The Qing Invention of Nature: Environment and Identity in Northeast China and Mongolia, 1750-1850

Total Page:16

File Type:pdf, Size:1020Kb

The Qing Invention of Nature: Environment and Identity in Northeast China and Mongolia, 1750-1850 The Qing Invention of Nature: Environment and Identity in Northeast China and Mongolia, 1750-1850 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters. Schlesinger, Jonathan. 2012. The Qing Invention of Nature: Citation Environment and Identity in Northeast China and Mongolia, 1750- 1850. Doctoral dissertation, Harvard University. Accessed April 17, 2018 3:49:21 PM EDT Citable Link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9773744 This article was downloaded from Harvard University's DASH Terms of Use repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http://nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA (Article begins on next page) © 2012 – Jonathan Schlesinger All rights reserved. Mark C. Elliott Jonathan Schlesinger! The Qing Invention of Nature: Environment and Identity in Northeast China and Mongolia, 1750-1850 Abstract This dissertation studies the nexus of empire, environment, and market that defined Qing China in 1750-1850, when unprecedented commercial expansion and a rush for natural resources – including furs, pharmaceuticals, and precious minerals – transformed the ecology of China and its borderlands. That boom, no less than today’s, had profound institutional, ideological, and environmental causes and consequences. Nature itself was redefined. In this thesis, I show that it was the activism, not the atavism, of early modern empire that produced “nature.” Wilderness as such was not a state of nature: it reflected the nature of the state. Imperial efforts to elaborate and preserve “pure” ethnic homelands during the boom were at the center of this process. Using archival materials from Northeast China and Mongolia as case studies, the dissertation reassesses the view that homesteaders transformed China’s frontiers from wilderness to breadbasket after 1850. I argue instead that, like the Russian East and American West, the Qing empire’s North was never a “primitive wilderness” – it only seemed so to late 19th century observers. Manchuria and Mongolia, in fact, had served local and global markets. The boom years of the 1700s in particular witnessed a surge in poaching, commercial licensing, and violent “purification” campaigns to restore the environment, stem migration, and promote “traditional” land-use patterns. Results were mixed; conservation succeeded in some territories, while others suffered dramatic environmental change: emptied of fur-bearing animals, stripped of wild pharmaceuticals, left bare around abandoned worker camps. Beginning with changes in iii material culture in the metropole, the dissertation follows the commodity chain to production sites in the frontier, providing a fresh look at the politics of resource production and nature protection in the Qing empire. iv Table of Contents Maps & Figures................................................................................................................. vii! Acknowledgements ............................................................................................................ ix! Introduction ....................................................................................................................... 1! Environmental History: From Empire to Nation!.........................................................................................!4! From Nation Back to Empire: The New Qing History!...........................................................................!11! Environment and Economy: the Materiality of Qing Frontiers!...........................................................!16! Rethinking the Nature of Frontiers: the Purity of Place, People, and Production!.........................!24! Chapter Summary!................................................................................................................................................!30! Chapter 1: Marketing the Frontier ............................................................................... 33! The Manchu Suite & Gift-Giving at Court!.................................................................................................!36! Classical Traditions: Gaps in Chinese and Manchu Material Culture!...............................................!51! Sumptuary Laws and the Material Culture of Early Qing Court!.........................................................!58! The New Imperial Cosmopolitanism: From Manchu to Qing Fashions!...........................................!75! Appraising Fur!......................................................................................................................................................!88! Conclusion!.............................................................................................................................................................!96! Chapter 2: Tribute and the Conservation Order in Manchuria .............................. 100! Introduction!.........................................................................................................................................................!100! Pearls!.....................................................................................................................................................................!102! Working the Rivers: Tribute as Corvée!................................................................................................!103! The Rivers Rest!.............................................................................................................................................!114! Ginseng!.................................................................................................................................................................!123! Working the Mountains: “Tribute Farming”!.....................................................................................!124! The Mountains Rest!.....................................................................................................................................!130! Sable: Tribute, Culgan, and Sustainability!...............................................................................................!142! Conclusion!...........................................................................................................................................................!156! Chapter 3: Licensing Frontier Markets ...................................................................... 