twice annually, early in the academic year and in February, before the Annual Conference. The Editor welcomes news of exhibitions, public lectures, symposia and conferences, personal and corporate research projects, staff appointments and vacancies, and issues connected with departmental organisation of likely interest to the membership. Contributions should be double-spaced on one side of unheaded A4 paper, and for the next issue should be submitted by 12 January. Dr ANDREW CAUSEY, Editor Department of Art History, University of Manchester, Manchester MIS 9PL THE 1976 CONFERENCE IN GLASGOW (MARCH 26-28) Outline Programme In response to members' requests, the art-historical side of the 1976 Conference is to be made much less general. Those who were present in 1975 seemed to be unanimous in thinking that the highly successful programme devised for the inaugural meeting did not provide a pattern which could be repeated. The call was for a more specific programme which would allow smaller groups to come together to listen to and to discuss short papers on matters of particular interest. Consequently, apart from the continuation of the meetings of the Universities, Museums, and Polytechnics Groups on the morning of Friday, 26 March, the afternoon session on that day, and both the morning and the afternoon sessions on Saturday, will be organised around five main Sections. This means, of course, that sometimes difficult choices will inevitably have to be made between concurrent offerings. The importance of Glasgow as a conference centre hardly needs underlining. Kelvingrove and the Burrell Collection, Pollock House and the remains of the Sterling Maxwell Hoard and the Hunterian Collection in the University, the Mackintosh Collection, and a spectacular variety of good nineteenth-century architecture, form the core in the city itself. Northwards, there is the late eighteenth-century Rossdhu with its collection of the period; Ardkinglas, a private early twentieth-century house by Lorimer, with the Noble family collection; and Inverary, the home of the Duke of Argyll. South, there is Pinkhill, a pre-Raphaelite private house, Culzean Castle, and the Buccleuch Collection at Bowhill and Drumlanrig. Finally, for the southerner, Edinburgh comes within reasonable reach. It is, therefore, natural that a lively Scottish Section which will run for at least two sessions is being organised by Alan Tait and Martin Kemp. Roger Billcliffe, on Mackintosh furniture, Lindsay Errington on Wilkie and John Knox, David Irwin on 'Towards the Picturesque: Scottish Landscape Painting', Francina Irwin on the successors of Wilkie, Duncan Macmillan on a topic relating to the Runcimans, and Alan Tait on The Landscape Garden in Scotland and a Scottish Style', are already probable speakers. Apart from the specifically Scottish topics, there will also be talks on major non-Scottish works or groups of works housed in Glasgow or elsewhere in Scotland. These will certainly form part of a General Section covering three full sessions, unless they become sufficiently numerous to form a third 'Scottish' Section. Already, in this General Section talks by Mary Alexander on 'The Sculptural Sources of Fra Angelico's Linaiuoli Tabernacle', by Howard
1 Burns on an Alberti drawing, by Richard Cocke on Veronese's Marriage Feast at Cana, and by David Davies on The Theological and Philosophical Background of El Greco's Painting' are in the wind. The General Section, which has no geographical or chronological boundaries, will be accompanied by a two- session Medieval Section organised by Peter Lasko, which will centre on recent research in architectural history, an area in which much lively work is being done. There will also be a Section organised by John White, and lasting two or possibly three sessions, on Art-Historical Reconstructions and Their Implications. Here, Eric Fernie on 'Medieval Crossing Towers', Andrew Martindale on The Original Site of Mantegna's Triumph of Caesar', John Onians on'S. Sebastiano, Mantua', and John White on 'Duccio's Workshop Method in the Painting of the Maesta,' are probable speakers. Another likely subject is the reconstruction of the Mackintosh House, and contributions would be welcomed on such topics as the reconstruc• tion of historical collections and the like, as well as on reconstructions in the more usual sense. It is hoped that the Section will eventually cover as wide a range of periods and categories of art as possible, as well as broaching the general problems raised by the new relationships between art history and what was formerly the separate domain of archaeology. Finally, because it seems to be warranted by the current state of research and by the many problems which are now beginning to be tackled, a Section is being organised by Philip Barlow, David Bindman, and Michael Kitson, on British Nineteenth Century Art, Design, and Social History. To encourage the growth of the inter-disciplinary approach established at last year's inaugural meeting, it is hoped to attract distinguished social, and possibly literary and economic, historians from outside the membership of the Association. Because of the more advanced state of architectural research, the discussions will centre on painting, sculpture, illustration, design, and related areas of industrial archaeology. How the artist earned his living; collecting and art institutions; the influence of politics and religion, of technology and of the new industrial economy, on design; the processes of design in industry; these are only a few of the topics which may be considered. Contributions The highly tentative nature of the existing programme must now be very clear. Its success will depend entirely on the willingness of members to come forward with further ideas and suggestions, and in particular to volunteer twenty-minute papers for any of the existing five Sections. Papers in the twentieth-century field, for incorporation in the General Section would be especially welcomed in view of the likely coverage in earlier periods. The Com• mittee hope, however, that a wealth of papers, embracing every field, will be proposed and that from them a really lively conference can be designed. If all goes well, it will clearly not be possible to accept all the proposed contri• butions. To assist in the task of selection, members are therefore asked to include a short indication of content with each proposal. The Committee also hopes that many younger members will come forward with ideas and not leave the field merely to the established figures. It is, of course, essential that the topics chosen should be on a scale and of a nature suitable for presentation in no more that twenty minutes, 2L time limit which must be strictly observed if the conference is to run smoothly. If a firm programme is to be ready for circulation in the next Bulletin in February, time is pressing. The need for a swift response to this appeal for contributions is therefore urgent. Could all suggestions and proposals for papers, whether firm or tentative, and all queries about the various Sections please be directed as follows: Scottish Section Martin Kemp Department of Fine Art, or University of Glasgow, Alan Tait Glasgow G12 8QQ Medieval Section Professor Peter Lasko Courtauld Institute of Art, 20 Portman Square, London W1H0BE Nineteenth Century Art and Design Michael