“Genius” Wu Tsang is always experimenting • One of us • Ella vos is inspired by joni mitchell ®

MARCH 29-APRIL 4, 2019 / VOL. 41 / NO. 19 / LAWEEKLY.COM

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HOPESGimmick-free ne dining and cannabis pop-ups open a new space in the world of edibles BY JIMI DEVINE 2 WWW.LAWEEKLY.COM | M   - A ,  | LA WEEKLY 3 LA WEEKLY | M   - A ,  | WWW.LAWEEKLY.COM com . Welcome to Welcome Witness history now at history now Witness

the New Normal the New CA License A10-17-0000039 License CA 4 WWW.LAWEEKLY.COM | M   - A ,  | LA WEEKLY “My advice: Marital andFamily Therapy Specialization Earn your M.A.inClinical Psychology, H Nia Vardalos Adapted by andstarring Cheryl Strayed Based onthebookby Angeles LosTimes —Charles McNulty, See thisshow.” Apr 10–May 5 EAL THE The Public Theater Production of 888-852-1419 THECHICAGOSCHOOL.EDU LOS ANGELESCAMPUS

HURT Tickets start at $25! | pasadenaplayhouse.org | 626-356-PLAY | pasadenaplayhouse.org | $25! at start Tickets C LUCIANO-ADAMS. express written permission of publisher, the Weekly, LA 724S.Spring St., Angeles, Los CA90015. by Weekly LA LP. No portionmay reproduced be inwhole or by inpart any means, including electronic systems, retrieval without the one copy of Weekly eachLA issue. For back-issue information 310-574-7100.e entire call contents of Weekly LA are Copyright 2014 contractors or Weekly’s LA authorized distributors. No person may, without prior written permission of Weekly, LA more take than Angeles County, single-copy the cost of Weekly LA Weekly is $1.LA may distributed be only by Weekly’s LA authorized independent Additional copies of current the issue of Weekly LA may purchased be for $1,payable inadvance at Weekly LA the o ce. Outside Los Periodicals postage paid at Angeles, Los Weekly CA.LA is available of free charge Angeles inLos County, limited to one copy reader. per L L.A. grant is apermission slip. For artist Wu Tsang, MacArthur the “genius” LECARO.LINA BY exploration of cultural duality is exquisite. In his sophomore feature, Us edibles. pop-ups world spaceinthe open anew of Gimmick-free dining fine and cannabis week.L.A. this SunsetOff Festival and more to doandin see The Food Latin Fest, anude exhibit, art the A EN FE LA...6 GO RT A W TERT TURE...9 EEKLY (ISSN #0192-1940&USPS 461-370)is published weekly by Weekly LA LP, 724S.Spring St., Angeles, Los CA90015. S...16 BY JIMI DEVINE. JIMI BY AINMENT ontents ...15 ...15 BY B BY , Jordan Peele’s EIGE EIGE March 29-April 4,2019 //Vol. 41//No. 19// Restaurant Solutions Photography by Brad Metzger BY BY Meet pop’s modern Vos. queen, chill Ella On The Cover: The On BU ED CLASSIFIED ADV MUSI U LLE BRETT CALLWOODBRETT CA TIN ERT TI C...17 ON/EMPL B ...23 O G G ISIN ARD

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ARD ISING O ...23 B ON/EMPL C...17 C...17 TI ERT TIN CA BRETT CALLWOOD LLE U MUSI ADV CLASSIFIED ED BU On The Cover: Meet modern pop’s chill queen, Ella Vos. Ella chill queen, Vos. modern pop’s Meet BY Photography by Brad Metzger Metzger Brad by Photography Solutions Restaurant March 29-April 4, 2019 // Vol. 41 // No. 19 // 19 // 41 // No. // Vol. 4, 2019 29-April March EIGE , Jordan Peele’s Peele’s , Jordan BY B ...15 ontents AINMENT BY BY JIMI DEVINE. S...16 (ISSN #0192-1940 & USPS 461-370) is published weekly by LA Weekly LP, 724 S. Spring St., Los Angeles, CA 90015. Los Angeles, St., 724 S. Spring LP, LA Weekly by weekly published 461-370) is #0192-1940 & USPS (ISSN EEKLY TURE...9 TERT W A RT GO LA...6 FE EN A L.A. The Latin Food Fest, a nude art exhibit, the art exhibit, a nude Latin Fest, Food The see do and in to more and Festival Off Sunset L.A. this week. cannabis and fine dining Gimmick-free of a new open space in the world pop-ups edibles. Us feature, sophomore his In exquisite. is duality cultural of exploration BY LINA LECARO. “genius” the MacArthur Tsang, Wu artist For slip. a permission is grant per reader. copy one to limited County, in Los Angeles charge free of available is CA. LA Weekly Los Angeles, at paid postage Periodicals Los Outside o ce. the LA Weekly at in advance $1, payable for be purchased may LA Weekly of issue the current of copies Additional independent authorized LA Weekly’s by only be distributed may $1. LA is Weekly LA Weekly of cost the single-copy County, Angeles than take more LA Weekly, of permission written prior without may, person No distributors. authorized LA Weekly’s or contractors 2014 Copyright are LA Weekly of contents call entire 310-574-7100. e information back-issue For issue. each LA Weekly of copy one the without retrieval systems, electronic including means, any in part by or in whole be reproduced portion may No LP. LA Weekly by CA 90015. Los Angeles, St., 724 S. Spring LA Weekly, the publisher, of permission written express L LUCIANO-ADAMS. LUCIANO-ADAMS. C 6 WWW.LAWEEKLY.COM | M   - A ,  | LA WEEKLY mystery swag probably which bag, isn’t clothes. building. night’s Opening preview comes with a a historical garment Fashion industry District ture, ironically happening on oor of 11th the a fashion show with custom barely-there cou- formance painting body art, and, for new 2019, rened and risquégroup exhibitions, live per blockbuster pop-up expands to two days of know aboutthey all appeal. this is year the tion. At Nude the L.A.exhibition Art project, subjectthe of endless fascination and inspira- sculpture and later photography, are our bodies history, across thousands of years of painting, most ubiquitous source inart of imagery Consider human the form. Perhaps single the Game intheArt Skin A latinfoodfest.com. March 30,12-4p.m.; $25-$149.(323)441-8819, Chinatown; Fri., March 29,5:30-9:30p.m.; Sat., Angeles State Historic Park, 1245N.Spring St., of jams curated Junta by La System. Sound Los and demonstrations, drinking and four hours and Gran Tasting Angeles Los events, cooking Mexicano. on Also tap: Night Chefs the Out Jaime Martin Campo Del ofHills’ Baldwin Sue and and Milliken, chefs Ramiro Arvizu Susan Feniger, co-founder Border Grill Mary are Network’s Food the Too Hot Tamales host manythe to personalities scheduled participate Hispanic Angeles. of inall Los cuisine Among predictable as you some of experience best the seventh annual Fest Food Latin is anything but It’s that timeof year again —and yet year’s this Buen Provecho! FOOD &DRINK fri GO GO R T LA 3/29 DAV ID C OTNER - uals anduals communities. is weekend, to honor bliss can arts bring the into lives the of individ- music, creative business and any other of kind existed to promote involvement inculture, art, fore that, Joy the Fanatic Foundation charity has since 2016,butOcially honestly for years- be JoySparking A sat p.m.; $15-$100.pcwultra.com. 231 W. CSt., Wilmington; Fri., March 29,8:30 of collection their gold. ILWU Memorial Hall, to DEFY addthe tag-team championship to Warbeast ( e Almighty Josef and Jacob Fatu) brawling PCWULTRA tag-team champions alumnus MilMuertes and an attempt by Strickland against fellow Lucha Underground championship Shane defense by specialist aerial eight-match card includes aPCWULTRA and Australia’s Melbourne City Wrestling. e dent such leagues, as Seattle’s DEFY Wrestling with talent representing other regional- indepen homegrown roster of dobattle wrestlers will wrestlers and brawlers. bloody PCWULTRA’s tion of high-ying acrobats, hard-hitting power Wrestle Summit, features another strong- selec presented by PCWULTRA. Tonight’s event, to thanks strength the mecca of monthly shows has an become unlikely independent wrestling A nondescript ILWU unioninWilmington hall Hard-Hitting Brawls WRE com. March 30,7:30-11p.m.; $25-$50.nudeartla. downtown; Fri., March 29,8-11p.m.; Sat., Space, Design Cooper Angeles 860S.Los St., R T See Friday. See L.A.: Art Nude S SHAN T LING 3/30 A NYS

