Music That Leaps Off the Page Chapter Two: Reflection
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Advance Program Notes John Hollenbeck Large Ensemble Sunday, February 10, 2019, 7 PM
Advance Program Notes John Hollenbeck Large Ensemble Sunday, February 10, 2019, 7 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. John Hollenbeck Large Ensemble Ben Kono, soprano/alto/tenor sax and flute Jeremy Viner, clarinet and tenor sax Dan Willis, soprano/tenor sax Anna Webber, flute and tenor sax Bohdan Hilash, clar/bass clarinet and bass sax Mark Patterson, trombone Mike Christianson, trombone Curtis Hasselbring, trombone Jennifer Wharton, bass trombone Jon Owens, trumpet and flugelhorn James De La Garza, trumpet and flugelhorn Dave Ballou, trumpet and flugelhorn Matt Holman, trumpet and flugelhorn Chris Tordini, acoustic and electric bass Matt Mitchell, piano, organ, and keyboard Patricia Brennan, vibes, marimba, and glockenspiel John Hollenbeck, drums and composition Theo Bleckmann, voice JC Sanford, conductor Stepan Dyachkovskiy, sound engineer The program will be announced from the stage and will include selections from All Can Work, A Blessing, and eternal interlude. Program Notes From the Liner Notes of All Can Work After pondering many titles for this record, I realized All Can Work epitomizes the flexible, optimistic resolve that is needed by everyone involved to do a record like this. This phrase, “All Can Work,” and the lyrics in this title track are taken directly from the emails in my inbox from Laurie Frink, our beloved trumpeter, whom we lost in 2013. When I first moved to NYC and started playing with and hearing big bands, Laurie was a special thread that wove through them all—it seemed like she played in every band I saw! A master of the short, perfect email reply, Laurie was also the consummate team player, the type of personality that is profoundly needed in a large ensemble. -
MEREDITH MONK and ANN HAMILTON: Aaron Copland Fund for Music, Inc
The House Foundation for the Arts, Inc. | 260 West Broadway, Suite 2, New York, NY 10013 | Tel: 212.904.1330 Fax: 212.904.1305 | Email: [email protected] Web: www.meredithmonk.org Incorporated in 1971, The House Foundation for the Arts provides production and management services for Meredith Monk, Meredith Monk & Vocal Ensemble, and The House Company. Meredith Monk, Artistic Director • Olivia Georgia, Executive Director • Amanda Cooper, Company Manager • Melissa Sandor, Development Consultant • Jahna Balk, Development Associate • Peter Sciscioli, Assistant Manager • Jeremy Thal, Bookkeeper Press representative: Ellen Jacobs Associates | Tel: 212.245.5100 • Fax: 212.397.1102 Exclusive U.S. Tour Representation: Rena Shagan Associates, Inc. | Tel: 212.873.9700 • Fax: 212.873.1708 • www.shaganarts.com International Booking: Thérèse Barbanel, Artsceniques | [email protected] impermanence(recorded on ECM New Series) and other Meredith Monk & Vocal Ensemble albums are available at www.meredithmonk.org MEREDITH MONK/The House Foundation for the Arts Board of Trustees: Linda Golding, Chair and President • Meredith Monk, Artistic Director • Arbie R. Thalacker, Treasurer • Linda R. Safran • Haruno Arai, Secretary • Barbara G. Sahlman • Cathy Appel • Carol Schuster • Robert Grimm • Gail Sinai • Sali Ann Kriegsman • Frederieke Sanders Taylor • Micki Wesson, President Emerita MEREDITH MONK/The House Foundation for the Arts is made possible, in part, with public and private funds from: MEREDITH MONK AND ANN HAMILTON: Aaron Copland Fund for -
|||GET||| the Merchant of Venice 2Nd Edition
