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Themenkatalog »Musik Verfolgter Und Exilierter Komponisten«
THEMENKATALOG »Musik verfolgter und exilierter Komponisten« 1. Alphabetisches Verzeichnis Babin, Victor Capriccio (1949) 12’30 3.3.3.3–4.3.3.1–timp–harp–strings 1908–1972 for orchestra Concerto No.2 (1956) 24’ 2(II=picc).2.2.2(II=dbn)–4.2.3.1–timp.perc(3)–strings for two pianos and orchestra Blech, Leo Das war ich 50’ 2S,A,T,Bar; 2(II=picc).2.corA.2.2–4.2.0.1–timp.perc–harp–strings 1871–1958 (That Was Me) (1902) Rural idyll in one act Libretto by Richard Batka after Johann Hutt (G) Strauß, Johann – Liebeswalzer 3’ 2(picc).1.2(bcl).1–3.2.0.0–timp.perc–harp–strings Blech, Leo / for coloratura soprano and orchestra Sandberg, Herbert Bloch, Ernest Concerto Symphonique (1947–48) 38’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc(3):cyms/tam-t/BD/SD 1880–1959 for piano and orchestra –cel–strings String Quartet No.2 (1945) 35’ Suite Symphonique (1944) 20’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc:cyms/BD–strings Violin Concerto (1937–38) 35’ 3(III=picc).2.corA.2.bcl.2.dbn–4.3.3.1–timp.perc(2):cyms/tgl/BD/SD– harp–cel–strings Braunfels, Walter 3 Chinesische Gesänge op.19 (1914) 16’ 3(III=picc).2(II=corA).3.2–4.2.3.1–timp.perc–harp–cel–strings; 1882–1954 for high voice and orchestra reduced orchestraion by Axel Langmann: 1(=picc).1(=corA).1.1– Text: from Hans Bethge’s »Chinese Flute« (G) 2.1.1.0–timp.perc(1)–cel(=harmonium)–strings(2.2.2.2.1) 3 Goethe-Lieder op.29 (1916/17) 10’ for voice and piano Text: (G) 2 Lieder nach Hans Carossa op.44 (1932) 4’ for voice and piano Text: (G) Cello Concerto op.49 (c1933) 25’ 2.2(II=corA).2.2–4.2.0.0–timp–strings -
Mozart Adagio Kv411 for Reed Quintet Sheet Music
Mozart Adagio Kv411 For Reed Quintet Sheet Music Download mozart adagio kv411 for reed quintet sheet music pdf now available in our library. We give you 6 pages partial preview of mozart adagio kv411 for reed quintet sheet music that you can try for free. This music notes has been read 2355 times and last read at 2021-09-23 14:59:30. In order to continue read the entire sheet music of mozart adagio kv411 for reed quintet you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Alto Saxophone, Bassoon, Clarinet, Oboe Ensemble: Woodwind Quintet Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Mozart Adagio Kv410 For Reed Trio Oboe Clarinet Bassoon Mozart Adagio Kv410 For Reed Trio Oboe Clarinet Bassoon sheet music has been read 2465 times. Mozart adagio kv410 for reed trio oboe clarinet bassoon arrangement is for Early Intermediate level. The music notes has 5 preview and last read at 2021-09-23 19:25:04. [ Read More ] Adagio From Piano Concerto In A Major K488 Mozart Arranged For Wind Quintet Adagio From Piano Concerto In A Major K488 Mozart Arranged For Wind Quintet sheet music has been read 2817 times. Adagio from piano concerto in a major k488 mozart arranged for wind quintet arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-22 11:16:49. [ Read More ] Mozart Clarinet Concerto K622 Mvt Ii Adagio Transposed Into Eb Wind Quintet Clarinet Feature Mozart Clarinet Concerto K622 Mvt Ii Adagio Transposed Into Eb Wind Quintet Clarinet Feature sheet music has been read 7008 times. -
Timothy Bonenfant CV 2020-21
Timothy Bonenfant, D.M.A., Clarinetist Carr Education Fine-Arts Building, Room 217 ASU Station #10906; San Angelo, TX 76909-0906 (325) 486-6029 | [email protected] TEACHING EXPERIENCE 2005-present Professor of Music Angelo State University: San Angelo, TX Teach single reed studio (clarinet and saxophone) and advise students within the studio. Direct ASU Jazz Ensemble. Teach classes in Improvisation, Woodwind Methods, Jazz History, Introduction to Music and Survey of Rock and Roll. Direct/coach small woodwind ensembles (saxophone quartet, clarinet choir). 2017-2018 Adjunct Professor of Music Hardin Simmons University: Abilene, TX Taught saxophone studio while a search for a permanent replacement was conducted. 1996-2005 Instructor Las Vegas Academy for the Fine and Performing Arts: Las Vegas, NV Taught private lessons, fundamentals of music, and coached woodwind sectionals. 