Kitson Courtauld Institute of Art, 20 Portman Square, London W1H0BE or \ Birmingham Polytechnic, Philip Barlow 63 Sumner Row, Birmingham B3 1LA or David Bindman Department of History of Art, Westfield College, Kidderpore Avenue, Hampstead NW3 7ST Reconstructions Section John White Department of History of Art, General Section University College of London, Gower Street, London WC1E6BT A limited amount of accommodation will be available in Glasgow University halls of residence and will be allocated on a basis of first-come-first-served. Members thinking of attending the conference can make provisional reserv• ations of accommodation without commitment by writing to the Editor of the Bulletin stating how many rooms are required. Confirmation of reservations will be necessary in February, when it is hoped that a list of hotels recom• mended by the Scottish Tourist Board will also be published. Professor JOHN WHITE, University College, London ART AND DESIGN HISTORY COURSES IN POLYTECHNICS Art history became a compulsory subject in colleges and schools of art in 1962. The departments founded to teach it have in a number of cases now begun to offer the subject also as an ingredient in polytechnic Humanities or General Arts degrees. The Council for National Academic Awards has now recognised two honours degrees and one postgraduate diploma in history of art and design. Each of these courses makes some departure from the 2 traditional pattern, in view of the special needs and composition of the polytechnic. All, for instance, place particular stress on the history of design, a necessary service to design students and a subject for whose development polytechnics with large design and technical departments offer advantages. The Newcastle BA course is in its second year and is devoted to the history of modern art and design. The Leicester course, which started this autumn, includes as a part of the programme the study of works of art and design in museums. The one-year postgraduate course in Birmingham Polytechnic is intended mainly but not exclusively for graduates in art of design; it includes provision for elementary language teaching in French, German and Italian. Other proposals for degree courses involving the history of art and design are at various stages of development in polytechnics and other colleges. PHILIP BARLOW, Birmingham Polytechnic
GROUP FOR ART HISTORY IN ART EDUCATION A group-meeting at the Association's Annual Conference in March made it clear that many members were interested in the place of art history in the education of artists and designers. The meeting elected a sub-committee of thirteen members who were to act as a steering committee for an art education group and, in particular, to obtain information about the place of art history in colleges of art, polytechnics, etc. They were also to consider the problems of the history of design. The sub-committee has met three times. It has designed and sent out a questionnaire intended to provide the Association with precise information about the teaching of art history in polytechnics and colleges of art running CNAA degree courses in Art and Design. It has recognised that the information provided by these colleges must be supplemented from colleges of education, Scottish institutions, schools, etc., for whom different questionnaires must be designed. (The sub-committee hopes that members who have received the questionnaire and not completed it will promptly do so, and that members to whom a copy should have been, but was not sent, will inform the writer.) The sub-committee has discussed the history of design, an academic area of great importance in institutions where students of design often outnumber fine art students. It has recommended that the Association should sponsor, and the group organise, a conference for the discussion of the problems involved. These are considerable - the subject is ill-defined and meagrely researched; there is no obvious organ for the publication of research; teachers are difficult to find since there is no recognised training for design historians (although the subject is now an important ingredient of two recently recognised polytechnic degree courses and one postgraduate course). The sub-committee has recommended that part of the 1976 Annual Conference may be devoted to topics in the history of nineteenth- century British design. They propose also that there should be a group meeting at the Conference, and should welcome suggestions for its agenda. PHILIP BARLOW, Birmingham Polytechnic DESIGNS STUDIES CONFERENCE IN NEWCASTLE The beginning of an attempt to define the range of design-historical studies was made at a four-day symposium organised by the Faculty of Art and Design at Newcastle upon Tyne Polytechnic from 17-20 September. The symposium was attended by some eighty art, design and architectural historians and practising designers, and by students from the Faculty's own nineteenth- and twentieth-century design history degree course which started in 1974. The subjects for lectures and discussions were mainly drawn from the twentieth century and included: kW. R. Lethaby: Tradition and Innovation', The Background to the Bauhaus', 'Le Corbusier's Approach to Design' and 'Design and Popular Culture in the 1930s'. Some papers started from a chiefly art-historical stand• point, many stressed the need for an awareness of the economic and technical background in design studies, while one or two, such as The owner-occupier boom in domestic architecture', were sociologically oriented. The conference was organised within the context of the expansion of design studies teaching in polytechnics, and a follow-up is planned to take place at the Middlesex Polytechnic in April. NORMAN OLIVER, Newcastle upon Tyne Polytechnic
EUROPEAN-AMERICAN ASSEMBLY ON ART MUSEUMS In its final report on 20 October the European-American Assembly on Art Museums held at Ditchley Park, Oxfordshire, called for efforts to draw the attention of art history students to the possibilities of museum careers, stressing the range of responsibility and the chance to prove ability to organise. The minor arts, such as ceramic sculpture and the decorative arts should be acceptable as PhD topics where at present they might not be. The presentation of works of art to a society erratically informed about history, religion and other aspects of culture was a key concern. The possibility of the long-term loan of works of art to art history and other departments where museums had no space to show them was considered. The report referred to the need for research facilities for museum directors comparable with those of professors, said that museum curators were - albeit wrongly - seen as poor relations of art historians, and noted that professionalism sometimes seemed to be a dirty word. The conference was organised by the American Assembly and the British Museum. FORTHCOMING EXHIBITIONS Some dates were provisional at the time of going to press. Birmingham, City Art Gallery Until 8 January. German Baroque drawings from German public collections. Bristol, Arnolfini Gallery 13 January - 14 February. Mark Lancaster paintings and Wayne Thiebaud graphics. 24 February - 27 March. Patrick Caulfield paintings and Michael Punt sculpture. Bristol Art Gallery 13 December - 31 January. The Destruction of the English Country House.
