DOCSLIB.ORG

G a G O S I a N John Currin Bibliography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
G a G O S I a N John Currin Bibliography G A G O S I A N John Currin Bibliography Books and Catalogues: 2020 Gingeras, Alison M. John Currin: Men. Dallas: Dallas Contemporary. 2016 Lawrence, James. John Currin. New York: Gagosian/Rizzoli. Risalti, Sergio. John Currin: Paintings. Florence: Forma Edizioni. 2013 Gioni, Massimiliano, Gary Carrion-Murayari, Jenny Moore, and Margot Norton. NYC 1993: experimental jet set, trash and no star. New York: New Museum. 2010 Vander Weg, Kara, ed. John Currin. Gagosian, New York. 2006 Vander Weg, Kara and Dergen, Rose eds. John Currin. Gagosian, New York. 2004 Storr, Robert. Disparities and Deformations: Our Grotesque. Santa Fe: SITE Santa Fe. 2003 Brutvan, Cheryl and Currin, John. John Currin Selects. Boston: MFA Publications. Rosenblum, Robert. John Currin. Chicago: Museum of Contemporary Art. 2002 Breuvart, Valerie. Vitamin P. New York: Phaidon Press, pp. 68-69. Currin, John. The Honeymooners: John Currin and Rachel Feinstein. Hydra, Greece: The Hydra Workshop. Gingeras, Alison M. Dear Painter, paint me…: Painting the Figure since Late Picabia. Paris: Musée National d’Art Moderne, Centre Pompidou; Vienna: Kunsthalle Wien; and Frankfurt; Schirn Kunsthalle. ----------. John Currin. Tokyo: Taka Ishii Gallery. Hoptman, Laura J. Drawing Now: Eight Propositions. New York: The Museum of Modern Art. 2001 Anderson, Maxwell. American Visionaries; Selections from the Whitney Museum of American Art. New York: Harry N. Abrams. Pincus-Witten, Robert. Naked Since 1950. New York: C & M Arts. 2000 Anderson, Maxwell Lincoln, ed. Whitney Biennial. New York: Whitney Museum of American Art, pp. 80- 81. 1999 Gass, Katherine. Salome: Images of Women in Contemporary Art. New Rochelle: The College of New Rochelle. Grosenick, Uta and Riemschneider, Burkhard. 137 Artists at the Rise of the New Millenium. Cologne: Taschen, pp. 100-104. ----------. The Nude in Contemporary Art. Ridgefield: Aldrich Museum of Contemporary Art. Nesbitt, Judith. Examining Pictures: exhibiting paintings. London: Whitechapel Art Gallery. 1998 Adams, Brooke. Young Americans 2: Part Two. London: Saatchi Gallery. ----------. More Fake, More Real, Yet Ever Closer. New Rochelle: Castle Gallery. Klein, Richard, Nahas, Dominique and Schaffner, Ingrid. Pop Surrealism. Ridgefield: Aldrich Museum of Contemporary Art. Mac Giolla Léith, Caoimhín, and Hutchinson, John. Hungry Ghosts. Dublin: Douglas Hyde Gallery. 1997 Marcoci, Roxana, Murphym, Diane and Sinalko, Eve. New Art. New York: Abrams. Schaffner, Ingrid. Painting Project. New York: Basilico Fine Arts and Lehmann Maupin. W W W . G A G O S I A N . C O M G A G O S I A N Serota, Nicholas, Nairne, Sandy and Weinberg, Adam D. Views from Abroad: European Perspectives on American Art 3: American realities. New York: The Whitney Museum of American Art. 1996 ----------. a/drift: Scenes from the Penetrable Collection. New York: Bard College. ----------. Narcissism: Artists Reflect Themselves. Escondido: California Center for the Arts Museum. 1995 Applebroog, Ida and Sobel, Dean. 25 Americans: Paintings in the 90s. Milwaukee: Milwaukee Museum of Art. Chupin, Olivier. Collection, fin XXe. Fonds Regional d’art Contemporain Angouleme, France: Poitou-Carentes. Coelewij, Leontine, van Nieuwenhuyzen, Martijn and Fuchs, Rudi. Wild Walls. Amsterdam: Stedelijk Museum. Seward, Keith. John Currin Oeuvres/Works 1989-1995. Limoges, France: Fonds Regional d’Art Contemporain Limousin. 