Conference 2015
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Out of This World
TURANGALÎLA OPERA’S MESSIAEN’S ANTIHERO THE AGE OF ADÈS MASTERPIECE DON GIOVANNI’S DISCOVERING COMES TO NEW RELEVANCE BOLD NEW MUSICAL AUCKLAND I N 2019 HORIZONS SUMMER 2019 VOL.42 NO.1 your free copy OUT OF THIS WORLD APO CONCERTMASTER ANDREW BEER PREPARES TO PUSH THE LIMITS OF VIRTUOSITY We’re taking you behind the headlines Get the inside story from our journalists bringing you all the news that matters. Watch now at nzherald.co.nz/journalists apo.co.nz 3 UPFRONT WITH BARBARA GLASER 15 Bach and Beyond 4 APO NEWS Swedish conductor Sofi Jeannin talks about the demands of a unique Easter concert 7 Auckland Philharmonia Redefining Nature Orchestra 16 PO Box 7083 The orchestra takes you up close Wellesley St to the Animal Kingdom Antihero for the Ages Auckland 1141 ‘The opera of all operas’ in 2019 Phone (09) 638 6266 APO Ticketing (09) 623 1052 [email protected] 18 apo.co.nz aporchestra Chauffeur to the Stars @aporchestra Tony Waring drives APO guests aporchestra in style Patrons Dame Kiri Te Kanawa, DBE, ONZ Dame Catherine Tizard, GCMG, GCVO, DBE, ONZ, QSO 8 19 Sir James Wallace, KNZM, ONZM Dame Rosanne Meo, DNZM The Nature of Love Vice Patron Sonic Riches Composer Ken Young discusses Dame Jenny Gibbs, DNZM, OBE A deep dive into Messiaen’s his new collaboration with Witi Auckland Philharmonia masterpiece Turangalîla Ihimaera Orchestra Board Geraint A. Martin (Chair) Symphony Leigh Auton DEVELOPMENT NEWS Richard Ebbett 20 Lope Ginnen CONTENTS Pare Keiha 11 21 CONNECTING NEWS Kieran Raftery QC Eric Renick Soloist on a High-Wire Julian Smith -
Classical Myth and Margaret Mahy’S Young Adult
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchArchive at Victoria University of Wellington 1 Classical Myth and Margaret Mahy’s Young Adult Fiction By Michael Pohl A thesis Submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2010 2 Contents Acknowledgements…………………………………………………………………...iii Abstract……………………………………………………………………………….iv Introduction……………………………………………………………………………1 I. Other-worlds and Under-worlds I: Dangerous Spaces …………..............11 II. Other-worlds and Under-worlds II: The Changeover ……………………20 III. Dionysian Imagery in The Tricksters …………………………………….33 IV. Myth, Fiction and Lying in The Catalogue of the Universe ……………..62 V. Heroes and Authors in The Other Side of Silence ………………………..74 Conclusion……………………………………………………………………………87 Works Cited…………………………………………………………………………..92 3 Acknowledgements First and foremost I would like to thank my supervisors, Geoff Miles and Kathryn Walls, without whose invaluable support and advice this thesis could never have been written. I would also like to thank other members of the English programme at Victoria University of Wellington for the help and support they have offered me, especially Heidi Thomson, whose tireless energy and enthusiasm never failed to re- ignite mine when I felt it flagging, and whose knowledge of the technical hoop- jumping required of thesis students helped me negotiate the Byzantine university bureaucracy. Among my friends I would especially like to thank Sylvia, who was kind enough to put in the time and effort to proofread the (nearly-)finished article for me, and innumerable other friends who commiserated with me or gave me a kick up the bum when I needed one. -
A History of Music Education in New Zealand State Primary and Intermediate Schools 1878-1989
CHRISTCHURCH COLLEGE OF EDUCATION LIBRARY A HISTORY OF MUSIC EDUCATION IN NEW ZEALAND STATE PRIMARY AND INTERMEDIATE SCHOOLS 1878-1989 A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Canterbury by Susan P. Braatvedt B.A. (Natal), Dip.Arts (Auckland), B.A.Rons (Canterbury) VOLUME II University of Canterbury 2002 Chapter Five 1950-1968 266 The growth ofschool music Chapter Five 1950 -1968 The growth of school music "music is fmnly established as an integral part of the school curriculum."l 5.1 Introduction This 18-year period was dominated by the National Party except for one term when Labour was voted back into office from 1958? When the National Party took office in December 1949, they inherited an educational system in which school music had not been particularly well served. Robert Chapman comments: The underlying changes in the golden 1960s were social rather than political, technological rather than legislative, individual rather than public ....The tertiary education boom, television, and the contraceptive pill were transforming family and personal relationships as well as the method by which politics were perceived. Government expenditure underwrote the surging development of health and education ... 