DAMBRO T JA SON R OCHE 7629; facebook.com/events/362264497958510/. ter Ave., Inglewood; 3-9p.m.; free. (310)846- plan so tosurprises, stay 3425Manches awhile. - new. ere’s music, vendor shopping and other and,space most important, discover something works, replenish that empty spring-cleaning some meet and neighbors, your trade books; your prints, sculptures, small photos, paintings JFF throws with its Spring Come Exchange Art . its homeand inInglewood South the Bay, base Signature vision, ambassadorliterary to world the of tele- Perhaps known best as an author, editor, and Pictures and1,000 Words A FA 8 p.m.; $25.(213)687-4278,artsharela.org. Fourth Place, downtown L.A.;Sat., March 30, quartet with electronics. Art Share L.A.,801E. backing from another guitarist and achamber vocalist-guitaristsolo portrays Aeneas with Underworld the in Aeneas hellish adventures withchamber the oratorio Adler aplunge takes into one of Aeneas’ most TroyensLes . Now composer Christopher Purcell’s e Iliad to such operatic variations as Henry many times,from Virgil’s Aeneid upset his own nation inRome told —has been Aeneas —aTrojan war hero on goes who to In Greek and Roman mythology, of story the Visit theUnderworld OPE SHAN at an intersection of classic genres literary of Books senior ction editor existReview R T LLING JAMES R A A NYS Lisa TeasleyLisa ’s novels, such as Heat Dido andDido Aeneas and Hector Berlioz’s and Dive and DAMBRO , and her work as L.A. T . In version, this a and Homer’s and laphil.com. Sun., March 31,6p.m.; free. (323) 566-2959, Church of L.A.,1755E.114th St., Watts; ditional spiritual songs. Macedonia Baptist Grant Still’s Lyric Quartette alongside- tra Equale program; the includes also William John Loon are featured on Beethoven’s Drei andMiller Paul and bass trombonist Radke trombonists David Rejano Cantero, James church choir Voices of Macedonia. L.A.Phil musicians from orchestra the joined by the Baptist Church of L.A.,with string and horn time in Watts concert is held at Macedonia get to Hall. Disney e early-evening Spring town for either who can’t those aord or can’t concerts aroundperforms neighborhood free timesayear,Several L.A.Philharmonic inWattsSpringtime M sun 3/31 SHAN gallery.com/copy-of-upcoming- 1-5 p.m.; free. (310)600-4566,marie March 30,5-8p.m.; thru April 27,Tue.-Sat., Ste. 2,downtown; opening reception Sat., Marie Baldwin Gallery, 814S.Spring St., throughoutactivations occur show. will the readings literary andtalk, other exhibition evolution of her vision on canvas. An artist lines and bold in their hot palette the traces her studio works, from early to recent, and exhibition “Paintrospective” at looks years of same issues as her award-winning prose. e expresspoetics and address many of the portraits, visual intheir which especially maker artist,the ofvisual paintings, striking race and justice. But Teasley atalented is also and contemporary idioms of social gender, USIC A NYS FA DAMBRO LLING JAME T COURTES S Y SAR exhibitions A C baldwin HA U . -

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Project Manager Rosa Almodovar (212) 929-9130 ext:1123 , takes a speci c MBROT A D

RND: 2 ERI SHANANYS MOAY VER: 1 LILY LILY EATER/ART H Photo Op / Photo Op / Books Pre-Signed April 4th, 7pm Thursday, Drive 189 Grove Angeles Los (323) 525-0270 event. is a ticketed This Please visit Eventbrite.com 04. 251 Main St., downtown; u., April 4, 7-11 April u., downtown; St., 251 Main downtownindependent.com/ $15. p.m.; screening/the-library-music-lm-premiere- T Together Stronger (aka Department Poverty Lose Angeles collective that a theater is LAPD”) other “the social and politics of issues takes on only not whose in members, but Row Skid in justice the of the eater of the powerful tradition drawn themselves are movement, Oppressed the neighborhood. e of the population from the neglect human about and knows world more learning is and Row, Skid on suering - the situa allows that the policyabout failures and incarceration mass including fester, to tion also Row Skid But health care. mental of lack political activism, sober of recovery, a place is - out creative and problem-solving community Keep to How Or, I y! new show, lets. LAPD’s the Devil Down in the Hole public of de nitions and the dynamics look at the and pressure, under in a community safety healing. REDCAT, of art in the process of role u.-Sat., downtown; St., Second 631 W. $18-$20. (213) 237-2800, p.m.; 4-6, 8:30 April redcat.org/event/lapd-i-y-or-how-keep-devil- down-hole. 4.7” X 5.16” T:4.7in FILE NAME: 123736.GORGEOUS.19M147.V1R2 LAYOUT MBROT A MEDALLION #: 123736 RUN DATE: 3/29/19 SIZE: RUN DATE: D Get more info and get to know your favorite writers at BN.COM/events so please contactAll events subject to change, store to confirm. the MEET GIGI GORGEOUS tonight receives its L.A. premiere, L.A. premiere, its receives tonight 4/4 USIC SHANANYS M

/ is a characterful is documentary follows that 19M147 REG interactive events such as readings, storytelling, readings, as such events interactive LACE actual basket-weaving. and discussions Exhibitions), Contemporary (Los Angeles opening Hollywood; Blvd., 6522 Hollywood 25, May thru p.m.; 3, 7-10 April Wed., reception 957-1777, (323) free. p.m.; noon-6 Wed.-Sun, welcometolace.org/event/unravelling-collective- forms. thu FILM Not a Quiet Library use- in vari for resource a music as Created or lm, as television media types such of ous industry an of more is library music advertising, Like everything one. a consumer than product become a has it however, music, to related respected multi by Produced item. collector’s Lee, e Shawn Library-instrumentalist Music Film while library the music globe for him exploring Orig- composers. interviewing and collectors inally released in October 2018, e Library Music Film Leewith the Q&A post-screening speaking at hand Also Elliott. on Paul director alongside Adrian will the lm, including be from talent Rendezvous Chemist. Cut and Madlib Younge, Independent, Downtown the aerparty. at DJs K BN JOB: CLOSE DATE: NA CLOSE DATE: TODAY’S DATE: 3/15/19 DATE: TODAY’S Weekly LA PUBLICATION: NA CHARACTER COUNT: AUTHORS: 1 NUMBER OF TOTAL - -