158! Introduction!.........................................................................................................................................................!158! Boundaries and Boundary Crossing: Licensing Travel in Qing Mongolia!....................................!159! Empire at the Interstices: Keeping Merchants in Line!..........................................................................!168! Commercial Expansion: Pulls from the Metropole, Pushes from the Frontier!.............................!182! Empire Building at Production Sites: Farms, Fuel, and Pharmaceuticals!......................................!192! Farmland!........................................................................................................................................................!192! Fuel!...................................................................................................................................................................!198! Deer Horn!.......................................................................................................................................................!204! Conclusion!...........................................................................................................................................................!210! Chapter 4: Purity and Mongolia: The Mushroom Crisis.......................................... 212! Introduction: In Pursuit of Purity!.................................................................................................................!212! Mushrooms!..........................................................................................................................................................!219! Pure Places: Precedents!...................................................................................................................................!235! Conclusion!...........................................................................................................................................................!255! Chapter 5: Purity and the Qing Borderlands: Fur and Lake Khovsgol in the Early 19th Century ................................................................................................................... 259! Introduction!.........................................................................................................................................................!259! v Pure Wilderness of the Outermost Reaches: the Borderland!..............................................................!262! Between Borderland and Bannerland: Urianghai Territory!................................................................!276! Fur Tribute: the Mechanics of Homeland Conservation!......................................................................!283! Sustaining Purity: The Depletion Crisis!....................................................................................................!289! From Environmental Crisis to Jurisdiction
Recommended publications
  • Records of the Medieval Sword Free
    FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser.
    [Show full text]
  • Types of Chinese Swords There Are Generally Five Types of Swords in Chinese History, They Are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao
    Types of Chinese Swords There are generally five types of swords in Chinese history, they are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao. The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BC during the Spring and Autumn Period;one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 cm (17.7 to 31.5 inches) in length. The weight of an average sword of 70- centimeter (28-inch) blade-length would be in a range of approximately 700 to 900 grams (1.5 to 2 pounds). There are also larger two-handed versions used for training by many styles of Chinese martial arts. The zhanmadao is a saber with a single long broad blade, and a long handle suitable for two-handed use. Dating to 1072, it was used as an anti-cavalry weapon. This is mentioned in the "Wu Jing Zong Yao Song Military Manual" from 1072. Surviving examples include a sword that might resemble a nagamaki in construction; it had a wrapped handle 37 cm long making it easy to grip with two hands. The blade was 114 centimetres long and very straight with a slight curve in the last half. The liuye dao, or "willow leaf saber", is a type of Dao that was commonly used as a military sidearm for both cavalry and infantry during the Ming and Qing dynasties. This weapon features a moderate curve along the length of the blade.
    [Show full text]
  • Making the Palace Machine Work Palace Machine the Making
    11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise).
    [Show full text]
  • Hanfu Elements in Modern Fashion Design and Innovation
    Asian Social Science; Vol. 10, No. 13; 2014 ISSN 1911-2017 E-ISSN 1911-2025 Published by Canadian Center of Science and Education Hanfu Elements in Modern Fashion Design and Innovation Shaoying Hu1 1 College of Textiles & Garments, Southwest University, Chongqing, China Correspondence: Shaoying Hu, College of Textiles & Garments, Southwest University, Chongqing, China. Tel: 86-138-8347-8114. E-mail: [email protected] Received: March 30, 2014 Accepted: April 25, 2014 Online Published: June 25, 2014 doi:10.5539/ass.v10n13p89 URL: http://dx.doi.org/10.5539/ass.v10n13p89 Abstract Combining with Chinese traditional Han costumes and modern fashion, this paper expounds the relationship from the aspects of fashion styles, garment structure, patterns, fabrics, etc. And with different concrete examples, every aspect was made a detail analysis to discuss how Hanfu elements are used in modern fashion design, and we may come to a conclusion that traditional Chinese costume culture is an important source of modern fashion design. Accordingly, we carried on a research on modern fashion design, with having important cultural inheritance value and design significance for modern dress. Keywords: Han costume, elements, modern fashion design, features 1. Introduction Hanfu, also known as "Hanzhuang" or "Huafu", is namely national costume of Han Chinese people. The concept of Hanfu is distinguished from the broader concept of traditional Chinese clothing. The ancient Chinese called Hanfu as Yiguan. As the ancient Hu people’s traditional costume to be known as "Hufu", the Han Chinese traditional dress is referred to as "Hanfu". The succession of Hanfu elements in fashion is called as the fashion localization with Hanfu elements, also known as modern Han-style fashion.
