Piano Datiiii Column

Total Page:16

File Type:pdf, Size:1020Kb

Piano Datiiii Column 50121-3 INTERNATIONAL CHAPTER OFFICERS OFFICERS NO. CALIFORNIA Pres.: Phil McCoy PRESIDENT Vice Pres.: Isadora Koff Bob Rosencrans Treas.: Bob Wilcox ,-. 36 Hampden Rd. Sec.!Reporter: Jack & Upper Darby, PA 19082 Dianne Edwards VICE PRESIDENT SO. CALIFORNIA Bill Eicher Pres.: Francis Cherney 465 Winding Way Vice Pres.: Mary Lilien Dayton, OH 45429 Sec.: Evelyn Meerler SECRETARY Treas.: Roy Shelso Jim Weisenborne Reporter: Bill Toeppe 73 Nevada St. TEXAS Rochester, MI 48063 Pres.: Jim Phillips PUBLISHER Vice Pres. Merrill Ballzley AMICA MEMBERSHIP RATES: Tom Beckett Sec/Treas.: Janet Tonnesen Reporter: James Kelsey Continuing Members: $15 Dues 6817 Cliffbrook Dallas, TX 75240 MIDWEST New Members, add $5 processing fee MEMBERSHIP SECRETARY Pres: Bennet Leedy Lapsed Members, add $3 processing fee (New memberships and Vice Pres.: Jim Prendergast mailing problems) Sec.: Jim Weisenborne Bobby Clark Jr Treas: Alvin Wulfekuhl P O. Box 172 Reporter: Molly Yeckley Columbia SC 29202 PHILADELPHIA AREA TREASURER Pres.: Len Wert THE AMICA NEWS BULLETIN Jack & Mary Riffle Vice Pres.: Harvard Wood 5050 Eastside Calpella Rd. Sec.: Beverly Naddeo Published by the Automatic Musical Instrument Collectors' Association, a non­ Ukiah, CA 95482 Treas: Doris Berry profit club devoted to the restoration, distribution and enjoyment of musical Reporter: Dick Price instruments using perforated paper music rolls BOARD REPRESENTATIVES N. Cal.: Howie Koff SOWNY (So. Ontario, West NY) ContrIbutions: All subjects of interest to readers of the Bulletin are S Cal. Dick Rigg Pres.: Bruce Bartholomew encouraged and invited by the publisher. All articles must be received by the Texas: Wade Newton Vice Pres Mike Waller 10th of the preceeding month Every attempt will be made to pUblish allarticles Phil Bob Taylor Sec. Nancy Group of general interest to AMICA members at the earliest possible time and at the Midwest Bill Eicher Treas.: Stella Gilbert discretion of the publisher. SOWNY Jeff Dep Reporter: Jim Brewer Rky. Mt.: Dick Kroeckel ROCKY MOUNTAIN ADVERTISING New Jer: Jeffrey Morgan Pres.: Robert Moore Iowa: Alvin Johnson Sec. Sharon Paetzold /' • CI..wIed: 10¢ per word, $150 mmimum Boston Area: Sanford Libman Treas.: Carl Paetzold • DIsplay advertising Northern Lights Trudy Maier Reporter: Jere DeBacker '-- Full page 7'12' xl 0" $6000 COMMITTEES NEW JERSEY One-half page horizontal 7Y2" X 4 'V4/1 3000 Technical Pres.: Dan Schacher One-half page vertical 3%" x 10" 30.00 Mel Luchelli Vice Pres.: Richard Dearborn One-fourth page vertical 3%" x 4-Y4" 1500 3449 Mauricia Ave. Sec: Richard Groman III Santa Clara, CA 95051 • Each photograph or haJf-tone $5.00 Treas.: Willian Dean Honorary Members Reporter: • We recommend display advertisers supply camera-ready copy Copy that is Alf E. Werolin oversized or undersized will be changed to correct size at your cost We can IOWA 2230 Oakdale Rd. prepare your advertisement from your suggested layout at cost Pres.: Lee Zimmerline Hillsborough, CA 94010 Vice Pres. Stan Peters • All copy must reach the publisher by the 10th of the preceeding month. Archives Sec/Treas.: Mary Lou Shimp • Cash must accompany order. Typesetting, layout or size alteration charges Jim Weisenborne Reporter: AI Johnson will be billed separately. Make checks payable 10: ANlICA 73 Nevada St. BOSTON AREA INTERNATIONAL. Rochester, MI 48063 Pres: William Koenigsberg • All ads will appear on the last pages of the Bulletin at the discretion of the AMICA Goals Vice Pres: Charles Hazard publisher. Robert M. Taylor Sec: AI Greco 1326 Spruce St. #3004 Treas Philip Konop Publication of business advertiSing in no way implies AMICA's endorsement of Philadelphia, PA 19107 Reporter: Ray Magee any commercial operation. However, AMICA reserves the right to refuse any ad that is not in keeping wrth AMICA's general standards or if complaints are AFFILIATED SOCIETIES NORTHERN LIGHTS received indicating that said business does