MBROT A D SHANANYS — a coded, ostensibly — a coded, ostensibly SIRAN BABAYAN SIRAN scarpa. 4/2 Curated Curated Collective Forms.” “Unraveling Tying the Knots Tying new group LACE’s at manifold are puns e show, the featuring and Lieja Daniela Quintanar by and concept the show’s 20 artists, some of work the quipu reference motif wed 4/3 ART rope, in knotted “written” language commercial in populations indigenous helped which once - the pernicious con resist regions the Peruvian there the curation In incursions. colonial of trol - com ties, strings, knots, of allegories many are threads myriad and cra commonality, munity, all of not but Many material. and both narrative in their fabric directlythe use artists or thread in which collec all- the ways look materials; to in society functions art. roughout tivity and and performative for watch the exhibition, tue FILM The Struggle Is Real Skirballe 2011 documentary screens e of, a collage 1967-1975 Mixtape Power Black jour Swedish by originally shot footage archival Blvd., 2701 N. Sepulveda Center, Cultural ball (310) free. 2, 1:30 p.m.; April Tue., Brentwood; 440-4500, skirball.org. the project’s ndings, renderings and warnings, and renderings ndings, the project’s Scarpa Lawrence USC, where on view is on at is Scarpa by a lecture and will and feature faculty, Verle Brooks. the rm, Angela partnerhis at University St., 37th USC, 850 W. Gallery, Annis 10, 6 p.m.; April Wed., reception: and talk Park; free. p.m.; 10 a.m.-6 19, Mon.-Fri., April thru (213) 740-2311, arch.usc.edu/events/salty- urbanism-brooks- television. Swedish for lmmakers and nalists Goran director Swedish by Pieced together the Glover, Danny by co-produced and Olsson interviews speeches by and with features movie Davis, Angela Carmichael, X, Stokely Malcolm Seale, Bobby Eldridge Cleaver Newton, P. Huey leaders — lmed in Power Black other and as Europe— and Oakland,Brooklyn, Harlem they discuss the struggles African-Ameri - of Martin ’70s, from early and ’60s the in late cans and movement nonviolent Jr.’s King Luther the and Vietnam to Party Panther the Black neighborhoods. in urban heroin of proliferation - pow in particular Davis are and (Carmichael erful, especially asked who aer Carmichael, going of afraid if he’s journalist a French by lm e born was in jail.”) “I answers: jail, to Harry Davis, by commentary recent includes Quest- Kweli, Erykah Talib Belafonte, Badu, is screening e Peebles. Van Melvin and love upcoming the museum’s with in conjunction Kwame of Beautiful: Photography e Is “Black of 40 photographs a collection of Brathwaite,” and hair natural with men and women “black Skir their African roots.” reclaimed that clothes

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an exhibition of exhibition an Urbanism,” “Salty NG FALLI

Sea levels are getting set to rise, and this is going going this is set rise, and to getting Sea are levels especially everyone — but for beto a problem as in coastal such cities living us those of for why Beach. at’s Venice and Lauderdale Fort Los architecture Angeles–based the progressive, + Scarpa rm Brooks chose those cities two - re their insightful, for the caseas studies a particularly wet, of search-based reimagining be not might Architects future. urban salty, and ecological pressures the impending solve to able to particularly they well-equipped are but global locales out help cope while gure we solutions. mon 4/1 M ART/ACTIVIS Cities Coastal New Brave Silver LakeSilver used be neighborhood to a diverse Central immigrants, American welcomed that struggling and seniors low-income gays, is the pricy enclave Now artists. and musicians not-so- for playground homogenous a more with folks young other and struggling musicians a vibrant is the But O Sunset Festival money. Lake Silver used be, the as what to of reminder music, live includes fair street LGBT-friendly and vendors, furniture food trucks, and cras will (there even be gear” a place leather of “lots your wear can you “so clothes your check to past of echo an is gathering outdoor e gear”). the Sunset as such neighborhood get-togethers, the parts the of diverse where festival, Junction the streets. on freely together mixed community Sun., Lake; Silver Blvd., Monica 4219 Santa $15. bit.ly/OSunset p.m.; 31, noon-7 March 2019Tix. B FESTIVALS/LG SunsetOff Festival Indigenous Pop Indigenous Chippewa)David Minnesota 1954, Bradley (b. painting a four-decade of the course over has, the de nition expand to continued career, Country” is what and “Indian art from of within meaning, and expected aesthetic its of visual American of context the problematic also he what rede ned the process In culture. style innovative His achieve. can pop art itself art with indigenous from traditions blends art U.S. and European of tropes art-historical commerce of the languages cues as from well as van O’Keefe, to Warhol From tourism. and witty colorful, his Gogh the Ranger, Lone to energy of the with vibrating present tableaux - investi complex more reveal deeper, pop but social politics, and justice identity, of gations - Bradley as re latter, e appropriation. cultural Autry e both cut ways. can gusto, veals with Grith Way, Heritage 4700 Western Museum, 10 a.m.-4 p.m.; 5, Tue.-Fri., Jan. thru Park; $14. (323) 667-2000, p.m.; 10 a.m.-5 Sat.-Sun., theautry.org/exhibitions/indian-country-art- david-bradley. ART

8 WWW.LAWEEKLY.COM LA WEEKLY | M   - A ,  | T for 16lounges the of West Hollywood to open, lounge capital of world. the As residents wait array of cra California cannabis. lineups pairing seasonal with awide SoCal BY JIMIDEVINE world inthe space open anew of edibles Gimmick-free ne dining and cannabis pop-ups

HIGH HOPES Los Angeles soon will be the marijuana the Angeles be Los will soon with some of hottest the chefs in gospace from dabs to delectable, of part event the haswhich seen world of cannabis inrecent years, here air is anew of class inthe cret chefs, one might say, are now coming into with marijuana is coming into its own.- e se and no gimmicks. chefs paired great with equally SoCal cannabis kets, some of newest the options feature elite rangewill from sketchy to classy farmers mar volves and friends weed.While many good want who those anight on town the that in- eventthe continues scene void the to ll for But that through all haze, ne dining paired

