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SF Commentary 41-42
S F COMMENTARY 41/42 Brian De Palma (dir): GET TO KNOW YOUR RABBIT Bruce Gillespie: I MUST BE TALKING TO MY FRIENDS (86) . ■ (SFC 40) (96) Philip Dick (13, -18-19, 37, 45, 66, 80-82, 89- Bruce Gillespie (ed): S F COMMENTARY 30/31 (81, 91, 96-98) 95) Philip Dick: AUTOFAC (15) Dian Girard: EAT, DRINK AND BE MERRY (64) Philip Dick: FLOW MY TEARS THE POLICEMAN SAID Victor Gollancz Ltd (9-11, 73) (18-19) Paul Goodman (14). Gordon Dickson: THINGS WHICH ARE CAESAR'S (87) Giles Gordon (9) Thomas Disch (18, 54, 71, 81) John Gordon (75) Thomas Disch: EMANCIPATION (96) Betsey & David Gorman (95) Thomas Disch: THE RIGHT WAY TO FIGURE PLUMBING Granada Publishing (8) (7-8, 11) Gunter Grass: THE TIN DRUM (46) Thomas Disch: 334 (61-64, 71, 74) Thomas Gray: ELEGY WRITTEN IN A COUNTRY CHURCH Thomas Disch: THINGS LOST (87) YARD (19) Thomas Disch: A VACATION ON EARTH (8) Gene Hackman (86) Anatoliy Dneprov: THE ISLAND OF CRABS (15) Joe Haldeman: HERO (87) Stanley Donen (dir): SINGING IN THE RAIN (84- Joe Haldeman: POWER COMPLEX (87) 85) Knut Hamsun: MYSTERIES (83) John Donne (78) Carey Handfield (3, 8) Gardner Dozois: THE LAST DAY OF JULY (89) Lee Harding: FALLEN SPACEMAN (11) Gardner Dozois: A SPECIAL KIND OF MORNING (95- Lee Harding (ed): SPACE AGE NEWSLETTER (11) 96) Eric Harries-Harris (7) Eastercon 73 (47-54, 57-60, 82) Harry Harrison: BY THE FALLS (8) EAST LYNNE (80) Harry Harrison: MAKE ROOM! MAKE ROOM! (62) Heinz Edelman & George Dunning (dirs): YELLOW Harry Harrison: ONE STEP FROM EARTH (11) SUBMARINE (85) Harry Harrison & Brian Aldiss (eds): THE -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
THE RIVALS of SHERLOCK HOLMES the Period Between 1891 and 1914 Was a Golden Era for the Detective Story, the Heroes of Which Have Been Long-Forgotten
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Monday 3rd June 2019 FREESAT 306 | VIRGIN 445 THE GO BETWEEN comes to Talking Pictures TV Starring Julie Christie, Alan Bates, Margaret Leighton, Michael Red- grave and Dominic Guard. Directed by: Joseph Losey. The Go Between won the Grand Prix at the 1971 Cannes Film Festival and was adapted by Harold Pinter from the book by LP Hartley. The film achieved unaniminous critical acclaim, and was seen by many as the peak of the careers of the actors involved. It remains a beautiful and atmospheric interpretation of a truly poignant story about a secret love affair between a beautiful heiress and a poor tenant farmer, who can only communicate via a young boy. Airs: Saturday 8th June 20:25 SHADOWS - a haunting new children’s series to show on Talking Pictures TV Featuring guest actors including John Nettleton, Gareth Thomas, Jenny Agutter, Pauline Quirke, Brian Glover, June Brown, Rachel Herbert, Jacqueline Pearce and Jenny Agutter – as well as Russell Hunter reprising his Ace of Wands villain, Mr Stabs. Shadows was produced from 1975-1978. The series featured ghost and horror dramas for children and was nominated for a BAFTA TV award. Producers Ruth Boswell and Pamela Lonsdale – both renowned for many landmark children’s series, including Timeslip, Dramarama and The Tomorrow People – assembled an outstanding team of writers, including J.B. Priestley, Trevor Preston, Penelope Lively, Rosemary Harris, Joan Aiken and Fay Weldon. Atmospheric and superbly scripted, this remarkable series gave ‘70s schoolkids an unforgettable collection of spine- tingling tales. -
Mormon Literature: Progress and Prospects by Eugene England
Mormon Literature: Progress and Prospects By Eugene England This essay is the culmination of several attempts England made throughout his life to assess the state of Mormon literature and letters. The version below, a slightly revised and updated version of the one that appeared in David J. Whittaker, ed., Mormon Americana: A Guide to Sources and Collections in the United States (Provo, Utah: BYU Studies, 1995), 455–505, is the one that appeared in the tribute issue Irreantum published following England’s death. Originally published in: Irreantum 3, no. 3 (Autumn 2001): 67–93. This, the single most comprehensive essay on the history and theory of Mormon literature, first appeared in 1982 and has been republished and expanded several times in keeping up with developments in Mormon letters and Eugene England’s own thinking. Anyone seriously interested in LDS literature could not do better than to use this visionary and bibliographic essay as their curriculum. 