Complete Exhibition Checklist

Total Page:16

File Type:pdf, Size:1020Kb

Complete Exhibition Checklist Complete Exhibition Checklist A Michael Brown, Alton Kelley and Stanley Mouse, Human Jon Adams, Blues Project, The Matrix, 1966. Collection of Be-In/Pow-Wow , A Gathering of Tribes, Golden Gate Park, David and Sheryl Tippit. 1967. Collection of David and Sheryl Tippit. Jon Adams, Country Joe and the Fish, Jabberwock, 1967. Collection of David and Sheryl Tippit. C Lee Conklin, Albert King, Ten Years After, Fillmore Auditorium, 1968. Partial gift of David and Sheryl Tippit; B partial purchase with Architecture, Design & Graphics Peter Bailey, The Acid Test/High Energy Experiments/ Department Acquisition Funds; and Volunteer Endowment Longshoreman’s Hall, 1966. Collection of David and Sheryl Funds in honor of R. Craig Miller. Tippit. Lee Conklin, Big Brother and the Holding Company, Sly and Peter Bailey, America Needs Indians/Sensorium 9/ Options the Family Stone, Fillmore Auditorium/Carousel Ballroom, and Contract/The Acid Test/High Energy Experiments/Open 1968. Partial gift of David and Sheryl Tippit; partial purchase Theater, Longshoremen’s Hall, 1966. Collection of David and with Architecture, Design & Graphics Department Acquisition Sheryl Tippit. Funds; and Volunteer Endowment Funds in honor of R. Craig Miller. Peter Bailey, Appeal III/S.F. Mime Troupe, The Great Society, The Mystery Trend, Fillmore Auditorium, 1966. Lee Conklin, Buffalo Springfield, Chamber Brothers, Collection of David and Sheryl Tippit. Fillmore Auditorium/Winterland, 1968. Partial gift of David and Sheryl Tippit; partial purchase with Architecture, Design Jim Blashfield, Electric Flag American Music Band, Mother & Graphics Department Acquisition Funds; and Volunteer Earth, Fillmore Auditorium, 1967. Partial gift of David and Endowment Funds in honor of R. Craig Miller. Sheryl Tippit; partial purchase with Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Funds in honor of R. Craig Miller. Lee Conklin, Butterfield Blues Band, Santana, Fillmore West, 1968. Partial gift of David and Sheryl Tippit; partial Jim Blashfield and Herb Greene, The San Francisco purchase with Architecture, Design & Graphics Department Scene in Los Angeles/Jefferson Airplane, Grateful Dead, Acquisition Funds; and Volunteer Endowment Funds in Hollywood Bowl, 1967. Partial gift of David and Sheryl Tippit; honor of R. Craig Miller. partial purchase with Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Lee Conklin, Canned Heat, Gordon Lightfoot, Fillmore Funds in honor of R. Craig Miller. West, 1968. Partial gift of David and Sheryl Tippit; partial purchase with Architecture, Design & Graphics Department Jim Blashfield and Bonnie MacLean, Paul Butterfield Acquisition Funds; and Volunteer Endowment Funds in Blues Band, Cream, Fillmore Auditorium, 8/22-27/67 | honor of R. Craig Miller. Cream, Electric Flag American Music Band, Fillmore Auditorium, 8/29-9/3/67, 1967. Collection of Scott Lee Conklin, Chambers Brothers, Quicksilver Messenger Montgomery. Service, Fillmore Auditorium, 1968. Partial gift of David and Sheryl Tippit; partial purchase with Architecture, Design & C. Braga, Lightning Hopkins, Environmental Dance Classes, Graphics Department Acquisition Funds; and Volunteer Straight Theater, 1967. Partial gift of David and Sheryl Tippit; Endowment Funds in honor of R. Craig Miller. partial purchase with Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Lee Conklin, Chuck Berry, Steve Miller Band, Fillmore Funds in honor of R. Craig Miller. West, 1968. Partial gift of David and Sheryl Tippit; partial purchase with Architecture, Design & Graphics Department D. Bread, P. Pynchon and Randy Tuten, Country Joe and Acquisition Funds; and Volunteer Endowment Funds in the Fish, Led Zeppelin, Fillmore West, 1969. Partial gift of honor of R. Craig Miller. David and Sheryl Tippit; partial purchase with Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Funds in honor of R. Craig Miller. Lee Conklin, Cold Blood and Others, The Barn, 1969. Lee Conklin, Steppenwolf, Grateful Dead, Fillmore West, Partial gift of David and Sheryl Tippit; partial purchase with 1968. Partial gift of David and Sheryl Tippit; partial