Program for Lessons and Carols Service from King's College

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Program for Lessons and Carols Service from King's College

Program for the Lessons and Carols Service from King’s College, Cambridge Recorded in the majestic beauty of the 15th century chapel of King's College, Cambridge. Once in Royal David’s City (Henry John Gauntlett, Sir David Willcocks, Arthur Henry Mann, Sir Stephen Cleobury) Bidding Prayer read by the Dean Adam lay ybounden (Boris Ord) First Lesson: Genesis 3: vv 8-15, 17-19 read by a Chorister The Truth from Above (Ralph Vaughan Williams/ arr. Christopher Robinson) Second Lesson: Genesis 22: vv 15-19 read by a Choral Scholar How shall I fitly meet thee? (J.S. Bach) A tender shoot (Otto Goldschmidt) Third Lesson: Isaiah 9: vv 2, 6-7 read by the Chaplain In the bleak midwinter (Harold Darke) Of the Father’s heart begotten (arr. Sir David Willcocks) Fourth Lesson: Isaiah 11: 1-4a, 6-9 read by a Fellow The holly and the ivy (arr. Witold Lutoslawski) A maiden most gentle (Andrew Carter) Fifth Lesson: Luke 1: vv 26-35, 38 read by a member of College staff In dulci jubilo (Robert L. de Pearsall, arr. Daniel Hyde) The angel Gabriel (Philip Moore) Sixth Lesson: Luke 2: vv 1-7 read by a representative of the City of Cambridge Sussex Carol (arr. Ralph Vaughan Williams) Away in a manger (arr. David Hill) Seventh Lesson: Luke 2: vv 8-17 read by the Director of Music While shepherds watched (arr. Nicholas Marston) The shepherds’ cradle song (Charles Macpherson) Eighth Lesson: Matthew 2: vv 1-12 read by the Vice-Provost As I sat on a sunny bank (Elizabeth Poston) Ninth Lesson: John 1: vv 1-14 read by the Provost O come all ye faithful (arr. Daniel Hyde, Christopher Robinson, David Hill) Blessing Still, still, still (arr. Bob Chilcott) Hark! The herald angels sing (arr. Sir Philip Ledger) In dulci jubilo BWV 729 (J.S Bach) Daniel Hyde, Director of Music Matthew Martin, Organist Revd. Dr. Stephen Cherry, Dean A Festival of Nine Lessons and Carols signals the beginning of Christmas for millions of listeners across the world. The service consists of a series of Bible readings which tell the story of the loving purposes of God, interspersed with both new and traditional hymns and carols sung in the majestic beauty of the 15th century King’s College Chapel. This year's service marks the musical contribution (through their arrangements and descants) of several former Directors of Music, including Sir David Willcocks, Sir Philip Ledger and Sir Stephen Cleobury, as well as the current Director, Daniel Hyde. The English twentieth century composer Elizabeth Poston features in the service, as well as arrangements by polish composer Witold Lutoslawski and former chorister Bob Chilcott. The service has been broadcast live from a packed chapel on Christmas Eve for over 90 years, but for safety reasons this year it has been recorded without the presence of a congregation. .

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Oursaviournyc.Org 2 February 2020
T HE P ARISH OF O UR S AVIOUR S AINT S TEPHEN AND O UR L ADY OF THE S CAPULAR C HAPEL OF THE S ACRED H EARTS OF J ESUS AND M ARY in the City of New York oursaviournyc.org CHURCH OF OUR SAVIOUR CHAPEL OF THE Fifty-nine Park Avenue SACRED HEARTS OF JESUS AND MARY (at East Thirty-eighth Street) 325 East Thirty-third Street New York, NY 10016 (between First and Second Avenues) Parish Office: (212) 679–8166 New York, NY 10016 Chapel Office: (212) 213–6027 Our Saviour and Sacred Hearts are both handicapped accessible. v Rev. Robert J. Robbins, K.C.H.S., Pastor Parish Trustees: Rev. Andrew E. Kurzyna, Parochial Vicar Leilani Siri, M.D. Rev. Msgr. Kevin Sullivan, In Residence Mr. Thomas J. Travers, K.C.H.S. Rev. Msgr. Hilary C. Franco, Honorary Associate Mr. Paul J. Murray, K.C.H.S., Director of Music & Organist MASS FOR THE LORD’S DAY OUR SAVIOUR SACRED HEARTS Saturday Vigil: 5:00 p.m. (Sung) Sunday: 12:45 p.m. (Sung), Sunday: 9:00 a.m., 11:00 a.m. (Choral), 5:00 p.m. 3:00 p.m. (Korean-English bilingual), 5:30 p.m. (Sung) DAILY MASS OUR SAVIOUR SACRED HEARTS 7:45 a.m. (Monday–Friday) 5:15 p.m. (Monday–Friday) 12:05 p.m. (Monday–Saturday) SACRAMENT OF PENANCE (CONFESSION) OUR SAVIOUR SACRED HEARTS Sunday: 10:30–10:50 a.m. Sunday: 5:00–5:15 p.m. Monday– Friday: 7:20–7:40 a.m.