THE MERCHANT OF VENICE 2ND EDITION DOWNLOAD FREE William Shakespeare | 9780451526809 | | | | | Harcourt Shakespeare The Merchant of Venice This The Merchant of Venice 2nd edition which featured a masque was popular, and was acted for the next forty years. If you prick us, do we not bleed? Antonio agrees, but since he is cash-poor — his ships and merchandise are busy at sea to Tripolisthe IndiesMexico and England — he promises to cover a bond if Bassanio can find a lender, so Bassanio turns to the Jewish moneylender Shylock and names Antonio as the loan's guarantor. The depiction of Jews in literature throughout the centuries bears the close imprint of Shylock. Bassanio and Gratiano leave for Venice, with money from Portia, to save Antonio's life by offering the money to Shylock. Sheva, the Benevolent. The earliest performance of which a record has survived was held at the court of King James in the spring offollowed by a second performance a few days later, but there is no record of any The Merchant of Venice 2nd edition performances in the 17th century. Similar to Rosencrantz and Guildenstern Are Deadthe play occurs in the gaps between scenes of the canonical The Merchant of VeniceThe Merchant of Venice 2nd edition the characters gradually recognizing how conflicts over assimilation and anti-Semitism recur throughout past, present, and future. At Belmont, Bassanio receives a letter telling him that Antonio has been unable to repay the loan from Shylock. If a Christian wrong a Jew, what should his sufferance be by Christian example? The Duke then threatens to recant his pardon of Shylock's life unless he accepts these conditions. -
A. Mihalyi: Meredith Monkl, WAM Casopis, Recenzije, Glazba, Classical
MAGIJA VOKALA MEREDITH MONK Aleksandar Mihalyi Ako bi smo odabrali kreativno uspješnu i jedinstvenu skladateljicu i vokalisticu temeljem uspješnosti njezinog dosadašnjeg djelovanja te glasovnih mogućnosti koje izmiču uobičajenim klasifikacijama, onda bi se Meredith Jane Monk nametnula kao prvi izbor. Dodatni povod je i obilježavanje njezinog 70. rođendana ove godine – rođena je 1942. godine u New Yorku, SAD. Njezina pozicija vodeće umjetnice u američkoj avangardnoj glazbi traje od Karijeru je započela kasnih šezdesetih kao plesačica i koreograf kada je samih početaka minimalizma, a već i tada je imala izdvojenu poziciju jer je izučila umijeće poniranja do esencijalne ekspresivnosti pokretom, te nedugo vokalnu tehniku temeljila na istočnjačkim tradicijama (tzv. ekstenizirani glas zatim i glasom prije nego riječima. Monk u ovom kontekstu ističe da se – ponajprije upotrebom posebnih tehnika disanja) te u ponavljanju kratkih riječima štitimo od direktnog iskustva – tijelo treba pustiti da se fraza sličnim mantri (što su činili i ostali minimalisti). Na tu njenu izdvojenu izražava/reagira glasom (vokalizama) i pokretom. Potom, u vrijeme poziciju ponajviše je utjecalo njezino rano pohađanje škole euritmije koje tolerantne klime za diletantizam kada otkriva u sebi: „.. snažniji kreativni joj je potom i usmjerilo karijeru, odnosno interese ka povezivanju glazbe sa od interpretativnog impulsa“, ona započinje i svoju glazbenu karijeru kao pokretom s ciljem da glazbi scenom i koreografijom doda mitsko i povijesno pjevačica (inače ima izniman lirski sopran širokog raspona) i skladateljica, tumačenje. No, teško se kod nje ne može govoriti o eklekticizmu budući da kompletirajući tako autorstvo svojim scenskim djelima, koja se, uz neke Monk ponajprije asimilira ono što drži potrebnim za tehnički aspekt njezinih ograde, mogu svrstati u glazbeni teatar. -
RALPH VAUGHAN WILLIAMS a London Symphony Serenade to Music Rochester Philharmonic Christopher Seaman EUGÈNE YSAŸE Six Sonatas for Solo Violin Op.27 TAI MURRAY, Violin