purchase Architecture, Design & Graphics Department Acquisition with Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Funds in honor of R. Funds; and Volunteer Endowment Funds in honor of R. Craig Miller. Craig Miller. Lee Conklin, Country Joe and the Fish, Sea Train, Fillmore Lee Conklin, Ten Years After, Country Weather, Fillmore West, 1968. Partial gift of David and Sheryl Tippit; partial West, 1968. Partial gift of David and Sheryl Tippit; partial purchase with Architecture, Design & Graphics Department purchase with Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Funds in Acquisition Funds; and Volunteer Endowment Funds in honor of R. Craig Miller. honor of R. Craig Miller. Lee Conklin, Creedence Clearwater Revival, Fleetwood Lee Conklin, Vanilla Fudge, Steve Miller Band, Fillmore Mac, Fillmore West, 1968. Partial gift of David and Sheryl Auditorium/Winterland, 1968. Partial gift of David and Sheryl Tippit; partial purchase with Architecture, Design & Graphics Tippit; partial purchase with Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Department Acquisition Funds; and Volunteer Endowment Funds in honor of R. Craig Miller. Funds in honor of R. Craig Miller. Lee Conklin, Iron Butterfly, James Cotton Blues Band, Lee Conklin, Who, Cannonball Adderly, Fillmore Fillmore West, 1968. Partial gift of David and Sheryl Tippit; Auditorium/Winterland, 1968. Partial gift of David and Sheryl partial purchase with Architecture, Design & Graphics Tippit; partial purchase with Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Department Acquisition Funds; and Volunteer Endowment Funds in honor of R. Craig Miller. Funds in honor of R. Craig Miller. Lee Conklin, Iron Butterfly, James Cotton Blues Band, Lee Conklin, Yardbirds, Cecil Taylor, Fillmore Auditorium, Fillmore West, 1969. Collection of Gabriel Graubner, 1968. Partial gift of David and Sheryl Tippit; partial purchase Electronic Monastery. with Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Funds in honor of R. Lee Conklin, Jefferson Airplane, Ballet Afro-Haiti, Craig Miller. Fillmore West, 1968. Partial gift of David and Sheryl Tippit; partial purchase with Architecture, Design & Graphics Lee Conklin and Herb Greene, Grateful Dead, Pentangle, Department Acquisition Funds; and Volunteer Endowment Fillmore West, 1969. Partial gift of David and Sheryl Tippit; Funds in honor of R. Craig Miller. partial purchase with Architecture, Design & Graphics Lee Conklin, Jefferson Airplane, Ballet Afro-Haiti, Department Acquisition Funds; and Volunteer Endowment Fillmore West/Procol Harum, Santana, Fillmore West, 1968. Funds in honor of R. Craig Miller. Collection of Scott Montgomery. Bruce Conner. America Needs Indians/Sensorium 9/ Lee Conklin, Moby Grape, Traffic, Fillmore Auditorium/ Longshoremen’s Hall, 1966. Partial gift of David and Sheryl Winterland, 1968. Partial gift of David and Sheryl Tippit; Tippit; partial purchase with Architecture, Design & Graphics partial purchase with Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Department Acquisition Funds; and Volunteer Endowment Funds in honor of R. Craig Miller. Funds in honor of R. Craig Miller. Lee Conklin, Moby Grape, Traffic, Fillmore Auditorium/ D Winterland, 1968. Collection of Charlie Holloway, Devore. KPFA Benefit/The Incredible Fish, Pink Floyd, Psychedelic Playground. Fillmore Auditorium, 1967. Collection of David and Sheryl Tippit. Lee Conklin, Procol Harum, Santana, Fillmore West, 1968. Partial gift of David and Sheryl Tippit; partial purchase with Architecture, Design & Graphics Department Acquisition F Funds; and Volunteer Endowment Funds in honor of R. Robert Fried, Fireball/Canned Heat, Siegal Schwall, 1601 Craig Miller. West Evans Street, Denver, 1967. Partial gift of David and Sheryl Tippit; partial purchase with Architecture, Design & Lee Conklin, Procol Harum, Santana, Fillmore West, 1969. Graphics Department Acquisition Funds; and Volunteer D. King Gallery. Endowment Funds in honor of R. Craig Miller. Lee Conklin, Santana, 1969. Collection of Paul Epstein, Robert Fried, Kitty/Buffalo Springfield, Eighth Penny Matter, Twist and Shout. 