UCLA Contemporary Music Score Collection

Title Sa Baníg na Áming Pinápanaginípan

Permalink https://escholarship.org/uc/item/9g80d347

Author Galve Parcón, Lawrence

Publication Date 2020

eScholarship.org Powered by the California Digital Library University of California Sa Baníg na Áming Pinápanaginípan On the Woven Mat Where We Dream for the ASEAN Youth Ensemble 2019 Princess Galyani Vadhana Institute of Music MUSIC MATTERS International Symposium 2019

Lawrence Galve Parcón Program Notes

2 Performance Notes

3 4 Stage Plan

5 A Slow and Peaceful

Saron Barung                                      5 4    Bandurria                       Kulintang                              Đàn Tranh                                         Saung Gauk                               Pat Waing                          ( ) ( )             Thon and   Rammana              6    9 Saron Barung  5 5                           Khim                   5           Bandurria                            Kulintang       5     5  5  5  5                     5   Đàn Tranh                   arpeggio                              Saung Gauk      Pat Waing                 Ching             Thon and   Rammana         7   12 Saron Barung                     Khim                         Bandurria                            Kulintang                           Đàn Tranh                           Saung Gauk     Pat Waing                    Ching                    Thon and   Rammana                  8 B Ritmico  = 132 14 Saron Barung            Khim             7   Bandurria              Kulintang                Đàn Tranh                                                       Saung Gauk                Pat Waing           Ching           Thon and Rammana   9           19 Saron Barung      Khim

 solo ()  ( )            Bandurria      5                    sub   Kulintang          Đàn Tranh 

                          Saung Gauk         Pat Waing     Ching      Thon and Rammana      

10 22 Saron Barung                  Khim                             Bandurria        Kulintang                             Đàn Tranh 

                                          Saung Gauk             Pat Waing                                      Ching              Thon and Rammana        

11 27 Saron Barung           Khim                                               Bandurria                               Kulintang                    Đàn Tranh                                                 Saung Gauk                Pat Waing                Ching          Thon and Rammana        

12 32 Saron Barung                    Khim        gliss. Bandurria                      Kulintang                             Đàn Tranh                                  Saung Gauk               Pat Waing           Ching                        Thon and         Rammana        

13 37 C Saron Barung                    Khim                                    Bandurria                                 Kulintang                                                Đàn Tranh  gliss.                             Saung Gauk                       Pat Waing                                        Ching                                    Thon and Rammana                              

14 cresc.poco a poco 42 Saron Barung                       Khim                                           Bandurria                                         Kulintang                                                   Đàn Tranh      

       Saung Gauk                improvise on the next          8 measures     Pat Waing  Ching                       Thon and Rammana                                    

15 47 D Saron Barung                       Khim                                           Bandurria                             Kulintang                                                     Đàn Tranh                              Saung Gauk                                             Pat Waing                  Ching                         Thon and Rammana                                   

16 52 Saron Barung               Khim            ()                Bandurria               Kulintang                                   Đàn Tranh                                     Saung Gauk                         Pat Waing                           Ching                 Thon and Rammana                       

17 55 Saron Barung               Khim       ()                    Bandurria               Kulintang                                    Đàn Tranh                                      Saung Gauk                       Pat Waing                           Ching                   Thon and Rammana                      

18 58 Saron Barung                   Khim                                   Bandurria                           Kulintang                                                Đàn Tranh                gliss.                                arpeggio               Saung Gauk                         Pat Waing                                         Ching                        Thon and Rammana                             

19 E 62 Saron Barung               Khim  let the strings vibrate even after the notated durations         Bandurria                  improvise a Tagunggo on the next 16 measures, tonicize E Kulintang    -            Đàn Tranh                                                               Saung Gauk                                                            Pat Waing                 Ching            Thon and Rammana           

20 70 Saron Barung            Khim            Bandurria   Kulintang      Đàn Tranh                                                                             Saung Gauk                                                                  Pat Waing                Ching            Thon and Rammana            

21 F 79 Saron Barung                            solo Khim                                                 Bandurria                       Kulintang                                       Đàn Tranh                                        Saung Gauk                            solo           Pat Waing                                      Ching                   Thon and    Rammana                    22        83 Saron Barung                                  Khim                                        Bandurria                        Kulintang                                          Đàn Tranh           

   solo                     arpeggio. Saung Gauk                               Pat Waing                             Ching                     Thon and Rammana                           

23 87 Saron Barung                         Khim                    Bandurria                    Kulintang            solo                      Đàn Tranh                                          Saung Gauk              Pat Waing                    Ching                 Thon and Rammana                    

24 90 Saron Barung                   Khim        solo           Bandurria                                                            Kulintang                          Đàn Tranh                              Saung Gauk                      Pat Waing                  Ching               Thon and    Rammana                   

25 94 Saron Barung                                 Khim                                  Bandurria                                                           Kulintang                                                Đàn Tranh                                               Saung Gauk                                        Pat Waing                                 Ching                         Thon and    Rammana                                 

26 G Tranquillo  = 60 98 3 3 3 3 3 Saron Barung                           Khim           Bandurria               Kulintang                      Đàn Tranh                 Saung Gauk                Pat Waing                          Ching            Thon and Rammana           

27 106 3 3 3 3 Saron Barung                      Khim           Bandurria              Kulintang      3  3  3  3  3  3  3  3                       Đàn Tranh                      Saung Gauk                          Pat Waing            Ching           Thon and Rammana          

28 H 112 3 3 3 3 3 3 3 3 Saron Barung                                 Khim           Bandurria           Kulintang              Đàn Tranh                          Saung Gauk                            Pat Waing              Ching         Thon and  Rammana           

29 117 Saron Barung          Khim        4  5  5      Bandurria                   3 3 3 3  3 3 Kulintang                              Đàn Tranh                Saung Gauk              Pat Waing       Ching       Thon and  Rammana         30  121 Saron Barung         Khim          Bandurria          Kulintang               Đàn Tranh            Saung Gauk                Pat Waing            Ching       ()    Thon and Rammana            31