1993 Lambrecht, Luk. Critical Distance. Antwerp: Ado Gallery. Stals, José Lebrero and van Vuren-Timmers, Elianne. Look at the Window: About representation in contemporary painting. ‘s-Hertogenbosch, Netherlands: Museum Het Kruithuis. ----------. Aperto 93. Venice, Italy: Venice Biennale. ----------. Projet Unite Firminy. Firminy: Unite D’Habitation Le Corbusier. Weiermair, Peter. Prospect ’93: An International Exhibition of Contemporary Art. Frankfurt: Kunstverein Frankfurt am Main. 1991 Barak, Ami. Art Under 30: The FIAR International Prize. Milan: FIAR. 1990 Bamber, Judie and Friis-Hansen, Dana. (not so) Simple Pleasures. Boston: MIT List Visual Arts Center. ----------. Total Metal. New York: Simon Watson Gallery. ----------. Program Update White Columns. New York: White Columns. Articles and Reviews: 2020 Simons, Baya. “John Currin Puts Men in the Spotlight.” Financial Times, Feb 26. Colpitt, Frances. “John Currin: My Life as a Man.” Artillery, Jan-Feb. 2019 Felsenthal, Julia. “With a New Show at Dallas Contemporary, John Currin Considers His Life as a Man.” Vogue, Sep 17. Quinlan, Adriane. “For His First Museum Show in 15 Years, John Currin Turns His Gaze to Men.” T: The New York Times Style Magazine, Sep 13. Jacobs, Marc. “John Currin Tells Marc Jacobs What Painting Men Has Taught Him About Himself.” Interview, Sep 4. Trashjian, Rachel. “John Currin, Painting’s Male Provocateur, Turns His Brush to Men.” GQ, Sep 3. 2017 Libbey, Peter. “Jennifer Lawrence’s New Vogue Cover – a John Currin Painting.” The New York Times, Aug 9. Garden Castro, Jan. “The Drawings of John Currin: A Look Back at Frieze New York Art Fair 2017.” WhiteHot Magazine, June 17. Powers, Bill. “Art’s New Old Master,” GQ, March 1, 2017. 2016 Amore, Maurizio. “A Firenze prima personale per John Currin.” La Stampa, June 13. Burberi, Antonella. “John Currin-Paintings.” DEA Press, June 10. W W W . G A G O S I A N . C O M G A G O S I A N Carratù, Maria Cristina. “Il Bardini sfoggia l’irriverenza ‘classica’ di John Currin.” La Repubblica Firenze, June 11, pp. 1,13. Catalano, Alfonso. “L’arte è di moda.” Vanity Fair, June 22 p.46. Corliano, Giorgia. “John Currin a Firenze con ‘Paintings,’ tra classico e pornografico.” TG Tourism, June 21. Cunaccia, Cesare. “Currin, il ritratto è un’arte raffinata.” Il Giornale, June 28, p.24. Cunaccia, Cesare. “Faliero Sarti x Currin.” The Fashionable Lampoon, June 16. Cunaccia, Cesare. “John Currin.Paintings.” The Fashionable Lampoon, June 18. Desiderio, Eva. “La geometria che si fa sciarpa, Il gioco visivo di Faliero Sarti.” La Nazione, June 14, p.45. Elli, Iaphet. “John Currin Piantings a Firenze presso il ‘Museo Stefano Pardini’ 13 Giugno/2 ottobre 2016.” Eventi News 24, June 13 Gangemi, Sebastiana. “La nuova Maniera di John Currin al Museo Bardini.” Stamp Toscana, June 11. Garoia, Giancarlo. “John Currin, Paintings. Firenze, Museo Bardini.” Informazione.it, May 25. Garzonio, Melisa. “La strana bellezza di Rachel, che ha sposato il genio e la sua ironia.” F, July 13. Gray, Mary. “Interview With John Currin.” The Florentine, June 13. Kradel, Kimberly. “John Currin At Museo Bardini Florence.” Artist-at-large.com, June 13. Lombardi, Francesca. “Contemporary Voyeur.” Firenze Made In Tuscany, pp. 170-173. Longo, Giuseppe. “John Currin Paintings.” Zed Info, May 29. Longo, Giuseppe. “Museo Bardini: ‘John Currin Paintings.’” Zed Info, June 3. Longo, Giuseppe. “Museo Stefano Bardini: ‘John Currin Paintings.’” Zed Info, June 10. Longo, Giuseppe. “Museo Stefano Bardini: prima mostra personale di John Currin.” Zed Info, June 13. Manzo, Giovanni. “John Currin Paintings Firenze, Museo Bardini 13 giugno – 2 ottobre Una mostra a cura di Antonella Nesi e Sergio Risaliti.” Italia Art Magazine, June 22. Marani, Francesca. “Il geniale Currin, a metà strada traraffaelloe ‘Playboy.” Il Venerdì, June 10, p.101. Mattina, Maria. “A Firenze La Mostra ‘Paintings’ Di John Currin.” Viaggi Arte e Cucina, June 3. Mauro, Guidi. “John Currin in mostra al Museo Bardini di Firenze.” Casaguidi.blogspot.it, May 23. Mugnaini, Olga. “Currin al museo Bardini: fantastico connubio.” La Nazione Firenze, June 