1 ExpEctations MorMonisM hAs bEEn called a “new religious tradition,” in some respects as different from traditional Christianity as the religion of Jesus was from traditional Judaism. 2 its beginnings in appearances by God, Jesus Christ, and ancient prophets to Joseph smith and in the recovery of lost scriptures and the revelation of new ones; its dramatic history of persecution, a literal exodus to a promised land, and the build - ing of an impressive “empire” in the Great basin desert—all this has combined to make Mormons in some ways an ethnic people as well as a religious community. Mormon faith is grounded in literal theophanies, concrete historical experience, and tangible artifacts (including the book of Mormon, the irrigated fields of the Wasatch Front, and the great stone pioneer temples of Utah) in certain ways that make Mormons more like ancient Jews and early Christians and Muslims than, say, baptists or Lutherans. -
S67-00097-N210-1994-03 04.Pdf
SFRA Reriew'210, MarchI April 1994 BFRAREVIEW laauB #210. march/Aprll1BB~ II THIIIIIUE: IFlllmlnll IFFIIII: President's Message (Mead) SFRA Executive Committee Meeting Minutes (Gordon) New Members & Changes of Address "And Those Who Can't Teach.. ." (Zehner) Editorial (Mallett) IEnEIll mIICEWn!l: Forthcoming Books (BarronlMallett) News & Information (BarronlMallett) FEITUREI: Feature Article: "Animation-Reference. History. Biography" (Klossner) Feature Review: Zaki. Hoda M. Phoenix Renewed: The Survival and Mutation of Utopian ThouFdlt in North American Science Fiction, 1965- 1982. Revised Edition. (Williams) An Interview with A E. van Vogt (Mallett/Slusser) REVIEWS: Fledll: Acres. Mark. Dragonspawn. (Mallett) Card. Orson Scott. Future on Fire. (Collings) Card. Orson Scott. Xenoclde. (Brizzi) Cassutt. Michael. Dragon Season. (Herrin) Chalker. Jack L. The Run to Chaos Keep. (Runk) Chappell. Fred. More Shapes Than One. (Marx) Clarke. Arthur C. & Gentry Lee. The Garden ofRama. (Runk) Cohen. Daniel. Railway Ghosts and Highway Horrors. (Sherman) Cole. Damaris. Token ofDraqonsblood. (Becker) Constantine. Storm. Aleph. (Morgan) Constantine. Storm. Hermetech. (Morf¥in) Cooper. Louise. The Pretender. (Gardmer-Scott) Cooper. Louise. Troika. (Gardiner-Scott) Cooper. Louise. Troika. (Morgan) Dahl. Roald. The Minpins. (Spivack) Danvers. Dennis. Wilderness. (Anon.) De Haven. Tom. The End-of-Everything Man. (Anon.) Deitz. Tom. Soulsmith. (posner) Deitz. Tom. Stoneskin's Revenge. (Levy) SFRA Review 1210, MarchI Apm 1994 Denning. Troy. The Verdant Passage. (Dudley) Denton. Bradley. Buddy HoDy ~ Ahire and WeD on Ganymede. (Carper) Disch. Tom. Dark Ver.s-es & Light. (Lindow) Drake. David. The Jungle. (Stevens) Duane. Diane & Peter Morwood. Space Cops Mindblast. (Gardiner-Scon) Emshwiller. Carol. The Start ofthe End oflt AU. (Bogstad) Emshwiller. Carol. The Start ofthe End oflt AU. -
Memory and Narrative: Reading the Things They Carried for Psyche and Persona Frank Hassebrock and Brenda Boyle, Denison University
Memory and Narrative: Reading The Things They Carried for Psyche and Persona Frank Hassebrock and Brenda Boyle, Denison University Abstract: This essay looks closely at how two disciplines, Psychology and English, can use the same text for similar purposes. A Psychology professor discusses how Tim O'Brien's The Things They Carried can exemplify for his students how memory is used to construct a self, a psyche. A teacher of literature then examines how the same text demonstrates for students the rhetorical construction of a fictional self, a persona, and also how that construction is influenced by the various historical periods represented in the novel's stories. Through the investigation of these two disciplinary approaches, students in our classes gain an appreciation for the psychological functions of remembering and the rhetorical functions of reading. People select and interpret certain memories as self-defining, providing them with privileged status in the life story… . To a certain degree, then, identity is a product of choice. We choose the events we consider most important for defining who we are and providing our lives with some semblance of unity and purpose. And we endow them with symbolism, lessons learned, integrative themes, and other personal meaning that make sense to us in the present as we survey the past and anticipate the future. (McAdams, 2004, p. 104) A rhetoric incorporates more than practical strategies for speaking and writing. Rhetoric reflects the values and perspectives of a culture. It is a distillation of what a given society counts as knowledge and evidence, how it defines social connections and responsibilities, the context in which communicative acts will be interpreted. -