COURTESY BRADMETZGERRESTAURANT SOLUTIONS - with various great cannabis strains, or you can chefs pairingseason’s the freshest ingredients to potand You’ll food. nd Michelin-starred with generalintentions best it when comes to do it right, andpeople trying seemingly of cannabis the industry, there are plenty of 10mg entire the event. than $1worth of where you potincases eat ofmilligrams THC consumed by diners, less expensive-per-head seatings with only afew day you’ll ndsome out theredoing stupid- wave of potevent upscale pop-ups. To this ity moved into some of kitchens the with the get one mental microdose with 100.e- new of weed.By next the morning you could only and buy an edible containing 1,000milligrams THC infood. by edible laws going with areally low limit for an evolving creature that was heavily aected is experience light.the e cannabis culinary But don’t despair! As with many other parts 31,2017,you intoOn Dec. could walk ashop saron & egg yolk yolk &egg saron gargati al torchio al gargati Chef Joe Sasto’s Sasto’s Joe Chef ere was no THC food. inthe an oyster with Champagne foam and halibut. Highlights of rst the Supper Club included restaurantChicago and other great kitchens. Montage. Binotto hadstints at Morimoto’s Binotto, hadworked with whom Leibel at the featured dinner aseven-course with chef Chris o inJuly Beach 2017.e evening inLaguna over edge. the stages nal the of pushed election the things was key. Also, support the of his family in Building right the network to it pull o well was shooting for is far more all-encompassing. time but putting he together experience the putting together adinner can abit take less runup to Propositionthe 64vote. says Leibel 10 months starting inlate 2016,during the says. Leibel is such agreat way to bring peopletogether,” ofkind aneat way to interpret it, and food the that are maybe afraid of cannabis, show them “So to doit but as afoodie bring inpeople were abitlocals still dated on potideas. their mographic among cannabis users, but some messagethe just right would key. be Southern Orange County, craing he knew and destigmatize cannabis. As aresident of wayit would agood to be break down walls table with cannabis. At timehe the believed incarnation inhis mind of pairing achef’s of event, the lifestyle the of it,” he says. times. “We just of kind got into excitement the and one his wife madeitmultiple to every Ludo Lefebvre didhis LudoBites events, Leibel pop-up event circuitculinary inL.A.When was going with it,” says. Leibel more my demographic personal was where I for what it was, “but something that would t events. 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Weekly tells ago,” years interview. was via space came the Secret Sesh.event “It and a small was community It time. a great and the products out check to able were you the growers and brands people, know to get personally.” a high-end dinner meal and enjoys foodie. He the Secret Sesh great thought was He events. t would that something “but was, it what for I where was personal demographic my more Leibel says. it,” with going was in L.A. When culinary circuit event pop-up Leibel events, LudoBites did his Lefebvre Ludo every to made it multiple wife his one and the excitement into got kind of just times. “We says. he it,” of the lifestyle the event, of a chef’s pairing of mind in his incarnation believed the time he At cannabis. with table walls down break be to a good would it way of a resident As cannabis. destigmatize and knew he craing County, Southern Orange be key. would right just the message some but users, cannabis among mographic their pot ideas. on dated stilllocals a bit were in people bring a foodie as but do it to “So them show cannabis, of afraid maybe are that the food and it, interpret to way a neat kind of together,” people bring to way a great such is Leibel says. the 2016, during in late starting 10 months Leibel says 64 vote. the Proposition to runup less take a bit can a dinner together putting the experience together he putting time but all-encompassing. more far is for shooting was well o pull it to network the right Building in family his of the support Also, key. was things the election pushed of the nal stages the edge. over in Laguna evening 2017. e Beach in July o Chris chef a seven-course with dinner featured the at Leibel whom with had worked Binotto, Morimoto’s at had stints Binotto Montage. kitchens. great other and Chicago restaurant included Club Supper the rst of Highlights halibut. and foam Champagne with oyster an in the food. 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SoCal a wide with seasonal pairing lineups cannabis. California cra of array wait residents As the world. of capital lounge open, to Hollywood West of the 16 lounges for T 10 WWW.LAWEEKLY.COM | M   - A ,  | LA WEEKLY » 9) breath away. breath one or two strains that people’s reallytake rooms,” says. dinner tends Each Leibel to have of earthiness the vegetables the and mush the - paired with O.G. crosses —it went well with ange County. Five courses of were seven the with dishes. We didavegan dinner inOr and avor the that comes with that. tion to growing for prole adynamic terpene ners,” says. He Leibel appreciates- dedica their Wonderbrett probably timeon the half din- famed OZKand Candyland. “I work with Pink Picasso, ablend Breed of Seeds’ Dying rent favorite strain for pairing is Wonderbrett’s looking tolooking match avor proles. Leibel’s cur sit down together dishes to and talk strains, with astrain. e chef, farmers will and Leibel together is pairing course each everything at’s not going to domuch for them.” edibles and have built up tolerances to them. said, “I know alot of peoplethat enjoy eating “Itmeal. feels alittle gimmicky to me,” Leibel of2.5 milligrams THC course during per the a ects di erent them ways,” says. Leibel has di erent a eryone tolerance leveland it want responsible to be for dosing people. Ev- not acannabis chef myself. Alot of it is Idon’t Supper getting Club has been chef Joe Sasto e Chef doesn’t feel that way,” says. Leibel and networkingit is asocial event —it just or marketing event, just anight to enjoy. But that’s industry in this not networking asales, guest, checking onthroughout all evening. the biance, is focusing on of Leibel needs the each munity, Idoit family-style.” rough am the - last two years humbling. and create “I try com- response from members and guests over the abis Supper the Club calls place. take Leibel March saw edition 15th the of Cann the “We’ve done some niceO.G.s that went well e way Cannabis the Supper Club brings He mentions dinners that those give you One of recent the for highlights Cannabis “People tell me it’s niceto have something using, they’re not cannabis chefs. I’m - - - farmers market enthusiasm. withspringwell the timed and harvest Sasto’s ond edition supper of club, full the is which of private events build-up inthe - to sec the Sastothen, have and Leibel hosted acouple e event up ended ahome being Since run. for his into arrival cannabis high-end dining. to come to an end, heprepped and Leibel ration date. While he waited for his timethere Center but his contract was nearing its expi- tober. Club featuring Sasto. e rst was last Oc it. He was. to dosomething with Sasto ifhe was up for Top Chef for years with his wife, and he’d love Isentgram, so himamessage,” says. Leibel Tusk. handmade program pasta under chef Michael elin-starred Quince, where he managed the is includes three years at three-Mich the - kitchens Northern hadto California o er. years bouncing around some of classiest the and top-three on run Top Chef , Sasto spent involved. Known for histrademark mustache the [cannabis]the behindthe scenes. industry nity up there. Idenitely saw another side of a whole di erent of kind tight-knit commu- and “Andeyes, to he Ukiah. then headed it’s forward-thinking hippie town.” introducedtime being to progressive, aliberal, up inDavis getting my degree, it was my rst city,”servative Iwas Sasto when said, “en ofkind it closed was culturally. It was acon- there. inVegas, Igrew and Ididn’t how realize up 101. the as youcountry drive through redwoods the Countydocino and gateway the to cannabis ofas is which achefis heart the Men inUkiah, - ing time. Prohibition is ending.” Sasto our starts chat by saying, “It’s an excit Sasto was at then Mare Cal at Beverly the March saw secondCannabis the Supper He told Sasto he was abig fan who’d watched “Chef Joe one liked of my on posts Insta- Sasto says his time inDavis his opened “It was areallyinteresting area up being His of rst cannabis the view came industry Langer’s pastrami tortellini, far right far tortellini, pastrami Langer’s Sambuca preserved gs, right, and and right, gs, preserved Sambuca Chef Joe Sasto and his two-year two-year his and Sasto Joe Chef - - CHEF JOESASTO “but it away reallytakes alot of that natural, it when ties comes to consumer protection, standards the meet to go legal,” he says. pharma situation, farmers where small can’t more industrial. It’s almost turning into a big mainstreaming it’s everything, become much much aboutvery farmer. the “Now that we’re saw grassroots day inthe back and was very try, Sasto has his concerns. he Everything that ranges from 18to 80.” consumerthe demographic is awhole new Sasto says. “Now we’ve moved forward and going to an event or with cooking cannabis,” thatperson was openand out [about use] their day. “Back it then was of kind stereotypical the try, but he says it’s night reallybecome and Triangle into newer version this of indus the - ences from for cooking farmers Emerald inthe were product the harvesting and trimmingit.” workers and Iwas feeding peoplewho the there for We season. harvest the the hadall “I haddone aprivate dinner at aranch up nabis came during industry his year inUkiah. seasonally. ” micro the All farmers and peopleup there IT’S IT’S THE DRUG, BUT THINK OF WEED “A LOT OF PEOPLE A INGREDIENTS YOU A TH THE INGREDIENT ... PL Sasto noted he understands reali- certain As for cannabis modern wider the indus- We askeif Sasto was able to any take - experi Sasto’s introduction to for cooking can the - LREA LL THE OTHER A A NT, THE FLOWER, A T COMPLEMENTS T COMPLEMENTS CTU DY USE” USE” DY A LLY THE COURTESY BRADMETZGER RESTAURANT SOLUTIONS with pressure the to hold on of trying thatwine with dish. the goes Usually you make dish the and nd then the and “Oh think, to mythis.” cook Ineed God, Sasto few timesdo you says taste very wine ower as he can, “almost like pairing.” awine on rst cooking focused and working inthe way He’s to whole the experience. highlight themselves.” He as a weed the mainly sees it’s probably on ingredients the 70/30,based strain. “Ito with aparticular cook would say compared to just meal knowing perfect the most the making of season’s the ingredients ofkind gone ways.” both menu is completely on theower. based It has ready,”be Sasto says. “On occasions, the those we’ll on what’s of kind based decide going to it’s timeto cooking. start and for get available asense be what will when a couple of months’ to farmers timeto lead talk dishes he’s planned. Onother occasions, he has notice he’ll get aspread of strains to pair with events than others. Sometimeson afew days’ possible.Sasto has more timeto prepfor some thing to work their highlight way best inthe he caninto that take in, so energy doing some- andstory timeand the e ort grower the puts that way.” strain inaparticular it for? How long it he dries for? Why he bred to grow marijuana. their “How long he cures asking someone about process the use they ket to ask someone about potatoes their and is no di erence ingoing to farmers the mar ingredients you already use.” He there believes It’s something that complements other the all plant, the actually ower, the ingredient. the but drug, the weed it’slot of [of] peoplethink with cannabis. to-table he’s ethos known for dealing when ask Sasto able ifhe is still to bring farm- the cannabisthe community.” In light ofthat, we organic feel that was origin and the root of As for at cooking cannabis events, compared We ask Sasto how much of timeit’s the about “We’ll smoke through it, we’ll taste it, and Sasto says it’s important to know farmer’s the “It’s same,”the almostexactly hearms. “A COURTESY BRADMETZGER RESTAURANT SOLUTIONS ( 13 » - 11 LA WEEKLY | M   - A ,  | WWW.LAWEEKLY.COM WITH THIS COUPON FREE ADMISSION SHOWGIRLS