3 Cambridge, Fitzwilliam Museum 11 November - 31 December. J. M. W. Turner. Watercolours and Prints from the Museum's Collection. 15 January - 18 February. German Baroque drawings from German public collections. 24 February - 28 March. Oriental Ceramics from the Museum's collection with important loans from the Percival David Collection. Cardiff, National Museum of Wales Until 4 January. Pictures by Turner, the Museum's holding with loans from the Tate Gallery and two private collections. 31 January - 7 March. The Fabric of Pop. The influence of Pop Art on contemporary textile design. Eastbourne, Towner Art Gallery 10 January - 21 February. The Excellent Mary Beale', seventeenth-century portraits by Mary Beale. Edinburgh, National Gallery of Scotland 3-31 January. Vaughan Bequest of Turner watercolours. Glasgow Art Gallery 18 December - 28 January. Landscape Masterpieces from Soviet Museums. Leeds City Art Gallery Until 7 December. Drawings and Sculpture by Martin Naylor (1974 Gregory Fellow at Leeds University). Liverpool, Walker Art Gallery 14 December - 11 April. Ceri Richards and the Liverpool Roman Catholic Cathedral. Designs for furnishings in the Blessed Sacrament Chapel. London, British Museum Until 18 January. 300 Turner Watercolours. 7 November - 4 January. Sung and Yuan paintings from the Metropolitan Museum of Art, New York. London, Geffrye Museum Until 21 December. The Excellent Mary Beale', seventeenth-century portraits by Mary Beale. London, Hayward Gallery 5 November - 4 January. Sir Edward Burne-Jones (1833-1898). 21 January - 7 March. Jean -Francois Millet (1814-1875). 9 April - 4 July. The Arts of Islam (part of the World of Islam Festival). London, Institute of Contemporary Arts 15 January - 29 February. Max Ernst. Prints, Collages, Drawings. 26 February - 14 March. Edward Ruscha. Prints and Publications 1962-74. 8 April - 2 May. Peruvian ground drawings. London, Royal Academy 18 October - 30 November. Landscape Masterpieces from Soviet Museums. 10 January - 14 March. The Golden Age of Spanish Painting. Seventeenth-century masterpieces from Spanish public and private collections. London, Serpentine Gallery 20 December - 18 January. Minimal graphics. Prints by American artists. 29 January - 29 February. Tom Phillips. 3-25 April. Jeremy Moon Memorial exhibition. London, Tate Gallery 11 November - 28 December. Paul Nash. 18 February - 25 April. Constable bicentenary exhibition. London, Victoria and Albert Museum 6 November - 7 December. Paul Nash as Designer. 13 November - 15 February. The Land. Twentieth-century landscape photographs. Until 18 January. Henry Moore's Stonehenge suite, and Constable's Stonehenge. Manchester University, Whitworth Art Gallery 15 January - 29 February. Medieval and early Renaissance Treasures in the North West. 13 March - 3 April. Watercolour designs for Dutch wallpapers, 1777-1826, from the Westfries Museum, Hoorn. Oxford, Museum of Modern Art Until 14 December. Paintings by Alan Charlton and Bryan Pearce. Nottingham, University Art Gallery 21 November - 13 December. Photography of Paul Nash. Plymouth Art Gallery 2EXHIBITION2 November-1S ABROA1 JanuaryD ORGANISE. William DPayn BYe THandE BRITISSamuel HProut COUNCI, twoL Plymouth-born eighteenth-century British topographicaPortraits froml artists1660. .Nationa l Museum of Western Art, Tokyo, until 14 December. J1.7 JanuarM. Wy. -Turner 8 February. Hermitag. Paul eNash Museum. , Leningrad, until December, then Pushkin Museum, Moscow until 22 January. SheffieldRetrospectiv, Mappie exhibition Art Gallern of sculptury e by Anthony Caro, Museum of Fine Arts, Houston, 1 December - 25 Januarv then Museum of Fine Arts, Boston, 25 March - 9 May. ' To10 Januarm Phillipsy - ,8 Muse Februarye d'Ar. Aubret Moderny Beardsleye de la Vill. e de Paris, November - December New English Art, Palazzo Reale, Milan, 1 February - 10 April. The Origins of English Pop Art, Hamburg and Munich, February - May. 4 LECTURES Lectures are open to the public, but admission is in some cases by ticket which may need to be acquired in advance. Prospective visitors are recommended to contact the organising bodies near to the date of the lecture. Bristol University 25 November. George Hare Leonard lecture. Graham Reynolds, 'Turner, Goethe and the Apocalypse'. 10 and 17 February. Perry Art Lectures. Alan Bowness, 'Picasso as Sculptor', John Milner, 'Russian Constructivist Sculpture'. London University, Courtauld Institute Ten weekly lectures on Tuesdays at 5.30 from 7 October, including: Alec Cobbe, 'Ford Madox Brown's "The Last of England'" (18 November); David Bindman, 'Samuel Palmer: the Politics of Vision' (25 November); Neil Stratford, 'The Apse Capitals of Cluny 111' (2 December); Professor George Zarnecki, 'Pre-Romanesque in Campania' (9 December). London University, Department of Extra-Mural Studies 'The Modern Imagination and its Catalysts', twenty weekly lectures on Wednesdays at 6.00 at the Courtauld Institute (but enquiries should be made to Extra-Mural studies). The course runs to 10 December and from 7 January to 10 March, and deals with the interrelationship of the visual arts, philosophy, psychology, literature and music from the 1890s to the 1930s.
THE BARBER INSTITUTE In the Barber Institute the Trustees have built and equipped a Gallery for the exhibition of part of their collection of Roman and Byzantine coins. The Gallery was opened by the Rt. Hon. The Earl of Plymouth on the 12 March, 1975, the occasion being marked by a dinner at which a number of prominent numismatists and historians were present. The selection of coins which remains on display offers a fair representation of the scope of the late Roman and Byzantine section of the collection. More importantly, it makes accessible to students an ordered exposition of the history of the coinage of the late Roman and Byzantine empires from c300-cl450. The display, as well as examples from the remainder of the collection in reserve, will continue to be used in the teaching of numismatics in conjunction with Byzantine Studies, Mediaeval History, and Ancient History. Professor HAMISH MILES, Barber Institute, University of Birmingham
NATIONAL ARCHIVE FOR CONTEMPORARY GRAPHIC ART The Tate Gallery has acquired over 2500 prints by contemporary artists, including the archive of the Curwen studio for lithography, the archive of Waddington Prints and some 1200 printers' proofs presented by the printer Chris Prater. The gift comes from the Institute of Contemporary Prints which was founded in 1973, financed by the Sir Robert McAlpine Foundation, and directed by Stewart Mason, formerly director of education for Leicestershire and at one time a Trustee of the Tate. Mr Mason has arranged with various artists and graphics publishers, including Marlborough Fine Art, Editions Alecto and Christies Contemporary Art, to print a special copy for the Tate of all editions they publish in the future. A print gallery regularly showing 60-70 images at a time will be part of the Tate's new extension due to be opened in 1976.