Nov. 24 (Continued on Page 2)
Volume 25 Number 6 Issue 300 November 2012 A WORD FROM THE EDITOR North Florida Comic Show November 11 This is the 300th of the Event Horizon. Wow. I wish to Ramada Inn thank my predecessors especially Ray Herz, Jen Stuteman, and 3130 Hartley Road Leslie Hammes. I would also thank the contributors and readers. Jacksonville, FL 32257 Busy month with Away Mission Orlando and $2 for admission Necronomicon. This month is the Worldcon report. I like the Guests: Sonny Strait (voice actor) connection of the 70th Worldcon covered in the 300th issue of Micah Solusod (voice actor) Event Horizon www.nfcomicshow.com Next month I hope to do some reviews, and have pictures from Away Mission, Necronomicon, and Hurricane Who. Chibi-Pa: Future November 16-18 Welcome to my Worldcon report. Enjoy! Note Panel titles are Hilton Deerfield Beach bold and underlined. Here is the break down: 100 Fairway Dr. Deerfield Beach, FL 33441 Intro Page 3 $35 for the weekend, $25 for Saturday, Opening Ceremonies Page 3 $15 for Fri or Sun Rowena– Artist GOH Presentation Guests: Spike Spencer (voice actor) Page 3 Paul St. Peter (voice actor) The Bob and Connie Show Page 3-4 www.chibapa.com Opening Ceremonies Pictures Page 5 John Scalzi Reading Page 6 ShadoCon (Continued on page 2) November 16-18 Hyatt Regency Events 211 North Tampa Street Tampa, FL33602 Hurricane Who Category 3 $45 at the door November 2-4 Guests: Scott Mc Neill (voice actor) Doubletree by Hilton Orlando at Sea Sean Schimmel (voice actor) 10100 International Dr. www.shadocon.com Orlando, FL 32821 $80 for the weekend, $50for Saturday, Geek Fest $40 for Fri or Sun November 18 Guests: Peter Davison (5th Doctor, Doctor Who) Grand Palm Room at Florida Atlantic University Frazier Hines (Jamie, Doctor Who) 777 Glades Road Caitlin Blackwood (Amelia, Doctor Who) Boca Raton, FL 33431 Ankli Mohindra (Rani, Sarah Jane Adv.) Guests: Greg Horn (comic artist) www.hurricanewho.com Greg Kirkpatrick (comic artist) $5 for admission, FAU students free www.geekfestflorida.com Birthdays Dave Ratti– Nov. -
My Back Pages #5 Rich Lynch
My Back Pages #5 Rich Lynch My Back Pages #5 a few more of my articles and essays Well, the Dog Days of August have arrived again. The midsummer heat and high humidity here in the D.C. area once again have made the outdoors an unpleasant experience. A few weeks of this weather is almost enough to make me look forward to winter snows again. But not quite. Anyway, the coming of August means that the annual World Science Fiction Convention is not far in the future. It’s invariably a fascinating event and is always something to be looked forward to. My wife Nicki and I have been to twenty-six Worldcons, in cities as close to home as Baltimore and as far away as Glasgow and Melbourne. This year’s Worldcon is in a place that neither it nor we have been before – Reno. Nowadays Reno is a gamblers’ paradise, but back in the late 1850s the area just south of Reno was the site of a gold and silver rush of immense and historic proportions. So we’re looking forward to not only the convention, but also to seeing some of the history surrounding that part of the “Wild West”. The previous time a Worldcon came anywhere close to this section of the United States was back in August 2008 when, as you will read, Denvention was only one of many conventions (and not nearly the largest) that visited Denver that month. Rich Lynch Gaithersburg, Maryland August 2011 CONTENTS OF THIS ISSUE Denver 2008 ......................................................................................................................... 3 previously published in Variations on a Theme 65 (September 2008) A Tale of Two Worldcons (co-written with Nicki Lynch) .................................................. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
Emergency! *Convenient Drive-Thru10 Available