1601 West Evans Street, Denver, 1967. Partial gift of David and Sheryl Tippit; partial purchase with Architecture, Design Lee Conklin, Santana, Youngbloods, Fillmore West, 1969. & Graphics Department Acquisition Funds; and Volunteer Partial gift of David and Sheryl Tippit; partial purchase with Endowment Funds in honor of R. Craig Miller. Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Funds in honor of R. Robert Fried, Rocking Chair/Genesis, Mother Earth, Avalon Craig Miller. Ballroom, 1968. Partial gift of David and Sheryl Tippit; partial purchase with Architecture, Design & Graphics Department Lee Conklin, Spirit, Ten Years After, Fillmore West, 1969. Acquisition Funds; and Volunteer Endowment Funds in Partial gift of David and Sheryl Tippit; partial purchase with honor of R. Craig Miller. Architecture, Design & Graphics Department Acquisition Funds; and Volunteer Endowment Funds in honor of R. Craig Miller. Robert Fried, Sky Web/Charlatans,
Recommended publications
  • Art Nouveau Revival 1960S-1990S
    Art Nouveau Revival 1960s-1990s Stanley Mouse & Alton Kelly Kathleen James | ADM-103 – The Essay | 13 January 2020 Introduction ................................................................................................................................. 1 Social Context .............................................................................................................................. 1 The Rise and Fall of Art Nouveau ............................................................................................... 2 Origins & Revival ...................................................................................................................... 2 Le style Mucha .......................................................................................................................... 2 ContemPorary Artists .................................................................................................................. 3 Kelley Mouse Studios & the Grateful dead ............................................................................. 3 Stephanie young and street art ............................................................................................... 5 Bibliography ................................................................................................................................. 7 Table of Figures ............................................................................................................................ 7 Introduction This essay investigates the relationshiP between the Art
    [Show full text]
  • My Back Pages #1
    My Back Pages #1 L’iMMaginario coLLettivo deL rock neLLe fotografie di Ed CaraEff, HEnry diltz, HErb GrEEnE, Guido Harari, art KanE, astrid KirCHHErr, Jim marsHall, norman sEEff e bob sEidEmann 04.02 | 11.03.2012 Wall of sound gallery La capsula del tempo decolla… La musica non è solo suono, ma anche immagine. Senza le visioni di questi fotografi, non avremmo occhi per guardare la musica. Si può ascoltare e “ca- pire” Jimi Hendrix senza vedere la sua Stratocaster in fiamme sul palco di Monterey, fissata per sempre da Ed Caraeff? O intuire fino in fondo la deriva amara di Janis Joplin senza il crudo bianco e nero di Jim Marshall che ce la mostra affranta con l’inseparabile bottiglia di Southern Comfort in mano? Nasce così l’immaginario collettivo del rock, legato anche a centinaia di co- pertine di dischi. In questa mostra sfilano almeno una dozzina di classici: dagli album d’esordio di Crosby Stills & Nash e di Stephen Stills in solitario a Morrison Hotel dei Doors, The Kids Are Alright degli Who, al primo disco americano dei Beatles per l’etichetta VeeJay, Hejira di Joni Mitchell, Surre- alistic Pillow dei Jefferson Airplane, Grateful Dead di Jerry Garcia e compa- gni, Genius Loves Company di Ray Charles, Stage Fright della Band di Robbie Robertson, Desperado degli Eagles e Hotter Than Hell dei Kiss. Il tempismo è tutto. Soprattutto trovarsi come per miracolo all’inizio di qualcosa, ad una magica intersezione col destino che può cambiare la vita di entrambi, fotografo e fotografato. Questo è successo ad astrid Kirchherr con i Beatles ancora giovanissimi ad Amburgo, o a Herb Greene immerso nella ribollente “scena” musicale di San Francisco.