3 In chapter one section 1.2 it was pointed out that the influence of English music education endured for many years. It is in this period that we begin to see a development of a more innovative approach which was more eclectic in its character. 1 AE. Campbell, Director-General of Education, AJHR. E-1, 1966, p.17. 2 R Chapman, 'From Labour to National,' The Oxford History ofNew Zealand, W.H. -
Cover No Spine
2006 VOL 44, NO. 4 Special Issue: The Hans Christian Andersen Awards 2006 The Journal of IBBY,the International Board on Books for Young People Editors: Valerie Coghlan and Siobhán Parkinson Address for submissions and other editorial correspondence: [email protected] and [email protected] Bookbird’s editorial office is supported by the Church of Ireland College of Education, Dublin, Ireland. Editorial Review Board: Sandra Beckett (Canada), Nina Christensen (Denmark), Penni Cotton (UK), Hans-Heino Ewers (Germany), Jeffrey Garrett (USA), Elwyn Jenkins (South Africa),Ariko Kawabata (Japan), Kerry Mallan (Australia), Maria Nikolajeva (Sweden), Jean Perrot (France), Kimberley Reynolds (UK), Mary Shine Thompson (Ireland), Victor Watson (UK), Jochen Weber (Germany) Board of Bookbird, Inc.: Joan Glazer (USA), President; Ellis Vance (USA),Treasurer;Alida Cutts (USA), Secretary;Ann Lazim (UK); Elda Nogueira (Brazil) Cover image:The cover illustration is from Frau Meier, Die Amsel by Wolf Erlbruch, published by Peter Hammer Verlag,Wuppertal 1995 (see page 11) Production: Design and layout by Oldtown Design, Dublin ([email protected]) Proofread by Antoinette Walker Printed in Canada by Transcontinental Bookbird:A Journal of International Children’s Literature (ISSN 0006-7377) is a refereed journal published quarterly by IBBY,the International Board on Books for Young People, Nonnenweg 12 Postfach, CH-4003 Basel, Switzerland tel. +4161 272 29 17 fax: +4161 272 27 57 email: [email protected] <www.ibby.org>. Copyright © 2006 by Bookbird, Inc., an Indiana not-for-profit corporation. Reproduction of articles in Bookbird requires permission in writing from the editor. Items from Focus IBBY may be reprinted freely to disseminate the work of IBBY. -
Milestones in NZ Sexual Health Compiled by Margaret Sparrow
MILESTONES IN NEW ZEALAND SEXUAL HEALTH by Dr Margaret Sparrow For The Australasian Sexual Health Conference Christchurch, New Zealand, June 2003 To celebrate The 25th Annual General Meeting of the New Zealand Venereological Society And The 25 years since the inaugural meeting of the Society in Wellington on 4 December 1978 And The 15th anniversary of the incorporation of the Australasian College of Sexual Health Physicians on 23 February 1988 TABLE OF CONTENTS Pg Acknowledgments 3 Foreword 4 Glossary of abbreviations 5 Chapter 1 Chronological Synopsis of World Events 7 Chapter 2 New Zealand: Milestones from 1914 to the Present 11 Chapter 3 Dr Bill Platts MBE (1909-2001) 25 Chapter 4 The New Zealand Venereological Society 28 Chapter 5 The Australasian College 45 Chapter 6 International Links 53 Chapter 7 Health Education and Health Promotion 57 Chapter 8 AIDS: Milestones Reflected in the Media 63 Postscript 69 References 70 2 ACKNOWLEDGMENTS Dr Ross Philpot has always been a role model in demonstrating through his own publications the importance of historical records. Dr Janet Say was as knowledgeable, helpful and encouraging as ever. I drew especially on her international experience to help with the chapter on our international links. Dr Heather Lyttle, now in Perth, greatly enhanced the chapter on Dr Bill Platts with her personal reminiscences. Dr Gordon Scrimgeour read the chapter on the NZVS and remembered some things I had forgotten. I am grateful to John Boyd who some years ago found a copy of “The Shadow over New Zealand” in a second hand bookstore in Wellington. Dr Craig Young kindly read the first three chapters and made useful suggestions. -
