Scratch Pad 67 August 2007 Hitting the Big 60
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Loudon Wainwright III Éÿ³æ¨‚Űˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É —´È¡¨)
Loudon Wainwright III 音樂專輯 串行 (专辑 & æ—¶é —´è¡¨) Grown Man https://zh.listvote.com/lists/music/albums/grown-man-5611710/songs Unrequited https://zh.listvote.com/lists/music/albums/unrequited-7897386/songs I'm Alright https://zh.listvote.com/lists/music/albums/i%27m-alright-5966143/songs Album II https://zh.listvote.com/lists/music/albums/album-ii-4712773/songs Attempted Mustache https://zh.listvote.com/lists/music/albums/attempted-mustache-11959548/songs Social Studies https://zh.listvote.com/lists/music/albums/social-studies-7550864/songs High Wide & Handsome: The Charlie https://zh.listvote.com/lists/music/albums/high-wide-%26-handsome%3A-the-charlie- Poole Project poole-project-11975323/songs More Love Songs https://zh.listvote.com/lists/music/albums/more-love-songs-6910999/songs Recovery https://zh.listvote.com/lists/music/albums/recovery-7302988/songs T Shirt https://zh.listvote.com/lists/music/albums/t-shirt-7672681/songs Strange Weirdos https://zh.listvote.com/lists/music/albums/strange-weirdos-7621487/songs Final Exam https://zh.listvote.com/lists/music/albums/final-exam-5449382/songs Last Man on Earth https://zh.listvote.com/lists/music/albums/last-man-on-earth-6494483/songs Little Ship https://zh.listvote.com/lists/music/albums/little-ship-6651909/songs Fame and Wealth https://zh.listvote.com/lists/music/albums/fame-and-wealth-5432895/songs History https://zh.listvote.com/lists/music/albums/history-11975455/songs Therapy https://zh.listvote.com/lists/music/albums/therapy-7782539/songs Older Than My Old Man Now -
November 2009 Newsletter
November 09 Newsletter ------------------------------ Yesterday & Today Records PO Box 54 Miranda NSW 2228 Phone/fax: (02)95311710 Email:[email protected] Web: www.yesterdayandtoday.com.au ------------------------------------------------ Postage: 1cd $2/ 2cds 3-4 cds $6.50 ------------------------------------------------ Loudon Wainwright III “High Wide & Handsome – The Charlie Poole Project” 2cds $35. If you have any passion at all for bluegrass or old timey music then this will be (hands down) your album of the year. Loudon Wainwright is an artist I have long admired since I heard a song called “Samson and the Warden” (a wonderfully witty tale of a guy who doesn’t mind being in gaol so long as the warden doesn’t cut his hair) on an ABC radio show called “Room to Move” many years ago. A few years later he had his one and only “hit” with the novelty “Dead Skunk”. Now Loudon pundits will compare the instrumentation on this album with that on that song, and if a real pundit with that of his “The Swimming Song”. The backing is restrained. Banjo (Poole’s own instrument of choice), with guitar, some great mandolin (from Chris Thile) some fiddle (multi instrumentalist David Mansfield), some piano and harmonica and on a couple of tracks some horns. Now, Charlie Poole to the uninitiated was a major star in the very early days of country music. He is said to have pursued a musical career so he wouldn’t have to work and at the same time he could ensure his primary source of income, bootleg liquor, was properly distilled. He was no writer and adapted songs he had heard to his style. -
The Dimensions of Geography in Shakespeare's Pericles SEDERI Yearbook, Núm
SEDERI Yearbook ISSN: 1135-7789 [email protected] Spanish and Portuguese Society for English Renaissance Studies España Laureano Domínguez, Lorena Pericles’ "unknown travels": the dimensions of geography in Shakespeare's Pericles SEDERI Yearbook, núm. 19, 2009, pp. 71-97 Spanish and Portuguese Society for English Renaissance Studies Valladolid, España Available in: http://www.redalyc.org/articulo.oa?id=333527606004 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Pericles’ “unknown travels”: the dimensions of geography in Shakespeare’s Pericles 1 Lorena Laureano Domínguez University of Huelva ABSTRACT The present essay explores the complex notion of geography and its manifold implications in Shakespeare’s first romance, Pericles . It will be argued that the role of geography and travelling in the play cannot be reduced to a mere formal strategy. In the play’s treatment and representation of geography, psychological, moral and political aspects intertwine. Thus Pericles can be understood simultaneously as an individual’s life journey, as a spiritual journey, and even as an exploration of different forms of government and power. Taking as a point of departure John Gillies’ concept of “geographic imagination” and Freud’s notion of “the uncanny,” I will focus on the psychological meaning and on the poetic and dramatic effectiveness of the author’s imaginative use of geography. Examination of the different locations demonstrates that, beyond their existence as specific external spaces, they are relevant as inner mental entities informing Pericles’ experience and acquiring meaning within the hero’s microcosm. -