T1 New Year’s RESOLUTION #1 January 6 - 12, 2018 Mowing, Edging, Pruning, Mulching AJW LANDSCAPING FREE ESTIMATES - Licensed, Bonded 910-277-3777 Connie Britton, Angela Bassett and Peter Krause star in “9-1-1” MANAGER’S SPECIAL LARGE 3-TOPPING PIZZA 99 $ Limited Time Offer Emergency! *Convenient Drive-Thru10 Available Laurinburg, NC 28352 1227 South Main Street • 910-276-6565 Joy Jacobs, Store Manager 234 E. Church Street Laurinburg, NC 910-277-8588 www.kimbrells.com T2 Page 2 — Saturday, January 6, 2018 — Laurinburg Exchange Under pressure: First responders struggle to save the day and themselves in Fox’s ‘9-1-1’ By Kyla Brewer mer “Nashville” star Connie Brit- ogy series “American Horror Story.” TV Media ton co-stars as a 9-1-1 operator, “9-1-1” marks the pair’s third while supporting cast members in- straight-to-season order for Fox hen the heat is on, it helps to clude Aisha Hinds (“Under- network, and their combined suc- Wkeep a cool head. In an emer- ground”) and Rockmond Dunbar cesses in prime time have earned gency situation, first responders (“Prison Break”). them a lucrative development deal must keep it together and rely on Even with the talented ensem- with 20th Century Fox Studios. Ex- their training to help those in need. ble cast, Murphy and Falchuk have ecutive producer Tim Minear has However, that doesn’t mean first their work cut out for them if they written for various television se- responders don’t need help them- want to do justice to the subject ries, including “The X-Files,” “An- selves. -
The Church and Scholars—Ten Years Later July 2003—$5.95 Two Perspectives by Lavina Fielding Anderson and Armand L
Cover_128.qxd 7/1/2003 4:41 PM Page 2 MORMON EXPERIENCE SCHOLARSHIP ISSUES & ART Center Insert Preliminary Program SUNSTONESUNSTONE 2003 SALT LAKE SUNSTONE SYMPOSIUM England essay contest winner MURKY PONDS AND LIGHTED PLACES by Carol Clark Ottesen (p.4) Sunstone History 1993 – 2001 by Gary James Bergera (p.24) Jana K. Riess on “R-rated movies that have helped me think about the gospel” (p.42) Can Gospel Doctrine lessons be interesting and build faith? Kathleen Petty reflects (p.45) “Stephen’s” story continued” by D. Jeff Burton (p.40) UPDATE Commemorating the priesthood revelation; Church relief efforts; Kirtland dedications; LDS book and film news; and more! (p.50) The Church and Scholars—Ten Years Later July 2003—$5.95 Two Perspectives by Lavina Fielding Anderson and Armand L. Mauss ifc.qxd 6/30/2003 9:02 PM Page 1 What is Sunstone? SINCE 1974, Sunstone has been a strong independent voice in Mormonism, exploring contemporary issues, hosting important discussions, and encouraging honest inquiry and exchange about Latter-day Saint experience and scholarship. THE ORGANIZATION’S flagship is SUNSTONE magazine, which comes out approximately five times per year. The Sunstone Education Foundation also sponsors a four-day symposium in Salt Lake City each summer and several regional symposiums in select cities throughout the year. See insert in this issue for information about this year’s Salt Lake Sunstone Symposium, 13–16 August. Special offer for new subscribers: *7 issues for the price of 6! Mail, phone, email, or fax your subscription request to: SUNSTONE: 343 N Third West, Salt Lake City, UT 84103; 801-355-5926; 801-355-4043 fax; [email protected]. -
Posthumans and Democracy in Popular Culture
Posthumans and Democracy in Popular Culture James J. Hughes PhD A version of this paper is forthcoming in Handbook of Posthumanism in Film and Television . Eds. Michael Hauskeller, Thomas D. Philbeck, Curtis Carbonell. Palgrave MacMillan. INTRODUCTION Harry Potter is an anti-racist freedom fighter both in fiction and in the real world. Throughout the Potter novels we are drawn to sympathize with oppressed racial minorities – elves, centaurs, werewolves, half-giants, mud-bloods – and to fear and despise fascist Deatheaters intent on exterminating all non-pure- bloods. (Barratt, 2012). The Potter narrative has had demonstrable social impact, reinforcing tolerance and democratic values in its readers. In Harry Potter and the Millennials (Gierzynski , 2013) Anthony Gierzynski pulls together multiple lines of evidence to argue that the generation of American youth that grew up identifying with Harry Potter’s struggles against racism and fascism have become more anti- racist and Democratic as a consequence. In an analysis of three studies of the effect of reading Harry Potter on political attitudes in the UK and Italy (Vezzali, et al., 2014) researchers concluded that the degree to which the readers identified with Potter was a predictor of the influence of the Potter narratives on readers’ empathy with immigrants, refugees and homosexuals. Popular culture both reflects and shapes political culture. The depiction of the posthuman in popular culture is therefore not only a running commentary on the political concerns of the time, with posthumans as stand-ins for everything from Communists to immigrants, but also a potent shaper of attitudes towards extant and future varieties of humanity.