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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105
An Examination of Native Americans in Film and Rise of Native Filmmakers by Julia Boyd — 105 An Examination of Native Americans in Film and Rise of Native Filmmakers Julia Boyd Media Arts and Entertainment, Concentration: Cinema Elon University Abstract This paper explored the role of Native Americans in the Hollywood film industry and their actions to estab- lish authentic representations of their population and culture in the media. Using academic literature, film analyses, and contemporary film reviews and articles, the author created a synthesis of the history of Na- tive Americans in film. The author concluded that by becoming producers, directors, and writers of their own stories, American Indians have regained control of their images and been able to combat stereotypes and the exclusion of Native Americans in the creative process. Positive social change for minority populations can be optimized when these populations are in control of their own images in film and media. I. Introduction One can use art, music, literature, television and film to trace patterns in society. Since the invention of moving images in the late nineteenth and early twentieth century, film has been a particularly powerful me- dium. Films have served as escapist fantasies, allowing audiences to enter astonishing worlds and encounter wild and colorful characters. Movies have also been used to convey truths about society that are more easily digested in a fictional format. Difficult topics such as the nature of humanity, love, and war have all been explored with film as the tool that disseminates these themes into the consciousness of the masses. With the rise of mass media and popular culture came the onset of a collective consciousness that could be shared by people all over the world, rather than people of a particular culture relying on their own ancestry and specific history. -
Cash Box, Music Page 12 May 8, 1954
: The Cash Box, Music Page 12 May 8, 1954 Stocking Plan, LP Price Capitol’s 1st Quarter Sales 20% Over Last Year Boost Set For Victor HOLLYWOOD, CAL.—Sales of NEW YORK—Five RCA Victor Capitol Records, Inc., which hit a new Records executives have taken to the high of nearly $17 million in 1953, ap- pear field this week (April 26) to advise to be heading for another peak the company’s distributors of a sum- this year. First quarter business re- mer stocking plan and of a price rise portedly ran around 20 per cent bet- on long-playing classical disks. Be- ter than that experienced in the com- parable ginning in June, the list on RCA Vic- 1953 period. This gain has tor’s 12" classical LPs goes from been converted into a substantially $5.72 to $5.95, with the new price on greater rise in net income. Capitol is doing well in the “hit 10" classical LPs moving to $4.95 from Gaiety Music Shop Hudson Ross California Music Co. record” field with three in the top $4.67. New York, N. Y. Chicago, III. Los Angeles, Calif. ten: “I Get So Lonely” by the Four The stocking program is “back by 1. Young At Heart (F. Sinatra) 1. Here (Tony Martin) 1. Wanted (Perry Como) 2. Wanted (Perry Como) popular demand,” according to W. W. Knights; Nat “King” Cole’s “Answer 2. Wanted (Perry Como) 2. Make Love To Me (Stafford) 3. Secret Love (Doris Day) 3. Young At Heart (F. Sinatra) Bullock, the company’s acting general 3. -
Transsexuality in Film by Carolyn Kraus
Transsexuality in Film by Carolyn Kraus Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Representations of transsexuality in films fall along a spectrum from freak-show sexploitation, to dramatic and documentary depictions of the struggles of transsexuals, and, finally, to the metaphorical use of transsexuality in exploring borders, not only sexual borders but also racial, religious, and political ones as well. The Transsexual as Joke Whereas transvestites have been depicted in film since the silent era, transsexuals (people who have undergone sex-change surgery or who choose to live as the opposite gender) entered the movies only in the early 1950s. The earliest celluloid glimpses of transsexuality appeared shortly after news of George/ Christine Jorgensen's 1952 sex-change surgery shocked and mesmerized the world with