T.S. Eliot: Portrait of a Mind
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TS ELIOT's PLAYS and RECEPTION Eliot's
T.S. ELIOT’s PLAYS and RECEPTION Eliot’s plays, which begin with Sweeney Agonistes (published 1926; first performed in 1934) and end with The Elder Statesman (first performed 1958; published 1959), are, with the exception of Murder in the Cathedral (published and performed 1935), inferior to the lyric and meditative poetry. Eliot’s belief that even secular drama attracts people who unconsciously seek a religion led him to put drama above all other forms of poetry. All his plays are in a blank verse of his own invention, in which the metrical effect is not apprehended apart from the sense; thus he brought “poetic drama” back to the popular stage. The Family Reunion (1939) and Murder in the Cathedral are Christian tragedies—the former a tragedy of revenge, the latter of the sin of pride. Murder in the Cathedral is a modern miracle play on the martyrdom of Thomas Becket. The most striking feature of this, his most successful play, is the use of a chorus in the traditional Greek manner to make apprehensible to common humanity the meaning of the heroic action. The Family Reunion (1939) was less popular. It contains scenes of great poignancy and some of the finest dramatic verse since the Elizabethans, but the public found this translation of the story of Orestes into a modern domestic drama baffling and was uneasy at the mixture of psychological realism, mythical apparitions at a drawing-room window, and a comic chorus of uncles and aunts. After World War II, Eliot returned to writing plays with The Cocktail Party in 1949, The Confidential Clerk in 1953, and The Elder Statesman in 1958. -
Unit-1 T. S. Eliot : Religious Poems
UNIT-1 T. S. ELIOT : RELIGIOUS POEMS Structure 1.0 Objectives 1.1 Introduction 1.2 ‘A Song for Simeon’ 1.3 ‘Marina’ 1.4 Let us sum up 1.5 Review Questions 1.6 A Select Bibliography 1.0 Objectives The present unit aims at acquainting you with some of T.S. Eliot’s poems written after his confirmation into the Anglo-Catholic Church of England in 1927. With this end in view, this unit takes up a close reading of two of his ‘Ariel Poems’ and focuses on some traits of his religious poetry. 1.1 Introduction Thomas Stearns Eliot was born on 26th September, 1888 at St. Louis, Missouri, an industrial city in the center of the U.S.A. He was the seventh and youngest child of Henry Ware Eliot and Charlotte Champe Stearns. He enjoyed a long life span of more than seventy-five years. His period of active literary production extended over a period of forty-five years. Eliot’s Calvinist (Puritan Christian) ancestors on father’s side had migrated in 1667 from East Coker in Somersetshire, England to settle in a colony of New England on the eastern coast of North America. His grandfather, W.G. Eliot, moved in 1834 from Boston to St. Louis where he established the first Unitarian Church. His deep academic interest led him to found Washington University there. He left behind him a number of religious writings. Eliot’s mother was an enthusiastic social worker as well as a writer of caliber. His family background shaped his poetic sensibility and contributed a lot to his development as a writer, especially as a religious poet. -
T. S. Eliot Collection