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High Tide Tours EER

knowledgeable guide + weed = fast (and hungry) friends. Social consumption work-around! Basically, every state and local jurisdiction that has legalized weed has done so by (initially) taking social/public consumption off the table. Now states that legalized early (Oregon, Colorado) are working hard to pass social consumption laws allowing people to consume cannabis at bars, cafes, lounges, etc. But for now, if you’re visiting L.A. and staying at a hotel or even a private rental, youndndcult itmay diffi fi to fi a place to enjoy your legally purchased bud. A cannabis tour provides one solution. Consum- ing while on board the tour bus is allowed, so long as the driver is physically separated from the main cabin. Tours vary in what’s permitted to be consumed on board, but it’s better than being kicked out of your hotel room or forced to pay excessive cleaning fees for that Airbnb. As is true for the broader marijuana marketplace, the No. 1 rule for the prospective canna-tourist is Caveat emptor: Buyer beware. Do your research, check out the reviews, call around. If you do, you’ll fi ndyou’ll a lot fi of great ways to check out L.A.’s booming cannabis scene with the right tour for you.

ARKING

B P

“We get a good mix of everybody, from locals wanting an alternative girls girls night out, to out-of- towners,” -Lauren Jones

guide to show you around makes plenty of sense for cannabis tours, just like it makes plenty of sense when you’re visiting cultural and natural destinations around the world.

You’ll make new friends. Not to sound like an encouraging parent rst on the day fi of school, but taking in a new experience with others with similar interests can be a very rewarding way to sight-see. Add in the fact that many canna-tour- ists are new to the scene or new to L.A. or both, and you can see why a tour bus of strangers + a

SpecialAdvertising Section REE

here and want some guidance scouting out good shops, most tours include at least one dispensary, if not more. And tour operators are incentivized to build relationships with dispen-

saries they can trust to accommodate wwtheir groups, schedules and questions. “The majority of people coming don’t know good products from bad ones, medical from non-medical,” Fiore adds. “We try to steer people to products that are right for them. We’re constantly educating our tour guides on the lat- est products, brands, reviews and feedback.” Why take a cannabis-themed tour at all? Why

not just walk into any adult-use dispensary, buy your gummy or joint or vape cartridge, and take your own canna-tour of L.A.? The short answer RAFT is, plenty of people — tourists and locals alike — do exactly that. But cannabis tours offer a few benefi fewts benefi that make them worth considering, whether you’re visiting L.A. from Tokyo or Tal- lahassee or Torrance: You get an education along with the sights and sensations. Every tour operator in the cannabis scene right now recognizes the opportunity, and the imperative, to educate their guests: about the plant, its effects, its culture and the bevy of products available. Having a knowledgeable

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LA WEEKLY WWW.LAWEEKLY.COM 17 | F   - ,  |

annabis tourism is on the rise in California, and L.A. is leading the way. According to KushTourism.com, searches

Green Tours

DAY TRIPPIN’:DAY INSIDE THE EMERGING WORLD OF LOSANGELES CANNABIS TOURISM BY Claire Kaufmann C

for cannabis tourism–related information were up nearly 300 percent in the last year. That data point, for what it’s worth, seems to be in line with the busyness of the market. “When I started my tour company a year ago, I think there were three pot tour companies,” says Robert Fiore of DopeTour. “Now there’s 10 to 15. … The landscape is changing so fast.” The cannabis tourism scene in L.A. is a pretty compelling microcosm of the cannabis industry — frustrations with regulatory challenges, a di- versity of entrepreneurs addressing a diversity of market demands, and hustlers. The proliferation of tour operators and the resulting competition for customers makes it a buyer’s market, which should be welcomed as good news for anyone interested in taking a cannabis tour. Prices for tours are competitive, itineraries offer something for everyone, and tour operators are eager to please. Tours are also a great way to get a sense of the many dispensaries and the dizzying number of brands and products now available to anyone 21 and older. Whether you’re visiting L.A. or live CHARGE

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13 | M   - A ,  | COURTESY BRAD METZGER RESTAURANT SOLUTIONS BRAD METZGER RESTAURANT COURTESY While the educators on the joint-rolling the joint-rolling on the educators While then and chooses Martin the appetizers - any with work not may she says Sommars and Club Supper Cannabis as such Events - an h is its event next Club’s Dining High chief experience creator at High Dining. Its Its Dining. High at experiencechief creator workshop + Doobie rolling February Sushi - perfecting guests with the pro a hit proved - both the direc under up spinning of cess educators. pot acionado and chefs of tion L.A. debut, the pop-up’s February featured in 2017 in Orange events previous four aer County. with worked has Sommars changed, have side every the sushi Miller on Victor chef loves he and teacher excellent an “He’s time. food. So they’re about knowledge his share to culture Japanese traditional about learning making in the roll,” technique traditional and - af a standing it’s noting before says Sommars they would, but authenticity for generally fair not who may folks accommodate course, of long. that stand to be able will whip learn to the students that the roll class, to class from changes the roll Since up. exactly the in series alike. events are two no the part of then the latter and half class, “It’s - environ relaxed lounge-type a more is event they’ve this point, To says. Sommars ment,” the for ower highlighted sun-grown always portion. joint-rolling chef, who calls a cannabis one themselves an who have chefs great with works she but sees the She as herself cannabis. for anity between theliaison culinary the and world world. cannabis wave the rst denitely + Doobies are Sushi to look forward special. something We of the as here from happen can seeingwhat massive California’s alongside evolve events industry. cannabis May Saturday, on Feast Movable Moonlit nual are info more and Tickets Tree. Joshua 18, in available at highdining.club.