headlines such as "Ex-GI Becomes Blonde Beauty," "Christine, by George!" and "Thousands in U.S. Don't Know Their True Sex." The first movie attempting to capitalize on the story came from Ed Wood, a quirky filmmaker who was once named the "World's Worst Director." Wood's Glen or Glenda (I Changed My Sex) (1953) tells two stories, one about a transvestite, one about a transsexual. Ex-Dracula Bela Lugosi lurks between scenes delivering screwball pleas for tolerance: "Vat are little boys made ov? Ees eet puppy dog tails? Beeg fat snails? Or maybe brassieres!" The result is pure camp, although Wood, a cross-dresser himself, flashed an intended moral across the screen in the film's opening frames: "Judge Ye Not!" The filming of Glen or Glenda is depicted in Tim Burton's 1994 film biography Ed Wood. -
Meditation Retreat Leads to Wisdom.” Budha
Reference Material: 1. Yoga Sutras of Patanjali - Datta Yoga Center USA th 2. Science of Meditation, Time Magazine, Aug 4 , 2003 th 3. Your Mind, Your Body, Time Magazine, Jan 20 , 2003 4. Power of Yoga, Time Magazine, April 15th, 2001 Sponsors 5. Transcendental Meditation – http://www.tm.org Quotations: “Yoga stills the restless mind and thus finds peace.” Pantanjali's Yoga Sutra “ Meditation is the means for man to develop his higher faculties… is noble and elevating. Deep meditation leads to intuition, and helps to attain calmness of mind. Meditation is the basis of all attainments.” Sri Ganapathi Sachchidananda Swamiji. “Meditation is the dissolution of thoughts in Eternal awareness or Pure consciousness without objectification, knowing without thinking, merging finitude in infinity.” Swami Sivananda “MEDITATION brings wisdom; lack of mediation leaves ignorance. Know well what leads you forward and what hold you back, and choose the path that Meditation Retreat leads to wisdom.” Budha “Health, a light body, freedom from cravings, a glowing skin, sonorous voice, fragrance of body: these signs indicate progress in the practice of meditation.” -- Shvetashvatara Upanishad “Meditation is sticking to one thought. That single thought keeps away other with thoughts; distraction of mind is a sign of its weakness; by constant meditation it gains strength.” Ramana Maharshi Sri Datta Yogi Raja "When meditation is mastered, the mind is unwavering like the flame of a lamp in a windless place." Bhagavad Gita December 11 & 12; 9:00am – 5:00pm FOR REGISTRATION CONTACT Nandini & Prakasa Rao (601)856.4783/918.7111 [email protected] Hindu Temple Society of Mississippi Sreedevi & Ramesh (601)877.3985/807.1773 [email protected] Vijay Yerra (601)856.6790 [email protected] 173 Vernon Jones Ave., Brandon, MS 39047 601.992.3331 CURRENT SPONSORS Central Mississippi Medical Center H P N Consulting Group. -
\O-Fault Insurance Bill Passed by Legislature
Plan Freehold Penalty Protest SEE STORY PAGE 2 Partly Sunny THEDAILY FINAL Partly gunny today, highs in the 60s. Mostly cloudy with HvA Hank, Freehold chance of showers tonight and Hruiifli EDITION tomorrow. REGISTER 28 PAGES Moninoutli County'* Outstanding Home Xewapaper VOL.94 .NO.232 RKD BANK, N.J. FRIDAY, MAY 19,1972 TEN CENTS iiiiimiiiiiiiiitiiuuiiiuiiiiuuiuifiiuiiiimiiiniiiiimiumiimiiitinifnmfHuiitminimuwmmiiiiiiiniiiniimiuiiii Cahill Stern in Demand for Tax Action TRENTON (AP) - Putting bers of his cabinet, Cahill • speech was enthusiastically ate. But I do know there are a Asked by a newsman if the would be graduated from 1 to his political prestige squarely said, "either this program will applauded by members of both lot of guys in there who hope governor was hinting that lie 1% per cent on yearly in- on the line, Gov. William T. be accepted this July or it will parties who said they were this doesn't get through the might not support Republican comes up to $23,000 and up to Cahill has sternly warned the be the subject of the next gu- convinced now that Cahill was Assembly so they don't have candidates who didn't vote for 14 per cent for persons mak- New Jersey Legislature that bernatorial and legislative sincere in his desire to enact to vote on it." tax reform, Cahill smiled ing over $500,000 a year. Tho it will have to answer to him election. You're going to go the reforms promptly. Came as .Surprise broadly and said. "I didn't levy would yield $550 million and the voters next year if it into every hamlet of this state However, he is expected to The governor's warning to say that." based on last year's economic postpones action on tax re- and you will have to explain face a difficult task in lining the legislature to avoid delay, Cahill's tax package is figures. -
