DOCSLIB.ORG

Newsletter 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Newsletter 2019 Volume LXVIII ISSN: 1081-2776 Table of Contants Board of Trustees: S t a ff: Alex Storozynski Marek Skulimowski Message from the President _____ 3 Prof. Krzysztof Matyjaszewski Gives a Lecture at the KF _______ 31 Chairman of the Board President and Executive Director Th e 2019 Exchange Program Wanda M. Senko Jolanta Kowalski to the United States ____________ 5 66th Chopin Piano Competition __ 32 Vice–Chair Chief Financial Offi cer Th e Many Faces S. Moniuszko Birth Bicentenary _34 Cynthia Rosicki, Esq. Ewa Zadworna of Tamara de Lempicka __________ 6 Vice–Chair Director of Cultural Aff airs Marcella Sembrich International KF gives ten grants for Summer Andrzej Rojek Barbara Bernhardt Voice Competition ____________ 35 Study – 1934 __________________8 Vice–Chair Director, Washington, D.C. Wieniawski Violin Competition __38 Joseph E. Gore, Esq. Addy Tymczyszyn 84th Ball Highlights ____________ 10 Past Cultural Events ___________39 Corporate Secretary Program Offi cer, Scholarships & A salute to Polish Opera Star ____ 16 Peter S. Novak Grants for Americans Upcoming Events _____________42 Treasurer Malgorzata Szymanska Th e KF Frank Wilczek Award ____ 17 2019–2020 Exchange Exchange Program Offi cer Networking, Professional Career Fellowships and Grants ________44 Margaret Kozlowska Building & Scholarships Event __ 18 Miroslaw Brys, M.D., Ph.D. Rental Events Manager Exchange Program to the U.S. ___45 Th e Kosciuszko Foundation Piotr Chomczynski, Ph.D. Dominika Orwat Alumni Association ____________ 19 2018–2019 Scholarships Hanna Chroboczek Kelker, Ph.D. Development Manager and Grants for Americans _______ 51 Words from our Scholar ________20 Zbigniew Darzynkiewicz, M.D., Ph.D. Alicja Grygiel 2018–2019 KF Members _______64 Ambassador Lee Feinstein Membership Offi cer 2019 Teaching English Rachael Jarosh Izabella Laskowska in Poland Program _____________ 21 In Memoriam _________________ 75 Christopher Kolasa, M.D. Receptionist Th e KF Scholar awarded Charitable bequest ____________ 78 Alexander Koproski Leszek Tyburczy by Harvard School of Design ____ 22 Marian A. Kornilowicz, Esq. Building Superintendent 2019 FameLab Talking Science __ 23 Stephen Kusmierczak Mariola Sosnowska Wlodek Mandecki, Ph.D. Housekeeper Th e Ohio Chapter Report _______24 Victor Markowicz Th e New England Michal H. Mrozek Grażyna Czetwertyńska, Ph.D. Chapter Report _______________ 25 Marek M. Pienkowski, M.D., Ph.D. President, KF Poland Th e Pittsburgh Prof. Waldemar Priebe Aleksandra Kujawska Chapter Report _______________26 Ewa Radwanska, M.D., Ph.D. Warsaw Offi ce Manager Th e Philadelphia Sigmund Rolat Dorota Kraśniewska Chapter Report _______________ 27 Krzysztof Rostek TEIP Program Coordinator Boleslaw Ryzinski Annual Polish Day at KF DC _____28 Henry Sikorski, Ph.D. Th e Forgotten Polish Oscars ____30 Joseph Swiader Artur Szymanski Wojciech Uzdelewicz Henry C. Walentowicz, Esq. Adriana Wos-Mysliwiec, Esq. THE KF WARSAW OFFICE HEADQUARTERS ul. Dobra 56/66 15 East 65th Street 00–312 Warsaw New York, NY 10065 Poland tel. 212–734–2130 tel. +48 (22) 621 70 67 WASHINGTON, www.thekf.org Th e Kosciuszko Foundation would like to express its sincere thanks D.C. CENTER to Gregory D. Engel for his diligent proofreading of this Newsletter. 2025 O Street NW Washington, D.C. 20036 Cover Photo: “Tamara de Lempicka – Photo credit: CAMUZZI, circa 1934/37” tel. 202–785–2320 by Marek Skulimowski “In the beginning, there was President & Executive Director nothing – only an idea and a few people who believed in it” said Stephen Mizwa in 1970 about the beginnings of the Kosciuszko Foundation in 1925. Since its inception, the Kosciuszko Foundation has founded scholarships and grants for cohorts of scholars and students in Poland and the United States. Nowadays, we spend nearly one million dollars annually on providing academic scholarships and another quarter of a million dollars on the promotion of Polish culture. In the academic year of 2018–2019, we awarded 38 scholars from Poland to participate in the “Exchange Program to the US.” In May 2019, the U.S Ambassador to Poland, Georgette tremendous success. We had 522 participants (7–18 years of age), Mosbacher, hosted a reception at her residence in Warsaw to 81 American staff (teachers, teaching assistants, and peer tutors) honor the newly elected fellows and grantees. Ambassador who cooperated with 115 Polish teachers. We are hoping to grow Mosbacher called their “breadth of knowledge and expertise” the program to 7–8 camps next year. inspiring. To mark this year's centennial of diplomatic relations between Poland and the U.S., Professor Halina Parafi anowicz, For nearly 100 years the Foundation has played a pivotal role from the University of Bialystok, was honored with the prestigious in forging