Fiona Kidman, Writer: a Feminist Critique of New Zealand Society
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. FIONA KIDMAN, WRITER: A FEMINIST CRITIQUE OF NEW ZEALAND SOCIETY A thesis presented in fulfilment of the requirements for the degree of Master of Arts in English Literature at Massey University, Albany New Zealand Anna Elizabeth Leclercq 2012 i ABSTRACT Two perspectives are pervasive in Fiona Kidman’s writing: the reconstruction of historical female voices, through fictional narrative; the recording of contemporary female voices, through autobiographical commentary and through fictional characterisations. This thesis engages with examples of Kidman’s work which show Kidman’s literary project to be the shaping of a New Zealand Pakeha cultural identity from a feminist perspective. In other words, Kidman constructs a patriarchal plot in order to demonstrate and expose the historical and contemporary inequalities of women’s position within New Zealand society. Their fictionalisations are influenced significantly by relationship intimacy, but their intention lies deeper. For those who wish to explore below the emotional surface of Kidman’s stories, there lies a social metanarrative, a journey of discovery for the reader. Each characterisation is part of an arranged message which Kidman challenges us to decipher. Kidman’s constructed narrative is manipulative and manipulated; put together in order to explore and explain the workings of the female psyche under stress; how the female psyche responds to the pressures of living within a patriarchal society; those ways in which the female psyche acts and reacts when seeking to buck the prevailing system, and how the system responds to this. -
BULLETIN of the CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU Summer December 03 – February 04
BULLETIN OF THE CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU summer december 03 – february 04 Open 10am – 5pm daily, late night every Wednesday until 9pm Cnr Worcester Boulevard & Montreal Street, PO Box 2626 Christchurch, New Zealand Tel: (+64 3) 941 7300, Fax: (+64 3) 941 7301 Email: [email protected] www.christchurchartgallery.org.nz Gallery Shop tel: (+64 3) 941 7388 Form Gallery tel: (+64 3) 377 1211 Alchemy Café & Wine Bar tel: (+64 3) 941 7311 Education Booking Line tel: (+64 3) 941 8101 Art Gallery Carpark tel: (+64 3) 941 7350 Friends of the Christchurch Art Gallery tel: (+64 3) 941 7356 b.135 Exhibitions Programme Bulletin Editor: Sarah Pepperle Gallery Contributors 2 Introduction ISLANDS IN THE SUN MAKING TRACKS COMING SOON! Director: Tony Preston A few words from the Director Curator (Contemporary): Felicity Milburn 31 OCTOBER – 1 FEBRUARY 04 13 FEBRUARY – 30 MAY SILICA, SHADOW Curatorial Assistant (Contemporary): Jennifer Hay AND LIGHT Curatorial Assistant (Historical): Ken Hall 3 My Favourite A remarkable collection of prints A unique installation by Canterbury Public Programmes Officer: Ann Betts Margaret Mahy makes her choice 19 MARCH – 11 JULY by indigenous artists of Australasia artist Judy McIntosh Wilson, Gallery Photographer: Brendan Lee and Oceania. continuing her fascination with the A journey through the works of Friends of Christchurch Art Gallery: Marianne Hargreaves marks and tidal tracks imprinted on 4 Noteworthy W.A. Sutton and Ravenscar George D. Valentine, one of New the sandy beaches of Waikuku. News bites from around the Gallery Galleries Zealand’s foremost nineteenth Other Contributors Catalogue available. -
The New Zealand Presence in the Published Record