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Lessons&Carols 1 Page Web PDF2019.Indd
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The Choir of Men and Boys ∙ the Parish of All Saints, Ashmont
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KING’SCOLLEGE CAMBRIDGE CHAPELSERVICES LENTTERM HOLYWEEKANDEASTER 2010 NOT TO BE TAKEN AWAY THE USE OF CAMERAS, RECORDING EQUIPMENT, VIDEO CAMERAS AND MOBILE PHONES IS NOT PERMITTED IN CHAPEL [ 2 ] NOTICES SERMONSAND ADDRESSES 17 January Dr Edward Kessler Director Woolf Institute of Abrahamic Faiths, Cambridge; Fellow St Edmund’s College 24 January The Revd Richard Lloyd Morgan Acting Dean 31 January The Revd Abi Smetham Assistant Curate of Shefﬁeld Manor Parish 7 February The Revd Canon Michael Hampel Acting Dean and Precentor, St Edmundsbury Cathedral 14 February The Revd Canon Anna Matthews St Albans Cathedral 21 February The Very Revd Dr John Hall Dean of Westminster 28 February The Rt Revd Dr Richard Cheetham Bishop of Kingston 7 March The Revd Canon Brian Watchorn Assistant Chaplain Maundy Thursday Professor Ellen Davies Amos Ragan Kearns Professor, Duke Divinity School, North Carolina Easter Day The Revd Richard Lloyd Morgan Acting Dean SERVICE BOOKLETS Braille and large print service booklets are available from the Chapel Administrator for Evensong and Sung Eucharist services. CHORAL SERVICES Services are normally sung by King’s College Choir on Sundays and from Tuesdays to Saturdays. Services on Mondays are sung by King’s Voices, the College’s mixed voice choir. Exceptions are listed. ORGAN RECITALS Each Saturday during term time there is an organ recital at 6.30 p.m. until 7.15 p.m. Admission is free, and there is a retiring collection. There is no recital on 16 January; the recital on 20 February will last 30 minutes and start at 6.45 p.m. following the longer Evensong that day.
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NEW: 32ft Double Ophicleide installed in 2017 Application closing dates: Monday 4 November 2019 (Round 1) Saturday 8 February 2020 (Round 2) Sixth Form Open Afternoon Wednesday 9 October 2019 A cathedral training with all the advantages of a leading co-educational independent school. 16+ entry from September 2020 Boarding or Day place with a £5,000 annual grant and a means-tested allowance up to full fees available Find out more information at www.cliftoncollege.com/upper/admissions Or please contact: Mr Daniel Robson, Director of Music, Clifton College: [email protected] / 0117 3157 247 Sir David Willcocks Organ Scholarship Clifton College in partnership with Bristol Cathedral Through its 150 years, Clifton College has been noted for the importance it attaches to organists and organs in the school’s musical life. It has nurtured generations of Old Cliftonian musicians including Boris Ord, the one-handed Dr Douglas Fox (famed for his radio broadcasts and recitals), C.S. Lang, and Sir David Willcocks himself. More recent alumni organists include Charles Matthews (winner of the Franz Liszt Organ Competition), Andrew Nethsingha (Director of Music at St John’s College, Cambridge), and current Oxbridge organ scholars. All have benefited from the four-manual organ in the College chapel, still maintained by its original maker, Harrison and Harrison. Sir David Willcocks MC CBE (1919-2015) Old Cliftonian Director of Music, King’s College, Cambridge (1957-73) Present-day life at the College — daily assemblies with hymns (the congregational singing supported by the College’s 2012 Hymn Book), choral services on Sundays, and the numerous concerts and oratorios performed in the chapel with the organ — ensures that the instrument and its players remain at the heart of College life.
