DOCSLIB.ORG

Whitney Houston Love Will Save the Day (Extended Remix) Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Whitney Houston Love Will Save the Day (Extended Remix) Mp3, Flac, Wma Whitney Houston Love Will Save The Day (Extended Remix) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Love Will Save The Day (Extended Remix) Country: UK Released: 1988 Style: Soul, Vocal, Disco MP3 version RAR size: 1735 mb FLAC version RAR size: 1437 mb WMA version RAR size: 1837 mb Rating: 4.8 Votes: 709 Other Formats: MMF AUD APE MOD ADX MP2 VOC Tracklist Hide Credits Love Will Save The Day (Extended Remix) Arranged By [Vocal Arrangements] – Whitney HoustonKeyboards [Additional] – Rich A 6:55 TancrediMixed By – Ric Wake, Richie JonesProducer, Remix – JellybeanJellybean*Recorded By [Overdubs], Engineer [Mix] – Bob CadwayWritten-By – Toni C* Hold Me Mixed By – Bill SchneeProducer – Michael MasserVocals [Duet With] – Teddy B 6:00 PendergrassWritten By – Michael Masser / Linda CreedWritten-By – Linda Creed, Michael Masser Companies, etc. Phonographic Copyright (p) – Arista Records, Inc. Copyright (c) – Arista Records, Inc. Copyright (c) – BMG Eurodisc Ltd. Distributed By – BMG Records Distributed By – BMG Ariola Published By – Warner Bros. Music Ltd. Published By – MCA Music Ltd. Credits Executive-Producer – Clive Davis Sleeve [Design] – Shoot That Tiger! Notes Track A produced for Jellybean Productions, Inc. Additional production for Wake Productions. Original version featured on the album "Whitney". Track B written as 'Hold Me (Duet With Teddy Pendergrass)'. Produced for Prince Street Production, Inc. Featured on the album "Whitney". ©BMG Eurodisc Ltd. 1988. BMG / Ariola [is] a Bertelsmann Music Group Company. Printed in England. Stereo. Track A published by Warner Bros. Music Ltd. Track B published by Warner Bros. Music Ltd. / MCA Music Ltd. ℗1988 Arista Records, Inc. ©1988 Arista Records, Inc. Manufactured in England. Barcode and Other Identifiers Barcode: 4007196115163 Barcode: 4 007196 115163 Matrix / Runout (Side A label): 611 516A Matrix / Runout (Side B label): 611 516B Matrix / Runout (Side A runouts): 611 516-A2. B Matrix / Runout (Side B runouts): 611 516-B2. 7 C Other (German distribution code): D: 213 Other (French distribution code): F: RC120 Other (UK distribution code): UK: BB Label Code: LC 3484 Other versions Category Artist Title (Format) Label Category Country Year Whitney Love Will Save The Day ADI-9721 Arista ADI-9721 US 1988 Houston (12") 111 516, 111 Whitney Love Will Save The Day Arista, 111 516, 111 UK 1987 516 W Houston (7", Single) Arista 516 W Whitney Love Will Save The Day A15L-8 Arista A15L-8 Japan 1988 Houston (12", Maxi) Love Will Save The Day Whitney 661-516 (Extended Club Mix) (CD, Arista 661-516 Europe 1988 Houston Single, Pic) Whitney Love Will Save The Day 104892 Arista 104892 Australia 1988 Houston (7", Single) Related Music albums to Love Will Save The Day (Extended Remix) by Whitney Houston Whitney Houston - Love, Whitney Whitney Houston - Didn't We Almost Have It All (New Version) Whitney Houston - Miracle Whitney Houston - Saving All My Love For You Whitney Houston - Whitney Whitney Houston - Whitney Houston Whitney Houston - Greatest Love Of All Whitney Houston - Love Will Save The Day.