Department of English and American Studies English Language And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Helena Haraštová The Puzzle of Pericles: the Play versus the Novel Bachelor’s Diploma Thesis Supervisor: Mgr. Filip Krajník, Ph. D. 2017 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. MgA. Helena Haraštová 2 Acknowledgements: I would like to thank my husband and my daughter for their love, patience and understanding during the process of writing this thesis. 3 Table of Contents Introduction ..................................................................................................................... 1 1. Sources of Inspiration ................................................................................................. 6 1.1 Apollonius of Tyre .............................................................................................. 6 1.2 John Gower's Confessio Amantis ....................................................................... 8 1.3 Lawrence Twine's The Pattern of Painful Adventures ....................................... 9 1.4 Change of Names ............................................................................................. 11 1.5 Other Sources ................................................................................................... 13 2. Pericles – the Play ..................................................................................................... 14 2.1 Historical -
Redating Pericles: a Re-Examination of Shakespeare’S
REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Michelle Elaine Stelting University of Missouri Kansas City December 2015 © 2015 MICHELLE ELAINE STELTING ALL RIGHTS RESERVED REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY Michelle Elaine Stelting, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2015 ABSTRACT Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he allow so many corrupt printed versions of his works after 1604 out of indifference? Re-dating Pericles from the Jacobean to the Elizabethan era answers these questions and reveals previously unexamined connections between topical references in Pericles and events and personalities in the court of Elizabeth I: John Dee, Philip Sidney, Edward de Vere, and many others. The tournament impresas, alchemical symbolism of the story, and its lunar and astronomical imagery suggest Pericles was written long before 1608. Finally, Shakespeare’s focus on father-daughter relationships, and the importance of Marina, the daughter, as the heroine of the story, point to Pericles as written for a young girl. This thesis uses topical references, Shakespeare’s anachronisms, Shakespeare’s sources, stylometry and textual analysis, as well as Henslowe’s diary, the Stationers' Register, and other contemporary documentary evidence to determine whether there may have been versions of Pericles circulating before the accepted date of 1608. -
LOUDON WAINWRIGHT III Haven’T Got the Blues (Yet) (429 Records)
MUSIC / NEW MUSIC By STEPHEN HOLDEN Published: September 8, 2014 LOUDON WAINWRIGHT III Haven’t Got the Blues (Yet) (429 Records) From an enfant terrible, once hailed as a new Bob Dylan, to a wary but not too grumpy older man, Loudon Wainwright III, now 68, has stayed the course for well over four decades, charting his life and times with pungent light verses and biting turns of phrase. As a folk singer-songwriter, he has proved that a sharp sense of humor can make for verses more durable than earnest self-examination. You can’t whine about the aging process but you can confront it and soften it with laughter. And on the best songs in “Haven’t Got the Blues (Yet),” his 23rd studio album, he faces impending decrepitude with a smile on his face, buoyed by Zoloft. “Brand New Dance,” which opens the album, is a frantic rockabilly swinger