BRITISH SOCIETY FOR EIGHTEENTH-CENTURY STUDIES The Society's interests embrace all aspects of the eighteenth century, including art history. It holds conferences twice a year, in January in London and in September elsewhere. This September the meeting took place in Weymouth, jointly with the Societe Francaise d'Etude du XVIII Siecle, and papers of specific interest to art historians included Professor Denis Lambin (from Paris) on 'Eighteenth-century Gardens', and Mr Geoffrey de Bellaigue on 'George IV and the Arts of France'. Once a year a conference programme includes the Society's annual lecture, so far given by, for example, Sir John Summerson and Sir Isaiah Berlin. The Society publishes a newsletter twice a year, which is about to be increased in size to include conference papers. The Society is affiliated to the International Society for Eighteenth-century Studies which held an international congress at Yale in July this year and will be meeting next at Pisa in 1979. The annual subscription to the British Society is £4 (£1 for students). Details can be obtained from the Vice-President, Dr David Irwin, Department of History of Art, King's College, University of Aberdeen, Aberdeen AB9 2UB. or the Secretary, Dr Peter Foulds, Department of German, University of Birmingham, PO Box 363, Birmingham B15 2TT. Dr DAVID IRWIN, Aberdeen University LIAISON WITH THE MUSEUMS ASSOCIATION The Museums Association has elected Dr Michael Kauffmann, of the Victoria and Albert Museum, Robert Rowe, Director of Leeds City Art Galleries, and Arnold Wilson, Director of Bristol City Art Gallery, as representatives on the Association of Art Historians. The AAH's liaison officers with the Museums Association are the Chairman, Sir John Pope-Hennessy, the Hon. Secretary, Alan Bowness, and the Hon. Treasurer, Professor Peter Murray. MEMBERSHIP The annual membership fee of £3 is due on 1 January. Would members who do not pay by bankers order please send their subscriptions to the Hon. Secretary, Alan Bowness, Courtauld Institute, 20 Portman Square, London W1H0BE. The annual subscription qualifies for tax relief. The Inland Revenue have asked the Hon. Treasurer to pass on the following information to members: "With effect from the year commencing 6 April, 1974 a member who is assessable to Income Tax under Schedule E in respect of the emoluments of an office or employment is entitled to a deduction from those emoluments of the whole of the annual subscription which is due and payable by him to the body in the Income Tax year, provided that (a) the subscription is defrayed out of the emoluments of the office or employment, and (b) the activities of the society so far as they are directed to qualifying objects are relevant to the office or employment; that is to say, the performance of the duties of the office or employment, or the exercise of the profession concerned, is directly affected by the pursuance of the qualifying objects. LIST OF MEMBERS (complete to 26 September)
b C Mrs Joan 85 Holf * A u ' , .» ord Rd, London NW11. Acheson, Joseph, Art History Dept West Surrey College of Art, The Hart, FarnhamL ,0 Surrey. *Adams, Miss Judith, 31 Oppidans Rd, London NW3. . , Adams, Mrs Muriel, Art Dept, Collegiate Girls Public School, Winterbourne, Bristol. A^U0' David' Art Gallery and Museum Service, Clarence St, Cheltenham, Glos. Adhemar, Miss Frances, 9 Kingswood Ave, High West Jesmond, Newcastle upon Tyne. Agerbaek, Mrs Kirsten, Sortebrodregade 9, DK6760, Ribe, Denmark. X* berts, Miss E. C, 48 Stanhope Rd, London N6. A exander, Dr J. J. G., History of Art Dept, University of Manchester, Manchester 13.
A exander, Mrs Mary, 19 Macefin Ave, Manchester 21. ^ j>/x. Allan, Lewis, Dept of Extra Mural Studies, University College, 38-40 Park Place, Cardiff. Allentuck, Prof Marcia, 5 West 86 St 12b, New York, NY10024, USA. Allthorpe-Guyton, Miss Marjorie, Norwich Castle Museum, Norwich. X X Y Ames-Lewis, Francis, Dept of History of Art, Birkbeck College, Malet St, London WC1. Anderson, Ms Gail, 18 Derby Grove, Lenton Sands, Nottingham. Andrews, Keith, National Gallery of Scotland, The Mound, Edinburgh. Anglesea, Martyn, Ulster Museum, Botanic Gardens, Belfast. X Archambault, Ms Michele I., 14 Walpole St, London SW3. Armstrong, Mrs Nancy, 69 Harrowdene Gdns, Teddington, Mddx. v w ,Ashwin> Clive, Art Dept, Middlesex Polytechnic, Trent Park Precinct, Cockfosters, Barnet, Herts. A X X Avery, Dr Charles, Dept of Architecture and Sculpture, Victoria and Albert Museum, London SW7.