not serve the best mterests of the The Player Piano Group Pres. Tom Olds members of AMICA according to its goals and bylaws The North West Player Piano Vice Pres.: Gene Skarda Association. Sec.!Reporter Dorothy Olds Treas.: Trudy Maier AMICA ITEMS AMICA STATIONERY: $3.20 (letter size), AMICA TECHNICALITIES BOOKS: $1.75 (note size), including mailing charges. FOR SALE Volume I (1969-1971), $5.50 postpaid; Fine quality stationery with ornate AMICA Volume II (1972-1974), $7.50 postpaid, borders. Each packet contains 25 letters and AMICA BULLETINS, BOUND ISSUES: Volume III (1975-1977), $8.50 postpaid. matching envelopes. Send orders to: Robert 1971,1972,1973 - bound sets at $15.00 each Reprints of interesting technical articles Lemon, 4560 Green Tree Drive,Sacramento, set. 1974, 1975, 1976, 1977, 1978, 1979 at which have appeared in the AMICA Bulletin, CA 94823. $18.00 each set. PRICES INCLUDE arranged and indexed into appropriate POSTAGE AND HANDLING. Spiral bound to "They All Laughed When I Sat Down At categories. Send orders to: Jim Weisenborne. The Plano, But When IT Began To Play." lay flat. Send orders to Mary Lilien, 4260 73 Nevada Street, Rochester, MI 48063. Olympiad Drive. Los Angeles, CA 90043. This sound and color super-8 movie. produced by AMICA members, is available ROLL LEADERS: DUO-ART, Authentic. For for loan to AMICA members and chapters. order sheet, see the April 1973 Bulletin. Nick PLEASE MAKE ALL CHECKS PAYABLE TO AMICA INTERNA TlONAL For more Information write to Howard KOff, Jarrett,3622 21 st street, San Francisco, CA 2141 Deodara Drive, Los Altos, CA 94022. 94114. Jnfernafional JlcJJrJBJl WILBUR CHEnOWITH DIES AMICA BOALS COMMlmE THE AMICA has received word from Honorary BY ROBERT ftI. 'IYLOI Membership Chairman AU Werolin that AMICA Honorary Member Wilbur Chenowith died early in AMICA Goals Committee Meeting Friday, February April, 1980. No further details were available at press 15, 1980. time. We regret the passing of another fine recording Downtown Holiday Inn, Denver Colorado artist. Present: Carole Beckett, Bobby Clark, Bob Moore, Dick Reutlinger, Bob Taylor. Guests: Tom Beckett, Dorothy Bromage, Bill Dean, nOMlnATlno COMMlnEE REPORT Dick Rigg, Jim Weisenborne, Molly Yeckley. BY 1111'1 IIIC_La JIllIlSOIL-CHAI.11I Bob Taylor reminded the Committee of the Edwards Collection of 40,000 88-note rolls. The Committee After requesting and receiving AMICA membership authorized Bob to go and inspect the collection and response from notices placed in THE AMICA Bulletin give them his judgement as to condition, titles, and in December, 1979 and March, 1980, and after a vote any other relevant information. It is estimated that the taken by the Nominating Committee on the names collection would cost approximately $5000. Several submitted, the following slate of AMICA officers to be members wondered what AMICA would do with the installed at the AMICA Convention in June, 1980 is collection if we should purchase it. announced. The Technical Committee in the person ofMel Luchetti President - Robert M. Taylor has indicated interest in preparation of the special Vice President - Terry Smythe publications on rebuilding various types of instruments. Itwas agreed that Mel should be involved Secretary - Jim Weisenborne in the preparation of these publications. In our discussion it was again emphasized that not only Membership Secretary - Bobby Clark, Jr. should various approaches to solving problems be Treasurer - Mike & Liz Barnhart given but also those approaches that seem not to work. Publisher - Dorothy Bromage The Goals Committee agreed to recommend to the Board that the Archives Group be made a Standing Committee of AMICA International with an enlarged membership and budget of $1,000 until June 30, 1980. They should begin the active solicitation and Cover: Cover design created from a music catalog sheet cataloging of memorabilia associated with automatic Contributed by Bill Flynt. musical instruments. We did not feel that rolls should INDEX be solicited