1993-2005 Lecturer University of Nevada, Las Vegas Taught Jazz Appreciation, Music Appreciation, History of Rock and Roll, History of American Popular Music, Finale: An Introduction, Music Fundamentals (for non-majors), Remedial Music Theory/Ear-Training. Also taught private lessons for clarinet and saxophone students. Developed new courses for the department; History of American Popular Music, and Finale: An Introduction. UNIVERSITY CLASSES TAUGHT Applied Music: Clarinet/Saxophone Woodwind Chamber Music Jazz Ensemble Improvisation Survey of Rock and Roll History of Jazz History of American Popular Music Introduction to Music Woodwind Methods Senior Recital Finale™ -
Chamber & Ensemble Music
Chamber & Ensemble Music New Releases 2000–2011 Contents I. WORKS BY COMPOSER – Alphabetical List ���������������������������������������������������������� p.3 A. New compositions and arrangements �������������������������������������������������������������������� 3 B. Additions to the catalogue ��������������������������������������������������������������������������������������� 25 II. WORKS BY GENRE ��������������������������������������������������������������������������������������������������� 30 1. Solo instrumental (also with accompaniment) ������������������������������������������������������� 30 1.1. Violin ��������������������������������������������������������������������������������������������������������������������������� 30 1.2. Viola ���������������������������������������������������������������������������������������������������������������������������� 31 1.3. Cello ��������������������������������������������������������������������������������������������������������������������������� 31 1.4. Double bass ��������������������������������������������������������������������������������������������������������������� 32 1.5. Flute ��������������������������������������������������������������������������������������������������������������������������� 33 1.6. Oboe ��������������������������������������������������������������������������������������������������������������������������� 33 1.7. Clarinet/Bass clarinet ������������������������������������������������������������������������������������������������� -
2018-2019 Mostly Music: Franz Schubert
Mostly Music Franz Schubert (1797-1828) Mostly Music Franz Schubert Thursday, March 14th at 7:30 p.m. Amarnick-Goldstein Concert Hall Dr. Thomas L. McKinley, Host Sonata in a minor D. 821 “Arpeggione” I. Allegro moderato II. Adagio III. Allegretto Eric Varner, bassoon Lisa Leonard, piano Fantasy in f minor, Op. 103, D. 940 for piano four-hands I. Allegro Molto moderato II. Largo III. Scherzo: Allegro vivace IV. Finale: Allegro molto moderato Roberta Rust & Sheng-Yuan Kuan, pianists Intermission Trio No. 2 in E-flat Major Op. 100, D. 929 I. Allegro II. Andante con moto III. Scherzando- allegro moderato IV. Allegro moderato Carol Cole, violin David Cole, cello Sheng-Yuan Kuan, piano Please silence or turn off all electronic devices, including cell phones, beepers, and watch alarms. Unauthorized recording or photography is strictly prohibited Carol Cole’s appearances in the United States, Canada, South America, North Africa, China, and throughout Europe have brought unanimous critical praise for her musical artistry, flawless technique and beautiful tone. “She knows how to capture the hearts of her listeners,” writes the Messaggero of Venice, Italy; “Passionate violin playing, carefully sculpted and crafted,” notes The Pocono Record in Pennsylvania. From Saratoga, New York, the Post Star described her playing as “brilliant, focused and impassioned – exceptional.” The Philadelphia Inquirer reviewed Ms. Cole’s performance at the Mozart- on-the-Square Chamber Music Series as “providing firm, accurate and spirited leadership – her sense of timing and sound (are) musical indeed.” Equally at home as a soloist, chamber musician and orchestra leader, Cole has appeared at major music centers in more than 22 countries and 25 U.S. -