the mutual bonds between Poland and the U.S. “Centennial Award” created jointly by the U.S. Embassy and the During this year’s Annual Fundraising Dinner and Ball, we paid Kosciuszko Foundation. tribute to those Americans and Poles, who contributed enormously in promoting Polish culture and democratic changes in Central As part of our mission in strengthening relations between Poland & Eastern Europe. Th e honorees of this year's gala were the and the U.S., the Foundation awarded 86 American students Honorary Chuck Hagel, former U.S. Senator & Secretary of of Polish descent with tuition scholarships this year. Th ese Defense, and Vietnam War veteran, Tomasz Konieczny, a renowned scholarships help support the increasing costs of pursuing higher Polish opera singer. Th e Ball was chaired by Henry Sikorski, Ph.D., education in the United States for students and range from $1000 a dedicated Kosciuszko Foundation Trustee. to $6000. Th anks to the support of the Tomaszkiewicz-Florio Scholarships and the Wisconsin Study in Poland Scholarships, we were also able to send 20 Polish American students to attend the Study Abroad program at the Jagiellonian University in Krakow. Students took part in intensive Polish language classes and were exposed to courses that include Polish Grammar, History of Poland, Polish Culture and Literature. Th is year marks the 80th anniversary of the outbreak of World War II, when Nazi Germany and then the Soviet Union invaded In March 2019, the Kosciuszko Foundation Poland, Polish American Poland. In February 1940, the KF Board of Trustees decided to Freedom Foundation, and the Foundation for the Development of “help save the brains of Poland.” Th e Foundation attempted to the Education System joined forces to hold a series of intensive negotiate with the German occupant, through the American workshops centered on curriculum review for the “Teaching English Red Cross channels, to release the scholars in Warsaw and in Poland” program. Th anks to their collaboration, this summer’s Krakow. At the same time, fi nancial assistance was sent to Wilno program was held in four locations throughout Poland and was a (Vilnius) and Lwow (Lviv). Th ose professors who managed to message from the president 3 reach the U.S. were assisted in getting academic the Professor Frank Wilczek Award for high- From left: U.S. Ambassador positions. Financial support was provided to achieving young Polish scientists. The award Georgette Mosbacher, approximately 800 Polish soldiers and refugees of $12,000 will be presented every two years Prof. Halina Parafianowicz and interned in Switzerland. Between 1939 and to young Polish scientists who have made a KF President Marek Skulimowski 1943, the KF supported around 250 scholars significant discovery in physics, astronomy or ( Photo: US Embassy archive) and intellectuals in the occupied territories and similar fields. elsewhere. My team and I at the Kosciuszko Foundation are While it is important to remember history and the working hard to raise money to be able to offer past, we look to the future when thinking about more scholarships and grants for talented Polish the educational and cultural exchanges between Americans and Poles in Poland. Poland and the U.S. We count on your support to continue the We are also pleased to announce the partnership Kosciuszko Foundation’s mission! with the Jagiellonian University in establishing The Foundation's programs and services are made possible thanks to the generosity of our donors and volunteers. We encourage you to become a member of the Kosciuszko Foundation and sponsor a wide range of scholarships, cultural programs, and building restoration. Become a part of the most effective Polish-American institution in the United States. 4 message from the president the exchange program to the united states – Award Ceremony at the U.S. Embassy in Warsaw On May 16th, 2019, the Kosciuszko Foundation President Marek Profesor Waldemar Skulimowski along with the US Ambassador to Poland Georgette Priebe with Ambassador Mosbacher recognized the Foundation’s new 38 grant and Georgette Mosbacher fellowship recipients of the 2019–2020 academic year. The grantees will conduct research for 3–6 months in the sciences, humanities, law and economy, arts, and Polish studies at some of the United States’ top educational institutions including Stanford University, Harvard University, Harvard Medical School, Columbia University and more. The grant and fellowship awards were presented during the reception hosted by Ambassador Mosbacher at her residence in Warsaw, Poland. While addressing the newly selected fellows, Ambassador Mosbacher called their “breadth of knowledge and Polish-American women.” The project will explore U.S. women’s expertise inspiring.”
Recommended publications
  • Unrestricted Immigration and the Foreign Dominance Of