at this time. International AMICA 62 The Goals Committee recommends that members of AMICA Forum 68 all Standing Committees be listed inside the cover of Rolls & Music 69 the AMICA Bulletin. Instruments 69 Northern California 72 The Goals Committee recommends that at least one Philadelphia 73 member of the Goals and Archives Committees be in New Jersey 73 common. The Chairman of both committees seemed to ~rthernL~ts U be a logical choice. Biographical Sketches Eugen d'Alhert 77 We discussed the possible affiliation with a museum, Technicalities 80 college, or other public institution to houtle the materials we are soliciting. We discussed grants to the Original Bulletin articles, or material for reprint that is of Automatic Music Foundation, or affiliation, with significant historical quality and interest, are encouraged collection in College Park, Maryland. Although there and will receive reimbursement in the form of AMICA membership dues discounts. (Chapter reports and Forum is a fine collection at San Sylmar already, there might inquiries are excluded.) be some reason to consider a joint program of some sort. Each member present was asked to think what sort of institution would be interested in such - 62- materials as we might have, and report these ideas to Bob Taylor for further follow up. FllIAIICIAl STATEMEIIT Bobby Clark suggested that we solicit ideas for Goals AMICA IIITERIIATIOIIAl from those members who attend the Pasadena convention. He and Bob Taylor ~ill prepare a JUNE 1, 1979 through DECEMBER 31, 1979 questionnaire to be distributed there. At the Board Meeting the following tasks were given to the Goal Committee: CHECKBOOK BALANCE OF 5/31/79 $5,713.20 Savings Account 1. What sort of a budget should there be for travel of (Financial Savings & Loan) $18,148.15 Honorary Members to Conventions and local chapter meetings. CASH RECEIPTS: 2. Should there be assistance for travel expenses to Membership Dues $12,112.00 attend Board Meetings. Film 53.18 Regular Bulletin 00.00 3. How many local chapters should there be. Bound Bulletin 351.00 Technicalities 267.50 Respectfully submitted: Leaders 5.50 Robert M. Taylor, Chairman Pins 00.00 Stationery 00.00 Advertising 1,087.02 Convention (Philadelphia) 647.11 TOTAL $14,523.31 $20,236.51 IICIIIIEI c.MlnEE REPOIT BY.
Recommended publications
  • Understanding Music Past and Present
    Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N.
    [Show full text]
  • Mitchell Piano Service Piano Terminology
    Mitchell Piano Service [email protected] (415) 994-1030 Piano Terminology How to better communicate with your piano technician Have you ever had that uncomfortable conversation One oddity in this scheme is the lack of “flats”. with your doctor or mechanic when they were talking Unlike in music notation, piano technicians have no in technical terms you didn’t understand? As with need to refer to any particular key by more than one any trade or profession, piano technicians also have name. So all the black keys are called “sharps” and their own vocabulary when discussing pianos. And they will always be referenced to the natural key while most technicians will take the time to explain immediately to the left (that is, the black key between things, it doesn’t hurt to learn some of the C4 and D4 would only be referred to as C#4 and technician’s vocabulary. never as D 4). Key Naming Cents An early item to establish is how we identify the “Cents” are a piano technician’s way of 1 different notes . There are at least four different characterizing how far a single note or an entire piano systems for identifying the keys. Fortunately most is out of tune. Rather than measure the frequency technicians typically only use a couple of these. error of a note, it is far more convenient and relevant to state the error sort of as a percentage. Simply put, The simplest method (used more widely by piano there are 100 cents between any two adjacent keys rebuilders) is a straightforward numbering of the keys (half-steps, e.g.