Kiwis in the Collection: The New Zealand Presence in the Published Record By Brian Lavoie Kiwis in the Collection: The New Zealand Presence in the Published Record #oclcresearch #nzreport Brian Lavoie Research Scientist OCLC Research © 2014 OCLC Online Computer Library Center, Inc. This work is licensed under a Creative Commons Attribution 3.0 Unported License. http://creativecommons.org/licenses/by/3.0/ October 2014 OCLC Research Dublin, Ohio 43017 USA www.oclc.org ISBN: 1-55653-485-X (978-1-55653-485-0) OCLC Control Number: 892453037 Please direct correspondence to: Brian Lavoie Research Scientist [email protected] Suggested citation: Lavoie, Brian. 2014. Kiwis in the Collection: The New Zealand Presence in the Published Record. Dublin, Ohio: OCLC Research. http://www.oclc.org/content/dam/research/publications/library/2014/oclcresearch-new- zealand-presence-2014.pdf. Kiwis in the Collection: The New Zealand Presence in the Published Record #oclcresearch #nzreport Contents Acknowledgments ............................................................................................ 6 Introduction ................................................................................................... 7 National Presence: Definition and Methodology ........................................................ 7 The New Zealand Presence in the Published Record ................................................... 8 Most Globally Popular New Zealanders in the Published Record .................................. 9 Most Popular New Zealand Works .................................................................... -
New Zealand and Pacific Literatures in Spanish Translation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Journal Systems at the Victoria University of Wellington Library Reading (in) the Antipodes: New Zealand and Pacific Literatures in Spanish Translation PALOMA FRESNO-CALLEJA Abstract This article considers the Spanish translations of New Zealand and Pacific authors and explores the circumstances that have determined their arrival into the Spanish market as well as the different editorial and marketing choices employed to present these works to a Spanish readership. It considers the scarcity of canonical authors, the branding of Maori and other “ethnic” voices, the influence of film adaptations and literary prizes in the translation market, and the construction of the “New Zealand exotic” in works written by non-New Zealand authors which, in the absence of more translations from Spain’s literary Antipodes, have dominated the Spanish market in recent years. Introduction In October 2012, New Zealand was chosen as guest of honour at the Frankfurt Book Fair, the world’s largest and most prominent event of this type. The motto of the New Zealand delegation was: “He moemoea he ohorere / While you were sleeping,” an ingenious allusion to the geographical distance between Europe and its Antipodes, but also a reminder of the country’s literary potential, which Europeans were invited to wake up to. The choice of New Zealand as a guest of honour reflected the enormous interest of German readers for its literature and culture, summarized in Norman Franke’s remark that “Germans are crazy about all things Kiwi.”1 As Franke points out, more New Zealand books have been translated into German than into any other European language, and the impact of the fair resulted in an immediate increase of sales and a thirst for new titles.2 Spanish newspapers reported the event with curiosity but on a slightly skeptical note. -
Kiwis in the Collection: the New Zealand Presence in the Published Record
Kiwis in the Collection: The New Zealand Presence in the Published Record By Brian Lavoie Kiwis in the Collection: The New Zealand Presence in the Published Record #oclcresearch #nzreport Brian Lavoie Research Scientist OCLC Research © 2014 OCLC Online Computer Library Center, Inc. This work is licensed under a Creative Commons Attribution 3.0 Unported License. http://creativecommons.org/licenses/by/3.0/ October 2014 OCLC Research Dublin, Ohio 43017 USA www.oclc.org ISBN: 1-55653-486-8 (978-1-55653-486-7) OCLC Control Number: 892453037 Please direct correspondence to: Brian Lavoie Research Scientist [email protected] Suggested citation: Lavoie, Brian. 2014. Kiwis in the Collection: The New Zealand Presence in the Published Record. Dublin, Ohio: OCLC Research. http://www.oclc.org/content/dam/research/publications/library/2014/oclcresearch- new-zealand-presence-2014-a4.pdf. Contents Acknowledgments ...................................................................................... 