    [Show full text]
  • Publicsite.R?Scontinent=USA&Screen=
    Results and Description Print Page 1 of 4 Print Results Close Screen Sale 15537 - Life on the Golden Road with the Grateful Dead: The Ram Rod Shurtliff Collection, 8 May 2007 220 San Bruno Avenue, San Francisco, California Prices are inclusive of Buyer's Premium and sales tax (VAT, TVA etc) and may be subject to change. Lot Description Hammer Price 1 A Bob Seidemann mounted-to-board photographic print of The Grateful Dead, $1,680 1971 2 Two color photographs of Jerry Garcia and Bob Weir, circa 1968 $900 3 Five black and white photographs of The Grateful Dead, circa 1969 $780 4 A massive display piece of The Grateful Dead from The Winterland Ballroom, circa $9,600 1966-1978 5 A poster of Pig Pen and Janis Joplin, 1972 $720 6 A Herb Greene signed black and white photograph of The Grateful Dead, 1965, $1,320 1988 7 A Herb Greene signed black and white photograph of Jerry Garcia, 1966, 1980s $960 8 A Herb Greene signed limited edition black and white photograph of The Grateful $2,400 Dead with Bob Dylan, 1987, 1999 9 A Herb Greene signed black and white photograph of The Grateful Dead and Bob $1,440 Dylan, 1987, 1999 10 A Herb Greene signed and numbered limited edition poster of Jerry Garcia, 1966, $900 2003 11 A group of photographs of The Grateful Dead, 1960s-1990s $480 12 A William Smythe signed color photograph of Phil Lesh, 1983 $360 13 A Bob Thomas group of original paintings created for The Grateful Dead album $87,000 jacket "Live/Dead," 1969 14 An RIAA gold record given to The Grateful Dead for "Grateful Dead" (aka "Skull $11,400 and
    [Show full text]
  • University of Pardubice Faculty of Arts and Philosophy the City in Songs
    University of Pardubice Faculty of Arts and Philosophy The City in Songs, Songs in the City: The Image of New York in the Folk Music of the 1960s Tomáš Racek Bachelor Thesis 2016 1 2 3 Prohlašuji: Tuto bakalářskou práci jsem vypracoval samostatně. Veškeré literární prameny a informace, které jsem použil, jsou uvedeny v seznamu literatury. Byl jsem seznámen s tím, že na moji práci se vztahují práva a povinnosti vyplývající ze zákona č.121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním mé práce v Univerzitní knihovně. V Pardubicích dne 29. 6. 2014 Tomáš Racek 4 Acknowledgements I would like to express my gratitude to my supervisor PhDr. Ladislav Vít, Ph.D. for his assistance, especially in the early stages of writing, and together with other university teachers, for all the effort they put in their valuable and inspirational lessons. I would also like to thank my mother, partner and children for their love, support, encouragement and patience during my studies. 5 ANOTATION This bachelor thesis is concerned with the image of New York City in the folk music of the 1960s, specifically in the song lyrics of the North American singer-songwriters Bob Dylan, Paul Simon, Joni Mitchell, Fred Neil, Phil Ochs, John Phillips, John Sebastian and Joey Levine.
    [Show full text]
  • On the Road with Janis Joplin Online
    6Wgt8 (Download) On the Road with Janis Joplin Online [6Wgt8.ebook] On the Road with Janis Joplin Pdf Free John Byrne Cooke *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #893672 in Books John Byrne Cooke 2015-11-03 2015-11-03Original language:EnglishPDF # 1 8.25 x .93 x 5.43l, 1.00 #File Name: 0425274128448 pagesOn the Road with Janis Joplin | File size: 33.Mb John Byrne Cooke : On the Road with Janis Joplin before purchasing it in order to gage whether or not it would be worth my time, and all praised On the Road with Janis Joplin: 1 of 1 people found the following review helpful. A Must Read!!By marieatwellI have read all but maybe 2 books on the late Janis Joplin..by far this is one of the Best I have read..it showed the "music" side of Janis,along with the "personal" side..great book..Highly Recommended,when you finish this book you feel like you've lost a band mate..and a friend..she could have accomplished so much in the studio,such as producing her own records etc..This book is excellent..0 of 0 people found the following review helpful. Thank-you John for a very enjoyable book.By Mic DAs a teen in 1969 and growing up listening to Janis and all the bands of the 60's and 70's, this book was very enjoyable to read.If you ever wondered what it might be like to be a road manager for Janis Joplin, John Byrne Cooke answers it all.Those were extra special days for all of us and John's descriptions of his experiences, helps to bring back our memories.Thank-you John for a very enjoyable book.0 of 0 people found the following review helpful.