T. S. Eliot Collection Books and Pamphlets (unless otherwise noted, the first listing after each Gallup number is a first edition) The Love Song of J. Alfred Prufrock in Poetry. A Magazine of Verse. Edited by Harriet Monroe. June 1915. Gallup C18. The first appearance of the poem. Near fine copy. A2 Ezra Pound: His Metric and Poetry, Alfred A. Knopf, 1917 [i.e. 1918]. Good copy, a bit worn and faded. A4 Ara Vus Prec, The Ovid Press, 1920. Very good copy, light wear. Poems, Alfred A. Knopf, 1920 (first American edition), Head of spine chipped, otherwise very good. A5 The Sacred Wood: Essays on Poetry and Criticism. Alfred A. Knopf, 1921 (American issue). Fine in chipped dust jacket. ----- Alfred A. Knopf, 1930 (American issue). Good, no dust jacket. The Waste Land in The Dial, Vol. LXXIII, Number 5, November 1922. Gallup C135. Published “almost simultaneously” in The Criterion. Extremities of spine chipped, otherwise a very good copy. A8 Poems: 1909-1925, Faber & Gwyer Ltd., 1925 (first edition, ordinary copies). Very good, no dust jacket. ----- Harcourt, Brace and Company, 1932 (first American edition). Good only, no dust jacket. Poems: 1909-1925. Faber & Faber, 1932. Reset edition. Fine in dust jacket. 1 T. S Eliot Collection A9 Journey of the Magi, Faber & Gwyer Ltd., 1927. Very good. ----- Faber & Gwyer Ltd., 1927 (limited copies). Fine copy. ----- William Edwin Rudge, 1927 (first American edition). Copyright issue, one of only 27 copies. Fine copy. A10 Shakespeare and the Stoicism of Seneca, Humphrey Milford, Oxford University Press, 1927. Very good. A11 A Song for Simeon, Faber & Gwyer Ltd., 1928. -
Copyrighted Material
Part I Infl uences COPYRIGHTED MATERIAL 1 The Poet and the Pressure Chamber: Eliot ’ s Life Anthony Cuda Over the course of his long career, T. S. Eliot preferred to think about poetry not as the communication of ideas but as a means of emotional relief for the artist, a momen- tary release of psychological pressure, a balm for the agitated imagination. In 1919, he called poetic composition an “ escape from emotion ” ; in 1953, a “ relief from acute discomfort ” ( SE 10; OPP 98). At fi rst, poetry alleviated for him the mundane pressures of a bank clerk who lived hand - to - mouth, caring for his sick wife during the day and writing for the Times Literary Supplement at night; later, it lightened the spiritual pres- sures of a holy man in a desert of solitude with the devils conniving at his back. Most frequently, though, it eased the pressure of an artist doubting his talent, an acclaimed poet who wrote more criticism than poetry, ever fearful that the fi ckle Muse had permanently left him. The most intensely creative stages of Eliot’ s life often coincided with the periods in which he faced the most intense personal disturbances and upheavals. But where do we, as students of Eliot, begin to account for that pressure? “ The pressure, ” as he himself called it, “ under which the fusion takes place ” and from which the work of art emerges ( SE 8)? We could begin with the bare facts. Eliot was the youngest of seven children, born on September 26, 1888 in St. Louis, Missouri. -
SERMON: “A L Based on Part V of “East Coker” by T.S. Eliot by Dr. John Tamilio III the First Unitarian Church of St. Louis
SERMON: “A LIFETIME BURNING IN EVERY MOMENT” Based on Part V of “East Coker” by T.S. Eliot By Dr. John Tamilio III The First Unitarian Church of St. Louis Sunday, September 27, 2015 © 2015, Dr. Tamilio I bring you greetings from the members and friends of the United Church of Christ in Canton, Massachusetts, where I serve as their Pastor, and from my colleagues at Salem State University, Endicott College, and Andover Newton Theological School where I serve as an assistant professor of philosophy, theology, and literature. I also bring words of deepest gratitude from the T.S. Eliot Society for your generosity in hosting the Sunday program that is part of our annual meeting. It is an honor to preach at the spiritual home of the young T.S. Eliot — and that of his father (Henry Ware Eliot) and his grandfather and founder (William Greenleaf Eliot) before him. It is also strange and a bit liberating to be preaching in a Unitarian Universalist Church. It’s a bit of a guilty pleasure, I must confess. As you may know, we in the United Church of Christ (the UCC) are often referred to as “Unitarians Considering Christ.” This is much better than the name that inevitably arises when someone misspells the word “united” and we become “The Untied Church of Christ.” While my theology is a bit more “traditional” than most UCC pastors, my deep affinity for anything Eliot makes us sisters and brothers of a different mother. In my tradition, the “readings” for worship always come from Scripture: the Hebrew Bible as well as the New Testament. -