X Backhouse, Miss Janet, Dept of Manuscripts, The British Library, London WC1. A Baer, Jack M. F., Hazlitt Gallery, 4 Ryder St, London SW1. Bagguley, John, 144 Egypt Rd, New Basford, Nottingham. / Bailey, Christopher, lOd Arkwright Rd, London NW3. Baker, Malcolm, Dept of Art and Archaeology, Royal Scottish Museum, Edinburgh. X Baker, Ms Patricia, 38 Kingsmill, Kingsmill Tee, London NW8. Baker, Raymond, Design Dept, Rutland Sixth Form College, Barleythorpe Rd, Oakham, Leics. Barker, Miss Jane, 1 Presley Clo, Thorpe Bay, Southend-on-Sea. Barlow, Philip, Birmingham Polytechnic, 63 Sumner Row, Birmingham 3. X Baron, Dr Wendy, 5 Salisbury Ave, London N3. X Barr, Dr Edith, 52 Gurney Dr, London N20. Barrett, Ms Michele Veronica, Cobbe Place, Beddingham, Lewes, Sussex. Barry, Peter, Brentwood College of Education, Sawyer's Hall La, Brentwood, Essex. /\ Baxter, Ms Brenda, 39 Friern Barnet La, London Nil. Baxter, Leslie Owen, Art Dept, Belfast Royal Academy, Belfast. Bayer, Ms Jan, PO Box 56, East Kew, Victoria 3102, Australia. X / s Bayley, Stephen, Open University, Milton Keynes, Bucks. X Beal, Mrs Mary, 54 Chapel Gdns, Pinner Rd, Pinner, Mddx. Beaton, Godfrey, Crewe and Alsager College, Alsager, Cheshire. Beaumont of Whitley, Lady, 59 West Heath Rd, London NW3. Beck, P. S. W., City of Bath Technical College, James St West, Bath. Beckett, Miss Jane, School of Fine Arts and Music, University of East Anglia, Norwich. Belsey, Hugh, 21 Tile Kiln Lane, Leverstock Green, Hemel Hempstead, Herts. Bernasconi, John, Dept of History, University of Hull, Hull. Billam, Michael, Ravensbourne College of Art, Walden Rd, Chislehurst, Kent. Billingham, Ms Rosalind, Art History Dept, Lanchester Polytechnic, Coventry. YBindman, Dr David, Westfield College, London NW3. XxBirch, Mrs Veronica, 7 South Villas, Camden Sq, London NW1. Bird, Dr Alan, Edge Hill College of Higher Education, St Helen's Rd, Ormskirk, Lanes. ^ Blackstone, F. J., Flat 5, 34 Bryanston Sq, London Wl. Blench, Brian, Art Gallery and Museum, Kelvingrove, Glasgow 3. Blessley, Mrs Anne, 3A Bourne Rd, Bushey, Herts. XY V Blunt, Prof Sir Anthony, 45 Portsea Hall, Portsea PI, London W2. J Bosomworth, Miss Dorothy, School of Art and Design, Sheffield Polytechnic, Psalter La, Sheffield. X*Boucher, Bruce, 75 Cumberland St, London SW1. ^ * - I\ y\/ \/Bowness, Alan, Courtauld Institute of Art. 20 Portman Sq, London Wl.^ / (JQA TS
Dahl, Fr Ellert, O.P., BP 5036 Maj., Oslo 3, Norway. >r Daniels, Jeffery, GefTrye Museum, Kingsland Rd, London E2. Darracott, Joseph, Imperial War Museum, Lambeth Rd, London SE1. ^ Daventry, Mrs Freda, 6 Court Lane Gdns, London SE21. J^" Davies, David, University College, University of London, Gower St, London WC1. X Davies, Ms Erica, Royal Commission on Historical Monuments, 23 Savile Row, London Wl. Davies, Dr Ivor, Dept of Fine Art, University of Edinburgh, 19-20 George Sq, Edinburgh. Davies, Tudor, Faculty of Art and Design, Sunderland Polytechnic, Backhouse Pk, Sunderland, Tyne and Wear. Day, Melvin, National Art Gallery of New Zealand, Private Bag, Wellington, NZ. Dearden, James, Ruskin Galleries, Bembridge School, Isle of Wight. Deighton, Mrs Elizabeth, Open University, Fison House, 9 Grosvenor St, London Wl. Del Renzio, Toni, Dept of Liberal Studies and Art History, Canterbury College of Art, Canterbur Denvir, Bernard, Ravensbourne College of Art and Design, Bromley Common, Kent. Dodwell, Professor C. R., Dept of Art History, University of Manchester, Manchester 13. Donald, Miss Anne, Art Gallery and Museum, Kelvingrove, Glasgow 3. Donald, Mrs D., Didsbury College of Education, Wilmslow Road, Manchester 20. Donne, J. B., West Surrey College of Art and Design, West St, Farnham, Surrey. X Doorly, Patrick, 121 St James's Dr, London SW17. Downes, Dr Kerry, Dept of Fine Art, University of Reading, London Rd, Reading. A, Draper, Peter, Birkbeck College, University of London, London WC1. y\ Drummond, William, Sabin Galleries, Cork St, London Wl. Dunford, Dr Penelope, Faculty of Art and Design, Sunderland Polytechnic, Ryhope Rd, Sunderland, Tyne and Wear.
Edwards, Miss Gwendoline, 7 Withdean Rse, Brighton. ^ Egerton, Mrs Judy, Tate Gallery, Millbank, London SW1. Eiffe, Miss Audrey, la Bathurst St, London W2. Ellis, Ms Barbara, Rose Glen, 67 Sutton Rd, Mansfield, Notts. Elvin, Barry, Bath Academy of Art, Corsham, Wilts. Evans, Mark, 16 Capel Leaf Rd, Llanelli, Carms.
)( Fagg, William, 6 Galath Rd, London SW13. Farr, Dennis, City Museum and Art Gallery, Birmingham 3. }C Farthing, Cecil, National Monuments Record, Fortress House, 23 Savile Row, London Wl. Faulkner, Thomas, Newcastle upon Tyne Polytechnic, Squires Building, Sandyford Rd, Newcastle upon Tyne 1. Fawcett, Trevor, University of East Anglia, Norwich. Feigen, Richard, Richard L. Feigen & Co, 900 Park Ave, New York, NY 10021, USA. Fernie, Eric Campbell, University of East Anglia, Norwich. Ferriday, Peter, Faculty of Humanities, Manchester Polytechnic, All Saints, Manchester 15. Finn, Alan, College of Further Education, Sutton Coldfield. Fitzgerald, Mrs Carol, 28 The Mount, Reading, Berks. X Fitzgerald, Peter, Dept of Fine Art, University of Reading, London Rd, Reading, Berks. Flashtig, A. J., Flinders University of South Australia, Bedford Park 5042, South Australia. Fleck, Miss Rosemary, The Ridings, Stonesfield, Oxon. Fletcher, Dr John, Research Laboratory for Archaeology and History of Art, 6 Keble Rd, Oxford. Florence, Ms Penny, 11 Dewsbury Tee, York. Ford, Brinsley, 14 Wyndham PI, London Wl. Fox-Pitt, Miss Sarah, Tate Gallery, Millbank, London SW1. Franklin, Mrs Jill, 78 Lawn Rd, London NW3. Franks, Dr A. S. T., 56 Goodby Rd, Moseley, Birmingham 13. Fransen, Hans, South African National Gallery, PO Box 2420, Cape Town, South Africa. Frascina, Francis, 175 Easemore Rd, Redditch, Worcs.