    Unrestricted Immigration and the Foreign Dominance Of

    Unrestricted Immigration and the Foreign Dominance of United States Nobel Prize Winners in Science: Irrefutable Data and Exemplary Family Narratives—Backup Data and Information Andrew A. Beveridge, Queens and Graduate Center CUNY and Social Explorer, Inc. Lynn Caporale, Strategic Scientific Advisor and Author The following slides were presented at the recent meeting of the American Association for the Advancement of Science. This project and paper is an outgrowth of that session, and will combine qualitative data on Nobel Prize Winners family histories along with analyses of the pattern of Nobel Winners. The first set of slides show some of the patterns so far found, and will be augmented for the formal paper. The second set of slides shows some examples of the Nobel families. The authors a developing a systematic data base of Nobel Winners (mainly US), their careers and their family histories. This turned out to be much more challenging than expected, since many winners do not emphasize their family origins in their own biographies or autobiographies or other commentary. Dr. Caporale has reached out to some laureates or their families to elicit that information. We plan to systematically compare the laureates to the population in the US at large, including immigrants and non‐immigrants at various periods. Outline of Presentation • A preliminary examination of the 609 Nobel Prize Winners, 291 of whom were at an American Institution when they received the Nobel in physics, chemistry or physiology and medicine • Will look at patterns of
  • Frank Wilczek on the World's Numerical Recipe

    Frank Wilczek on the World's Numerical Recipe

    Note by All too often, we ignore goals, genres, or Frank Wilczek values, or we assume that they are so apparent that we do not bother to high- light them. Yet judgments about whether an exercise–a paper, a project, an essay Frank Wilczek response on an examination–has been done intelligently or stupidly are often on the dif½cult for students to fathom. And since these evaluations are not well world’s understood, few if any lessons can be numerical drawn from them. Laying out the criteria recipe by which judgments of quality are made may not suf½ce in itself to improve qual- ity, but in the absence of such clari½- cation, we have little reason to expect our students to go about their work intelligently. Twentieth-century physics began around 600 b.c. when Pythagoras of Samos pro- claimed an awesome vision. By studying the notes sounded by plucked strings, Pythagoras discovered that the human perception of harmony is connected to numerical ratios. He examined strings made of the same material, having the same thickness, and under the same tension, but of different lengths. Under these conditions, he found that the notes sound harmonious precisely when the ratio of the lengths of string can be expressed in small whole numbers. For example, the length ratio Frank Wilczek, Herman Feshbach Professor of Physics at MIT, is known, among other things, for the discovery of asymptotic freedom, the develop- ment of quantum chromodynamics, the invention of axions, and the discovery and exploitation of new forms of quantum statistics (anyons).
  • And How to Fix It