A Digital Media Exploration of the Federal Writers' Project's Folk Song Collecting Expeditions in Depression Era Florida
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 A Digital Media Exploration of the Federal Writers' Project's Folk Song Collecting Expeditions in Depression Era Florida Holly Baker University of Central Florida Part of the Public History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Holly, "A Digital Media Exploration of the Federal Writers' Project's Folk Song Collecting Expeditions in Depression Era Florida" (2018). Electronic Theses and Dissertations, 2004-2019. 6000. https://stars.library.ucf.edu/etd/6000 A DIGITAL MEDIA EXPLORATION OF THE FEDERAL WRITERS’ PROJECT’S FOLK SONG COLLECTING EXPEDITIONS IN DEPRESSION ERA FLORIDA by HOLLY BAKER B.A. University of Central Florida, 2014 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2018 © 2018 Holly Baker ii ABSTRACT This digital thesis project examines the folk song collecting expeditions of the Federal Writers’ Project (FWP) in Florida between 1935 and 1942. The FWP carried out numerous folk music collecting expeditions in Florida through the Works Progress Administration (WPA). Folklorists such as Zora Neale Hurston, Alan Lomax, and Stetson Kennedy led the expeditions and traveled throughout Florida to record blues, “jook” songs, work songs, and traditional music from African American, Cuban, Czech, Greek, Minorcan, Seminole, and Slavic communities. -
Katalog 2013
KATALOG 2013 S PRO NOVA O T PRO NOVA Der vorliegende Katalog enthält alle lieferbaren Werke nach dem Stand vom 1. Januar 2013. Mit dem Erscheinen dieses Katalogs verlieren alle früheren Kataloge ihre Gültigkeit. The present catalogue contains all available works up to January 1, 2013. On publication of this catalogue all prior catalogues will be invalid. Ce présent catalogue concerne toutes les œuvres disponibles à la date du 1er Janvier 2013. Ce catalogue annule et remplace ceux précédemment établis. Edition PRO NOVA Sonoton Music GmbH & Co. KG Schleibingerstr. 10 D-81669 München Germany Tel.: 089 / 44 77 82-0 Fax: 089 / 44 77 82-88 e-mail: [email protected] Auslieferung / Distribution: Verlag Neue Musik GmbH Grabbealle 15 D-13156 Berlin Germany Tel.: 030 / 61 69 81 0 Fax: 030 / 61 69 81 21 e-mail: [email protected] Die Preise sind in € angegeben. Preisänderungen und Irrtum bleiben vorbehalten. The prices are quoted in €. Prices are subject to change. Errors reserved. Les prix sont indiqués en €. Les prix peuvent être modifiés à tout moment et sont donnés sauf erreur. ♦ Inhalt ♦ Contents ♦ Table des matières ♦ ♦ Legende ♦ Legend ♦ Légend ............................................................................................................2 ♦ Abkürzungen & Übersetzungen ♦ Abbreviations & Translation ♦ Abréviations & Traduction .......2 ♦ Werke nach Komponisten ♦ Works listed by composer Classifi cation des œuvres par compositeur .......................................................................................5 ♦ Werke -
Jazz Notes TM the Journal of the Jazz Journalists Associationsm
Jazz Notes TM The Journal of the Jazz Journalists AssociationSM Vol. 18, No. 4 • Winter 2008 From the Editor 2 Arriving at jazz criticism by way of the city desk. President’s Report 3 Reporting on Jazz 8 By Ashante Infantry Somewhere Over 4 Nine Minutes riting about jazz h a s b e e n t he In The Other Room — that didn’t appeal to By Cyril Moshkow most challenging yet adaptable the Star’s jazz critic. W undertaking of my journalism Interest piqued, I began to help out on the After You’ve Gone 5 career. I’d worked primarily on the city beat — reviewing a festival appearance By John McDonough news side after joining the Toronto Star by Joshua Redman, interviewing Sonny staff in 1995. But I always contributed to Rollins for an advancer — and audited the entertainment pages, writing mostly Tom Terrell 7 a university course on jazz history and about hip-hop and R&B, out of personal criticism. Before long I was hooked by the interest in music that wasn’t being cov- beauty and tradition of the music and its Book Reviews 8 ered in