11, p.23. Mugnaini, Olga. “Il bello del brutto.” La Nazione Firenze, June 3, p. 25. Mugnaini, Olga. “Le nostre interviste.” La Nazione Firenze, June 19, p.16. Papi, Giancarlo. “La critica di Currin all’accademia delle avanguardie.” Avvenire, June 17, p. 16. Ronzani, Valeria. “Currin & Bardini.” Corriere Fiorentino, June 11, pp. 14-15. SACI. “‘John Currin: Paintings’ at Museo Bardini in Florence, through October 2, 2016.” Saci-art.com, June 16. Tassini, Eugenio. “Currin, sesso e Botticelli.” Corriere Fiorentino, May 25. p.1, 17. Tassini, Eugenio. “Sex and the city (più Rinascimento): arriva Currin.” Corriere Fiorentino, May 27. Versari, Elena. “John Currin.” Travel News 24. W W W . G A G O S I A N . C O M G A G O S I A N ----------. “A Firenze la mostra John Currin.Paintings.” Momento-Sera, May 24. ----------. “A Firenze le donne surreali di John Currin.” La Stampa, June 13. ----------. “A Firenze prima personale di John Currin.” Ansa, May 24. ----------. “Al Museo Stefano Bardini Di Firenze I Ritratti Satirici Di John Currin.” Intoscana.it, May 26. ----------. “Currin, John.” Trecanni. ----------. “In mostra a Firenze i ritratti e I dipinti hard di John Currin.” Libero, July 3. ----------. “In mostra a Firenze le donne surreali di John Currin.” Adnkronos, June 9. ----------. “John Currin – Paintings.” Florence Is You, May 24. ----------. “John Currin: il sesso nell'arte, per divertimento.” Arte Magazine, June 12. ----------. “John Currin in mostra a Firenze.” Salute Più, May 30. ----------. “John Currin in mostra al Museo Bardini.” Firenze Today, May 31. ----------. “John Currin protagonista al Museo Stefano Bardini: ecco la mostra.” Go News, June 10. ----------. “John Currin. Paintings.” Art A Part of Culture, June 13. ----------. “John Currin. Paintings.” Arte.it. ----------. “John Currin. Paintings.” Florence.carpediem.cd, June 13. ----------. “John Currin. Paintings_13 giugno/2 ottobre 2016.” Eventi Culturali Magazine, May 24. ----------. “Museo Stefano Bardini: dal 13 giugno la mostra di John Currin.” Il
Load more

Recommended publications
  • For Immediate Release
    For Immediate Release: As Is Is George Condo, John Currin, Chris Johanson, Emily Wardill, Lynette Yiadom-Boakye with a film program curated by Mary Helena Clark & Josh Minkus including Tony Buba, Jem Cohen, Kevin Jerome Everson, Liz Magic Laser, Saul Levine, Joan Logue, Anne McGuire May 7 – June 27, 2015 Opening reception May 7, 5:30 – 7:30 p.m. In 1874, the photographer Julia Margaret Cameron went to work on a series of photographic illustrations for Alfred Tennyson’s Arthurian series of poems, Idylls of the King. Cameron was neighbors with Tennyson on the Isle of Wight, and often enlisted him to sit for her. Cameron once complained, “I want to do a large photograph of Tennyson, and he objects! Says I make bags under his eyes.” In one picture, now one of the indelible images of the poet, Tennyson, outfitted in monastic robes, appears reflective, pious, and in need of a nap. Tennyson dubbed the photograph “The Dirty Monk.” In 1957, Richard Avedon was contracted to photograph the Duke and Duchess of Windsor. The media savvy couple arrived at Avedon’s studio prepared for a stock photo shoot. Knowing they were avid pug lovers (they kept several– Mr. Disraeli, Mr. Chu, Trooper, Imp, Davy Crockett) Avedon, intent on disrupting their carefully composed media face, told them that on his way over his taxi had run over a dog. While they winced in horror he snapped the now famous picture. In 1984, Don Bachardy painted the official gubernatorial portrait of Jerry Brown. One legislator described the work as looking like it was painted with “spilled ketchup and soy sauce.” The portrait proved so unpopular that it was moved to a third floor landing in the state capitol building, far from the other official portraits.