    [Show full text]
  • INSTRUMENTAL CLASSES Pg
    WELCOME TO OUR 21ST YEAR! In this catalog you will find a year's worth of events and acvies that will enrich your life. Common Ground on the Hill is a tradional, roots-based music, arts and humanies organizaon founded in 1994, offering quality learning experiences with master musicians, arsts, dancers, writers, filmmakers and educators while exploring cultural diversity in search of common ground among ethnic, gender, age, and racial groups. The Balmore Sun has compared Common Ground on the Hill to the Chautauqua and Lyceum movements, precursors to this now venerable program. Our world is one of immense diversity. As we explore and celebrate this diversity, we find that what we have in common with one another far outweighs our differences. Our common ground is our humanity, oen best expressed by arsc tradions that have enriched human experience through the ages. We invite you to join us in searching for common ground as we assemble around the understanding that we can improve ourselves and our world by searching for the common ground in one another, through the lens of our arsc tradions. In a world filled with divisive, negave news, we seek to discover, create and celebrate good news. Walt Michael, Founder & Executive Director “You owe it to yourself to attend one of the sessions…Common Ground on the Hill is a cornucopia of artistic expression.” ~ Baltimore Sun Photo by Walt Michael, 2015. Welcome 1 CONTENTS 21st Annual Common Ground on the Hill Overview .................................................................................................... 3 Tradions Week 1 (List of Classes and Events by Category ) ......................................................................................... 4 Special Gatherings ....................................................................................................................................................... 5 Disncve Lecture Series ...........................................................................................................................................
    [Show full text]
  • Contimbre Modes
    All available playing techniques of conTimbre 1 brass ho rns ho rn in f bisbigliando 2 brass horns horn in f flutter-tongue/tongue-R 3 brass horns horn in f half depressed valves 4 brass horns horn in f hit on mouthpiece 5 brass horns horn in f insert straight mute into bell 6 brass horns horn in f kiss 7 brass horns horn in f mouthpiece backwards 8 brass horns horn in f mouthpiece only 9 brass ho rns ho rn in f o rdinario 10 brass horns horn in f play and sing/woman 11 brass horns horn in f silent brass mute 12 brass horns horn in f slap 13 brass horns horn in f snap with a finger on the bell 14 brass horns horn in f snap with a finger on the bell/coin on finger 15 brass horns horn in f stop mute/closed 16 brass horns horn in f stop mute/open 17 brass horns horn in f stop mute/wahwah effect 18 brass horns horn in f straight mute 19 brass horns horn in f without mouthpiece/air noise/english 'f' 20 brass horns horn in f without mouthpiece/air noise/english 'h' 21 brass horns horn in f without mouthpiece/air noise/english 'k' 22 brass horns horn in f without mouthpiece/air noise/english 'p' 23 brass horns horn in f without mouthpiece/air noise/english 's' 24 brass horns horn in f without mouthpiece/air noise/english 'sh' 25 brass horns horn in f without mouthpiece/air noise/english 't' 26 brass horns horn in f without mouthpiece/air noise/flutter-tongue/tongue-R 27 brass horns horn in f without tubings/bb-horn 28 brass horns horn in f without tubings/f-horn 29 brass ho rns natural ho rn in a o rdinario 30 brass horns natural horn in ordinario
    [Show full text]
  • 17-12-01 Musical Instruments & Suppliespdf
    CONROE INDEPENDENT SCHOOL DISTRICT TABULATION RFP #17-12-01 - MUSICAL INSTRUMENTS AND SUPPLIES TOTAL Supplier QTY UOM Unit Price Extended Manufacturer Manuf Num EVALUATION SCORE Pianos, 48 inch Acoustical Upright with Bench; 88 Keys; Acrylic Resin White Key Surface; phenolic Resin Black Key Surface; Shift, Muller, Yamaha or 1 B3PE with J4010 Dolly Damper Pedal Type; Polished Ebony Finish; 60 inch W x 48 inch H x 24 Approved Equal inch D; Installed Dolly Romeo Music - Alternate 8 Each $5,500.00 $44,000.00 Baldwin 243e 88 Fort Bend Music Center (Cochran & 8 Each $5,339.00 $42,712.00 82 Cochran Ent. Inc) Alamo Music Center - Alternate 8 Each $4,810.00 $38,480.00 Pearl River EU122 polished ebony 81.5 Piano, Grand; 88 Keys; Ivorite