Load more

Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Listen to Dezron Douglas & Brandee Younger Cover the Stylistics' “You Make Me Feel Brand New” from New Album
    December 1, 2020 For Immediate Release Listen to Dezron Douglas & Brandee Younger Cover The Stylistics’ “You Make Me Feel Brand New” From New Album, Force Majeure, Out This Friday on International Anthem ​ ​ (Photo by Deneka Peniston) "Compiled from a soul-affirming livestream series that they shared from their Harlem apartment, [Force Majeure is] a portrait of resilience, solidarity and reassurance.” — WBGO ​ ​ ​ “Modal jazz classics by Pharoah Sanders and the Coltranes rub shoulders with heavenly, harmonically rich readings of soul standards such as You Make Me Feel Brand New by the Stylistics and Clifton Davis’s Never Can Say Goodbye, with Younger lurching from modal flourishes to the more chromatic, bop-influenced improvisations of Dorothy Ashby.” — The ​ Guardian (“Contemporary Album of the Month,” 4 stars) “Building on their weekly livestream and recorded in their living room with a single microphone, Force Majeure finds the duo swimming freely between the great canon of jazz compositions and familiar, contemporary popular songs.” — Bandcamp (“Album of the Day”) ​ Bassist Dezron Douglas and harpist Brandee Younger will release their debut album as a ​ ​ ​ ​ duo, Force Majeure, this Friday on International Anthem. Today, they present new single, ​ ​ ​ ​ “You Make Me Feel Brand New,” a cover of The Stylistics’ classic, written by Thom Bell and ​ ​ ​ Linda Creed. It follows previous singles, the pair’s “warm and inviting” (Stereogum) cover of ​ ​ Pharoah Sanders & Leon Thomas’ “The Creator Has A Master Plan,” and “Sing,” which was ​ ​ originally written by Joe Raposo for Sesame Street. ​ ​ Douglas & Younger’s rendition of “You Make Me Feel Brand New” opens with light, magnetic flutters from Younger’s harp and strolling plucks on Douglas’ bass.
    [Show full text]
  • Sammy Strain Story, Part 4: Little Anthony & the Imperials
    The Sammy Strain Story Part 4 Little Anthony & the Imperials by Charlie Horner with contributions from Pamela Horner Sammy Strain’s remarkable lifework in music spanned almost 49 years. What started out as street corner singing with some friends in Brooklyn turned into a lifelong career as a professional entertainer. Now retired, Sammy recently reflected on his life accomplishments. “I’ve been inducted into the Rock & Roll Hall of Fame twice (2005 with the O’Jays and 2009 with Little (Photo from the Classic Urban Harmony Archives) Anthony & the Imperials), the Vocal Group Hall of Fame (with both groups), the Pioneer R&B Hall of Fame (with Little An- today. The next day we went back to Ernie Martinelli and said thony & the Imperials) and the NAACP Hall of Fame (with the we were back together. Our first gig was to be a week-long O’Jays). Not a day goes by when I don’t hear one of the songs engagement at the Town Hill Supper Club, a place that I had I recorded on the radio. I’ve been very, very, very blessed.” once played with the Fantastics. We had two weeks before we Over the past year, we’ve documented Sammy opened. From the time we did that show at Town Hill, the Strain’s career with a series of articles on the Chips (Echoes of group never stopped working. “ the Past #101), the Fantastics (Echoes of the Past #102) and The Town Hall Supper Club was a well known venue the Imperials without Little Anthony (Echoes of the Past at Bedford Avenue and the Eastern Parkway in the Crown #103).
    [Show full text]
  • The Fan Data Goldmine Sam Hunt’S Second Studio Full-Length, and First in Over Five Years, Southside Sales (Up 21%) in the Tracking Week
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 24, 2021 Page 1 of 30 Leader; Travis Denning Makes History INSIDE The Fan Data Goldmine Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lionBY audienceTATIANA impressions, CIRISANO up 16%). Top Country• Spotify’s Albums Music chart dated April 18. In its first week (ending April 9), it earnedLeaders 46,000 onequivalent the album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingStreaming to Nielsen Giant’s Music/MRC JessieData. Reyez loves to text, especially with fans.and Ustotal- Countryand Airplay Community No. 1 as “Catch” allows (Big you Machine to do that, Label especially Group) ascends Southside‘Audio-First’ marks Future: Hunt’s seconding No.a phone 1 on the number assigned through the celebrity when you’re2-1, not increasing touring,” 13% says to 36.6Reyez million co-manager, impressions. chart andExclusive fourth top 10. It followstext-messaging freshman LP startup Community and shared on her Mauricio Ruiz.Young’s “Using first every of six digital chart outletentries, that “Sleep you canWith- Montevallo, which arrived at thesocial summit media in No accounts,- the singer-songwriter makes to make sureout you’re You,” stillreached engaging No.
    [Show full text]
  • View of Liturature
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 The Effects of Music Therapy on Feelings of Hopelessness and Personal Control for Women Affected by Domestic Violence Jessica L. Rushing Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE EFFECTS OF MUSIC THERAPY ON FEELINGS OF HOPELESSNESS AND PERSONAL CONTROL FOR WOMEN AFFECTED BY DOMESTIC VIOLENCE By JESSICA L. RUSHING A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Summer Semester, 2009 The members of the committee approve the thesis of Jessica L. Rushing defended on July 6, 2009. ____________________________ Jayne M. Standley Professor Directing Thesis ____________________________ Alice-Ann Darrow Committee Member ____________________________ Dianne Gregory Committee Member Approved: _____________________________ Don Gibson, Dean, College of Music The Graduate Studies has verified and approved the above-named committee members. ii I dedicate this thesis to my mother and father, who have unceasingly supported me and allowed me to follow my dreams. iii ACKNOWLEDGEMENTS I would first and foremost like to thank the women participating in this study. They allow me to love what I do on a daily basis and challenge me to be better. A special thanks goes to the staff at Hubbard House and Lowell Correctional Institution, especially Kay Davis, Alison, and Djuna Poole, for supporting this project and assisting in its implication. Endless thanks goes to my parents Julie Snow and Neil Rushing for supporting me in every way possible.