7 Fraser, David, Derby Museum and Art Gallery, Strand, Derby. Fraser Jenkins, Anthony, National Museum of Wales, Cardiff. X Freedberg, Dr D. A., Westfield College University of London, Kidderpore Ave, London NW3. yC Freedman, Miss Lisa 4 Chester Tee, London NW1. . hrew, Ms Joanna Elizabeth, Dept of Fine Art, University of Nottingham, Nottingham. Frew, John, St Andrews University Fife. Fuller, Peter, Pettridge, 13 Bower Mount Rd, Maidstone, Kent. Furse, John, Skaigh Lodge, Belstone, Sticklepath, Devon. X Galbraith, Ms Kit, Birkbeck College, University of London, Malet St, London WC1. Gardner, Prof Julian, Dept of History of Art, University of Warwick, Coventry. Garland, John, Filton Technical College, Bristol. Garhck, Dr Kenneth, Ashmolean Museum, Beaumont St, Oxford. /S Gaunt, William, 35b Lansdowne Rd, London Wll. Gee, Mrs Loveday, Dept of History of Art, University of Warwick, Coventry. Robert D £'ubs' > ept of Fine Art, University of Glasgow. X Gibson, Robin, National Portrait Gallery, London WC2. Gibson Cowan, Mrs Ialeen, Newport College of Art, Clarence PI, Newport, Gwent. Glendinning, Prof Nigel, Dept of Spanish, Queen Mary College, University of London, Mile End Rd, London El. Goldman, Paul, Dept of Prints and Drawings, British Museum, London WC1. Gollancz, Dr Oliver, Sir John Cass School of Art, City of London Polytechnic, Central House, Whitechapel High St, London El Gombrich, Prof Sir Ernst, Warburg Institute, University of London, London WC1. AGoodison, N. D., 39 Clarges Mews, London Wl. A Goodwin, Miss Berenice, Godolphin and Latymer School, Iffley Rd, London W6. Gordon, Mrs Antoinette, 36 The Greswoldes, Radford Semele, Leamington Spa, Warwicks. Gorge, Peter, Gloucester College of Art and Design, Cheltenham. Gowing, Prof Lawrence, University College, Gower St, London WC1. Green, Dr Christopher, Courtauld Institute of Art, 20 Portman Sq, London Wl. Green, Richard, Laing Art Gallery and Museum, Higham PI, Newcastle upon Tyne. A Greenaway, Dr Frank, Dept of Chemistry, Science Museum, London SW7. Greenhalgh, Dr Michael, Dept of History of Art, University of Leicester. Greisman, Ms Ruth, 9 Kingswood Ave, High West Jesmond, Newcastle upon Tyne 2. Gribbin, Launcelot, Education Dept, Victoria and Albert Museum, London SW7. Gross, Steven, 15957 SW 95th Ave, Apt 41, Miami, Florida 33157, USA. Grossman, Prof F. G., 131 Burbage Rd, London SE21. Grubert, Miss Helena, Cecil Higgins Art Gallery, Bedford. Hale, Prof John, Dept of Italian, University College, Gower Street, London WC1. V Halls, Hamish, Canterbury College of Art, New Dover Rd, Canterbury. Halsby, Julian, Croydon College of Design, Fairfield, Croydon, Surrey. Hamilton, Gordon, Grays School of Art, Garthdee, Aberdeen. Hamilton, James, Wakefield Art Gallery, Wentworth Tee, Wakefield, West Yorks. Hardie, William Robertson, Museum and Art Gallery, Corporation of Dundee, Albert Sq, Dundee. Hardwick, Ms Nora, Redland College of Art, Bristol 6. Harley, Miss R., Gateshead Technical College, Durham Rd, Gateshead. Harris, John, Royal Institute of British Architects, 21 Portman Sq, London Wl. X Hartnell, Roy, City of Birmingham College of Education, Westbourne Rd, Birmingham. Haselock, Jejemy, Dalham House, Heslington, York. Haskell, ProOFrancis, 35 Beaumont St, Oxford. Hasted, Miss Rachel, 59 Hampton Pk, Bristol 6. S(Hayes, Dr John, National Portrait Gallery, London WC2. XHayward, Miss Helena, 28 Chepstow Villas, London Wll. X Hebron, Dr Miriam, 7 Julian Ct, 150 Camden Rd, London NW1. Hedley, Ms Gill, Laing Art Gallery, Higham PI., Newcastle upon Tyne. Heeley, Edward, Settle High School, Settle, North Yorks. Herrmann, Prof Luke, University of Leicester, Leicester. >£Hervey, Mrs Joan Mary, Witt Library, Courtauld Institute of Art, 20 Portman Sq, London Wl. /\Heslop, Thomas Alexander, 107a Camden Rd, London NW1. Hetherington, Dr Paul, Wimbledon School of Art, Merton Hall Rd, London SW19. ^ Hewison, Robert, 82 Fetter La, London EC4. Hewitt, Geoffrey, Civicon, Ave Pakistan and Sixth St, Abbasabad, Teheran, Iran. Hicken, Adrian, Bath Academy of Art, Corsham Court, Corsham, Wilts. X Hicklin, Frances, Victoria and Albert Museum, London SW7. Hilder, Miss Ann, 7 The Shrubbery, Upminster, Essex. Hill, G. R., 4 Wyndcote Rd, Allerton, Liverpool 18. X, Hills, Paul, 57 Queens Gate Mews, London SW7. Hinley, John, School of Art, Nene College of Higher Education, Avenue Campus, St George's Ave, Northampton. Hobson, Anthony, Dept of Art History and Communication Studies, Lanchester Polytechnic, Gosford St, Coventry. XHodgkinson, Terence, Wallace Collection, Manchester Sq, London Wl. ^>Hoff, Dr Ursula, 8 St Katherine's Precinct, Outer Circle, Regents Park, London NW1. Holland, Ralph, Dept of Fine Art, University of Newcastle upon Tyne, Newcastle. Hook, Dr Judith, King's College, Aberdeen University, Taylor Building, Aberdeen. Hoole, John, Southampton Art Gallery, Civic Centre, Southampton. Hopkinson, Martin James, Walker Art Gallery, William Brown St, Liverpool 3. Horsfield, Nicholas, Dept of Art History, Liverpool Polytechnic, Hope St, Liverpool. >^House, Geoffrey, Dept of Mediaeval and Later Antiquities, British Museum, London WC1. House, John, Dept of Fine Art and Music, University of East Anglia, Norwich. How, Peter, 6 Pinewood Grove, Earlsdon, Coventry. V Howard, Dr Deborah, Dept of History of Art, University College, London WC1. Howard, Maurice, St Salvator's College, University of St Andrews, Fife. Howes, Graham, Trinity Hall, Cambridge. Hughes, Peter, Dept of Art, National Museum of Wales, Cardiff. A Hulbert, Miss Anna, 59 Prince of Wales Mansions, Prince of Wales Dr, London SW11. Hutchison, Sidney, Royal Academy of Arts, Piccadilly, London Wl. X Hutt, Antony, 13 Letchford Gdns, London NW10. Hutton, Mrs Serena, 9 Wilton Rd, Edinburgh. Hyman, Miss Susan, William Goodenough House, Mecklenburgh Sq, London WC1.
Irwin, Dr David, King's College, Aberdeen University, Aberdeen.
Jackson, Don, Cardiff College of Art, Howard Gdns, Cardiff. Jacobs, Michael, 9 Erskine Hill, London NW11. Jaffe, Prof Michael, Fitzwilliam Museum, Trumpington St, Cambridge. James, Anthony, Wilson Grammar School, Mollison Dr, Wallington, Surrey. James, Richard, Barber Institute of Fine Arts, The University, Birmingham 15. James, Mrs Sybil, London College of Printing, Elephant and Castle, London SE1.
