Floating Rays of a Wanderer Catalogue
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PARTICLE POETRY: a Show Case by Teamlab
FOR IMMEDIATE RELEASE GAJAH GALLERY SINGAPORE PRESENTS PARTICLE POETRY: a show case by teamLab ÓteamLab Courtesy of Ikkan Art International Impermanent Life, at the Confluence of Spacetime New Space and Time is Born Digital Work, 4 Channels, Continuous Loop 121 x 271 x 15cm Edition of 8 teamLab Gajah Gallery Singapore presents Particle Poetry, a showcase of six single-channel and multiple- channel works by the art collective teamLab, presented in collaboration with Ikkan Art International. Known as “ultra technologists”, interdisciplinary art collective teamLab leads the field of digital installation and multimedia art, navigating the confluence of art, science, technology and the natural world. Several digital installations by teamLab can be found across Singapore in public and permanent collections, including Resonating Forest – Shiseido Forest Valley which opened at Jewel Changi Airport in April 2019, and has marvelled travellers and visitors from across the world. The digital works at Gajah Gallery span a six-year period of 2012 to 2018, including Impermanent Life, at the Confluence of Spacetime New Space and Time is Born, Sunflower Phoenix, Gold Waves, and Flower and Corpse Glitch. Particle Poetry opens on Friday, 26 February at Gajah Gallery, in Tanjong Pagar Distripark in Singapore. As Gajah Gallery celebrates our 25th Anniversary, we also look to the future of art within the region of Southeast Asia by presenting contemporary mediums and collaborative projects. FOR IMMEDIATE RELEASE teamLab (f. 2001) is an international art collective, an interdisciplinary group of various specialists such as artists, programmers, engineers, CG animators, mathematicians and architects whose collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world. -
Artist Biography
Artist John CLANG Born 1973, Singapore Works USA Artist Biography __________________ ___________________________________________________________________________________ Year Education 2014 - 2015 Master of Arts Fine Arts, LASALLE College of the Arts, Singapore – Goldsmiths University of London, UK __________________ ___________________________________________________________________________________ Year Selected Exhibitions 2017 In Praise of Shadows, ADM Gallery 1 and 2, Nanyang Technological University, School of Art, Design and Media, Singapore Art Stage Singapore with FOST Gallery, Singapore 2016 The World Surrounding an Indoor Plant, FOST Gallery, Singapore* 2015 Echoes of Anticipation, FOST Gallery, Singapore Urban-ness: encountering the city, DUCTAC, Mall of the Emirates, Dubai, UAE I wasn’t everything, Institute of Contemporary Arts Singapore, Singapore 2014 (Re)Contextualizing My Mind, Pekin Fine Arts, Hong Kong, China* Asuntos domesticos, Diputación de Huesca, Huesca, Spain Southeast Asia & Diaspora: Breaking and Reconstructing the Circle, Gallery 8, London, UK MIA&D Fair with 2902 Gallery, Singapore Afterimage, Singapore Art Museum, Singapore Idreamofmona, Institute of Contemporary Arts Singapore, Singapore War Room, Pekin Fine Arts, Hong Kong, China Anthropos New York, Sundaram Tagore Gallery, New York, USA Photo Shanghai with Pekin Fine Arts, Shanghai Exhibition Center, Shanghai, China Bazaar Art Jakarta with 2902 Gallery, Pacific Place, Jakarta, Indonesia Family Matters, Centre for Contemporary Culture at Palazzo Strozzi, -
Copyrighted Material
All Souls’ Day (Qing Ming; B Index Singapore), 29 Baba Nyonya Heritage Museum Alsagoff Arab School (Melaka), 229 See also Accommodations and (Singapore), 117 Badan Warisan (Kuala Lumpur), Restaurant indexes, below. American Express, Malaysia, 291 214–215 Ampang & Sri Petaling Line Bajau people (Malaysia), (Kuala Lumpur), 207 277–278 General Index Animal and Bird Encounters Bako National Park (Sarawak), (Singapore), 134 276 A Antiques Balai Getam Guri handicraft Melaka (Malaysia), 231 Abdul Gafoor Mosque museum (Kota Bharu), 265 Singapore, 152 (Singapore), 115 Banana leaf restaurants, GENERAL INDEX Antiques of the