    [Show full text]
  • Arresting Flows, Minting Coins, and Exerting Authority in Early Twentieth-Century Kham
    Victorianizing Guangxu: Arresting Flows, Minting Coins, and Exerting Authority in Early Twentieth-Century Kham Scott Relyea, Appalachian State University Abstract In the late Qing and early Republican eras, eastern Tibet (Kham) was a borderland on the cusp of political and economic change. Straddling Sichuan Province and central Tibet, it was coveted by both Chengdu and Lhasa. Informed by an absolutist conception of territorial sovereignty, Sichuan officials sought to exert exclusive authority in Kham by severing its inhabitants from regional and local influence. The resulting efforts to arrest the flow of rupees from British India and the flow of cultural identity entwined with Buddhism from Lhasa were grounded in two misperceptions: that Khampa opposition to Chinese rule was external, fostered solely by local monasteries as conduits of Lhasa’s spiritual authority, and that Sichuan could arrest such influence, the absence of which would legitimize both exclusive authority in Kham and regional assertions of sovereignty. The intersection of these misperceptions with the significance of Buddhism in Khampa identity determined the success of Sichuan’s policies and the focus of this article, the minting and circulation of the first and only Qing coin emblazoned with an image of the emperor. It was a flawed axiom of state and nation builders throughout the world that severing local cultural or spiritual influence was possible—or even necessary—to effect a borderland’s incorporation. Keywords: Sichuan, southwest China, Tibet, currency, Indian rupee, territorial sovereignty, Qing borderlands On December 24, 1904, after an arduous fourteen-week journey along the southern road linking Chengdu with Lhasa, recently appointed assistant amban (Imperial Resident) to Tibet Fengquan reached Batang, a lush green valley at the western edge of Sichuan on the province’s border with central Tibet.
    [Show full text]
  • Download Article
    International Conference on Arts, Design and Contemporary Education (ICADCE 2016) The Study of Women Dress in Zhang Daqian Beauty Paintings Liu Yang Long Jiang School of Art School of Art Panzhihua University Panzhihua University Panzhihua, China Panzhihua, China Abstract—This paper analyses the Zhang Daqian paintings Guanyin is described in Avatamsaka Sutra as "brave man." of women dress from the perspective of the history of clothing Prior to Tang Dynasty, Guanyin appears as a male in most and clothing aesthetics, and it extracts the specific description cases, and in some cases, also appears as a female. But later, of female dress and classifies it. Then it explores Zhang Daqian especially since the legendary Miaoshan Princess, the image beauty paintings of women dress in clothing, hairstyles, of Guanyin in Han region is more and more feminine, for headwear and face and so on with women dress history in example, the 33 images of Guanyin that spreading among various dynasties as a reference. Thereby it can have a deep the people are all females. Some scholars directly call understanding of the influence of Zhang Daqian’s aesthetic Guanyin as the Eastern goddess [1]. Therefore, this paper taste, value orientation and spiritual world of on his also refers Guanyin as a female. description of women dress. Dress is short for clothing and making up. In particular, Keywords—Zhang Daqian; beauty paintings; women dress; it refers to the beauties’ clothing and appearance, including classification; aesthetic facial makeup, hair style, headware, shoes, etc. All the forms or objects that can make body decoration are all the I.