8 Jeremiah, Dr David, Manchester Polytechnic, AH Saints, Manchester 15. Johnson, Benjamin, Dept of Contemporary Studies, Leeds Polytechnic, Calverley St, Leeds. Johnson, Lawrence, Weavers, The Green, Ewhurst, nr Cranleigh, Surrey. ^Johnson, Dr Lee, Landau House, 11a Lyndhurst Rd, London NW3. x Johnson, Ms Moira, Coventry College of Education, Canley, Coventry. ^Johnson, Robin, Imperial War Museum, Lambeth Rd, London SE1. ^Johnstone, Christopher, Tate Gallery, Millbank, London SW1. Jones, Herbert, Mayflower, 12 Highlands Rd, Buckingham. Jones, J. G., Trinity College of Education, Carmarthen. Joppien, Dr Riidiger, CI. Kappelmannstr. 25, 5 Koln - 41, West Germany. •7Jowell, Dr Frances, 13 Willoughby Rd, London NW3. / > Joyce, Henry, Curator, Woburn Abbey, Beds.
V"Kachur, Lewis, International Hall, Brunswick Sq, London WC1. Y Katritzky, Miss Margaret, 28 Lyndhurst Rd, London NW3. y'Kauffmann, Dr C. M., Dept of Prints and Drawings, Victoria and Albert Museum, London SW7 , Kaufman, Sullivan, 31 North Gate, Regent's Park, London NW1. X Keene, Ms Mary, 408 Bryercourt, Barbican, London EC2. Keir, Ms Denise, 12 Altyre Rd, Croydon, Surrey. Kelly, Peter, The Polytechnic, Leicester. Kemp, Martin, Dept of Fine Art, University of Glasgow. Kenworthy-Browne, John, 12 Hollywood Rd, London SW10. err, Alastair, London College of Printing, Elephant and Castle, London SE1. Kerr, Miss Jill, Conway Library, Courtauld Institute of Art, 20 Portman Sq, London Wl. King, Mrs Eve, 18 East Heath Rd, London NW3. Kitson, Michael, Courtauld Institute of Art, 20 Portman Sq, London Wl. Kneafsey, John P., Independent Newspapers Ltd, 51 O'Connell St, Limerick.
Lang, Dr Susanne, University of Warwick, Coventry. Langmuir, Dr Erika, University of Sussex, Falmer, Brighton. Lasko, Prof Peter, Courtauld Institute of Art, 20 Portman Sq, London Wl. ^ Law, Trevor, 36 Milson Rd, London W14. . LawsonLaw , Wilfred, St Julian's School, Carcauelos, Portugal. A Lee, Mrs Anna, 5 Lyndhurst Gdns, London NW3. \ ) Lester, Anthony, 3 High St, Wallingford, Oxon. —Letts. Dott. Rosa, 24 Chepstow Cr, London Wl I. tPV Levey, Michael, National Gallery, London WC2." — yC rxLevy, Mervyn, Ormond House, Ormond Rd, Richmond, SuXey. A/Levy, Mrs Sheila, 52 Litchfield Way, London NW11. Lewis, Mrs Nan, Maria Grey College of Education, 300 St Margaret's Rd, Twickenham, Mddx. Ley, Dr Henry, The Queen's University, Belfast. Libovitz-Henry, Miss Claudine, 4 Sharpleshall St, London NW1. Liedtke, Dr Walter, 31 Sackville St, London Wl. \ Lishawa, John, Hazlitt Gallery, 4 Ryder St, London SW1. \ Lowenthal, Miss Helen, 87 Elizabeth St, London SW1. .V Lucas, Miss Diana, 32a Montpelier Sq, London SW1. Luckett, Ms Helen, Southampton Art Gallery, Civic Centre, Southampton. Lynton, Prof Norbert, Dept of the History and Theory of Art, University of Sussex, Falmer, Brighton. /> Lyttelton, the Hon Mrs A., Dept of Greek and Roman Antiquities, British Museum, London WC1.
Maas, Jeremy, Maas Gallery, 15a Clifford St, New Bond St, London Wl. Macdonald, Mrs Margaret F., Dept of Fine Art, University of Glasgow. Macmillan, J. Duncan, Dept of Fine Art, Edinburgh University. Mackrell, Mrs A. A. 18, Wentworth Mansions, Keats Gro, London NW3. ^ Macrae, Miss Eva, College of All Saints, White Hart La, London N17. Madge, Ms Elizabeth, 2 The Paddocks, Ingatestone, Essex. Mainstone, Miss A. F., 20 Fishpool St, St Albans, Herts. .^^Mainstone, Mrs Madeleine, Dept of Education, Victoria and Albert Museum, London SW7. jfc Mallet, J. V. G., Dept of Ceramics, Victoria and Albert Museum, London SW7. O^Manasian, Miss Katherine, William Goodenough House, Mecklenburgh Sq, London WC1. Mannings, David, Dept of History of Art, King's College, University of Aberdeen, Aberdeen. 'Mansilla-Pacheco, Rafael de, 61 Montague Sq, London Wl. ."Marks, Richard, Dept of Mediaeval and Later Antiquities, British Museum, London WC1. Marshall, Mrs Levana, 34 Burdenshott Ave, Richmond, Surrey. Martin, Mrs Constance, Alberta College of Art, Calgary, Alberta, Canada. Martin, Miss Sandra, Manchester City Art Gallery, Mosley St, Manchester 2. Martindale, Prof Andrew, School of Fine Arts and Music, University of East Anglia, Norwich. Masiewicz, Wladyslaw, Royal Commission on Historical Monuments, Fortress House, Savile Row, London Wl. Matteson, Dr Lynn, Art Dept, University of California, Davis, Ca. 95616, USA. McCallum, Ian, American Museum in Britain, Claverton Manor, Bath. McCarthy, Dr Michael, University of Toronto, 371 Bloor St West, Toronto, Ontario. McConkey, Kenneth, History of Art Dept, Newcastle upon Tyne Polytechnic, Squires Building, Sandyford Rd, Newcastle upon Tyne JAMcCormick, Miss Deborah, 28 Lyndhurst Rd, London NW3. V'McCrory, Miss Martha, 25a Upper Cheyne Row, London SW3. 