Orient Absolute Asia, 33 Singapore, 26 (Singapore), 152 Accommodations. See also Bangsar (Kuala Lumpur), 219 Antiquity Hands of the Hills Accommodations Index Bangunan Sultan Ibrahim (State (Singapore), 152 best, 8–9 Secretariat Building; Johor Aquaria KLCC (Kuala Lumpur), Malaysia Bahru), 224 214 Cameron Highlands, 223 Bank Kerapu (War Museum; Kota Aquarium, Underwater World Genting, 222 Bharu), 265 (Singapore), 136 Johor Bahru, 224 Banks, Kuala Lumpur, 207 Arab Street (Singapore), 42 Kota Kinabalu, 280–281 Bargaining, Singapore, 142 restaurants, 87–88 Kuala Lumpur, 208–212 Bars shopping, 150–151, 153 Kuala Terengganu, Kuala Lumpur, 219–220 sights and attractions, 117–120 260–262 Singapore, 160–161 Area codes Kuantan and Cherating, Basharahil Brothers (Singapore), Malaysia, 288 256–257 150, 153 Kota Kinabalu, 280 Kuching, 272–273 Batik Kuala Lumpur, 207 Langkawi, 247–249 Malaysia Kuantan and Cherating, Melaka, 226–228 Kuala Lumpur, 219 256 Pangkor, 232 Penang, 243, 244 Melaka, 226 Penang, 236–239 Singapore, 150, 153, 155 Penang, 236 Tioman Island, 254–255 Battle Box (Singapore), 100–101 Singapore, 170 tips on, 287–288 Batu Caves (near Kuala Lumpur), Armenian Church (Singapore), 97 Singapore, 47–74 189, 220 Artfolio (Singapore), 153 busy season, 52 BayBeats (Singapore), 156 Art galleries, Singapore, 153 Chinatown, 62–65 Bazaar Ramadan (Malaysia), 189 Art museums and galleries. -
ALMA MATTER Curated by Khairuddin Hori PRESS RELEASE
Chan + Hori Contemporary, 6 Lock Road, #02-09, Gillman Barracks, Singapore 108934 ALMA MATTER conditions. Also on display are the camp and pageantry captured Curated by Khairuddin Hori in the short-lived, gender-probing artistic practice of Khairul Ikhwan (deceased). Exhibition Dates: 24 May - 17 June 2018 Usually associated with the notion of an academy combining Opening Night: 24 May 2018, 7 p.m., featuring orthodox Western and Chinese art traditions, these artists have performances by Ella Wijt and moved on to establish themselves in the spirit of the contemporary The Kaizen M.D. and are emblematic of the ‘now’. Through their works, they have gravitated beyond local and regional concerns to incorporate a Held in conjunction with the Nanyang Academy of Fine Arts universalism that connects with human experiences. (NAFA) 80th Anniversary celebrations, Alma Matter is a visual art exhibition organized in collaboration with the NAFA Fine Art PRESS RELEASE Alumni Chapter and Chan + Hori Contemporary. It features FOR IMMEDIATE RELEASE artists who have graduated from various fine art programmes at the academy in the past ten years. Curated by NAFA alumnus Artists: Samuel Chen Khairuddin Hori, the exhibition takes its inspiration from a Khairul Ikhwan wordplay of alma mater - which ordinarily refers to an institution Warren Khong one has studied in and graduated from. In its original Latin form, Fiona Koh alma refers to the act of nourishing. It is paired here with Loi Cai Xiang matter - referencing affairs relating to the concerns and practices Justin Loke of the artists. Placed together, Alma Matter alludes to the artists’ Ong Si Hui past training at the academy while simultaneously reflecting on Ezzam Rahman their place in the contemporary art landscape of today. -
Sarah Choo Jing B
37 rathbone street London, w1t 1nz www.rosenfeldporcini.com t +44 [0]20 76371133 Sarah Choo Jing b. in 1990, Singapore. Lives and works between London and Singapore. Education 2013 – current United College of London, Slade School of Fine Art Master of Fine Arts in Fine Art Media Master Class: From Growth and Form To Shock and Awe: An exploration of Collage in its broadest sense, TATE Modern, London, United Kingdom 2009 –2013 Nanyang Technological University; School Of Art, Design and Media, Singapore First Class Honors, Bachelor Of Fine Arts in Photography and Digital Imaging Master Class with internationally renowned photographer Massimo Vitali, Singapore Art Museum, Singapore Exchange Program at Maryland Institute College Of Art, Baltimore; Maryland, USA. John Clang Mentorship Programme Nanyang Junior College, Awarded a distinction for higher level Art 2007 – 2008 Nanyang Junior College, Awarded a distinction for higher level Art Solo Exhibitions 2015 From Across the Road, A.I Gallery at 30A Redchurch Street, London 2014 Waiting for the Elevator, The Esplanade, The Tunnel, Singapore 2013 Possessions; Galerie Sogan and Art, Singapore Private Space; The Hidden Dimension, The Immersive Room at the Institute for Media Innovation, Nanyang Technological University, Singapore 2012 Disillusioned: A conversation between Photography and Painting, Solo Exhibition, Galerie Sogan and Art, Singapore Group Exhibitions (selected) 2015 PhotoLondon, Emerging PlatformSomerset House, London Art Paris, The Grand Palais, Galerie Rabouan Moussion, France, -
Where the Sidewalk Ends 22 Feb 2020 - 26 Apr 2020
WHERE THE SIDEWALK ENDS 22 FEB 2020 - 26 APR 2020 Chan + Hori Contemporary, Singapore Gillman Barracks 6 Lock Rd, #02-09, Singapore 108934 WHERE THE SIDEWALK ENDS Lugas Syllabus \ Speak Cryptic \ Loi Cai Xiang Jay Ho \ Gerald Tay \ Sheryo & Yok Ivan David Ng \ Masuri Mazlan \ Yarno Hayatuddin \ Decki “Leos” Firmansah Curated by Deborah Lim Exhibition Dates: 22 February - 26 April 2020 There is a place where the sidewalk ends And before the street begins, And there the grass grows soft and white, And there the sun burns crimson bright, And there the moon-bird rests from his flight To cool in the peppermint wind. Let us leave this place where the smoke blows black And the dark street winds and bends. Past the pits where the asphalt flowers grow We shall walk with a walk that is measured and slow, And watch where the chalk-white arrows go To the place where the sidewalk ends. Yes we’ll walk with a walk that is measured and slow, And we’ll go where the chalk-white arrows go, For the children, they mark, and the children, they know 2020 RETURN TO POETRY CHAN + HORI CONTEMPORARY The place where the sidewalk ends. - Shel Silverstein ART TODAY: Eye candy for the camera; community rehabilitation and socialisation; exclusive When we were young, we were world-builders - an unlikely truth. For all that we conjured up could vanity trophies, negated public access, hollowed culture carnivals; celebrity, and the rarity of manifest in reality, ideas rendered in chalk scribbles turning into fluid spaces where time and dreams meaning and emotions. -
Post–Talk Resource
Post–Talk Resource Consolidated Assets for Further Discussion 20 – 31 January 2021 Tanjong Pagar Distripark Ó 2021 STPI. All Rights Reserved. No part of this resource guide may be reproduced without prior permission from STPI. Post–Talk Resource Consolidated Assets for Further Discussion This Post-Talk Resource has been produced by STPI to support the series of talks and panel discussions held as part of the 2021 edition of S.E.A. Focus, this year realised as a blend of both digital and physical offerings. Headlined by prominent personalities in art, the three virtual webinars sought to incite critical conversations surrounding contemporary art in the region and beyond. Inside this Resource is a compilation of speaker biographies, relevant images and photographs, and a series of guiding questions that were developed to further discussion and incite reflection with regards to the interesting thoughts and concepts covered during these digital seminars. The questions and images included are to be used for educational purposes only. For more information on S.E.A. Focus 2021, please visit seafocus.sg. Table of Contents Digital Horizons Wiyu Wahono, Eugene Soh & Anlam de Coster, moderated by Nadya Wang Introduction/Speaker & Moderator Biographies 1 Questions to Consider 3 Further Reading 4 How much for that banana duct-taped to the wall? Sandy Ma, Jasdeep Sandhu & Jim Amberson, moderated by Elaine Ng Introduction/Speaker & Moderator Biographies 5 Debate Exercise: Can anything be art? 7 Further Reading 8 Off the Walls Mike Samson, PHUNK & Ginette Chittick, moderated by Tracy Philips Introduction/Speaker & Moderator Biographies 9 The Collector 11 Further Reading 12 20 – 31 January 2021 Tanjong Pagar Distripark Post–Talk Resource Consolidated Assets for Further Discussion Digital Horizons SIGN UP HERE Thursday, 28 January 2021 | 3 – 4 PM The pandemic has accelerated the move of art into ‘hyperspace’. -