RALPH VAUGHAN WILLIAMS A London Symphony Serenade to Music Rochester Philharmonic Christopher Seaman EUGÈNE YSAŸE Six Sonatas for Solo Violin op.27 TAI MURRAY, violin PRODUCTION USA FRANZ LISZT RALPH VAUGHAN WILLIAMS (1872-1958) A London Symphony (1912-1913, rev.1920) [42’42] (Symphony no.2, in G major) 1 | I. Lento – Allegro risoluto 13’28 2 | II. Lento 9’22 3 | III. Scherzo [Nocturne]: Allegro vivace 8’03 4 | IV. Andante con moto – Maestoso alla marcia – Allegro 11’48 Epilogue: Andante sostenuto 5 | Serenade to Music (original version, 1939) [12’33] Juliana Athayde, solo violin Singers from Mercury Opera Rochester Benton Hess, artistic director Rochester Philharmonic Orchestra Christopher Seaman, conductor Ralph and Ursula Vaughan Williams, 1957 - akg-images / ullstein bild Rochester Philharmonic Orchestra Christopher Seaman, Music Director 1998–2011 Violin 1 Juliana Athayde, Concertmaster The Caroline W. Gannett & Clayla Ward Chair* Wilfredo Degláns, Associate Concertmaster Shannon Nance, Assistant Concertmaster Perrin Yang, Tigran Vardanyan, Ellen Rathjen, William Hunt, Kenneth Langley, Lise Stoddard Jeremy Hill, An-Chi OuYang, Margaret Leenhouts, Heidi Brodwin, Ainur Zabenova Violin 2 David Brickman, Principal Daryl Perlo, Assistant Principal Patricia Sunwoo, John Sullivan, Lara Sipols, Nancy Hunt, Boris Zapesochny, Liana Koteva Kirvan Markiyan Melnychenko, Karine Stone, Chloe Fedor, Man Yui Kitty Cheung, Hee Sagong Viola Melissa Matson, Principal Michael Larco, Assistant Principal Marc Anderson, Elizabeth Seka, Olita Povero, Lisa -
Connecting Content with Consumers Volume 7 Issue 1
The Fast est Growing DVD, CD and Blu- ray Ret ail Cat alog Connecting Content with Consumers Volume 7 Issue 1 Congratulations retailers and studios on a successful 2016 and thank you for allowing us to be a partner in your distribution strategies. We're thrilled to be recognized as the fastest growing catalog of content, DVD, CD & Blu-ray, across near all the major studios and networks, independents and classic film aggregators. Our mission is to make content retailing simple for all, large or small provider, with 100%, ready to ship, quality products and to provide content owners with a method of insuring their titles are represented in the physical media space as they continue to focus on the digital landscape. This week's selections of new January releases from our Studios- Warner Archive, FOX, FilmRise, Sony and others is testimony to the exclusive access our technology and distribution capabilities bring to you in 2017. We look forward to continued success for you all and the best of the New Year. Successful retailing Richard Skillman Vice President Allied Vaughn [email protected] http://www.alliedvaughn.com AV MOD Studio Brochure AV MOD Gallery Title Library AV MOD Newsletter Archives FOX Releases New Seasons of FOX TV Hits 024543337652 It's Always Sunny In Philadelphia: The Complete Season 11 2017 Get ready for more misguided dreams leading to blundered schemes from everyone's favorite bar owners! The gang returns to Paddy's Pub, including Mac (Rob McElhenney), Dennis (Glen Howerton), Charlie (Charlie Day), and Dee (Kaitlin Olson), and Frank (Danny Devito). -
Hallmark Collection
Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate. -
Vaughan Williams a Cotswold Romance • the Death of Tintagiles
VAUGHAN WILLIAMS A Cotswold Romance • The Death of Tintagiles London Philharmonic Choir Rosa Mannion soprano London Symphony Orchestra Thomas Randle tenor Matthew Brook baritone Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Ralph Vaughan Williams (1872 – 1958) premiere recordings A Cotswold Romance* 39:34 Adapted from Hugh the Drover by Maurice Jacobson (1896 – 1976) in collaboration with the composer 1 1 The Men of Cotsall 3:47 2 2 Sweet Little Linnet 1:27 3 3 Hugh’s Song of the Road 4:06 4 4 Love at First Sight 6:05 5 5 The Best Man in England 2:22 6 6 Alone and Friendless 2:24 7 7 The Fight and its Sequel 4:48 8 8 Hugh in the Stocks 1:51 9 9 Mary Escapes 4:28 10 10 Freedom at Last 7:52 3 The Death of Tintagiles 14:48 11 Prelude. Largo – Andantino – Adagio – 5:37 12 1 Lento – 1:10 13 2 Allegro – 0:42 14 3 Lento – Andante tranquillo – Lento – 2:51 15 4 Moderato – 1:09 16 41/2 Allegro – 1:00 17 5 Lento 2:15 TT 54:34 Rosa Mannion soprano (Mary)* Thomas Randle tenor (Hugh)* Matthew Brook baritone* London Philharmonic Choir* London Symphony Orchestra Richard Hickox 4 Vaughan Williams: A Cotswold