in which he announces a new dance craze “sweeping the land,” where “First you get out of bed, then you attempt to stand.” There’s a silver lining. “But that senior discount that’s my kind of treat/Cause when I get on the bus, you got to gimme a seat.” As the song continues, the point of view widens to embrace an older person’s cynicism on Election Day: “One of them fools is bound to win/But it’s the same old same old all over again.” Mr. Wainwright’s music hasn’t changed significantly. It varies from good-timey folk to spare folk-blues. If his voice has thinned a bit, he still conveys the jovial intimacy of a born storyteller whose public self- mockery exorcises demons. -
1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
#'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym -
View Fast Facts
FAST FACTS Author's Works and Themes: Hamlet “Author's Works and Themes: Hamlet.” Gale, 2019, www.gale.com. Writings by William Shakespeare Play Productions • Henry VI, part 1, London, unknown theater (perhaps by a branch of the Queen's Men), circa 1589-1592. • Henry VI, part 2, London, unknown theater (perhaps by a branch of the Queen's Men), circa 1590-1592. • Henry VI, part 3, London, unknown theater (perhaps by a branch of the Queen's Men), circa 1590-1592. • Richard III, London, unknown theater (perhaps by a branch of the Queen's Men), circa 1591-1592. • The Comedy of Errors, London, unknown theater (probably by Lord Strange's Men), circa 1592-1594; London, Gray's Inn, 28 December 1594. • Titus Andronicus, London, Rose or Newington Butts theater, 24 January 1594. • The Taming of the Shrew, London, Newington Butts theater, 11 June 1594. • The Two Gentlemen of Verona, London, Newington Butts theater or the Theatre, 1594. • Love's Labor's Lost, perhaps at the country house of a great lord, such as the Earl of Southampton, circa 1594-1595; London, at Court, Christmas 1597. • Sir Thomas More, probably by Anthony Munday, revised by Thomas Dekker, Henry Chettle, Shakespeare, and possibly Thomas Heywood, evidently never produced, circa 1594-1595. • King John, London, the Theatre, circa 1594-1596. • Richard II, London, the Theatre, circa 1595. • Romeo and Juliet, London, the Theatre, circa 1595-1596. • A Midsummer Night's Dream, London, the Theatre, circa 1595-1596. • The Merchant of Venice, London, the Theatre, circa 1596-1597. • Henry IV, part 1, London, the Theatre, circa 1596-1597. -
PATRICK WARREN (Discography) Year Album / Project Artist Credit
PATRICK WARREN (Discography) 1/1/19 Recording Year Album / Project Artist Credit Label 2019 TBD Sara Bareilles Keyboards, String Arrangements 2018 TBD Elisa Composing, Conducting, producing Universal Italy 2018 All These Things Thomas Dybdahl Keyboards, Programming, Composer Piano, Wurlitzer Piano, Harmonium, 2018 Anthem Madeleine Peyroux String Arrangements, Dulcitone, Shouts, Composer 2018 Indigo Kandace Springs String Arrangements 2018 Over the Years… Graham Nash Wurlitzer Piano 2018 She Remembers Everything Rosanne Cash Mellotron, Piano 2018 String Theory Hanson Chamberlin, Group Member Superfly [Original Motion Picture 2018 Soundtrack] Future Strings 2018 The Pains of Growing Alessia Cara Strings 2018 Wanderer Cat Power Arranger, Strings Piano, Organ, Keyboards, Pump 2018 Whistle Down the Wind Joan Baez Organ, Tack Piano 2018 Years in the Making Loudon Wainwright III Piano 2017 Grace Lizz Wright Keyboards 2017 Happy Accidents Jamie Lawson String Arrangements Keyboards, Organ (Hammond), Jupiter Calling The Corrs 2017 Strings, Synthesizer 2017 Life. Love. Flesh. Blood Imelda May Keyboard Arrangements, Keyboards 2017 Love and Murder Leslie Mendelson Strings Bassoon, Flute, Organ, Piano, Strings, 2017 Lust for Life Lana Del Rey Synthesizer, Tack Piano, Waterphone 2017 Popular Van Hunt Conductor 2017 The Christmas Wish Herb Alpert Keyboards 2017 The Natalie Merchant Collection Natalie Merchant Chamberlin, Pump Organ 2017 Wonder: Introducing Natalie Merchant Natalie Merchant Chamberlin, Organ Conductor, Horn Arrangements, String Arrangements, -
The Midlands Essential Entertainment Guide