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14 WWW.LAWEEKLY.COM LA WEEKLY | M   - A ,  | I ENT the promothe posters and trailer, but refers it also ered”), is enough which easy to gather from elgangers inred jumpsuits “the (called Teth- atlook has our is us.” face. Maybe evil the to suggest that monster the maybe to we need about pointing nger,” the he said. “But Iwanted we don’t live near that voted dierent, we’re all mightwho come to our take jobs or afaction “In atimewhere we fear other, the invader the were spoiler-free and came from Peele himself. movie reallymeans, most the enlightening takes outrageous the all fan about theories what this aerward to help answer some questions. Amid Ihadtodo aer lm, hit the web viewing the at South by Southwest). many Like are sure to recent press about Us ence’s intelligence (he’s multiple said so timesin hisposturing faith he asserts when audi inthe - it again), more the you that realize Peele isn’t theaterthe (and likely returning and watching But more the you about think it aer leaving ulated or toyed is revealed. with as story the acclaimed one lm, might feel alittle manip- ( all, but a very special one. special butall, avery way. visceral a basic, It is ahorror aer lm, thoughts and feelings, as even it entertains in atideas once, is this amovie that demands like metaphoric commentary on multiple of with past, alayered the narrative that feels incinematic popcultureseeped references BY LINALECARO is exquisite Jordan Peele’s exploration of cultural duality THE Get Out “Us” refers to creepy, scissor-toting dopp- Yes, there is a Winston Duke in in Duke Winston and Nyong’o Lupita for that —writer-director Jordan Peele lms oftime, and all there’s areason terpretation, and simply unforgettable one of most the debatable, rife for in- t’s not an exaggeration to say that Us ERT ) planned it that way. Shamelessly H AINM Get Out ORROR OF Us , including at it premiere –ish twist, and like that ENT is is US ered’s rampage and rebellion drives most of punk represents rebelliousness and Teth the - whatmean no ifanything, idea they (still but one but two Black Flag T-shirts movie inthis clothing Us in haven’t about other reviewers talk the seen movie was madebefore recent revelations). I that contemporary of audiences think (the will as “scary” by her mom but not for reason the chael Jackson in riller game in acarnival is emblazoned with Mi - even styling. e T-shirt young Adelaide wins here —backgrounds, words onscreen, music, obvious minute that every has detail apurpose like music prepping us for what’s to come. It’s as opening the credits roll, chant with eerie, - andof scene boardwalk awall bunny rabbits Bible passage Jeremiah unsettling 11:11,the neath our city streets, another quoting the — atext graphic about hiddentunnels- be double/Tetheredher body twin. menacing house of mirrors and encountered from her parents on entered boardwalk, the a where as she achild beach, wanderedthe away andNorthern speci cally locale California matriarch has atraumatic past involving the enough but turns soon dark and deadly. e son (Evan out starts Alex)—which familiar (ShahadiWright Zora kids Joseph)and Ja- pita Nyong’o), father (Winston Gabe Duke), taken by Wilsons the —mother Adelaide (Lu- on an amiable family vacation to Santa Cruz meatin the of movie. the is ecentered lm characters must endure, ghting doubles their timately creates murderous the mess main the ernment experiment involving cloning that ul to “U.S.” the (United States), and avague gov- Peele throws alot at us inopening the scenes , but it deserves note: but, We it deserves not see COURTESY U , and it is referenced

NIVERSAL PICTURES - what he wants you to feel. to say,trying there’s not alot of subtlety about and think rethink whatmake viewer the he’s he places lots of and Eastereggs clues inUs Zone light e Twi week, anticipation for his revamp of e aboutthink what he’ll donext,and aer this asignaturedeveloped style. It’s exciting to of career, his lmmaking and he has already iconic shark movie, Peele is at beginning the Adelaide’s son inapivotal scene. beach and, most signi cantly, aJaws play into and reveal the cloning thread later) abunny story), this T-shirt critters furry (the talking e Beach Boys’ e Beach talking “Good Vibrations” theme) ofa recurring human being —we’re to cultural cliches to theduality (obviously conjures device) speaker alot, from classism (playedbloodbath an via annoying Alexa-like doubles, and Peele’s musical backdrop to their dual roles and as friends the friends’ insidious and Eric Awesome Show it intheir ) reallykill Handmaid’s e Tale Tylers. the friends, Men Moss Elisabeth (Mad happen at house the of Wilsons’ the richwhite most brutal blows (literally and guratively) matterseschews of race, it’s telling that the gling punch. And movie thoughthis mostly nightmare amesmerizing packs and spine-tin- Us that revelation sardonic intentions commentary, as racial the As inGet Out Like StevenLike Spielberg he madethat when is sure to reach fever pitch. ough and moment the we its realize is an actually apocalyptic Tim ) and Tim Heidecker (Tim T-shirt worn by to to - , far, he’s worked with exceptional casts. In Us his characters’ motivations. It helps that, so in termsextra of how to heconvey chooses ground inthat arena gives himsomething director apart from above, the and Peel’s- back M. Night Shyamalan. at least where twists are climactic concerned, (there Shining are to some even nods e only with Spielberg but Stanley Kubrick also Movie inhis parallels work lovers see not will him on par with greatest the directors ever. it’s tension the and dread he creates that puts at,look it’s when even gory. Mostly, though, is gorgeous scene shooting style, and every to to in,there’s take simplicity an artful to his crammedwhen with stu we’re supposed commercial atof start the movie). the Even noteface (take of “Hands the Across America” on silly sur the seem they when like even this, into N.W.A’s “Fuck Police.” tha much of adierence. andcountry world, this there reallyisn’t that that, despite that divides us inthis everything movie’s most provocative point to seems be is. Is she one of “us” or one of “them”? e —ambiguityspoiler alert about she who really tional trauma, parental paranoia and —slight conjuring many so things, including genera- Oscar-worthy centerpiece performance here, are playing dual roles. Nyong’o gives stellar, the actorsthe have doubly to be since many good, Comedy, however dark, is what this sets Peele’s choices are always and bold spot-on ) and, and, ) -

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ENT I 16 WWW.LAWEEKLY.COM | M   - A ,  | LA WEEKLY O A poet Qiu Jinpoet appeared (which in2016as part historical narrative about 19th-century the recent work includes Duilian installationart at Biennial. Sharjah the Other Greek island for of an Lesbos, experimental follows arefugee and aphotojournalist on the Platter inMacArthur Park. about historic the immigrant gay barSilver the that madeher 2012feature debut, Wildness returns to nishwithsame the lm team each spending morebeen timeinEurope, but she Hass. Aeror inL.A.,Tsang adecade so has there,” she says of that familiar longing for the don later that day. “ey’re same never the BY BY is apermission slip For Wu Tsang, MacArthur the “genius” grant EXPERIMENTING ALWAYS is time, she was wrapping up aproject that RTS Gegenwartskunst für Museum Migros at view installation (2011-2015), Wu Tsang, Tsang, Wu Todo-Odot Olemad Todo-Odot B EIGE LUCIANO-A Damelo Damelo eted snack for ight the to- Lon with asingleavocado, acov- Hollywood Farmers Market maker Wu Tsang leaves the n arecent Sunday,- artist- lm

DAMS , a breathtaking , from money, and I’ve hadto support myself doingbeen and not hold Ididn’t back. come came as profound armation. subjectivities and communities grant —the intently art, video on queer and focused trans and lm experimental fringes —making the But for an elegantly has artist so who occupied States Fellow.) Artists theater inZurich. is (She a2019United also athree-yearstarted directing stint at anational museum —anda Berlin shortly before she nius,” it was on of tail the herat residency would a2018MacArthur be Foundation “ge- house music inNew York. for Frieze the fair art exploring of history the Mission and Road), acollaboration with Gucci ofexhibition solo a at now-defunct the 356 “It feels like amandate to work dothe I’ve Such cosmopolitanism eortless. can seem When came, news late last year, that Tsang

process, and strength the referrals. of peer that relies on anotoriously secretive selection thur year —this a$625,000,no-strings award slow-burn of realizing you’ve won MacAr the brisklywalk to a cafe on Sunset, discussing the length winter coat Angelenos rarely own. We austerely she wears graceful, of kind the full- candid. Eloquently gender-ambiguous and her deep-gold transmit eyes something more met, Tsang is carefully generous. Occasionally, to feel like Ican hidefor aminute.” stu, showing, be visible. be It’s of kind nice pressure on artists to generate output, make time Ican go inward. ere’s much so usually easy,”been Tsang tells Weekly the always inmy practice, art and that has never constructedness of it. ere’s that asense into adocumentary, it of kind points to the ested you inis when introduce performance realm,” Tsang says. “What I’m most inter inspiredparticularly to collaborate inthat about other forms of communication, Ifeel it’swhen not about language but necessarily there are forms these of aective expression, musicians,especially singers, dancers. When movement. ham, has given her akeen, empathetic for eye by Charles Atlas’ work with Merce Cunning- formance artist Boychild, inspired initially style. Ayears-long collaboration withper the formal —has space helped de ne aunique mance —how it elucidates and ampli es that particular, an ongoing with perfor dialogue and ction. Inground documentary between committed to exploring fertile inthe them Topical interests but Tsang vary is most In conversation with ajournalist she just “I love really working with performers, COURTESY OFTHEARTIST . “It’s like a