5s McFadden, Ms Laurie, Paul Mellon Centre for Studies in British Art, 20 Bloomsbury Sq, London WC1. McGrath, Miss Mary, Curragh Grange, Curragh, Co. Kildare. McParland, Edward, Dept of Visual Arts, Trinity College, Dublin. McPherson, Robert, Gainsborough's House, Sudbury, Suffolk. ^s^McTurk, Catriona, The Medici Society Ltd, 34-42 Pentonville Rd, London Nl. Medgessy, Dr Rolph, 4952 Montclair Ave, Montreal, P.Q., Canada. Meinertas, Ms Leela, 148 Yardley Wood Rd, Moseley, Birmingham. Merrett, Mrs Jean, Stoke Damerel High School, Plymouth. Michaelson, Mrs Katherine, College of Architecture, Heriot Watt University, Edinburgh. d Morris, Mrs Penelope, Faculty of Art, Liverpool Polytechnic, Hope St, Liverpool 8. Js> Morrison, Mrs Frieda, 138 Willifield Way, London NW11. 9 , u v M°we,r' ^avid, Loughborough College of Art and Design, Loughborough. X ^ ^ V-Mullaly, Terence, 74 Greencroft Gdns, London NW6 j)^ A Y Murray, Mrs Linda, 24 Dulwich Wood Ave, London SE19. \ A MuTay? Prof Peter' Birkbeck College, Malet St, London WC1. Mutnesius, Dr Stefan, School of Fine Arts and Music, University of East Anglia, Norwich. Nelson, Robert, 31 Clouston St, Glasgow 20. ^ Newman, John, Courtauld Institute of Art, 20 Portman Sq, London Wl. Newsome, Mrs Estella, 198 Old Woking Rd, Woking, Surrey. Noszlopy, George, City of Birmingham Polytechnic, 63 Sumner Row, Birmingham 3. K R!5rien Twohig' Sarah, 1 Belitha Villas, London Nl. O Connor, Andrew, National Gallery, Merrion Sq, Dublin 2. O Connor, David, Centre for Medieval Studies, University of York, King's Manor, York. /^O'Donnell, Mrs E., Study Centre for Fine and Decorative Art, 67 Mount Park Rd, London W5. O'Neill, Mrs D. E., Hillcroft College, Surbiton, Surrey. Onians, Dr John, School of Fine Arts and Music, University of East Anglia, Norwich. Orr, Mrs Mary, Hamlyn Group Mail Order, Feltham, Middx. Orr, Donald, Johnstone High School, Johnstone, Renfrew. ^ Owen, Mrs Felicity, 28 Hyde Park Gdns, London W2. Pace, Miss Katharine, University of Glasgow. 7 . Packer, Ms Alison, 2 Keir St, Edinburgh 3. X Painter, K. S., Dept of Prehistoric and Romano-British Antiquities, British Museum, London WC1. Palagia, Miss Olga, 12 Canterbury Rd, Oxford. Palmer, Ronald, Prior Park College, Combe Down, Bath. Pantazzi, Miss Sybille, Art Gallery of Toronto, Grange Park, Toronto, Canada. Panton, Robert, Denstone College, Uttoxeter, Staffs. Parker, Miss Charlotte, George Rainbird Ltd, Marble Arch House, 44 Edgware Rd, London W2. Parkin, Michael, Michael Parkin Fine Art Ltd, 11 Motcomb St, London SW1. Parkinson, Ronald, Tate Gallery, Millbank, London SW1. Parkinson-Bailey, J. J., 76 Kensington Gardens Sq, London W2. Parsons, Ms Marie-Louise, School of Art, Church Bank, Barnsley, Yorks. Paton, Leslie, Rosser & Russell Ltd, Queen Caroline St, London W6. X Penny, Nicholas, Dept of Art History, University of Manchester, Manchester 13. V Pepper, Terence, National Portrait Gallery, St Martin's La, London WC2. Perutz, Miss V., 42 Tedley Taylor Rd, Cambridge. ^\Pestell, Dr Richard, 2 Queens Mansions, Queens Ave, London N10. Petrie, Brian, Dept of Art History, University of Reading, Reading, Berkshire. Petrie, Ms Flavia, Dept of Art History, North Staffordshire Polytechnic, College Rd, Stoke-on-Trent. Petrie, Miss Noreen, 5a Zion Gdns, Brighton, Sussex. y Y Pevsner, Sir Nikolaus, Birkbeck College, University of London, 12 Bloomsbury Sq, London WC1. Phillips, David, Dept of Art History and Communication, Lanchester Polytechnic, Gosford St, Coventry. X' Phillips, Henry, Phillips & Harris, 54 Kensington Church St, London W8. j^Phillpot, Clive, Chelsea School of Art, Manresa Rd, London SW3. Jx Phillpots, Ms Beatrice, 9 Favart Rd, London SW6. Pickford, A. I. G., 9 Chinnock Clo, Fleet, Hants. Pickvance, Ronald, University of Nottingham, Nottingham. Plummer, Robin, Brighton Polytechnic, Grand Parade, Brighton. Podro, Prof M., Dept of Art, University of Essex, Wivenhoe Park, Colchester. Pointon, Dr Marcia, Dept of the History and Theory of Art, University of Sussex, Brighton. Pollock, Ms Griselda, Dept of History of Art, University of Manchester, Manchester 13. Pope-Hennessy, Sir John, British Museum, London WCl.-^fv^yrt c «». Porter, Mrs Anne, Bryn Awelon, Llanfarian, Aberystwyth. Potts, Alexander, School of Fine Arts and Music, University of East Anglia, Norwich. X, Potterton, Homan, National Gallery, London WC2. Pountain, Miss Dinah, 428 Lanark Rd, Edinburgh 13. Powe, Miss Katherine, Ferens Art Gallery, Queen Victoria St, Kingston upon Hull, Yorks. XPowell, Dr Ann, Ealing Technical College, London W5. rowell-Jones, Mark, Dept of Coins and Medals, British Museum, London WC1. jK Preston, Harley, Dept of Pictures and Conservation, National Maritime Museum, London SE10. Pride, Miss Jennifer, Witton, The Clump, Chorleywood, Herts. Priestley, Dr Douglas, St Peter's, 9 The Croft, Barnet, Herts. \ Puloy, Mrs Monika, Hertfordshire College of Art and Design, 7 Hatfield Rd, St Albans, Herts. \ Purnell, Mrs Jeanne Marie, 13 Beaufort Mansions, London SW3. * Radcliffe, Anthony Frank, Dept of Architecture and Sculpture, Victoria and Albert Museum, London SW7. Rajnai, Dr Miklos, Castle Museum, Norwich. Rawson, Philip S., Gulbenkian Museum of Oriental Art, Durham University, Durham. ^ 12