the paper and for the opportunity personalities, controversies and complex- By David R. Adler, Stuart Broomer to write more creatively. ities. I eventually assumed the mantle in and Ken Dryden the wake of the retirement of the paper’s I had a passing familiarity with jazz longtime jazz critic. Though juggling pop News of Members 8 (Miles, Billie, the Marsalises) when and jazz criticism is sometimes hectic, I pitched a few years ago by a Verve pub- hope that those who read me for J.Lo and licist about a series of recordings — Jamie New Members 13 Cullum, RH Factor, Diana Krall’s The Girl continued on page 17 | » Dale Lind Retires 15 By arnold jay smith R.I.P., 2007 19 IN THIS ISSUE IN ON THE COVER: Ornette Coleman at the 2004 JVC Jazz Festival in Newport, Rhode Island. -
Oberlin Contemporary Music Ensemble
������ ������������������������ ������������������������������������� ��������������������� ���������������������������� ��������������������������������������� ����������������� �������������� ������������ �������������� ������������������������������������������������ ������������������������ ���������������������������������������� �������� ���������������������������������������� ��������������������������� ������������������������������������� �������������������� ������������������������������������������� �������������������������� ��������������������������������������������������� �������������������������������������������������������� ������������������������������� ���������������������������������������� ������������������������������� ������������������������������������������ ������������������ ������������������������������� ���������������� ����������������������� ������� �������������� ������������������������������� ������������������������� Oberlin��������������� Contemporary Music ������������� Ensemble ����������������������������������� ����������������������������������������������������� ������������������ ������������������������������������������������������� Timothy Weiss, conductor ������������������������������������������������������� ������������������ �������������� Benjamin���������������� Roidl-Ward, bassoon������������������������������������ ����������������������������������������������������� ����������������������� �������������������������� ������������������������������������������������������ -
2021-2022 Concert Season CHAMBER MUSIC CHARLESTON
2021-2022 Concert Season CHAMBER MUSIC CHARLESTON CHAMBER MUSIC CHARLESTON Dear friends, February 1, 2021 Sandra Nikolajevs, President & Artistic Director [email protected] Post Office Box 80072, Charleston, SC 29416 Music has the unique ability to help us through difficult times, providing 843.763.4941 glimpses of beauty, moments of reflection, and time for escape and healing. The current 2020-2021 concert season is unlike any other we have Board of Directors experienced, and I am continually in awe of the outpouring of support that has Griff Hogan, Chair been shown to CMC. Thanks to you, we are in a strong position to create a Rosa Fullerton Nelson Hicks season of celebration for 2021-2022: a celebration of the return of live music Joe Lambright paired with a celebration of CMC’s 15th anniversary. Susan Lobell There is so much to highlight from the upcoming season: the acclaimed Sally Gray Lovejoy violinist Rachel Barton Pine and harpsichordist Jory Vinikour will join us for a Susan Parsons spectacular season opening event in September; virtuoso bassist Xavier Foley Katie Roberts and violinist Francisco Fullana will perform Vaughan William’s luxurious Piano Charles Tremann Quintet with our musicians in the spring of 2022; favorite returning artists Performing Musicians for the 2021-2022 Season* including Anthea Kreston, Amy Schwartz Moretti, Andrew Armstrong and Jason Andrew Armstrong, piano Duckles will bring their exuberant musicianship to the Dock Street Theatre, Phillip Bush, piano Daniel Ching, violin playing alongside the CMC strings for music of Brahms, Mahler and Dohnányi. Jason Duckles, cello Music of Brahms, Schumann, Mozart, Borodin and Haydn will fill South Carolina Xavier Foley, double bass Society Hall and a potpourri of instrumental combinations will return to the living Francisco Fullana, violin rooms of private residences on Kiawah Island, Bishop Gadsden and Downtown Zac Hammond, oboe Charleston. -