    [Show full text]
  • JOHN CURRIN: New Paintings
    G A G O S I A N G A L L E R Y October 23, 2010 PRESS RELEASE GAGOSIAN GALLERY 980 MADISON AVENUE T. 212.744.2313 NEW YORK NY 10075 F. 212.772.7962 GALLERY HOURS: Tue - Sat 10:00am - 6:00pm JOHN CURRIN: New Paintings Thursday, November 4 – Thursday, December 23, 2010 Opening reception for the artist: Thursday, November 4th, from 6 to 8 pm The people I paint don’t exist. The only thing that is real is the painting. It’s not like a photograph where there’s another reality that existed at a certain moment in time in the past. The image is only happening right now and this is the only version of it. To me, that’s fascinating. It’s an eternal moment. --John Currin Gagosian Gallery is pleased to present new paintings by John Currin. Currin’s depictions of the female figure enchant and repel, often in equal measure. Labeled as mannerist, caricaturist, radical conservative or satirist, Currin continues to confound expectations and evade categorization. While his meticulous and virtuosic technique is indebted to the history of classical painting, the images themselves engage startlingly contemporary ideas about the representation of the human figure. With inspirations as diverse as Old Master portraits, pin-ups, and mid-twentieth century B-movies, Currin continues to paint ideational yet challengingly perverse images of female subjects, from lusty nymphs to more ethereal feminine prototypes. With his uncanny ability to locate the point at which the beautiful and the grotesque are held in perfect balance, he continues to produce subversive portraits of idiosyncratic women in conventional settings.
    [Show full text]
  • Gagosian Gallery, at Its Beverly Hills Outpost (Through February 17), Makes That Abundantly Clear
    Vogue January 13, 2018 GAGOSIAN In L.A., Rachel Feinstein Finds Inspiration in the Victoria’s Secret Runway Show Dodie Kazanjian Rachel Feinstein studio image, 2017 Photo: Robert McKeever / Courtesy of Gagosian / © Rachel Feinstein It’s an understatement to say that the artist Rachel Feinstein is an over-the-top maximalist. Everything about her is larger than life, and “Secrets,” her debut show with the Gagosian gallery, at its Beverly Hills outpost (through February 17), makes that abundantly clear. This is also her first solo show in Los Angeles, and there’s not one iota of stage fright here. On view are eight life-size figurative sculptures made of high-density foam, 11 collage mirror paintings, and one large, all-white majolica figure made in the famous Nymphenburg porcelain factory in Munich. (She’s already working with the factory on making her L.A. sculptures in porcelain, for her next show.) Rachel’s love of the Rococo and the Baroque, mashed up with her inner, Coral Gables self-assurance that anything and everything goes, have given birth to some of the most insane figurative sculptures you’ll ever see: eight “Angels” based on Victoria’s Secret models, with names like Butterfly, Fireworks, Ballerina, Icicle, and Feathers—fantastical grotesque beauties, pinup girls gone wild. The sculptures are like animals, circus beasts, clowns, tragicomic confections. They wear wildly colorful baby doll lingerie, skimpy thongs, and gem-encrusted underthings. The luxurious plays ball with the gritty, romance with pornography, ostentatious chic with Rachel’s signature raw and goofy awkwardness, which flirts with but never quite tips into vulgarity.