Romance / The Death of Tintagiles Vaughan Williams composed his ‘ballad-opera’ and ‘The Roadside Fire’ from the earlier Hugh the Drover, from which A Cotswold setting of Robert Louis Stevenson’s poetry in Romance is adapted, between 1910 and 1914. Songs of Travel. Writing to his librettist, the journalist Harold Hugh the Drover was first performed in Child, in 1910, he said: public on 14 July 1924 by forces of the British I have an idea for an opera written to real National Opera Company at His Majesty’s English words, with a certain amount of Theatre, London, conducted by Malcolm real English music… Sargent. -
TCNJ Orchestra Repertoire • Bach
TCNJ Orchestra Repertoire • Bach - Brandenburg No. 1 • Bach - Brandenburg No. 3 for Strings • Bach: Brandenburg Concerto No.5 • Barber: 1st Essay for Orchestra • Bartók - Magyar Képek (Hungarian Pictures) • Bartók - Roumanian Dances • Beethoven: Symphony No. 5 • Beethoven: Symphony No.6 (Pastorale) • Beethoven - Coriolanus • Beethoven - Egmont • Beethoven - Fidelio • Beethoven - Piano Concerto No. 3 in C Minor • Beethoven - The Ruins of Athens • Beethoven: Choral Fantasie • Beethoven: Leonora No.3 • Beethoven: Violin Concerto in D • Bernstein - Candide • Bernstein - Symphonic Dances from West Side Story • Bizet - Carmen Suites 1 & 2 • Bizet - Jeux d'Enfants • Britten - Soirées Musicales Op. 9 • Bruch Violin Concerto No.1 in E minor Op.26 • Castelnuovo Tedesco - Concerto in D (Guitar) • Chabrier - Espana • Chabrier: Habanera • Chaminade - Concertino for Flute and Orchestra • Copland - Billy the Kid • Copland - Rodeo • Creston - Accordion Concerto • De Falla - Scenes and Dances from the "Three Cornered Hat" • Debussy - Petite Suite • Debussy - Prélude á l'après midi d'un Faune • Delius - The Walk to the Paradise Garden • Dvořák - Symphony No. 8 in G • Dvořák – Piano Quintet, Op. 81 • Dvořák: Symphony No.9 (From the New World) • Elgar: Cello Concerto in E minor • Elgar-Nimrod from 'The Enigma Variations' • Fauré - Bergamaster Suite • Fauré - Prelude from Pelleas and Melisande • Gershwin - Rhapsody in Blue • Gershwin: Cuban Overture • Ginestera - Danza del Trigo from "Estancia" • Glazunov-Violin Concerto in A Minor • Glinka - Russlan and Ludmilla • Gounod - Faust - Ballet Music • Grieg - Notturno from 'Lyric Suite' Op. 54 No. 3 • Grieg - Piano Concerto in A Minor Op 6 • Grieg - Triumphal March from "Sigurd Jorsalfar" • Haas- Sieben Klangräume • Haydn - Symphony No. 49 in F minor • Humperdink-Hansel and Gretel (Prelude) • Ives - The Unanswered question • Ives: Central Park in the Dark • Khachaturian: "Masquerade" Suite • Kodaly: Hary Janos • Lalo - Scherzo in D minor • Lalo: Le Roi d'Ys • Lecuona - Spanish Dances • Leighton – Festive • Mahler – Symphony No. -
Fall 2008 out Regard to Race, Color, Religion, Sex, National Origin, Age Or Handicap
The Frostburg State University Magazineprofile visual arts writingmusic theatrewriting musicvisualtheatrewritingtheatre arts musiccreativity music visualvisual arts artsmusictheatre writingtheatrecreativitywritingmusicwritingcreativity visualArtful Aspirations, Coolartsmusic Careerswriting creativitymusicCreativity Takes Root at FSU From the President President’s Message Dear Frostburg State University Alumni & Friends: rostburg State University takes its role as a you will meet within this issue of Profile. I center for the arts in Western Maryland very saw her perform in her Broadway show, Cur- seriously, as it does its mission to prepare well- tains, in October, then she graciously invited rounded students, a mission in which art plays our party backstage. Her performance was a key role. But in the end, art is truly a personal outstanding and meeting Debra in person experience, and I would like to share some of was such a gift; I am forever grateful to this mine with you. enormously successful Frostburg State Uni- Let me start by describing an experience that versity alum for her time. I will never forget. A few months ago, I was Dr. Jonathan Gibralter I also want to share another story that watching our University Theatre production is illustrative of the quality of Frostburg’s of A Raisin in the Sun. This drama set in 1950s Chicago dedication to the arts. This winter, the Friends of Music depicts the struggles of African American family mem- at Frostburg met with alumni at the National Cathedral bers trying to improve their lives. Tekle Ghebremeschel in Washington, D.C., an event hosted by Alison Combes ’08 played the character of Walter Lee, the adult son in ’93. -