White Key Surface; WPC Black Key Surface; Damper, Sostenuto, Shift Pedal Type; Double Caster; Prop Safety Stop on Yamaha or 2 C6X Lid; Key Cover: Lid Fallboard Locks, Soft Close Fallboard; 4 Back Posts; Approved Equal Polished Black Finish; Bench Alamo Music Center - Alternate 1 Each $24,850.00 $24,850.00 Ritmuller GH212R 87 Fort Bend Music Center (Cochran & 1 Each $43,539.00 $43,539.00 62 Cochran Ent. Inc) Piano, Baby Grand Digital; Supernatural Piano Modeling Sound; 307 Tones; Wood and Plastic Hybrid Structure Keyboard with Escapement and Ebony/Ivory Feel; 88 Keys; Progressive Damper Action Pedal; Acoustic Roland or 3 GP-607-PEC Projection; 113dB Volume Level; 363 Internal Songs; Bluetooth Version Approved Equal 3.0; AC Adapter; 55 7/16 inches W x 37 3/8 inches D x 59 15/16 inches H; Black Finish; Bench Included Romeo Music 1 Each $4,450.00 $4,450.00 86 Fort Bend Music Center (Cochran & 1 Each $3,689.00 $3,689.00 Yamaha CLP665GP 85 Cochran Ent.
    [Show full text]
  • A Unified Helical Structure in 3D Pitch Space for Mapping Flat Musical Isomorphism
    HEXAGONAL CYLINDRICAL LATTICES: A UNIFIED HELICAL STRUCTURE IN 3D PITCH SPACE FOR MAPPING FLAT MUSICAL ISOMORPHISM A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements for the Degree of Master of Science in Computer Science University of Regina By Hanlin Hu Regina, Saskatchewan December 2015 Copytright c 2016: Hanlin Hu UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Hanlin Hu, candidate for the degree of Master of Science in Computer Science, has presented a thesis titled, Hexagonal Cylindrical Lattices: A Unified Helical Structure in 3D Pitch Space for Mapping Flat Musical Isomorphism, in an oral examination held on December 8, 2015. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Dr. Dominic Gregorio, Department of Music Supervisor: Dr. David Gerhard, Department of Computer Science Committee Member: Dr. Yiyu Yao, Department of Computer Science Committee Member: Dr. Xue-Dong Yang, Department of Computer Science Chair of Defense: Dr. Allen Herman, Department of Mathematics & Statistics Abstract An isomorphic keyboard layout is an arrangement of notes of a scale such that any musical construct has the same shape regardless of the root note. The mathematics of some specific isomorphisms have been explored since the 1700s, however, only recently has a general theory of isomorphisms been developed such that any set of musical intervals can be used to generate a valid layout. These layouts have been implemented in the design of electronic musical instruments and software applications.
    [Show full text]
  • COLOR FRONT COVER COLOR PAGE 2: Festival1 COLOR PAGE: Festival2/CGOTT COLOR DEER CREEK
    COLOR FRONT COVER COLOR PAGE 2: Festival1 COLOR PAGE: Festival2/CGOTT COLOR DEER CREEK WELCOME TO OUR 22ND YEAR! In this catalog you will find a year's worth of events and activities that will enrich your life. Common Ground on the Hill is a traditional, roots-based music, arts and humanities organization founded in 1994, offering quality learning experiences with master musicians, artists, dancers, writers, filmmakers and educators while exploring cultural diversity in search of common ground among ethnic, gender, age, and racial groups. The Baltimore Sun has compared Common Ground on the Hill to the Chautauqua and Lyceum movements, precursors to this now venerable program. Our world is one of immense diversity. As we explore and celebrate this diversity, we find that what we have in common with one another far outweighs our differences. Our common ground is our humanity, often best expressed by artistic traditions that have enriched human experience through the ages. We invite you to join us in searching for common ground as we assemble around the understanding that we can improve ourselves and our world by searching for the common ground in one another, through the lens of our artistic traditions. In a world filled with divisive, negative news, we seek to discover, create and celebrate good news. Walt Michael, Founder & Executive Director “You owe it to yourself to attend one of the sessions… Common Ground on the Hill is a cornucopia of artistic expression.” ~ The Baltimore Sun Welcome 1 CONTENTS 22nd Annual Common Ground on the Hill Overview .................................................................................................. 3 Traditions Week 1(List of Classes and Events by Category ) ........................................................................................