    And How to Fix It

    } PAGE 36 PAGE PAGE 50 PAGE { BY GREG BILLINGS What Went And How to Fix It to Fix How And ... Piano Industry Piano Wrong With With The Wrong MUSICINCMAG.COM I JUNE 2009 BLUES BUSTERS: SUMMER PROMOTIONS TO DRIVE TRAFFIC, SALES MI0906_01_Cover.qxd 5/8/09 1:42 PM Page 1 MUSIC INC. SCOTT'S MUSIC I PIANO INDUSTRY RECOVERY PLAN I SUMMER PROMOTIONS JUNE 2009 Project5 5/4/09 4:13 PM Page 1 Project4 5/8/09 1:36 PM Page 1 MI0906_04_Masthead.qxd 5/8/09 2:47 PM Page 4 JUNE 2009 I VOL. 20, NO. 5 PUBLISHER Frank Alkyer EDITOR Zach Phillips ASSOCIATE EDITOR Jenny Domine CONTRIBUTING EDITORS Jason Koransky, Aaron Cohen WEST COAST CORRESPONDENT Sara Farr ADVERTISING SALES MANAGER John Cahill WESTERN ACCOUNT EXECUTIVE Tom Burns CLASSIFIED AD SALES Sue Mahal ART DIRECTOR Andy Williams PRODUCTION ASSOCIATE Ara Tirado CIRCULATION Kelly Grosser BOOKKEEPING Margaret Stevens INTERN Katie Kailus PRESIDENT Kevin Maher OFFICES Ph (630) 941-2030 • Fax (630) 941-3210 e-mail: [email protected] CUSTOMER SERVICE (800) 554-7470 Jack Maher, President 1970-2003 SUBSCRIPTION RATES: $50 one year (11 issues). $90 two years (22 issues) to U.S.A. addresses. $75 one year (11 is- sues), $140 two years (22 issues) to Canada and other for- eign countries. Air mail delivery at cost. SINGLE COPY (and back issues, limited supply): $9.95 to any address, surface mail. Air mail delivery at cost. We cannot be responsible for unsolicited manuscripts and photos. Nothing may be reprinted in whole or in part without written permission from Maher Publications Inc.
  • International Casting Directors Network Index

    International Casting Directors Network Index

    International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy.
  • Interpreting Tempo and Rubato in Chopin's Music

    Interpreting Tempo and Rubato in Chopin's Music

    Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings.
  • Biografia Olejniczak

    Biografia Olejniczak

    JANUSZ OLEJNICZAK Nato a Breslavia, ha studiato a Varsavia e Łódź con Luiza Walewska, Ryszard Bakst e Zbigniew Drzewieck, poi a Parigi e in Svizzera con Witold Małcużyński. Si è diplomato alla High School of Music di Varsavianel 1974 nel corso di Barbara Hesse-Bukowska, e ha continuato gli studi con Victor Merzhanov a Varsavia e Paul Badura-Skoda a Essen (1977-78). Fu il più giovane vincitore premiato all’ottavo International Fryderyk Chopin Piano Competition nel 1970; venne inoltre premiato al Concorso internazionale Alfredo Casella a Napoli. Janusz Olejniczak ha suonato nelle più importanti sale concerto di Europa, delle Americhe, di Asia e Australia, tra cui la Filarmonica di Berlino, il Teatro Colón di Buenos Aires, la Salle Pleyel di Parigi, la Suntory Hall di Tokyo, il Lincoln Center di Washington, la Tonhalle di Düsseldorf, il Concertgebouw di Amsterdam. Per quattro anni ha insegnato alla Music Academy di Cracovia. Ha anche fatto parte di numerose giurie nelle competizioni di piano, e ha presieduto corsi di perfezionamento in Canada, Giappone, Colombia, e all’Accademia Mozart di Salisburgo. Il suo repertorio è centrato sull’opera di Chopin, Bach, Schubert, Schumann e Liszt. È famoso anche per le sue interpretazioni delle opere del ventesimo secolo, tra cui Debussy, Ravel (Concerto in G), Prokofiev, Messiaen, Henryk Mikołaj Górecki, Wojciech Kilar, e Witold Lutosławski. È un appassionato di musica da camera, e sono note le sue apparizioni in orchestre dirette da Witold Rowicki, Andrzej Markowski, Kazimierz Kord, Antoni Wit, Jerzy Maksymiuk, Tadeusz Strugała, Charles Dutoit, Andrzej Borejko, Grzegorz Nowak, Jacek Kaspszyk, Marek Pijarowski, Marek Moś e molti altri.
  • EB Awarded Seawolf Contract Inside Today