    [Show full text]
  • COVID-19 and Its Impact on Auction Houses
    Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 Business Interrupted : COVID-19 and its impact on auction houses Carolina Sagardoy Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Business Analytics Commons, and the Other Business Commons Recommended Citation Sagardoy, Carolina, "Business Interrupted : COVID-19 and its impact on auction houses" (2020). MA Theses. 84. https://digitalcommons.sia.edu/stu_theses/84 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. Business Interrupted: COVID-19 and its Impact on Auction Houses By Carolina Sagardoy A Thesis submitted in conformity with the requirements for the Master’s Degree in Art Business Sotheby’s Institute of Art 2020 Word Count: 14,658 Business Interrupted: COVID-19 and its Impact on Auction Houses By: Carolina Sagardoy Abstract This study aims to thoroughly analyse how auction houses are coping with the conditions imposed by the Coronavirus pandemic in the short-term and what the virus’ long-term impact on the business will be. The study will look at upcoming marketing campaigns and the quick migration to online sales, and will analyse the data within those sales. The study is unique in its aim to also analyse buyer and seller psychological behaviours and how they will be impacted as a result of forced or voluntary distancing when live sales return.
    [Show full text]
  • Artnet Launches New Gallery Profile Pages(PDF)
    Corporate News S e p t e m b e r 5 , 2 0 1 8 artnet Launches New Gallery Profile Pages Berlin/New York, S e p t e m b e r 5 , 2 0 1 8 — artnet is pleased to announce the r e l e a s e o f new profile pages for member s of the Gallery Network, the largest online community of galleries in the w o r l d . With new features and a f r e s h design, gallery members can now better showcase their inventory and programming to artnet’s global audience o f 31 million annual users . Over the course of the year, t h e a r t n e t t e a m m e t w i t h c l i e n t s f r o m around the world t o b e t t e r understand what galleries want from their online presence t o d a y . T h e ir i n s i g h t w a s instrumental in shaping the s t r a t e g y , key features , and interface of the new design . T h i s initiative seeks to foreground the vision of gallerists while offering collectors the most i m m e r s i v e viewing experience p o s s i b l e . As collecting increasingly moves o n l i n e , i t i s c r u c i a l to understand the current market so as to better serve both galleries and their client s .
    [Show full text]
  • Curriculum Vitae Table of Contents
    CURRICULUM VITAE Revised February 2015 ADRIAN MARGARET SMITH PIPER Born 20 September 1948, New York City TABLE OF CONTENTS 1. Educational Record ..................................................................................................................................... 2 2. Languages...................................................................................................................................................... 2 3. Philosophy Dissertation Topic.................................................................................................................. 2 4. Areas of Special Competence in Philosophy ......................................................................................... 2 5. Other Areas of Research Interest in Philosophy ................................................................................... 2 6. Teaching Experience.................................................................................................................................... 2 7. Fellowships and Awards in Philosophy ................................................................................................. 4 8. Professional Philosophical Associations................................................................................................. 4 9. Service to the Profession of Philosophy .................................................................................................. 5 10. Invited Papers and Conferences in Philosophy .................................................................................