    [Show full text]
  • Instruments & Musicaround the Globe
    Around the Globe Instruments & Music Music Around the Globe Global Rhythm Set with Reproducible Guide Set of 19 World Music Drumming Hear and feel the “rhythms of the world” with this collection of 19 authentic instruments from around the world. 3181 $299 with Will Schmid WORLD MUSIC GLOBE. Press any con- Reproducible background information on each instrument is included. Exclusively from Will Schmid tinent to hear up to 7 authentic ethnic recordings in different styles. From North Castanets Djembe BEATBOX: World Music Drumming 101 8" (India) 8" (Indonesia) American Dixieland, blues, swing, mariachi, Travel the world using cultural instruments: to South American salsa, tango, marimba to 3204 $9.95 2395 $18 bodhran and spoons with a fiddle tune; bamboo Castania music of Ireland, Germany, Greece, Russia, stamping tubes in Bamboo Tamboo; a talking Brass Gong Hammer Spin Spain, France, India, China, Tibet, Vietnam, Goat Hoof drum from Africa; mbira, congas, and others with 8", with hanger Tongue Drum 6½" (Bali) Drum Japan, Saudi Arabia, Africa, Pacific Islands, Rattle (Bolivia) (China) (Peru) Orff instruments, in a variety of rhythmic styles 11¾" (Indonesia) 2286 $45 4930 $6.95 10" Australia, and more. With separate on/off 2852 $12.95 2317 2470 $9 and combinations with folk and original songs. Gourd Shekere switches for music/lights, volume control, $45 Washboard Step-by-step learning and cross-curricular and a full-play switch to hear all 39 pieces Cactus Large Guiro 6" (West Africa) 8½" x 18" (USA) connections, too. in 20 min. Identify the music of different continents and countries, with Rainstick 15" (Mexico) 2226 $19.95 Tambourine 3207 $24.95 PB & Enhanced CD 7579 $29.99 the help of the booklet describing the pieces, locations, and instruments.
    [Show full text]
  • Table of Contents
    Table of Contents Introduction The need and possibility of taking care of your own piano yourself. – Usefulness of this work for amateurs, tuners, craftsman makers, and blind tuners. – Additions to this work. – New tables and plates in this third edition. – Examination of works written about piano tuning. – Instruments or mechanical means invented to facilitate the tuning of the piano. – Sonometer of F. Loulié. – Diapasorama of Matrot. – Chromameter of Roller and Blanchet. – Tuning Guide of Delsarte. – History of temperament. – Necessity of equal temperament. – Table of chapters and appendix of this work. – Conclusion. Chapter 1. – Summary of the elementary principles of music needed in order to understand this book Tones of the scale. – Steps and half steps of the natural scale. – Comma. – Sharps, flats, naturals, double sharps, double flats; chromatic semitone, diatonic semitone; chromatic scale; enharmonic notes; diatonic genre, chromatic genre, harmonic genre; intervals; natural intervals, inversions; consonant and dissonant intervals; major mode, minor mode; accidental signs and key signs; harmonic circle. Chapter 2. – A succinct account of harmony Chords. – The perfect major chord. – The perfect minor chord. – Their inversions. – Modulation. – The harmonic circle in four part perfect chords. Chapter 3. – Pianos of diverse forms; their principal internal parts Square pianos. – Grand pianos. – Upright pianos of various forms. – False soundboard. – Tuning pins. – Pin block. – Hitch pin rail. – Hitch pin nut – Tuning pin nut – Bridge. – Speaking length of strings. – Dampers. – Damper lifting wires. – Action proper. – Principle parts of the action. – Action systems. – Fixed jack action. – Double fixed jack action. – Escapement and double escapement action. – Petzold escapement. – English escapement for grand pianos. – Érard double escapement action for grand pianos.