Unit-42 Modern British Poetry an Introduction
This course material is designed and developed by Indira Gandhi National Open University (IGNOU), New Delhi. OSOU has been permitted to use the material. Master of Arts ENGLISH (MAEG) MEG-02 BRITISH DRAMA Block – 7 Murder in the Cathedral UNIT-1 T.S. ELIOT’S ESSAYS AND OTHER WORKS RELATED TO THE PLAY UNIT-2 BACKGROUND, PRODUCTION AND PERFORMANCE HISTORY UNIT-3 CRITICAL APPROACHES TO THE PLAY PART-I UNIT-4 CRITICAL APPROACHES TO THE PLAY PART-II UNIT-5 GENERAL COMMENTS AND OTHER READINGS UNIT 1 T.S. ELIOT’S ESSAYS AND OTHER WORKS RELATED TO THE PLAY Structure 1.0 Objectives 1.1 Introduction: Life and Works of T.S. Eliot 1.2 Dramatic Experiments : Sweeney Agonistes and The Rock 1.3 Eliot‘s essays relevant to his plays 1.4 Eliot‘s Poetic dramas 1.5 Exercises 1.0 OBJECTIVES This Unit will familiarise you with T.S. Eliot‘s: a. Life and works b. Dramatic experiments : Sweeney Agonistes and The Rock c. Essays relevant to his plays; and his d. Poetic dramas 1.1 INTRODUCTION : LIFE AND WORKS OF T.S. ELIOT Thomas Steams Eliot was born in St. Louis, Missouri, on 26th September, 1888. William Green Leaf Eliot (Eliot‘s grandfather from his father‘s side) was one of the earliest Eliot settlers in St. Louis. He was a Unitarian minister. Unitarianism arose in America in the mid eighteenth century as a wave against Puritanism and its beliefs in man‘s innate goodness and the doctrine of damnation. Unitarianism perceived God as kind. In 1834 William Green Leaf Eliot established a Unitarian church in St.Louis. -
Simply Eliot
Simply Eliot Simply Eliot JOSEPH MADDREY SIMPLY CHARLY NEW YORK Copyright © 2018 by Joseph Maddrey Cover Illustration by José Ramos Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-25-4 Brought to you by http://simplycharly.com Extracts taken from The Poems of T. S. Eliot Volume 1, The Complete Poems and Plays, The Complete Prose of T. S. Eliot: The Critical Edition, The Letters of T. S. Eliot, Christianity and Culture, On Poetry and Poets, and To Criticize the Critic, Copyright T. S. Eliot / Set Copyrights Limited and Reproduced by permission of Faber & Faber Ltd. Extracts taken from Ash Wednesday, East Coker and Little Gidding, Copyright T. S. Eliot / Set Copyrights Ltd., first appeared in The Poems of T. S. Eliot Volume 1. Reproduced by permission of Faber & Faber Ltd. Excerpts from Ash Wednesday, East Coker and Little Gidding, from Collected Poems 1909-1962 by T. S. Eliot. Copyright 1936 by Houghton Mifflin Harcourt Publishing Company. Copyright renewed 1964 by Thomas Stearns Eliot. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. Extracts taken from Murder in the Cathedral, The Cocktail Party, The Confidential Clerk, and The Elder Statesman, Copyright T. -
TS Eliot a Review of the Life and Poetry of the Ground-Breaking Modernist Poet 1
IMPACT: International Journal of Research in Humanities, Arts and Literature (IMPACT: IJRHAL) ISSN (P): 2347-4564; ISSN (E): 2321-8878 Vol. 6, Issue 6, Jun 2018, 459-468 © Impact Journals T.S. ELIOT: A REVIEW OF THE LIFE AND POETRY OF THE GROUND-BREAKING MODERNIST POET Abdul Rashid Dar Taught as an Assistant Professor, Department of English (Contractual), Central University of Kashmir, Srinagar, Jammu and Kashmir, India Received: 13 Jun 2018 Accepted: 18 Jun 2018 Published: 23 Jun 2018 ABSTRACT Thomas Stearns Eliot (1888-1965), was an American who made England his home and left behind him a wealth of influential