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San Francisco Lyric Chorus Robert Gurney, Music Director Board of Directors Helene Whitson, President Elizabeth Baldridge, Director Peter Dillinger, Vice President Jim Bishop, Director Karen Stella, Secretary Kristin Schultz Oliver, Director Bill Whitson, Treasurer Welcome to the Fall 2012 Concert of the San Francisco Lyric Chorus. Since its formation in 1995, the Chorus has offered diverse and innovative music to the community through a gathering of singers who believe in a commonality of spirit and sharing. The début concert featured music by Gabriel Fauré and Louis Vierne. The Chorus has been involved in several premieres, including Bay Area composer Brad Osness’ Lamentations, Ohio composer Robert Witt’s Four Motets to the Blessed Virgin Mary (West Coast premiere), New York composer William Hawley’s The Snow That Never Drifts (San Francisco premiere), San Francisco composer Kirke Mechem’s Christmas the Morn, Blessed Are They, To Music (San Francisco premieres), and selections from his operas, John Brown and The Newport Rivals, our 10th Anniversary Commission work, the World Premiere of Illinois composer Lee R. Kesselman’s This Grand Show Is Eternal, Robert Train Adams’ It Will Be Summer—Eventually and Music Expresses (West Coast premieres), as well as the Fall 2009 World Premiere of Dr. Adams’ Christmas Fantasy. And now, join us as we celebrate the holidays with wonderful music for voice and harp! Please sign our mailing list, located in the foyer. The San Francisco Lyric Chorus is a member of Chorus America. We are recording this concert for archival purposes Please turn off all cell phones, pagers, and other electronic devices before the concert Please, no photography or audio/video taping during the performance Please, no children under 5 Please help us to maintain a distraction-free environment.
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A Festival of Nine Lessons and Carols
KING’S COLLEGE CHAPEL A FESTIVAL OF NINE LESSONS AND CAROLS CHRISTMAS EVE 2015 elcome to this special service. We are very grateful to you for coming to share with us in this great occa- W sion which is an act of worship for us here in Chapel and for the millions who will join us around the world. Before the service begins, please note the following requests: ¶ Please pay special attention to any unwanted sounds. To a radio audience, coughing is a particular distraction, much more so than to others in the Chapel. You are therefore asked to keep any such sounds to an absolute minimum, and to make sure that bags, sticks etc. are placed safely on the floor. ¶ If you have a mobile phone, please double-check that it is turned oV. The same applies to chiming watches or other devices which are likely to be heard by sensitive micro- phones. ¶ Please put your contribution to the collection, which goes to support the work of the Chapel, in the Gift Aid envelope that you will find in this order of service, and add it to the collection as you leave. ¶ In the unlikely event of an emergency requiring us to evac- uate the chapel please follow the directions of the stewards, and remain as quiet and calm as possible. Finally, I wish you a very Happy Christmas, and add that if you would like to join us for our Christmas Eucharist at 11 a.m. on Christmas Day you will be most welcome. The Revd Dr Stephen Cherry, Dean 2 [[[[[[[[[[[[[[[[[[[[[[[ he Festival of Nine Lessons and Carols was first held on Christmas Eve 1918.
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Perspectives on Church Music #5
PERSPECTIVES ON CHURCH MUSIC By Carl Schalk Lessons from Christmases Past In the countless services of "Lessons and Carols" held in countless churches throughout the worlds this past Advent and Christmas season, most, if not all, have included the singing of the anonymous 18th-century carol "O Come, All Ye Faithful." My guess is that the arrangement sung in the majority of those services was that of David Willcocks, long-time conductor of the choir of choir of men and boys at Kings College, Cambridge, England, published over a half a century ago. Willcocks' setting is worthy of careful examination by church musicians, both for what it does and for what it doesn't do, for its beauty, but especially for its utter simplicity. The first five stanzas are set to one simple harmonization for either organ ort choir. Stanza six introduces a treble descant, at the same time maintaining the basic harmony with only a few slight modifications. Then stanza seven, the final stanza, begins with the organ in unison. The second phrase ends on the dominant chord, the pedal descending through the seventh degree of the scale, moving toward what one expects to be the tonic in first inversion. Instead, in a moment of genius, Willcocks chooses a diminished minor 7th chord, on "Word" in the phrase "Word of the Father, now in flesh appearing." By any standard it is a most arresting moment, the harmonic high point of the carol. One lesson this Willcocks arrangement teaches us is that it takes only one striking chord to make a significant impression.
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