    [Show full text]
  • LAPPEENRANTA UNIVERSITY of TECHNOLOGY Faculty of Technology LUT Energy Degree Program in Electrical Technology Bachelor Thesis
    1 LAPPEENRANTA UNIVERSITY OF TECHNOLOGY Faculty of Technology LUT Energy Degree Program in Electrical Technology Bachelor Thesis BACKGROUND FOR DESIGNING AN IMPROVED DIGITAL MUSICAL KEYBOARD INSTRUMENT Lappeenranta 20.05.2014 Jere Peltokoski 2 CONTENTS LIST OF SYMBOLS, ABBREVIATIONS AND TERMS 1 INTRODUCTION.................................................................................................................4 1.1 Background..................................................................................................................... 4 1.2 Objective and research questions.................................................................................... 5 1.3 Scope of thesis.................................................................................................................5 1.4 Structure of thesis............................................................................................................6 2 HISTORY OF KEYBOARD INSTRUMENTS..................................................................7 3 TUNING OF THE NOTES................................................................................................ 13 3.1 Harmonies..................................................................................................................... 13 3.2 Pythagorean tuning........................................................................................................14 3.3 12-Tone Equal Temperament.........................................................................................16 3.4 About
    [Show full text]
  • Interaction Design for Digital Musical Instruments
    Interaction Design for Digital Musical Instruments A dissertation submitted for the degree of Doctor of Philosophy by Patrick McGlynn, BA, MA. Supervisors: Dr. Victor Lazzarini & Dr. Gordon Delap Department of Music National University of Ireland, Maynooth Ollscoil na hÉireann, Má Nuad May 2014 Table of contents Table of contents .......................................................................................................... 2 Table of figures ............................................................................................................ 7 Acknowledgments ........................................................................................................ 8 Abstract ...................................................................................................................... 10 Chapter 1. Introduction .............................................................................................. 13 1.1 Context of research .......................................................................................... 14 1.2 Summary of hypotheses ................................................................................... 16 1.3 Original contribution of thesis ......................................................................... 17 Chapter 2. A century of electronic musical controllers.............................................. 20 2.1 Keyboard based instruments ............................................................................ 21 2.1.1 The Musical Telegraph ............................................................................
    [Show full text]
  • Folk Harp Design and Construction Copyright © 2003, Musicmaker’S Kits, Inc - All Rights Reserved Introduction Xiii
    I FOLK HARP N T R DESIGN AND O D U CONSTRUCTION C T I O N by Jeremy H. Brown Fourth Printing, March 2008 iv Introduction CHAPTER 5 - SEQUENCE OF ASSEMBLY SEQUENCE OF ASSEMBLY 5-1 Round Over Some Inside Edges of Frame 5-1 Assemble Soundchamber (Body) 5-2 Feet or Legs 5-2 Fit the Neck and Pillar 5-3 Final Sanding 5-3 Apply the Finish 5-5 Optional Decorations 5-6 Installing Hardware CHAPTER 6 - STRINGS STRINGS 6-1 String Composition 6-2 Adjusting String Tension 6-3 Making your own String Winder 6-5 Coloring Strings 6-5 Stringing and Tuning 6-6 Installing Wound Strings at the Bottom 6-7 Installing Monofilament Nylon Strings 6-10 Sharping Levers CARE AND FEEDING OF THE HARP 6-11 Tuning tips 6-11 Maintaining the Finish Folk Harp Design and Construction copyright © 2003, Musicmaker’s Kits, Inc - All rights reserved Introduction xiii I N Glues T Aliphatic resins are the most common woodworking glues available R (such as Elmer’s or Titebond). They work very well for most joints on a harp. If you live in a hot humid climate (Hawaii, for example), it might be O advisable to use a more water-resistant adhesive. I remember a powdered D glue called Weldwood that my Dad used for canoe-making. It would be excellent for resisting humidity and heat. High-grade 8-hour epoxies U could also be well utilized. C Established luthiers use hide glue very successfully for guitars, violins, T and such, but they never purchase the liquid version sold in bottles.
    [Show full text]