    [Show full text]
  • ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
    DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.
    [Show full text]
  • Year-End Edition 2006 Mediabase Overall Label Share 2006
    MEDIABASE YEAR-END EDITION 2006 MEDIABASE OVERALL LABEL SHARE 2006 ISLAND DEF JAM TOP LABEL IN 2006 Atlantic, Interscope, Zomba, and RCA Round Out The Top Five Island Def Jam Music Group is this year’s #1 label, according to Mediabase’s annual year-end airplay recap. Led by such acts as Nickelback, Ludacris, Ne-Yo, and Rihanna, IDJMG topped all labels with a 14.1% share of the total airplay pie. Island Def Jam is the #1 label at Top 40 and Hot AC, coming in second at Rhythmic, Urban, Urban AC, Mainstream Rock, and Active Rock, and ranking at #3 at Alternative. Atlantic was second with a 12.0% share. Atlantic had huge hits from the likes of James Blunt, Sean Paul, Yung Joc, Cassie, and Rob Thomas -- who all scored huge airplay at multiple formats. Atlantic ranks #1 at Rhythmic and Urban, second at Top 40 and AC, and third at Hot AC and Mainstream Rock. Atlantic did all of this separately from sister label Lava, who actually broke the top 15 labels thanks to Gnarls Barkley and Buckcherry. Always powerful Interscope was third with 8.4%. Interscope was #1 at Alternative, second at Top 40 and Triple A, and fifth at Rhythmic. Interscope was led byAll-American Rejects, Black Eyed Peas, Fergie, and Nine Inch Nails. Zomba posted a very strong fourth place showing. The label group garnered an 8.0% market share, with massive hits from Justin Timberlake, Three Days Grace, Tool and Chris Brown, along with the year’s #1 Urban AC hit from Anthony Hamilton.
    [Show full text]
  • WDAM Radio's History of Dionne Warwick
    WDAM Radio's Hit Singles History Of Dionne Warwick # Artist Title Chart Position/Year Label Comments 001 Drifters “Mexican Divorce” –/1962 Atlantic Dionne Warwick’s back-up vocals on this recording are what caught the attention of Hal David & Burt Bacharach, who signed her to their production company. Recorded in 1961, but released as the B-side of When My Little Girl Is Smiling (#28-Rock-U.S. + #31- U.K./1962). Composers – Burt Bacharach & Bob Hilliard. 002 Burt & The Backbeats “Move It On The Backbeat” –/1961 Big Top Burt Bacharach, Dionne Warwick & Dee Dee Warwick. Composers – Hal David & Burt Bacharach. 003 Dionne Warwick “It’s Love That Really Counts” –/1962 Scepter Demo for song that was presented to the Shirelles. It also was a cut on Dionne’s debut LP – Presenting Dionne Warwick – released in 1963. Composers – Hal David & Burt Bacharach. 003A Shirelles “It’s Love That Really Counts” #102/1962 Scepter 004 Dionne Warwick “I Smiled Yesterday” –/1962 Scepter A-Side. Composers – Hal David & Burt Bacharach. 005 Dionne Warwick “Don’t Make Me Over” #21-Rock & #5-R&B- Scepter B-side. Song title inspired by Dionne’s angry U.S. + #38-Rock- statement to Hal David & Burt Bacharach Canada/1962 gave Make It Easy On Yourself to Jerry Butler first instead of her. Composers – Hal David & Burt Bacharach. 005A Swinging Blue Jeans “Don’t Make Me Over” #116-Rock-U.S. + #31- Imperial U.K./1966 005B Brenda & The “Don’t Make Me Over” #77-Rock & #15-R&B- Top And Bottom Co-producer – Van McCoy. Tabulations U.S./1970 005C Jennifer Warnes “Don’t Make Me Over” #67-Rock, #14-AC & Arista #84-C&W-U.S./1980 005D Sybil “Don’t Make Me Over” #20-Rock, #2-R&B & Next Plateau #4-Dance-U.S.