- - - - process. So everything Idois incomplete.”process. everything So dierentin these ways but it’s like alifelong I want always to it make, come will think I out that that e lm lm. exists inside of me that — and same lm act I’m never going to make I’m always to going make ex- the trying to be that’s reallyliberating actually to that realize bornness of continuing. about an being artist,is almost just stub the - atgle. is abig of, part for me, discovery the empoweringto be me. It’s an internal- strug awaygoes no matter how many peopleseem Tsang admits. “It time. It happens every never is this stupididea, —there’s that all doubt,” don’tI this, know what I’mdoing, there is no of feeling thereis no wayforward, Ican’tdo cess. “ere’s generally always point a certain mercilessthe undertow of creative the pro- ay.” s o t resources and getting to say something Iwant if it’s worth it —ifit’s about redistributing own line. I’m only going to work that way some you level. So always have to draw your of money, it’s always going on dirty to be remains realistic. “Whenever there’s alot navigate an artist-brand collaboration, but with Hollywood,irting and knows how to feel constrained by either,” Tsang says. She’s disregard “At both. point this Ireallydon’t havearts ultimately up to space freed the parameters versus of filmmaking visual down process.” the andknow what it it means. of kind So slows not something you can just on Instagram see thing you have It’s inperson. to experience installationmaking work is that it is some- that is more shareable. One thing I like about that moment and translate it intomediuma awaybe to dothat, you because can capture gether inaphysical can lm space. Ithink have always about been bringing peopleto- Tsangdays?” wonders. message and messagefor the viral goes two you orrepost? at post, they you have a about something? Is it just something that mean to reach someone or have think them wein which encounter “What media. it does ity but is hardly by seduced newer, faster ways now questions that assumption of accessibil- and impacts or touches consciousness.” She as far and as it wide can, spreads amessage chine was [to] make something that out goes of all thatpurpose engaging withma- the won awards and agent. whole hadasales “e Wildness although not always inways that propelled to make something natural.” look trying acamera peoplebehind thatof these are all there is acamera, and total this fabrication knowledging that we are play-acting, and that love, but at same the timewe’re of sort ac- something unpredictable about that that I it’s real and reality is unfolding, and there’s

“So of Ikind just push through. And Ithink Not MacArthur even geniuses are spared Years of about thinking existential the “Even Iwas doing when Wildness An background activist informs her work, — which toured —which festival the circuit, , my goals C go You to bed. have to go to afriend’s- birth you have to stop and come for dinner, and me hadto actually beg stop.“ey Like, with Vos.case by an overbearing parent), that wasn’t the instrument thatchosenfor has been them to choseninstrument practice their (or the into and songwriting singing.” playing inbands. at was my introduction asked to join aband. fell Ithen inlove with or something reallynerdy,sic theory Igot was considering getting my master’s inmu- Iwas nishing when then up college, and I “I went to college for piano, classical and availableat opportunity. every piano,classical lessons taking and practicing with playingSalamone obsessed became afraid of.never been At age the of 5,ayoung I’mwhen tired.” without that It experience. keeps me going could have written from that of deep aplace song that my started career. I don’t I think have there’s him,so that. ‘White Noise’ is the Iwouldthink have writing started ifIdidn’t balance, using time that the Ihave. I don’t a day,” Vos says. “I’m to nd a always trying or completely be studio inthe for sixhours it’sso hard to leave for weeks on end to tour about amother. being speci cally drove her. e rst single, “White Noise,” is to tour anymore, with Børns necessity so was quitting her band and wouldn’t able be I Never Said album she in2017.She knew materialthe that up ended on Words the At sixmonths pregnant, she writing started butt kickinthe the that she says she needed. project for and awhile, parenting gave her ence was great.” months aer Ijoined. But- that yeah, experi of time—Igotperiod pregnant acouple of But unfortunately it was areallyshort and I’m withmembers. the reallyclose still and it His was reallyfun. band is amazing my rst timegetting amusician, paid to be Youdence boost. are areal musician. It was was exciting“at for me, and abig con - getting hired to play inaband,” Vos says. her career ajolt. reasons, up ended giving also motherhood forpositive experience obvious personal son. months aspregnant she became with her but that lasted just experience acouple of she was hired by singer-songwriter Børns, o taking things to when reallylooked be “No, Iloved playing piano,” she says. While some children have forced to be “It was my passion growing up,” she says. Hard work is something that she has “I like spending alot of timewith my son, Vos to looking her start own hadbeen “In it 2014,with Børns, was my rst time As well as an being overwhelmingly with indie band e New Limb, eventful career. Aer aperiod has already t alot into an Vos, Lauren born Salamone, trained pianistlassically Ella she was for looking BY BRETTCALLWOOD VosElla nds oers motherhood inspiration the MUSIC now —I’m really rusty.” I wouldn’t perform any music classical right up some sheet music. It’s reallyrelaxing. But sit stressed, down I’ll particularly and open sight-read anything, just about. If I’m feeling couple of years,” Vos says. “But Ican still before performing arecital again. says that she has some seriousstudy time an interest piano, inclassical thoughshe day party, and stop playing piano.” CHILL QUEEN MODERN PO “I’ve playing been alot less past inthe To day, this singer-songwriter the retains piano. classical playing with obsessed was Vos Ella akid, As teacher would madat be me. I en when time that Ididn’t miss asinglenote and my whole scared the Iwould so because be growing up but it stressful, would so be piano. Iwould dopiano time the recitals all onstage inadierent way. Not sitting at a lot about music the industry, and just being memories of it,” she says. “But a Ilearned unfortunately unpleasant experience. rst indie band, she on back looks it as an “I don’t want to say name the —Ihave bad While Vos says she alot learned from that P ’S ’S COURTE SY SAC

KS &CO. Saturday, March 30,at the eatre. ElRey shows provide will more than enough chill. checking out it when arrives. For now, these ready it’s when ready, worth and be it will fall. the studio and music new says we in can expect Aer current this tour, she’ll inthe back be with pretty lights and some maybe tears. and afun says intimate we can expect show, Mitchell, you’d probably like my music.” ing like Joni Mitchell. ifyou Ithink like Joni music, thoughmy even music sounds noth- ell,” Vos says. “I just likefreedom inher the inspiration from place. ahigh she that meets objective. Mind you, she gets She aims and, to soothe for most the part, Torieven Amosheard can be inher music. Lorde, recent tour-mate Freya Ridings and queen, and that makesElements sense. of journey. herselfpop as achill She describes in January, and it continues her musical constantly emailing me. It’s cool.” were ey fun. reallygrateful and they’re of proceedsall the to at them. was really up of withidea the doing aremix and giving forlooking away to support We them. came Ilike alotnected. of work the do. they Iwas to an eventbeen of theirs and felt reallycon- Parenthood obviously. But ACLU —Ihad tions that Icould dothat remix for, Planned says. “I guess there are acouple of organiza- rights, and women’s rights ingeneral,” Vos Me” song to raise funds for ACLU. the she remixed her “You Don’t Know About she cares deeply about. For example, in2017 keenly contributing also while to causes that her own sound and style, inher own time, artista solo today. It allows her to on focus plete that sense she’d more be comfortable as you mess up.” can play whatever and peoplelove it when played inaband onstage, that Irealized you ELLAVOS DY”DAY.” A SON, SO I STUD COMPLETELY TOEND TOUR OR BE LEAVE FOR WEEKS ON LOT OF T L “I Ella Vos plays with Clara Mae at 9p.m. on What we know is that music the be will Vos playsweek, this and Rey she El the “One of my favorite artists is Joni Mitch- Wait & Vos EP, anew released Watch “I hadwritten song the about abortion of with all thatSo inmind, it makes com- I KE SPEND I O FOR S