2018 Two Houses.Pdf
CONTENTS 88. Aida Makoto 104. Tang Dixin The video of a man calling himself Japan’s Tap water, 2015 5. Foreword Yeap Lam Yang prime minister making a speech at an international assembly, 2014 106. Ho Rui An Foreword John Chia Screen green, 2015–16 90. Phuan Thai Meng 9. Preface Bala Starr Land, 2014 108. Tiffany Chung Local history book—Asahi-cho, 1921; Asahi- 13. Interview with John Chia and Yeap Lam Yang Bala Starr and Melanie Pocock 92. Qiu Zhijie cho, 1926–1929; Asahi-cho, 1929–1932; 我不是宠物亦不事劳作 (I am not a pet, Asahi-cho, 1935, 2016 25. Works in detail: and do not engage in work), 2014 110. eX de Medici 94. Sun Xun Ruger Blackhawk, 2016 日本昭和七年满蒙地图 (Mongolian map 26. Semsar Siahaan 56. Chang Fee Ming in the seventh of Showa period), 2014 112. Michael Lee Untitled, 1986–89 Liberté (Liberty), 2009 Home of Yeap Lam Yang, 1988/90–2006, Égalité (Equality), 2009 96. Li Shurui Habitat II at 2 Ardmore Park #11-02, 28. Wong Hoy Cheong Fraternité (Brotherhood), 2009 Untitled 2014-2015-02, 2014–15 Singapore (1985 – c. 2006), 2016 Detention Oct. 1987, 1989 Home of Yeap Lam Yang, 2006–07, Habitat I 60. Robert Zhao Renhui 98. Alfredo Aquilizan and Isabel Aquilizan at 3 Ardmore Park #06-02, Singapore (1984 – 30. Shi Hu Winner, Hiroshi Abe, 2009 Left wing: Project another country, 2015 c. 2007), 2016 The three hymns, 1990 New culture, Minoru Honda, 2009 Special mention, Kiichiro Furukawa, 2009 100. Alwin Reamillo 114. Chanelle Rose 32. Shi Hu O (Jambalambibe), 2015 Silenced, 2016 Summer dreams, 1991 64. -
Terminologies of "Modern" and "Contemporary" "Art" in Southeast Asia's Vernacular Languages: I
Terminologies of "Modern" and "Contemporary" "Art" in Southeast Asia's Vernacular Languages: Indonesian, Javanese, Khmer, Lao, Malay, Myanmar/Burmese, Tagalog/Filipino, Thai and Vietnamese Thanavi Chotpradit, J. Pilapil Jacobo, Eileen Legaspi-Ramirez, Roger Nelson, Nguyen Nhu Huy, Chairat Polmuk, San Lin Tun, Phoebe Scott, Simon Soon, Jim Supangkat Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 2, Number 2, October 2018, pp. 65-195 (Article) Published by NUS Press Pte Ltd DOI: https://doi.org/10.1353/sen.2018.0015 For additional information about this article https://muse.jhu.edu/article/707954 [ Access provided at 30 Sep 2021 15:25 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. RESEARCH REPORT Terminologies of “Modern” and “Contemporary” “Art” in Southeast Asia’s Vernacular Languages: Indonesian, Javanese, Khmer, Lao, Malay, Myanmar/Burmese, Tagalog/Filipino, Thai and Vietnamese THANAVI CHOTPRADIT, J PILAPIL JACOBO, EILEEN LEGASPI-RAMIREZ, ROGER NELSON, NGUYEN NHU HUY, CHAIRAT POLMUK, SAN LIN TUN, PHOEBE SCOTT, SIMON SOON AND JIM SUPANGKAT Abstract This research report offers introductory accounts of the terminologies of “modern” and “contemporary” “art” in nine Southeast Asian languages. The project asks: What are the words used to refer to “modern”, “contemporary” and “art” in Southeast Asia? What do these terms denote and connote? When and how did they historically emerge? How do terminologies align or differ in the region’s many vernaculars? How do ideas of modernity, contemporaneity and art itself become mobile and take flight when shifting between languages? There are many dis- crepancies in the nature of these nine languages, as well as in the sources available on them, and the style, tone and scope of each author’s contribution. -
Festival Programme