Boston Guide
PLUS: THE ULTIMATE ITALIAN ART OF CREATING A – JEWELS TO COIN SP © 2005 BY ROBER APPASSIONATA COLLECTION MEDIA SPONSOR © Estate of Jacques Lowe-Woodfin Camp CONTENTS departments 14 calendar 12 15 15 12 15 currently in boston • Chefs in Shorts/page 15 • The art of the Beatles at the Prudential Center/page 18 • Kick-off for Boston 375th anniversary celebration/page 22 • Summer Revels at the 44 78 Children’s Museum/page 24 • Take Me Out at the Calderwood Theatre Pavilion/page 26 FEATURES 28 cover story shopping LET FREEDOM • Temper Chocolates/page 28 36 8 RING maps of cambridge, Boston celebrates Independence Day with Harborfest events boston & the region and the Boston Pops on the Esplanade 44 museums • Memories of World War II at the 8 THINGS TO LOVE National Heritage Museum/page 44 48 12 ABOUT SUMMER sightseeing From rooftop swimming to lobster rolls, Panorama picks the • Franklin Park Zoo events/page 48 best ways to beat the summer heat • The Boston Harbor Islands open for the season/page 50 58 freedom trail Follow the red-brick path ON THE COVER: through 16 historic sights With the Back Bay skyline as a backdrop, the world-famous Boston 60 Pops perform patriotic favorites at restaurant guide the Hatch Shell on the Esplanade • Sorriso/page 60 every Fourth of July. • High 5s: Strawberries/page 61 Photo: Stu Rosner/courtesy of the 78 Boston Symphony Orchestra boston confidential • Kenmore Square’s Citgo sign 4 PANORAMA JUNE 20–JULY 3, 2005 5 June 20–July 3, 2005 PANORAMA, Volume 55, Number 3 Jerome Rosenfeld Chairman Tim Montgomery President/Publisher Christine Celli Editor Scott Roberto Art/Production Director Josh B. -
OOT 2020 Packet 10.Pdf
OOT 2020: [The Search for a Middle Clue] Written and edited by George Charlson, Nick Clanchy, Oli Clarke, Laura Cooper, Daniel Dalland, Alexander Gunasekera, Alexander Hardwick, Claire Jones, Elisabeth Le Maistre, Matthew Lloyd, Lalit Maharjan, Alexander Peplow, Barney Pite, Jacob Robertson, Siân Round, Jeremy Sontchi, and Leonie Woodland. THE ANSWER TO THE LAST TOSS-UP SHOULD HAVE BEEN: Henry Packet 10 Toss-ups: 1. Rana Sweid and Eyal Goldman attend this tournament in the experimental film Strangers. The manager of one team in this tournament said after one match that ‘Jesus Christ may be able to turn the other cheek, but [one player] isn't Jesus Christ’. Another player was called ‘the most hated man in Trinidad and Tobago’ after pulling Brent Sancho’s dreadlocks before scoring a header for England in this tournament. Valentin Ivanov handed out four red cards and sixteen yellows during a match in this tournament between Portugal and the Netherlands called ‘the Battle of Nuremberg’. David Trezeguet missed the only penalty in its final. Zinedine Zidane was sent off for head-butting a player in the final of, for 10 points, what football tournament hosted by Germany? ANSWER: 2006 FIFA World Cup [prompt on World Cup with ‘which year?’] <GDC> 2. A hypothesis named for a thinker from this country claims that scientific advancement is mainly the result of the work of mediocre researchers. One thinker from this country tried to resolve the conflict between experience and reason by developing the concept of ‘ratio-vitalism’. That thinker from this country argued for a life lived nobly as opposed to as a ‘mass-man’ in their work The Revolt of the Masses.