literary works in prose, poetry, and drama. He came under the sway of contemporary European trends of art and literature and became one of the influential leaders of the modernist movement in poetry. He was a profound scholar and thinker, a product of diverse influences- literary, anthropological and philosophical. The literary influences of Elizabethan dramatists, English metaphysical, French symbolists and imagists are paramount in his poetry. As he had deeply studied the French imagist and symbolist poets, he gave imagism a dialect as well as a symbolist dimension and a tone of intellectual irony. His poetry marks a complete break from the nineteenth-century tradition. Reacting against subjectivism of romantic theory, he advocated his famous theory of impersonality of poetry. He demanded an objective authority of art and appreciated the order and completeness of classical poetry, the qualities which he tried to achieve in his own practice as a poet. His philosophy grew from continuous meditation through which he blossomed into a spiritualist. -
Funny PARTY (Continued)
NEWSLETTER Vol. 17. No.2 tactics Winter 2009/2010 The ACTORS COMPANY THEATRE Scott Alan Evans, Cynthia Harris & Simon Jones, Co-Artistic Directors What’S T.S. Eliot and his INSIDE: TSE's FUNNY PARTY (continued) ..................2 Funny Party (homas) S(terns) Eliot and the the- T.S. Eliot was born September 26, 1888 in SPRING GALA ater? Sure, there was the huge run- St. Louis, Missouri. His love of literature Save the Date .............3 Taway success of Cats, but beyond and learning began at Harvard, where that, what does the brilliant mind behind he graduated with an A.B. in English TACT Season Recap ..................... 4-5 The Waste Land have to do with theater? Literature in 1909. He became Surprisingly, few people are even aware the secretary for the Harvard TACT/QC Alliance.......5 that T.S. Eliot wrote a single play, let alone Advocate, a literary magazine six of them (and the fragment of a sev- and fell in love with writing FAVE FIVE enth). For those who are aware of Eliot’s poetry. Following Harvard, with Jack Koenig ........6 dramatic work, the play that comes to he studied in Paris at the PA PROGRAM mind most frequently is Murder in the Sorbonne for a year where, What We Did Last Cathedral. While that play is not without after attending lectures by Summer ......................6 its considerable merits, it is rather somber philosopher Henri Bergson, and bears little resemblance to his later Eliot decided to pursue an- MORE BANG for more effervescent work. Eliot’s plays have other degree from Harvard, YOUR BUCKS! ...........7 certainly been overshadowed by his po- this time in philosophy. -
T.S. Eliot As a Critic
B.A. Sem. – V Thomas Stearns Eliot Dr. Sagar Vyas Thomas Stearns Eliot (1888-1965) “I cannot think of a critic who has been more widely read and discussed in his own life-time; and not only in English, but in almost every language, except Russian.” - John Hayward T. S. Eliot Life • 1888: he was born in St. Louis, Missouri. • 1910: he studied in Paris at the Sorbonne. • 1915: he married the British ballet dancer Vivienne Haigh-Wood. • 1917: he established himself as an important avant-garde poet. Thomas Stearns Eliot. Only Connect ... New Directions T. S. Eliot Life • 1922: he edited The Criterion, an intellectual magazine. His professions included being a poet, a critic and an editor. • 1925: he became director for the publishers “Faber & Faber”. • 1927: he acquired British citizenship and converted to Thomas Stearns Eliot. Anglicanism. Only Connect ... New Directions T. S. Eliot Life • 1930: for the next thirty years he was considered as “the most dominant figure in poetry and literary criticism in the English-speaking world”. • 1948: he received the Nobel Prize for literature. • 1965: he died in London. Thomas Stearns Eliot. Only Connect ... New Directions T. S. Eliot Works Before the conversion 1917: Prufrock and other Observations. 1922: The Waste Land. It is said to be “the single most influential poetic work of the twentieth century”. 1925: The Hollow Men. Cover for the first edition of Prufrock and other Observations Only Connect ... New Directions T. S. Eliot Works After the conversion 1927: Ariel Poems. 1930: Ash-Wednesday. 1935-1942: Four Quartets. 1935: Murder in the Cathedral. -