    [Show full text]
  • FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie Van Varik
    FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie van Varik. Fred Neil (16 th March 1936 –7th July 2001) was one of the most compelling folk singer-songwriters in the 1960s and early 1970s. His marvellously deep, rich and impossibly low baritone enchanted everyone who has ever heard a Fred Neil song - and continues to do so. Surely one of the most beautiful voices in music. Bob Dylan said, “Fred had a strong, powerful voice, almost a bass voice, and a powerful sense of rhythm. He used to play mostly the type of songs that Josh White might sing. I used to sing and play harmonica for him, and then once in a while get to sing a song.” Yet as performer success eluded Fred, mainly because it was the last thing he pursued. A reluctance to tour didn’t help much either (a trait he shared with Bobby Charles and Harry Nilsson). According to his producer, Nik Venet, Fred was “probably the most famous and financially successful ‘cult artist’ in the history of the world...and could have been even bigger if he’d wanted to be....but he just didn’t!” Fred Neil showed up unexpectedly and was gone before you knew it. A loner and somewhat of a recluse, he was exceedingly hard to get to know and thus remained an enigma to most. John Sebastian, who played on his two Elektra albums, describes his background as “sketchy”. He is best known to the world through other people’s recordings of his material, such as ‘Everybody’s Talkin’’, made famous by Harry Nilsson as the theme to the movie Midnight Cowboy (and earned a Grammy) and ‘Other Side of This Life’, recorded by several but most notably by Jefferson Airplane.
    [Show full text]
  • Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
    Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer.
    [Show full text]
  • High Fidelity Classified 1748, $6.95; 4Fin Pk 1748, $6.95
    RCA Victor LSP 4530, $5.98. Tape: 6. P8S HIGH FIDELITY CLASSIFIED 1748, $6.95; 4FIN PK 1748, $6.95. Don't be put off by the title or cover or liner for sale services of Elvis Presley's latest album. "Love Letters" is his best effort in some time: Got My Mojo LIVEOPERA PERFORMANCES ON REEL-TO-REEL RENT 4 -TRACK OPEN REEL TAPES-ALL MAJOR Working. Cindy Cindy. When I'm Over You. tapes.37years,from PONSELLE-CALLAS.Catalog: labels -3,000 different-freebrochure.Stereo-Parti, Mr. Tape, Box138,MurrayHillStation,N.Y.C. 57 St. James Drive, Santa Rosa, Cal. 95401. etc. One minus: only eleven songs. J.G. 10023. "HARD TO GET" RECORDS-ALL SPEEDS. RECORD RAY CHARLES: Volcanic Action in My Soul. Exchange,842SeventhAvenue, New York,N.Y. employment opportunities ABC ABCS 726, $4.98. 10019. Ray Charles' new release is surprisingly weak EUROPEAN -FOREIGN EMPLOYMENT OPPORTUNITIES PROTECT YOUR RECORDS. CARDBOARD REPLACE- -Interesting work, excellentpay.Detailedlisting, coming from the man who was rightly called ment covers, plastic lined sleeves, 78 and 45 heavy currentlyavailablejobs-Europe,Africa,Australia, sleeves,hinged recordset the genius of soul. Soupy arrangements of boxes,12",10",7". $3.00. EUROJOB REPORT, Box 52643-F,Lafayette, Cabco 300, 89 East Woodruff, Columbus, Ohio 43201. Louisiana 70501. silly songs. J.G. OLD-TIME RADIO PROGRAMS ARE STILL AVAIL - able.Six hour tape only $7.00 or catalogue 251. RED SKY AT MORNING. Original film soundtrack NostalgicRadio,Box 29F,Peoria,Illinois61601. books & literary services by Billy Goldenberg. Decca CL 9180, $5.98. INFINITY SYSTEMS, CROWN, RABCO, DUAL, TRAN- This album establishes young Billy Golden- static, Bose, Quad,Sony,KLH,tradesaccepted.