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High Tide Tours

knowledgeable guide + weed = fast (and hungry) friends. Social consumption work-around! Basically, every state and local jurisdiction that has legalized weed has done so by (initially) taking social/public consumption off the table. Now states that legalized early (Oregon, Colorado) are working hard to pass social consumption laws allowing people to consume cannabis at bars, cafes, lounges, etc. But for now, if you’re visiting L.A. and staying at a hotel or even a private rental, youndndcult itmay diffi tofi fi a place to enjoy your legally purchased bud. A cannabis tour provides one solution. Consum- ing while on board the tour bus is allowed, so long as the driver is physically separated from the main cabin. Tours vary in what’s permitted to be consumed on board, but it’s better than being kicked out of your hotel room or forced to pay excessive cleaning fees for that Airbnb. As is true for the broader marijuana marketplace, the No. 1 rule for the prospective canna-tourist is Caveat emptor: Buyer beware. Do your research, check out the reviews, call around. If you do, you’ll fi ndyou’ll a lot fi of great ways to check out L.A.’s booming cannabis scene with the right tour for you.

“We get a good mix of everybody, from locals wanting an alternative girls girls night out, to out-of- towners,” -Lauren Jones

guide to show you around makes plenty of sense for cannabis tours, just like it makes plenty of sense when you’re visiting cultural and natural destinations around the world.

You’ll make new friends. Not to sound like an encouraging parent rst on the day fi of school, but taking in a new experience with others with similar interests can be a very rewarding way to sight-see. Add in the fact that many canna-tour- ists are new to the scene or new to L.A. or both, and you can see why a tour bus of strangers + a

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nd the bevy of

ts effects, its culture a

here and want some guidance scouting out good shops, most tours include at least one dispensary, if not more. And tour operators are incentivized to build relationships with dispen- saries they can trust to accommodate wwtheir groups, schedules and questions. “The majority of people coming don’t know good products from bad ones, medical from non-medical,” Fiore adds. “We try to steer people to products that are right for them. We’re constantly educating our tour guides on the lat- est products, brands, reviews and feedback.” Why take a cannabis-themed tour at all? Why not just walk into any adult-use dispensary, buy your gummy or joint or vape cartridge, and take your own canna-tour of L.A.? The short answer is, plenty of people — tourists and locals alike — do exactly that. But cannabis tours offer a few benefi fewts benefi that make them worth considering, whether you’re visiting L.A. from Tokyo or Tal- lahassee or Torrance: You get an education along with the sights and sensations. Every tour operator in the cannabis scene right now recognizes the opportunity, and the imperative, to educate their guests: about the plant, i products available. Having a knowledgeable

LA WEEKLY WWW.LAWEEKLY.COM 17 | F   - ,  |

annabis tourism is on the rise in California, and L.A. is leading the way. According to KushTourism.com, searches

Green Tours

DAY TRIPPIN’:DAY INSIDE THE EMERGING WORLD OF LOSANGELES CANNABIS TOURISM BY Claire Kaufmann C

for cannabis tourism–related information were up nearly 300 percent in the last year. That data point, for what it’s worth, seems to be in line with the busyness of the market. “When I started my tour company a year ago, I think there were three pot tour companies,” says Robert Fiore of DopeTour. “Now there’s 10 to 15. … The landscape is changing so fast.” The cannabis tourism scene in L.A. is a pretty compelling microcosm of the cannabis industry — frustrations with regulatory challenges, a di- versity of entrepreneurs addressing a diversity of market demands, and hustlers. The proliferation of tour operators and the resulting competition for customers makes it a buyer’s market, which should be welcomed as good news for anyone interested in taking a cannabis tour. Prices for tours are competitive, itineraries offer something for everyone, and tour operators are eager to please. Tours are also a great way to get a sense of the many dispensaries and the dizzying number of brands and products now available to anyone 21 and older. Whether you’re visiting L.A. or live CHARGE CONNECT ® CREATE CANNABIS NETWORK CANNABIS NETWORK Welcome to Stylus Welcome CRUISE AVAILABLE EVERYWHERE FINE CANNABIS IS SOLD / WWW.CANNDESCENT.COM / SOLD IS CANNABIS FINE EVERYWHERE AVAILABLE perfect temperature setting. Choose your effect. Pick your temperature. It’s time to write your story. to write your time It’s temperature. Pick your effect. setting. Choose your temperature perfect Designed for those seeking to unlock the moment, Stylus transforms the rechargeable vape battery into a a into into battery battery vape vape the rechargeable the rechargeable transforms transforms Stylus Stylus the moment, the moment, to unlock to unlock those seeking those seeking for for Designed Designed timeless and groundbreaking accessory. When paired with Canndescent’s ultra-premium oil cartridges that use oil cartridges ultra-premium with Canndescent’s When paired accessory. timeless and groundbreaking natural terpenes and no artificial additives, Stylus delivers our five signature effects and optimizes each for the for each and optimizes effects signature five our delivers Stylus terpenes and no artificial additives, natural AVAILABLE IN READYTOUSE VAPE PENS, ULTRAPREMIUM CARTRIDGES, AND RECHARGEABLE MODELS RECHARGEABLE AND CARTRIDGES, ULTRAPREMIUM PENS, VAPE READYTOUSE IN AVAILABLE Warning:

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Petitioner's name is: CASE NUMBER: Eeon Tair. 07FL04903. have 30 calendar days You after this summons and pe- served on you to tition are -120 (form le a response or FL-123) at the court and have a copy served on the phone A letter, petitioner. call, or court appearance you. If you will not protect do not le your response on time, the court may your affecting make orders or domestic part- marriage and nership, your property, custody of your children. to pay may be ordered You fee support and attorney and costs. For legal advice, contact a lawyer immedi- Get help nding a ately. lawyer at the California Courts Online Self-Help Center (www.courts.ca.gov/ selfhelp), at the California Legal Services website or by (www.lawhelpca.org), contacting your local county bar association. NO- are orders TICE - restraining on page 2. 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Ramirez DIVISION (b) OF SECTION 17920, WHERE IT EXPIRES 40 AFTER ANY CHANGE IN DAYS IN FORTH SET THE FACTS PURSUANT THE STATEMENT TO SECTION 17913 OTHER THAN A CHANGE IN RESI- DENCE SADDRESS OF A REG- ISTERED OWNER. A NEW FIC- TITIOUS BUSINESS NAME BE FILED MUST STATEMENT BEFORE THE EXPIRATION. 1, EFFECTIVE JANUARY 2014. THE FICTITIOUS BUSI- NESS NAME STATEMENT BY MUST BE ACCOMPANIED OF IDENTITY THE AFFIDAVIT FORM. THE FILING OF THIS not of does STATEMENTNT itself authorize the use in this state of a ctitious business name in violation of the rights of another un- der federal, state, or com- mon law (see Section 14411 et seq., Business and Pro- fessions Code.) Publish 03/07, 03/14, 03/21, 03/28/2019 LA Weekly L L 310.574.7314 CLASSIFIEDS TO ADVERTISE IN TO ADVERTISE 724 S. Spring St., Los Angeles, CA 90014 | 310-574-7312 | LAWEEKLY.COM/ADINDEX CA 90014 | 310-574-7312 Angeles, Los Spring St., 724 S. 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