    [Show full text]
  • Jeffrey Osborne Worth It All
    Jeffrey Osborne Worth It All Jeffrey Osborne is a drum beater, a heart beater and an odds beater. From his early days percussively propelling the band L.T.D. to its highest heights to spinning off as a solo artist when too few knew his name (but very soon would as the singer of “On the Wings of Love”), Jeffrey Osborne has defiantly marched to the rhythm of his own fiery spirit and come up a winner every time. He’s about to do it again with the release of Worth It All, his first R&B album in over a decade besides his acclaimed 2013 Jazz CD, A Time For Love. This is Osborne’s first album for multi-award-winning Artistry/Mack Avenue Records. Jeffrey and his return to his R&B roots CD will feel right home. Worth It All is a spirited and highly diversified 12-song collection of material all written, produced and sung by Jeffrey Osborne. All of the songs were written within the last several years and, for the most part, lovingly laser-focused on relationships and romance – subjects near and dear to his heart as he has been happily married for over three decades. Osborne – who made the milestone of 70-years- young on March 9, 2018 – proves beyond the shadow of a doubt that he can still “woo-woo-woo” with the greatest singers still on the planet. With Worth It All, he is working overtime in his original realm of Soul. “I wanted to do an old school R&B album this time,” Jeffrey explains.
    [Show full text]
  • DAN KELLY's Ipod 80S PLAYLIST It's the End of The
    DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance
    [Show full text]
  • 'Unreleased' Tracks in the Motown Vaults 3 Dec 2010
    Review of identified ‘Unreleased’ Tracks in the Motown Vaults 3 rd Dec 2010 Tracks list from unknown source in mid 90s….possibly Artists Cards FOUND when researching Anthology Collection 2008 NOT FOUND (possibly incomplete or tapes not yet identified) Listed As THE FOUR SEASONS : (Research info in brackets - Comment or BMI listed writers) Be My Lover Be My Friend (Crewe/Greenwich/Tudanger)Ellie Grennwich wrote many 1960s hits with Phil Spector and Steve Tudanger was a member of the 4Evers Hymn to Her (Bob Crewe – Kenny Nolan) found on music cassette Dec2010 I'll Make It Up To You Live It Up Lovewell (identified by Steve Bailey fan club President who attended recording session) Lovers (Crewe/Nolan) found on music cassette Dec2010 Oh Girl Everything's Gonna Be Alright Star That's All I Want From You (title recorded by The Happenings BT Puppy 549 Nov1968) We Had It All What It Is (Norman Whitfield – Barrett Strong?) Whatever You Want (Crewe/Gaudio – recorded with Jerry Butler in 1962) Where Love Ends Wigs and Lashes (also recorded by The Miracles on ‘Renaisance’ LP 1973) You Can't Hold On Time Will Tell (Bob Crewe – Louis St Louis ) Baby I Need You So Much Nasty ( Brwon – Bloodworth) - Title of track recorded in 60s by Bob Crewe with the Distant Cousins Over Girl Don’t Take You Love From Me I Will Love You Like A Man My Heart Cries Out To You (identified by John Hornsby 26-01-07 see Motown Unreleased Part 3) Make Your Tomorrow Tonight (found on music cassette in 2010 in Rose Murphy/ Wonder Who ? vocal style) Inside Out (Bob Crewe) Title of album commissioned by Motown in 1973 (August) MW 788 Listed As FRANKIE VALLI: After You (Crewe/Corbetta/Marmelzat – Jerry Corbetta had performed with the group ‘Sugarloaf’ a Denver, Colorado based rock and roll band that performed from 1970 to 1975.
    [Show full text]
  • Volume 7, Number 2, 2019
    THE POPULAR CULTURE STUDIES JOURNAL SHOWCASE FEATURES Sexual Violence THIS IS THE END Political Around The and Rhetoric and sympathy Post-9/11 Association of in HOUSE CARDS America Small Bombs of and and parafictional SCANDAL personas Representing Labor in Nicholas Winding Refn SHABASHTHE THE BANGLADESHI AND THE MOVIE SITE TRANSCULTURAL SUPERHERO BYNWR TRAVELERS American Monomyth MARILYN & MONROE & DEAD White Savior Narrative in celebrity Free State of Jones personas Narrative displeasure, Nia Nal the Super Girl MS. BDSM aNd traNSgeNder , repreSeNtatioN MARVEL (Kamala Khan) and representation and video games of Muslim women REGULAR FEATURES SEXISM AND RACISM IN FAN LABOR AND ELVIS IMPERSONATORS FLEISCHER BLACK IDENTITY IN SUPERMAN DEAR WHITE PEOPLE CARTOONS Edited by: CarrieLynn D. Reinhard POPULAR CULTURE STUDIES JOURNAL VOLUME 7 NUMBER 2 2019 Editor CARRIELYNN D. REINHARD Dominican University Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor CHRISTOPHER J. OLSON University of Wisconsin-Milwaukee Graphics Editor ETHAN CHITTY Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2019 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W.
    [Show full text]