6 Introduction ............................................................................................. 7 National Presence: Definition and Methodology ................................................... 7 The New Zealand Presence in the Published Record .............................................. 8 Most Globally Popular New Zealanders in the Published Record ............................. 9 Most Popular New Zealand Works ................................................................ 10 Most Popular Works About/Set in New Zealand ............................................... -
The Governor-General of New Zealand Dame Patsy Reddy
New Zealand’s Governor General The Governor-General is a symbol of unity and leadership, with the holder of the Office fulfilling important constitutional, ceremonial, international, and community roles. Kia ora, nga mihi ki a koutou Welcome “As Governor-General, I welcome opportunities to acknowledge As New Zealand’s 21st Governor-General, I am honoured to undertake success and achievements, and to champion those who are the duties and responsibilities of the representative of the Queen of prepared to assume leadership roles – whether at school, New Zealand. Since the signing of the Treaty of Waitangi in 1840, the role of the Sovereign’s representative has changed – and will continue community, local or central government, in the public or to do so as every Governor and Governor-General makes his or her own private sector. I want to encourage greater diversity within our contribution to the Office, to New Zealand and to our sense of national leadership, drawing on the experience of all those who have and cultural identity. chosen to make New Zealand their home, from tangata whenua through to our most recent arrivals from all parts of the world. This booklet offers an insight into the role the Governor-General plays We have an extraordinary opportunity to maximise that human in contemporary New Zealand. Here you will find a summary of the potential. constitutional responsibilities, and the international, ceremonial, and community leadership activities Above all, I want to fulfil New Zealanders’ expectations of this a Governor-General undertakes. unique and complex role.” It will be my privilege to build on the legacy The Rt Hon Dame Patsy Reddy of my predecessors. -
In the Novels of Margaret Mahy and Maurice Gee
chapter 17 Katabasis “Down Under” in the Novels of Margaret Mahy and Maurice Gee Elizabeth Hale Two writers of fiction for young adults have dominated the New Zealand liter- ary scene in the past few decades. Margaret Mahy and Maurice Gee are well- known, both at home and abroad, for their intelligent, sensitive, and dramatic fantasy, historical, and science fiction novels, which bring exciting action to the shores of this small country in the Southern Pacific Ocean. New Zealand consists of three islands, and is located in the very far South. Along with Australia it is affectionately known as the Antipodes, or “Down Un- der.” The first human inhabitants, Polynesians, are thought to have migrated to the islands in the thirteenth century, forming the seeds of what became the Maori culture. They called the islands Aotearoa, or Land of the Long White Cloud. The first Western sighting of Aotearoa was in 1642 by the Dutch explorer Abel Tasman; the Dutch called the place Nova Zeelandia. The name became Anglicised after James Cook visited the islands in 1769–1770. European migra- tion began in the nineteenth century, first by missionaries and then by set- tlers, in an organised scheme of land purchase and farming. The country was claimed as part of the British Empire, following the Treaty of Waitangi in 1840; it has remained in the Commonwealth, and the bulk of its population is of Brit- ish origin. The population is currently around four million people. It has strong political ties to Australia, the uk, and the United States, and is a leader in the Pacific region, with links to Asia as well.