    [Show full text]
  • C L a I R E F O N T a I N E
    C L A I R E F O N T A I N E Claire Fontaine is a Paris based collective artist founded in 2004. Solo Projects and Exhibitions 2010 Air de Paris, Paris (dates t.b.c.) MD72, Berlin 03.10 El Museo Tamayo Arte Contemporáneo, Mexico D.F. 04.10 Economies, Museum of Contemporary Art, North Miami, 06.10 2009 Inhibitions, Reena Spaulings Fine Art, New York 12.09 After Marx April, After Mao June, Aspen Art Museum, Colarado 12.09 Defend Yourself, curated by Jens Hoffman, Art Perform, Art Basel, Miami, Fl. 05.12 Recessions, Galerie Gabriele Senn, Vienna 06.09 Claire Fontaine, The Exhibition Formerly Known as Passengers, CCA Wattis Institute for Contemporary Arts, San Franscisco 06.09 Changement de Propriétaire, Sorry We’re Closed, Bruxelles 03.09 Tamed, ‘Perché Napoli?’, T293, Piazza Amendola, Napoli 03.09 Call + 972 2 5 839 749, Andres Janacu / Galería Perdida at Project Row House, Houston, Texas 02.09 Interior Design For Bastards, Galeria T293, Napoli 02.09 Destroy and Rejuvenate, Regina Gallery, Moscow 01.09 2008 Feux de Détresse, Galerie Chantal Crousel, Paris 12.08 Lucky In The Misfortune, Masion Descartes, Institut Français des Pays-Bas, Amsterdam 12.08 Is Freedom Therapeutic? Galeria T293, Art Positions, Art Basel, Miami Beach, Florida 12.08 They Hate Us For Our Freedom, Contemporary Art Museum St.Louis, Missouri 12.08 Arbeit Macht Kapital, Kubus, Städtische Galerie im Lenbachhaus und Kunstbau, München 11.08 Asleep, Dvir Gallery, Tel Aviv 11.08 Closed for Prayers, Schinkel Pavillon, Berlin 11.08 Change, Galerie Neu, Berlin 07.08 Counter-Poison, Komplot, Bruxelles 06.08 Claire Fontaine, Witte de With, Center for Contemporary Art, Rotterdam 05.08 Tragitti periferici, Facoltà di Architettura di Siracusa, Università degli studi di Catania, Sicilia 03.08 Instructions for the sharing of private property, project space, The Kitchen, New York 01.08 Capitalism is not working, Gaga Galería de Arte Contemporáneo, Mexico D.F.
    [Show full text]
  • Annual Report 2003
    ARTISTS GALLERIES EVENTS RESEARCH DIRECTORY MAGAZINE ® Comprised of an almost limitless number of unique objects Core products serve dealers and art buyers alike: and works of art, the art market relies, like no other, on the artnet’s online Gallery Network is the first of its kind, with over , galleries, , artworks communication of colour images. Internet technology and , artists from around the globe. The Gallery Network serves art buyers by providing speeds this communication to a rapidly expanding audience the largest international art market overview in at a small fraction of what it would cost in other media. any venue, communicated in images, searchable by artist and specialty, and available days per year at no charge. The Gallery Network serves the dealer and gallery community by providing a Up to the minute information, like auction prices, art news, marketing vehicle at a fraction of the cost of conventional gallery marketing, reaching a vast and exhibitions, heretofore the province of newspapers, audience across international boundaries. The service is sold to dealers by monthly contract. monthly magazines, and annuals can be communicated The Fine Art Auctions Database is the most instantaneously on the Web. powerful, highest quality, fullest-featured resource on the market today with which to value fine art. It contains over , million illustrated records , artnet improves the efficiency of art businesses by covering artists, Old Master through contemporary, from to the present - covering significantly reducing their communication and an entire business cycle in fine art. The product is sold by monthly and annual subscription at price marketing costs. points graded by frequency of use.
    [Show full text]
  • Strong Growth at Artnet Auctions Continues in the First Quarter
    Corporate News May 10, 2021 Strong Growth at Artnet Auctions Continues in the First Quarter - Fee-based Revenue of Online Auction Platform up 25% Year-Over-Year - Gallery Network Increases Memberships and Revenue - Average Monthly Visitors up 35% at 6.2 Million - Paywall Artnet News Pro Creates Additional Revenue Stream Berlin/New York, May 10, 2021—Berlin-based Artnet AG, the leading provider of art market data and online-only fine art auctions, increased its revenue and media reach in the first quarter of 2021. Fee- based revenue at Artnet Auctions rose by 25% year-over-year to 1.2 million USD, continuing on a strong growth trajectory and setting a new revenue record for a first quarter. Top lots in the first quarter included several works by the iconic American artist Jean-Michel Basquiat. In January, his screenprints Head; Per Capita: Ernok; Rinso (complete set of 4 works) sold for 300,000 USD. Artnet achieved the same price in March for Basquiat’s monumental work on paper Untitled (1981), a large-scale drawing of a car motif. The Gallery Network achieved a turnaround. Its quarterly revenue increased by 4% to 1.3 million USD due to a higher number of memberships and a drop in cancellations. “Galleries depend on the Internet for sales and marketing more than ever,” said Artnet CEO Jacob Pabst. “Membership in the Gallery Network provides a strong online presence, enables global transactions online, and supports the efficient management of inventory with our unique inventory management system.” Artnet introduced the Artist Alerts last year to help drive traffic to gallery members.