(ESML) Devienne, Op. 5 – Nº 3 & Nº 6 Marco Patrício, Fl
CHAMBER REPERTOIRE GROUP NAMES FORMATION Duo Flute & Viola Devienne, op. 5 – nº 3 & Marco Patrício, flute nº 6 Cátia Santos, viola (ESML) Marco Patrício, flute Trio Flute, Oboe, Viola Holst - Terzetto Rui Ascensão, oboe Cátia Santos, viola (ESML) Duo Saxophone & Cello Denisov – Duo (1st & 2nd mov.) Joana Sá, saxophone (ESML) Bruna Moura, cello F. Sarhan – “Imagination” Reed Trio (Oboe, Clarinet, Canteloube – “Rustiques” Inês Figueiredo, oboe Basson) Patrícia Teixeira, clarinet Filipe Oliveira, basson (ESML) Marta Borges, flute Ibert – 3 Pièces Brèves Inês Figueiredo, oboe Wind Quintet nº 1 Patrícia Graça, clarinet Rasmussen Rute Santos, basson (ESML) Tiago Pinheiro, horn Nielsen, op. 43 (1st mov.) Mariana Cancela, flute Wind Quintet nº 2 Ana Aguiar, oboe Reicha, op. 88, nº 3 (1st Guilherme Silva, clarinet (ESML) mov.) Patrick Oliveira, basson Laura Oliveira, horn A.Caplet - Suite Persane Miguel Soares flute I. Scharki (Chant d'amour) Pilar Santos flute III. Iskia Samaisi Mara Barros, oboe Beatriz Barros, oboe Double Wind Quintet Luís Dias, clarinet Liliana Barbosa, clarinet (ARTEAM – Viana do C. Saint-Saens - Filipe Novais, bassoon Castelo | Portugal) Feuillet d'Album Carlos Soares, bassoon Eduardo Leitão, horn Joana Pires, horn Duo Violin & Cello Honegger – Sonatine (1st Jaime Jacob, violin & 2nd mov.) Pedro Ribeiro, cello (ESML) Samanta Crespim, violin Trio: 2 Violins & Viola Dvorak – Terzetto, op. 74 Mariana Marto, violin Daniela Brito, viola (ESML) String Quartet Prokofiev, nº 1 (1st & 2nd Rebeca Couto, violin mov.) Mafalda Oliveira, violin (ESML) Margarida Abrantes, viola Ana Hespanha, cello Michael Haydn – Eduarda Prata, violin String Quartet w/ Divertimento in D Major Patrícia Louro, violin DoubleBass (1st & 2nd mov.) Ana Carolina Ornelas, viola (ESML) Telmo Martins, bass Luís Almeida, violin String Quintet Boccherini, nº 3 Neska Stark, violin Pedro Alves, viola (ESML) Nika Vremsak, cello Andreia Pacheco, bass Tchaikovsky String Sextet In D Minor “Souvenir de Florence” Ricardo Parente, violin op. -
Florida Historical Quarterly
COVER Jehu J. Blount’s general store, corner N. W. First and Hendry streets in Fort Myers, was opened in 1873. It also served as the town’s first post office. The photograph is of Florida Schultz Heitman and her friends. She was the daughter of George Schultz, telegrapher for the International Ocean Tele- graph Company, and wife of Harvie Heitman, a prominent Fort Myers businessman. The picture was taken in the 1890s. It is from the Fort Myers Historical Museum. The THE FLORIDA HISTORICAL SOCIETY Volume LXII, Number 4 April 1984 COPYRIGHT 1984 by the Florida Historical Society, Tampa, Florida. Second class postage paid at Tampa and DeLeon Springs, Florida. Printed by E. O. Painter Printing Co., DeLeon Springs, Florida. (ISSN 0015-4113) THE FLORIDA HISTORICAL QUARTERLY Samuel Proctor, Editor Jeffry Charbonnet, Editorial Assistant EDITORIAL ADVISORY BOARD Herbert J. Doherty, Jr. University of Florida Michael V. Gannon University of Florida John K. Mahon University of Florida (Emeritus) Jerrell H. Shofner University of Central Florida Charlton W. Tebeau University of Miami (Emeritus) J. Leitch Wright, Jr. Florida State University Correspondence concerning contributions, books for review, and all editorial matters should be addressed to the Editor, Florida Historical Quarterly, Box 14045, University Station, Gainesville, Florida 32604-2045. The Quarterly is interested in articles and documents pertaining to the history of Florida. Sources, style, footnote form, originality of material and interpretation, clarity of thought, and interest of readers are considered. All copy, including footnotes, should be double-spaced. Footnotes are to be numbered consecutively in the text and assembled at the end of the article.