    [Show full text]
  • Grateful Dead Records: Artwork MS.332.Ser
    http://oac.cdlib.org/findaid/ark:/13030/c8ff3qrq Online items available Grateful Dead Records: Artwork MS.332.Ser. 9 Wyatt Young, Alix Norton University of California, Santa Cruz 2018 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Grateful Dead Records: Artwork MS.332.Ser. 9 1 MS.332.Ser. 9 Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Artwork Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 9 Physical Description: 178 Linear Feet42 boxes, 9 map-case drawers, and 103 oversized items Date (inclusive): 1972-2012 Date (bulk): 1980-2008 Language of Material: English . https://www.gdao.org/ Access Collection is open for research. Advance notice is required to access large and framed items so that they can be retrieved from storage. Please contact Special Collections and Archives in advance to request access. Accruals The first accrual was received in 2008. A second accrual was received in June 2012. Acquisition Information Gift of Grateful Dead Productions, 2008 and 2012. Arrangement This collection is arranged in three series: Series 1: Business Art Series 2: Fan Art Series 3: Band Art Materials within each series are arranged alphabetically by last name of artist, where identified. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. Famed for their concerts, the band performed more than 2,300 shows over thirty years, disbanding after the death of lead guitarist Jerry Garcia in August 1995.
    [Show full text]
  • Tang Teaching Museum Announces All Together Now
    For immediate release Tang Teaching Museum announces All Together Now The Hyde Collection, Ellsworth Kelly Studio, National Museum of Racing Museum and Hall of Fame, Saratoga Arts, Saratoga County History Center, Saratoga Performing Arts Center, Shaker Museum, and Yaddo partner with the Tang at Skidmore College Collections sharing project supported by $275,000 Henry Luce Foundation grant SARATOGA SPRINGS, NY (April 1, 2021) — The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College announces an innovative regional collections sharing project called All Together Now, supported by a $275,000 grant from the Henry Luce Foundation. Organized by the Tang Teaching Museum, All Together Now forges new collaborations between neighbor arts organizations to bring attention to rarely seen works. At the Tang Teaching Museum, exhibitions will feature works from the Shaker Museum and Ellsworth Kelly Studio. At partner institutions, exhibitions will show work from the Tang collection, including many recently acquired paintings, photographs and sculptures. Partner institutions include The Hyde Collection, the National Museum of Racing and Hall of Fame, Saratoga Arts, Saratoga County History Center, Saratoga Performing Arts Center, and Yaddo. The grant will support these exhibitions, as well as the behind-the-scenes work that make the exhibitions possible, such as cataloging and digitizing Tang collection objects. “On behalf of the Tang and Skidmore College, I want to thank the Luce Foundation for their generosity and vision,” said Dayton Director Ian Berry. “This grant recognizes the vibrancy and relevance of the objects in our collection and gives all of us the rare opportunity to see important American artworks out of storage and in the public view, fostering new connections and conversations, and expanding knowledge.
    [Show full text]
  • WE Afnt Ooinc
    ONE NIGHT OF HELLENIC LOVE the "Hi Steve. You're under arrest." ••••• 50 went the cheer­ I y greeting given Steven Herold, owner of the 10 bookstore I:» by what must be one of the Ave's least successful khaki clad undercover agents. (In the words of one girl, who 151 had known him, he "just didn't make it.M) ••••• Steve was told that Tony Tuft, a UW grad student and clerk in the U store, was "locked in the building" while no less than eleven plainclothed l1terateurs thumbed eagerly through S the books in their never ending battle against Gutenberg, ,.. smut, and love. (After some discuss ion, two of them fin- ally decided that there was no real chance of protecting 1 the public against the corrosive influence of Simone da , ., CuN(f)WJtV<.j TIlt /[()/VO/r)JC OJ?:JyJ/o/5 OF (jIJ(.()/nJurn (Win meeiA C ol () The American Left--that fragmented expanse of political be­ W lief which ranges from the labor-liberals to the Maoists--is for I the first time rallyinq in a national protest agRinst the war in ,.. Viat Nam •••••••••• The Spring Mobilization Against The War In Viet Nam, which will climax on April 15th in simultaneous demon­ HN strations at the UN in New York and at the birthplace of the UN in San Francisco, will hopefully mark the beginning of a con­ 1:»0 certed action by peace, labor and civil rights groups to end the R Southeast A'sia Nightmare ••••• Though still dwarfed by the might of Conservatives of the military and business interests, the mo­ A bilization has seen the peace movement immensely strengthened by W ,the emergence 0 f two new anti -war voi ces ......A fter seemingly endl ess debate the Civil Rights Movem ent has finally decided to A take a position on the war: Martin Luther King, Floyd McKissick L and Stokely Carmichael (for those of you in the Seattle area, HELL NOo 00 WE AfNT OOINc PRINTED IN U , S , A HELIX WANTS----­ z.
    [Show full text]
  • Introduction in Their Thirty Years Together, the Grateful Dead Forever
    Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement.
    [Show full text]