    [Show full text]
  • Six-Month Report 2019 AG
    AG Six-Month Report 2019 AG Six-Month Report 2019 i AG Six-Month Report 2019 Key Financial Figures for the artnet Group 6/30/2019 12/31/2018 6/30/2018 Revenue (k USD) 10,915 21,615 10,696 Profit from Operations (k USD) 680 905 194 Earnings Before Tax (k USD) 612 819 87 Earnings per Share (USD) 0.11 0.22 0.01 Weighted Number of Shares (Thousands) 5,553 5,553 5,553 Cash Flow from Operating Activities (k USD) 1,162 1,254 364 Staff (Period End) 130 131 134 Cash and Cash Equivalents (k USD) 896 957 1,004 Equity (k USD) 4,172 3,371 2,185 Total Assets (k USD) 12,633 8,700 7,066 ii AG Six-Month Report 2019 Table of Contents Letter to the Shareholders ..................................................................................................................................................................... 1 Core Statement .................................................................................................................................................................................... 3 Company Development ......................................................................................................................................................................... 3 Company Background .......................................................................................................................................................................... 3 Macroeconomic and Industry Conditions ..............................................................................................................................................
    [Show full text]
  • Artnet Revenue Grows 15% to 12 Million USD in First Six Months of 2021
    Corporate News August 16, 2021 Artnet Revenue Grows 15% to 12 Million USD in First Six Months of 2021 - All Segments Report Growth in The First Six Months of 2021 - Advertising Revenue up 25% After Return of Luxury Brands - Artnet Auctions Continues Record Streak - Traffic Surges by 23% to Almost 6 Million Monthly Users Berlin/New York, August 16, 2021—Berlin-based Artnet AG, the leading provider of art market data and online-only fine art auctions, grew total revenue by 15% to 11.9 million USD year-over-year in the first six months of 2021, led by continued strong growth of online auctions and a swift return of advertisers to the site. “Artnet is the most visited website in the art world, attracting millions of visitors every month. Additionally, collectors are increasingly turning to our online Auctions for faster and efficient sales of high-value artworks”, said Jacob Pabst, CEO of Artnet. Fee-based revenue at Artnet Auctions rose by 23% year-over-year to 3.0 million USD, continuing a record streak and establishing the online auctions business as the second-biggest revenue source behind the Price Database, the company’s core segment. The average price for lots sold increased by 24% to 17.900 USD. In May, Frank Stella’s painting Rozdol I (1973) sold for 1.1 million USD. Top lots in the second quarter also included Andy Warhol’s Campbell’s Soup Cans II (1969), a complete series of 10 screenprints sold for 456,000 USD and Spring Intensity (2008), a butterfly painting by Damien Hirst, which achieved 600,000 USD.
    [Show full text]
  • Six Audacious Art Market Predictions for 2021
    Press Release February 11, 2021 Six Audacious Art Market Predictions for 2021 Artnet’s Sophie Neuendorf about the staying power of digitalization and a renewed focus on quality Berlin/New York, February 11, 2021: The art market just emerged from arguably the most difficult and unpredictable year in recent history. The Covid-19 pandemic caused a synchronized and deep downturn of the global economy and art market in 2020. Social distancing measures and a lockdown of businesses in reaction to the health crisis resulted in falling consumer demand and economic output. According to the Artnet Price Database, global auction sales for fine art fell by a quarter to $9.9 billion in 2020, compared to the previous year. But the Covid-19 pandemic also pushed boundaries and accelerated the art world into the digital age. With this backdrop in mind, Sophie Neuendorf is to take the risk and make six art world predictions for 2021. 1. Digitalization is here to stay Plato was right: necessity is indeed the mother of invention. During the COVID-19 crisis, one area that has seen tremendous growth is digitalization, meaning everything from online customer service to remote working to supply-chain reinvention to artificial intelligence (AI) and machine learning to improve the art business. With galleries, museums, and auction houses pivoting online and thinking outside the box in response to the pandemic, a positive trend of accessibility, efficiency, and transparency accelerated within the art world. This also goes hand in hand with a global trend of sustainability and conscious living. The art market's transactional element will emerge as a strong contender to the traditional brick and mortar purchasing process, democratizing the art market and opening it up to a new generation of art lovers.
    [Show full text]