    [Show full text]
  • The Diary of a Manchu Soldier in Seventeenth-Century China: “My
    THE DIARY OF A MANCHU SOLDIER IN SEVENTEENTH-CENTURY CHINA The Manchu conquest of China inaugurated one of the most successful and long-living dynasties in Chinese history: the Qing (1644–1911). The wars fought by the Manchus to invade China and consolidate the power of the Qing imperial house spanned over many decades through most of the seventeenth century. This book provides the first Western translation of the diary of Dzengmeo, a young Manchu officer, and recounts the events of the War of the Three Feudatories (1673–1682), fought mostly in southwestern China and widely regarded as the most serious internal military challenge faced by the Manchus before the Taiping rebellion (1851–1864). The author’s participation in the campaign provides the close-up, emotional perspective on what it meant to be in combat, while also providing a rare window into the overall organization of the Qing army, and new data in key areas of military history such as combat, armament, logistics, rank relations, and military culture. The diary represents a fine and rare example of Manchu personal writing, and shows how critical the development of Manchu studies can be for our knowledge of China’s early modern history. Nicola Di Cosmo joined the Institute for Advanced Study, School of Historical Studies, in 2003 as the Luce Foundation Professor in East Asian Studies. He is the author of Ancient China and Its Enemies (Cambridge University Press, 2002) and his research interests are in Mongol and Manchu studies and Sino-Inner Asian relations. ROUTLEDGE STUDIES
    [Show full text]
  • Peer Reviewed Title: Critical Han Studies: the History, Representation, and Identity of China's Majority Author: Mullaney, Thoma
    Peer Reviewed Title: Critical Han Studies: The History, Representation, and Identity of China's Majority Author: Mullaney, Thomas S. Leibold, James Gros, Stéphane Vanden Bussche, Eric Editor: Mullaney, Thomas S.; Leibold, James; Gros, Stéphane; Vanden Bussche, Eric Publication Date: 02-15-2012 Series: GAIA Books Permalink: http://escholarship.org/uc/item/07s1h1rf Keywords: Han, Critical race studies, Ethnicity, Identity Abstract: Addressing the problem of the ‘Han’ ethnos from a variety of relevant perspectives—historical, geographical, racial, political, literary, anthropological, and linguistic—Critical Han Studies offers a responsible, informative deconstruction of this monumental yet murky category. It is certain to have an enormous impact on the entire field of China studies.” Victor H. Mair, University of Pennsylvania “This deeply historical, multidisciplinary volume consistently and fruitfully employs insights from critical race and whiteness studies in a new arena. In doing so it illuminates brightly how and when ideas about race and ethnicity change in the service of shifting configurations of power.” David Roediger, author of How Race Survived U.S. History “A great book. By examining the social construction of hierarchy in China,Critical Han Studiessheds light on broad issues of cultural dominance and in-group favoritism.” Richard Delgado, author of Critical Race Theory: An Introduction “A powerful, probing account of the idea of the ‘Han Chinese’—that deceptive category which, like ‘American,’ is so often presented as a natural default, even though it really is of recent vintage. A feast for both Sinologists and comparativists everywhere.” Magnus Fiskesjö, Cornell University eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide.
    [Show full text]
  • The Long Sword Free Download
    THE LONG SWORD FREE DOWNLOAD Christian Cameron | 448 pages | 03 May 2016 | Orion Publishing Co | 9781409137511 | English | London, United Kingdom Long Swords Fans of medieval blade replicas are sure to appreciate the expert craftsmanship evident in the Agincourt War Sword. The end of the Bronze Age: changes in warfare and the catastrophe ca. The medieval long sword looks stunning and feels great to use. Decorative Weapons. Free Shipping. The sword has been especially associated with the Marathaswho were famed for their cavalry. Swords with exceptionally long hilts are found throughout the High Middle Ages, but these remain rare, and are not representative of The Long Sword identifiable trend before the late 13th or early 14th century. Long Swords. As noted above, the terms longswordbroad swordgreat swordand Gaelic claymore are used relative to the era under consideration, and each term designates a particular type of sword. Archived from the original on 29 June Hot this week in Long Sword. All Rights The Long Sword. Functional Weapons. The hunter must take some risks, in order to fill up his Spirit Gauge, which, once full, increases damage dealt and enables the sword to unleash a powerful Spirit Combo: a fast combo with 5 attacks that can be extended for up to 7 hits, and can be canceled out or finished The Long Sword any time with a Fade Slash. September, Buy It Now. Show only see all. Hwandudaedo Seven- Branched The Long Sword. Bronze Age — Gojoseon Liaoning bronze dagger culture. Codified systems of fighting with the longsword existed from the later 14th century, with a variety of styles and teachers each providing a slightly different take on the art.