WELCOME TO SINGAPORE ART WEEK SINGAPORE ART WEEK 2021 TO-GO Get ready for an island-wide ART TAKE OVER! With over 100 events to cover in just nine days, there’s plenty to see and do – so where do you start? Come 22 – 30 January 2021, Singapore’s This year, art takes over the digital sphere as Whether art is your new-found interest or life-long passion, here’s a little signature visual arts festival returns with its ninth well with curated online experiences you can compass guide to set you off. Pick any of these themed experiences and edition, bringing our vibrant arts community enjoy from the comfort of home. Get online at go on an art trip around Singapore! together once again in a celebration of artweek.sg and view our new SAW Digital solidarity, resilience and innovation despite these webpage (p. 6) dedicated to a whole host of unprecedented times. digital programmes. Immerse yourself in virtual exhibitions, catch live-streamed events and FOR THE ‘GRAM Look out for more than 100 art events taking performances, or engage in thought-provoking Go on the hunt and surround yourself with art in unconventional spaces. Be sure to place across Singapore, threading across both conversations and more. capture insta-worthy moments and visual feasts to share with your friends and followers. physical and digital platforms, allowing audiences Don’t forget to tag @sgartweek with #ArtTakesOver! at home and abroad to discover and experience Need a little help to decide where to start? art – anytime, anywhere. SINGAPORE ART WEEK TO-GO (p. -
Download Press Release
JASON LIM BIO Artist-in-Residency Programs 1998 ARCUS Project Moriya, Japan. 2001 Europees Keramisch Work Centrum ‘s Hertogenbosch, The Netherlands 2003 University of Southern Queensland Toowoonmba, Australia 2005 PVA LabCulture Singapore 2005 Spell#7, Singapore 2006 Vermont Studio Center – Freeman Fellowship Johnson, Vermont, USA PVA MediaLab Bridport, England 2009 Around – Sound Art Festival Lamma Island, Hong Kong. Curated by Ms Yeung Yang 2010 University of Lincoln (in collaboration with The Hub, National Center for Craft & Design), Lincolnshire, England 2011 Gallery Labirynt, Lublin, Poland Lenzi-Morisot Foundation, Anjou, France Gaya Ceramics Art Center, Bali, Indonesia 2012 Residency in Israel – Tel Aviv, Tel Hai, Bethlehem and Jerusalem, Israel FuLe International Ceramic Art Museums, FuPing, China 2013 Formative – In conversation, a digital residency London, U.K., organized and curated by Performance Space Solo Exhibitions 2001 Recent Works. The Substation Gallery, Singapore. Supported by National Arts Council and Lee Foundation. Ten Wasted Years Gajah Gallery, Singapore. 2003 Hybrid – recent ceramics Gajah Gallery, Singapore. New Drawings Gajah Gallery, Singapore Toowoomba Relics Craft Queensland Gallery, Brisbane, Australia. Supported by National Arts Council, Lee Foundation, University of Southern Queensland, Institute of Modern Art and Crafts Queensland 2003 Relics Taksu Gallery, Singapore 2005 Fruits of Labour La Libreria and Studio Miu, Singapore. Supported by National Arts Council. 2008 Still/Life Post-Museum, Singapore. -
Suzann Victor
SUZANN VICTOR (b. 1959, Singapore) EDUCATION 2009 Doctor of Philosophy (PhD) Visual Art, University of Western Sydney 2000 Master of Arts (Honours) in Visual Art, University of Western Sydney 1997 Bachelor of Arts (Honours 1st Class) in Visual Art, University of Western Sydney. 1990 Associate Diploma in Fine Arts in Painting, LaSalle College of the Arts, Singapore SCHOLARSHIPS 2003-2007 Australian Postgraduate Award (Doctoral Studies) 2003-2007 UWS Top-Up Award (Doctoral Studies) 1998-2001 UWS Postgraduate Scholarship (M.A. Hons) 1997-1998 International Postgraduate Research Award (M.A. Hons) 1996-1997 UWS Faculty Scholarship (B.A. Hons) UWS Sydney FELLOWSHIP & GRANTS 2009 Civitella Ranieri Foundation Fellowship, New York 2006 Australia Council Grant (sole Australian participation in the 6th Gwangju Biennale) 2004 UWS Research Travel Grant 2002 International Touring Grant, National Arts Council, Singapore 1998 Visiting Artist, National College of Art, Lahore, Pakistan 1998 Group Research Grant, Arts Queensland, Australia 1997 UWS Research Travel Grant PUBLIC ART / ART COMMISSIONS 2016 Wings of a Rich Manoeuvre, Commissioned by National Museum of Singapore, Sponsored by Swarovski International 2015 Bloodline of Peace, 5 Stars SG50 Project, Singapore Art Museum, Commissioned by the Ministry of Culture, Community & Youth & Singapore Art Museum 2014 Invited Artist Tenderer, Public Artwork, Terminal 4, Changi Airport 2013 Rainbow Circle: Capturing a Natural Phenomenon, Singapore Biennale 2013 2011 Wave Matrix, Banyan Tree Resorts, Macau, China