The Pleasures of the Autograph Page 4 My Favourite Eliot…
Autumn 2019 Page 2 Editorial Page 3 In Eliot’s own hand: the pleasures of the autograph Page 4 My Favourite Eliot… Page 5 Snowfl akes in summer? An evening in Virginia Woolf’s garden Page 7 An Eliot Journey … leading to Emily Hale The telegram, complete with errors, which Eliot received from the Swedish Academy, earlier this month in 1948 1 Editorial Like the women in the room, seasons come and go. No sooner than summer had surprised us, autumn’s mists were gathering, and the leaf fall began: horse-chestnuts first, harbingers of inevitability. Leaves, in fact, seemed remarkably reluctant to fall this October; but November – that most deeply autumnal of the months – sees sodden piles of them blown into garden corners, scatterings of them littering the lawn. Against the darkening, even ruinous, feel of the month, this Autumn edition of ‘Exchanges’ offers some new reflections on T S Eliot; fragments, one hopes, of inspiration to illuminate the seasonal gloom. Following the huge success of the Society’s stall at the July T S Eliot Festival at Little Gidding, where early and unusual Eliot editions gathered by Society Chair Paul Keers were avidly snapped up by festival-goers, Paul writes here about Eliot autographs. How proper that this most Anglo-Catholic of modernist writers should prompt an interest in relics! Looking forward to the new year of 2020, in which the Emily Hale correspondence will at long last see the light of day, a new contributor, Sara Fitzgerald, recounts her own Eliot journey and how it led her to Emily: a fascinating, transatlantic contribution which foregrounds the American experience of Eliot and prompts the reflection that Eliot may be seen very differently on different sides of the Atlantic… not least when the correspondence is eventually opened. -
A Song for Simeon” Dr
Eliot’s Faith: “A Song for Simeon” Dr. Asha Solomon Department of English, Montfort College, Lucknow ABSTRACT T.S. Eliot was born in St. Louis, Missouri, in 1888. His grandfather, William Greenleaf Eliot, was a graduate of Harvard Divinity School who moved as a missionary Unitarian minister to St Louis, Mississippi, and stayed there. He was steadily fearless in the face of cholera, slavery, and the Civil War. In St Louis, he founded schools and, most famously, Washington University. Eliot published his first poetic masterpiece, "The Love Song of J. Alfred Prufrock," in 1915. In 1921, he wrote the poem "The Waste Land" which is regarded as the most important poems of the 20th Century and gave a whole new genre of literature. For his lifetime of poetic innovation, Eliot won the Order of Merit and the Nobel Prize in Literature in 1948. He died in London, England, in 1965. ‘A Song for Simeon’ first appeared in a series of Christmas booklets from Faber. Each booklet had one or two illustrations and a poem. Eliot wrote four poems for the series. Journey of the Magi, the first, appeared in August 1927, the next was A Song for Simeon. Simeon, the subject of Eliot's poem is drawn from the Bible and is found in the Gospel of Luke 2:25-35. The early Christian canticle Nunc dimittis has been derived from this passage in the Bible. Luke, the disciple of Jesus, writes an account of Simeon, an aged and devout Jew, who sees Mary and Joseph bringing infant Jesus to the Temple of Jerusalem.