    [Show full text]
  • Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Timothy Robert Clifford University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Clifford, Timothy Robert, "In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China" (2017). Publicly Accessible Penn Dissertations. 2234. https://repository.upenn.edu/edissertations/2234 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2234 For more information, please contact [email protected]. In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Abstract The rapid growth of woodblock printing in sixteenth-century China not only transformed wenzhang (“literature”) as a category of knowledge, it also transformed the communities in which knowledge of wenzhang circulated. Twentieth-century scholarship described this event as an expansion of the non-elite reading public coinciding with the ascent of vernacular fiction and performance literature over stagnant classical forms. Because this narrative was designed to serve as a native genealogy for the New Literature Movement, it overlooked the crucial role of guwen (“ancient-style prose,” a term which denoted the everyday style of classical prose used in both preparing for the civil service examinations as well as the social exchange of letters, gravestone inscriptions, and other occasional prose forms among the literati) in early modern literary culture. This dissertation revises that narrative by showing how a diverse range of social actors used anthologies of ancient-style prose to build new forms of literary knowledge and shape new literary publics.
    [Show full text]
  • New Qing History: Dispute, Dialog, and Influence
    Faculty Scholarship Collection The faculty at Allegheny College has made this scholarly article openly available through the Faculty Scholarship Collection (FSC). Article Title The Social Construction and Deconstruction of Evil Landlords in Contemporary Chinese Fiction, Art, and Collective Memory Author(s) Guo Wu (Allegheny College) Journal Title Modern Chinese Literature and Culture Citation Wu, Guo. 2013. "The Social Construction and Deconstruction of Evil Landlords in Contemporary Chinese Fiction, Art, and Collective Memory." Modern Chinese Literature and Culture 25, no. 1: 131-164. Link to additional information on http://u.osu.edu/mclc/journal/abstracts/wu-guo/ publisher’s website Version of article in FSC Published version Link to this article through FSC https://dspace.allegheny.edu/handle/10456/37714 Date article added to FSC March 18, 2015 Information about Allegheny’s Open Access Policy is available at http://sites.allegheny.edu/scholarlycommunication/ For additional articles from this collection, visit https://dspace.allegheny.edu/handle/10456/34250 The Chinese Historical Review ISSN: 1547-402X (Print) 2048-7827 (Online) Journal homepage: http://www.tandfonline.com/loi/ytcr20 New Qing History: Dispute, Dialog, and Influence Guo Wu To cite this article: Guo Wu (2016) New Qing History: Dispute, Dialog, and Influence, The Chinese Historical Review, 23:1, 47-69, DOI: 10.1080/1547402X.2016.1168180 To link to this article: http://dx.doi.org/10.1080/1547402X.2016.1168180 Published online: 09 Jun 2016. Submit your article to this journal Article views: 325 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=ytcr20 Download by: [Allegheny College] Date: 19 December 2016, At: 07:28 The Chinese Historical Review, 23.
    [Show full text]
  • Claymore Free Download
    CLAYMORE FREE DOWNLOAD Norihiro Yagi | 208 pages | 02 Jun 2008 | Viz Media, Subs. of Shogakukan Inc | 9781421506180 | English | San Francisco, United States Claymore's Dual Ethereum AMD+NVIDIA GPU Miner Theron Martin, also of Anime News Networksays in his review of volume 14 that "the Claymore has lost some of its luster, and it seems like less and less is actually happening Claymore each volume". Over top of this, several pieces of plate armor are worn: shin-high, slightly heeled metal boots sabatonslarge wrist-guards vambracesshoulder Claymore pauldrons and a partial skirt fauld. It is not clear if the United States Picatinny Arsenal took the concept from the Canadian weapon and asked Norman MacLeod to develop it, or if he Claymore the design independently and presented it to them. This loss of appetite appears to be a result of taking in Yoma flesh; Yoma are capable of staving off hunger for up to two weeks on end. Claymores' eyes are the only visible trait that sets them Claymore from regular humans. Claymore female warriors wear armored uniforms. Dauf and Rigardo are such Claymore. The mine can be detonated by any mechanism that activates the blasting cap. Time Traveler for claymore The first known use of claymore was in See more words from the same year. Two more DVD volumes and one more limited Claymore set are planned for Claymore on March 26, In Galatea's case, she can also Claymore others' emotions from that distance as if she were right next to them. Alicia and Beth both wear completely black uniforms of the same material, saving the Claymore the trouble of having to constantly make new uniforms for them Claymore they need to Claymore.
    [Show full text]