    EB Awarded Seawolf Contract Inside Today

    16— MANCHESTER HERALD. Friday, May 3.1991 1. 88 TAG SALES aiCARSFORaJUJfl S2 TRUCKS ft VANS 94 MOTORCYCLES ft MOPBDS FORD-1978 Galaxy. (^11 FOR SALK after 1pm, 645-1218. DODGE-1982 Van. HONDA-1978 CX500 Very good condition. Cargo, 8 passenger, Road bfta. Shaft drive, f i t ! HUGE Asking $500. slant 6. Automatic, 59K water cooled, well 10 FAMILY SALE! IMPALA-1980. Power miles, good tires, reese maintained. 7500 miles. Furniture, antiques, books, Steering, power brakes hitch. m X ) . 643-1653. $850. Paul, 243-7855 toys, china, glass, beauti­ power windows, air or 646-3383.___________ ful clothes, giflware, box conditioning. Runs MOTORCYLE.-lnsurance. LAWN CARE PAINTING/ CARPENTRY/ HEATING/ lo tsA M O iS I PAPERING REMODELING PLUMBING good. Body in good SSCAMFERSft Friendly service, com­ Rain or Shine shape. High mileage. petitive raes, same day FrI., Sat. and Sun. TRAILERS H anrhpH tFr M pralb YARDMASTERS WEXaLFSPAtmNGCO. KITCHBIA BATH REMODELING hs&lBHon and Reolaoenient Asking $450 or best coverage. Crockett Spring Clean-Up VIsI our beaudM Showroom or call lor 9am-4pm offer. Cash or bank 1984-YELLOWSTONE Agency, 643-1577. QuaMy w oikata olOI,Gas&Beciric check. 649-4379. Lawns, Bushss, Trees Cut reasonable ptfce! your tree estimate. 68 Blgdow Street PARK MODEL. 38 X H ER ITA G E •Vyiater Heaters Yards, gutters, garages Interior & Exterior ■Warm Air Funaces Manchester PLYMOUTH-VOYAGER 12. Winter package. 25 KITCHEN a BATH CENTER S E 1987 59K, air, AM/ Foot Awning (9 X 26). Looking for an daaned. U w n FerWzing. App«- Free Estimates 254 Broad Street ■Bciers FM, luggage rifok.
  • 2008 Annual Report

    2008 Annual Report

    2008 Annual Report “By giving students, parents, and community members the necessary tools to surround themselves with healthy options, HealthCorps is working today for a healthy America tomorrow.” - Mehmet C. Oz, M.D. Founder of Healthcorps® Michael F. Roizen, M.D. and Mehmet C. Oz, M.D. with the HealthCorps Coordinators and staff. Dear Friend, As HealthCorps’ founder, I want to thank you for your support and unwavering faith in our vision. This marks the first annual report for HealthCorps. It covers fiscal year 2008, which ran from July 1, 2007 through June 30, 2008. Modeled after the Peace Corps, HealthCorps deploys a sharp team of Health Coordinators, recent college graduates with a strong interest in pursuing graduate studies in medicine and health, to carry out the HealthCorps curriculum and nurture student activists who then reach out to often neglected communities. HealthCorps offers schools a core curriculum of nutrition, fitness and mental resilience and shows students the benefits of making simple changes to achieve healthier lifestyles, like walking at least 10,000 steps a day, reading food labels, eating nutritious snacks and learning how to cope more effectively with stress. Our Movement targets all Americans with the message that today you can make small lifestyle enhancing changes to increase your well-being and guarantee a fuller and longer life. In 2007-2008, the HealthCorps network expanded to 36 high schools in seven states, where the program’s impact reaches 32,400 students and community residents. By the time of this printing, we will be up and running for fiscal year 2009 in 44 schools across seven states.
  • Musicforall.Org Is

    Musicforall.Org Is

    Volume I • Fall 2008 Volume Education | Performance | Advocacy 4 10 Inside: Gayl & Beverly Doster What inspires a $100,000 gift? - page 4 Giving in a down market can provide tax savings Music for All giving at all levels of support - page 7 Where Are They Now? BOA Alumni talk with Music for All - page 8 BOA: True Champions of Life! by participant parents, Donna and Scott Wesley - page 10 Creating a Legacy Music for All names National Percussion Festival in honor of Sandy Feldstein - page 12 Message from the Chairman Welcome to the first edition of Impact. The goal of this publication is to inform, inspire and engage. Given the current economic climate, now is a critical time to equip educators and parents with the advocacy tools needed to keep music education in public schools. Music for All uncovers the information and data that can be used by citizens and education leaders to influence local and state public policies in support of music education. Inside you will learn more about the on-going work the organization is doing in partnership with those equally committed to expanding access to music and arts education. Music for All is unique in that it combines the education and performance aspects of music with the information and resources necessary to quantify its positive impact on individuals and communities. In this edition you will also read some of the personal testimonies provided by parents, educators and alumni that convey the positive impact of Music for All’s education and performance programs. Since assuming the Chairmanship of the Music for All Board of Directors, I have personally experienced many of these programs.
  • 1967 U.S. Women's Champion