Wolves & B'ctry Cover - April_Layout 1 24/03/2014 18:17 Page 1 BLACK COUNTRY WHAT’S ON WHAT’S COUNTRY BLACK THE MIDLANDS ESSENTIAL ENTERTAINMENT GUIDE WOLVERHAMPTON & BLACK COUNTRY ISSUE 340 APRIL 2014 APRIL ’ Whatwww.whatsonlive.co.uk sOnISSUE 340 APRIL 2014 JUSTIN TIMBERLAKE IN THE MIDLANDS MIRANDA on the road with her My, What I Call, Live Show PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART JAMES BLUNT Moon Landings in Wolves interview inside... @WHATSONWOLVES WWW.WHATSONLIVE.CO.UK @WHATSONWOLVES EASTER TRAIL at RAF Museum WED 23 - SUN 27 APRIL Box Office 01902 42 92 12 BOOK ONLINE AT grandtheatre.co.uk ButtermarketApril14_Layout 1 24/03/2014 17:48 Page 1 SATURDAY 12 APRIL FRIDAY 25 APRIL RESCHEDULED CONCERT FROM SAT 22 FEB WITH BRUCE FOXTON FRIDAY 16 MAY FRIDAY 19 SEPT OVER 30 MILLION RECORDS SALES Following his sold out concert last year Britain’s biggest-ever black male recording star is back! BILLY OCEAN IN CONCERT PLUS: SOUL & MOTOWN AFTER-PARTY from10pm-3am HOWARD STREET, SHREWSBURY. SY1 2LF 0844 8737348 FOLLOW US ON: f u www.thebuttermarket.co.uk Contents- Region two - April_Layout 1 24/03/2014 18:11 Page 1 April 2014 Editor: Davina Evans INSIDE: [email protected] 01743 281708 Editorial Assistants: Sir Antony Sher Brian O’Faolain [email protected] playing Falstaff for the RSC 01743 281701 interview p6 Lauren Foster [email protected] 01743 281707 Adrian Parker [email protected] 01743 281714 Sales & Marketing: Jon Cartwright [email protected] -
Pericles, Prince of Tyre
Dating Shakespeare’s Plays: Pericles Pericles, Prince of Tyre he play can be dated any time between the . The play was published again in the same year publication of Laurence Twine’s Painefull with some small differences. All subsequent Adventures (possibly as early as 1576 but publications seem to derive from Q2. Tno later than 1594) and the publication of the Quarto in 1609. [Q2. 1609. Title Page as in Q1] Publication A third version appeared two years later: [Q3. 1611.] The Late And much admired Play, Sir Sidney Lee gave a detailed examination of the Called Pericles, Prince of Tyre. With the true publishing history of the play, which Chambers Relation of the whole History, aduentures, and has reviewed. The play was entered into the fortunes of the sayd Prince: As also, The no lesse Stationers’ Register in May 1608, on the same day strange and worthy accidents, in the Birth and as Antony & Cleopatra (which was not published Life, of his Daughter Mariana. As it hath beene until 1623): diuers and sundry times acted by his Maiestyes Seruants, at the Globe on the Banck-side. By [S.R. 1608.] 20 Maij. Edward Blount. Entred William Shakespeare. Printed at London by for his copie vnder thandes of Sir George Buck S(imon) S(tafford). 1611. knight and Master Warden Seton A booke called, the booke of Pericles prynce of Tyre. A fourth version appeared some years later as part of the collection published by Thomas Pavier: Most commentators see this as a ‘blocking entry’, i.e. intended to prevent any other publisher from [Q4. -
This Item Was Submitted to Loughborough's Institutional Repository by the Author and Is Made Available Under the Following
This item was submitted to Loughborough’s Institutional Repository by the author and is made available under the following Creative Commons Licence conditions. For the full text of this licence, please go to: http://creativecommons.org/licenses/by-nc-nd/2.5/ Egan, Gabriel. 2006b. "'As it Was, Is, or Will be Played': Title-pages and the Theatre Industry to 1610." From Stage to Print in Early Modern England. Edited by Peter Holland and Stephen Orgel. Redefining British Theatre History. London. Palgrave Macmillan. pp. 92-110 "'As it was, is, or will be played': Title-pages and the theatre industry to 1610" by Gabriel Egan Whereas modern actors usually start with a printed text of some form, we are used to the idea that early modern actors started with manuscripts and that printing followed performance. Confirming this, the title-pages of printed plays refer back to past performance with such phrases "As it hath beene publikely acted by the right Honourable the Lorde Chamberlaine his Seruants" (Shakespeare 1597, A1r) or "As it was acted by the Kings Maiesties seruants at the Globe" (Shakespeare 1609b, A1r) to take examples from two first printings of Shakespeare plays. These locutions promise the reader that the contents will be "as" the play was acted, that the text captures something of the pleasure of performance, although my second example, the phrasing on the title-page of the first printing of Troilus and Cressida, comes from a book that survives in two states (Qa and Qb). Qb has a reset title-page that removes the reference to performance but adds that the lovers' 'history' is "Famous" (Shakespeare 1609a, ¶1r).