    1967 U.S. Women's Champion

    1967 U.S. WOMEN'S CHAMPION Edith Lude Wear:!, lelt, pr.Hnllnq 11M cup .... hkh .hc donal~ In 1951. /9$1 U.s. Wornetn'. Champion Mrs. G/Hla Gro"er accept. lhe ClIp Im~kIfely followlno lhe toumomcml. S •• p. 190. ~ UNITED STATES ~ ._-- - - - --- -~ - ------ ---- -- -- . -- - - --~ -_. - Volume XXII Number 6 July, 1967 EDITOR: Burt Hochberg ------- --- --- --- -- CONTENTS Sarajevo 1967, by Dimitrije Bjelica .... ... ... ...... ... ...... .... ........... .............. 184 PRESIDENT Marshall Rohland Twa Games Fram Sara jevo, by Robert Byrne ... ... ......... ... ...... ................ 185 VICI·PRESIDENT Dutch Treat, by Bernard Zuckerman ............................ .... .................... 188 Isaac Kashdan REGIONAL VICE·PRESIDENTS Chess Life, Here and There, compiled by Wm. Go ichberg ......... ... 189. 203, 204, 207, 215 NEW ENCJLAND James Bolton Harold Dolldls Ell Buurdon Women's Chess, by Kothryn Slater ..... ......... ... ...... ............ .... ..... ............ 190 EASTERN Ii Obl'M LaBeU" Lewis E. Wood MIchael Raimo The College Column, by Mark L. Schwarcz ... ...... ...... ........................... 191 MID-ATLANTIC Earl Clary Steve Carruthers RObert Erk",. Observation Point, by Miro Rodojcic ... ...... .... ... ... .. ... ...... ... ... ............... 193 SOUTHERN Phlllp Lamb I-'w t H Lah.de Carroll M. Crull U. S. Open ... ..... ... ... ..... .. .. .. ........... .. ... ... .. ...................... ..... .................... 197 GREAT LAKES Donald W. Hlldlng Dr. Harvey M~ Clellan V. E. Vandenbur g Lorry Evans on Chess ...
  • Wie Wohnt Eigentlich James Bond? Oder Was

    Wie Wohnt Eigentlich James Bond? Oder Was

    Skript zur Einführung in das Szenenbild Wie wohnt eigentlich James Bond? oder Was Architektur im Film erzählen kann Teil 1 Fragen zum Szenenbild Teil 2 Recherchematerial Szenenbildentwurf zum Projekt „Monitors“ Korbinian Greiner und Kai Bagsik 1 Teil 1 Fragen zum Szenenbild Studio Babelsberg 2017 Was ist eigentlich ein Szenenbildner? Das Szenenbild (engl. Production Design) ist neben der Drehbuch- /Projektentwicklung, der Regie, der Kamera und der Produktion eine der Säulen der Filmkunst. Der Szenenbildner, Szenograf, Produktionsdesigner oder Filmarchitekt - die Berufsbezeichnungen sind so vielfältig, wie die verschiedenen Aufgabengebiete - erarbeitet mit den anderen „Heads of Department“ eine bildnerische Umsetzung der Drehbuchvorgaben. Im Idealfall wird der Szenenbildner frühzeitig in die Projektentwicklung eingebunden, so dass nach seinen Umsetzungsvorschlägen und der Kalkulation das Drehbuch entsprechend modifiziert werden kann. Sein Tätigkeitsgebiet umfasst neben dem Kinofilm auch den Fernsehfilm, die Fernseh- bzw. Web-Serie, die Werbung, Musikvideos und den Eventbereich. 2 Szenenbild 2007 Innen/Nacht Szenenbild Kai Bagsik Was unterscheidet die Filmarchitektur von der Hochbauarchitektur? Der zweifache Oscar Preisträger Ken Adam faste in etwa zusammen: „Der Entwurf eines Szenenbildes ist, der Entwurf von Schatten und Licht.“ Das ist natürlich eine Vereinfachung bzw. Zuspitzung, aber eine, die veranschaulicht. Das Szenenbild ist eine Vertiefung der Architektur unter Einbeziehung der bildenden Kunst, des Designs und der Innenarchitektur.
  • Guida Utente Diva

    Guida Utente Diva

    Guida Utente Diva versione 1.1 - Howard Scarr (2012) Traduzione italiana a cura di Mario Bianchi ● Introduzione 4 installazione / rimozione..........................................................................................4 risorse online...........................................................................................................4 il team u-he.............................................................................................................4 ringraziamenti speciali.............................................................................................4 spirito analogico.......................................................................................5 filtri zero delay feedback..........................................................................................5 accuratezza.............................................................................................................5 caricamento di preset..............................................................................6 cartella MIDI Programs............................................................................................6 preferiti, junk, reveal................................................................................................6 salvataggio di preset................................................................................7 funzioni drag & drop................................................................................................7 modifica.....................................................................................................7