Broadcasting Dec 17
The Fifth Estate Broadcasting Dec 17 Z11ti£ iv SGb1 2Z1 F.002í SVS-ltlY 4P/AGIv kfh 49£21 is Most Recent Telecasts: MON & SIMON IS THE #1 CTION SERIES AND BEATS LL SITCOMS T00! 0 WONDER IT'S LREADY SOLD IN MORE AN 40 MARKETS! MCANTom 10 NATPE INTV Fairmont Hotel Century Plaza 23rd Floor Hotel In The Tower SIMON & SIMON The Action Series With The Light Touch! MCA" rr/ C 1984 UNIVERSAL CITY STUDIOS INC. ALL. RIGHTSR N ., .. :: ..,.. .,.... ... ... w DOWT11SK:! .w.r+F.RiJV... It's an outrageous, unpredictable, first run, weekly, half -hour music series from the creator of Puffin' On The Hits! You Gotta See It To Believe It: Advertiser from -Supported Programming MUN The- 1p, For more information, call (212) 605 -2786 8 A Chris Bearde Production Psodt NATPE INTV Fairmont Hotel Century Plaza 23rd Floor t ß984 UNIVERSAL CITY STUDIOS INC. ALL RIGHTS RESERVED. Hotel In The Tower ON- C:olERA HOST: JOHN FORSYTHE We're Back -And We're Almost First Run q* JOHN FORSYTHE'S WORLD OF SURVIVAL 221 AWARD WINNING COLOR HALF -HOURS The world's most popular and most successful wildlife adventure serie, -at a price you can survive on. A SURVIVAL ANGLIA LTD. PRODUCTION NOTE Since these programs are primarily designed to further understanding of the RKOVPICTURE natural sciences. they are properly identi- fiable as Instructiona for FCC logging Vol. 107 No. 25 CBroadcasting Dec 17 Breakthrough for 12- 12 -12: 25% cap; UHF, minority discounts Agribroadcasting: big business down on the farm Fannon becomes president of NAPTS DEAL ON 12-12 -12 o Congressional and FCC parties contributes to stations' revenue harvests. -
Guide to the Smothers Brothers Collection
Guide to the Smothers Brothers Collection NMAH.AC.1437 Vanessa Broussard-Simmons Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Photographic Materials, 1961-2007, undated........................................... 4 Series 2: Business Records, 1959-2002, undated................................................. 16 Series 3: Personal Papers, 1966-2008, undated................................................... 25 Smothers Brothers Collection NMAH.AC.1437 Collection Overview Repository: Archives Center, National Museum of American History Title: Smothers Brothers Collection Identifier: NMAH.AC.1437 Date: 1959-2008, undated Creator: Smothers -
Motown the Musical
EDUCATIONAL GUIDE C1 Kevin MccolluM Doug Morris anD Berry gorDy Present Book by Music and Lyrics from Berry gorDy The legenDary MoTown caTalog BaseD upon The BooK To Be loveD: Music By arrangeMenT wiTh The Music, The Magic, The MeMories sony/aTv Music puBlishing of MKoevinTown B yM Bcerrycollu gorDyM Doug Morris anD Berry gorDy MoTown® is a regisTereD TraPresentDeMarK of uMg recorDings, inc. Starring BranDon vicTor Dixon valisia leKae charl Brown Bryan Terrell clarK Book by Music and Lyrics from TiMoThy J. alex Michael arnolD nicholas chrisTopher reBecca e. covingTon ariana DeBose anDrea Dora presTBonerry w. Dugger g iiior Dwyil Kie ferguson iii TheDionne legen figgins DaryMarva M hicoKsT ownTiffany c JaaneneTalog howarD sasha huTchings lauren liM JacKson Jawan M. JacKson Morgan JaMes John Jellison BaseD upon The BooK To Be loveD: Music By arrangeMenT wiTh crysTal Joy Darius KaleB grasan KingsBerry JaMie laverDiere rayMonD luKe, Jr. Marielys Molina The Music, The Magic, The MeMories sony/aTv Music puBlishing syDney MorTon Maurice Murphy Jarran Muse Jesse nager MilTon craig nealy n’Kenge DoMinic nolfi of MoTown By Berry gorDy saycon sengBloh ryan shaw JaMal sTory eric laJuan suMMers ephraiM M. syKes ® JMuliusoTown Tho isM asa regisiii TereDanielD Tra DJ.eM waraTTK sof uMDgonal recorD wDeingsBBer, i, ncJr.. Scenic Design Costume Design LighStarringting Design Sound Design Projection Design DaviD Korins esosa BranDnonaTasha vic TKoraTz Dixon peTer hylensKi Daniel BroDie Casting Hair & Wig Design valisia leKae Associate Director Assistant Choreographer Telsey + coMpany charlcharles Brown g. lapoinTe scheleBryan willia TerrellMs clarK Brian h. BrooKs BeThany Knox,T icsaMoThy J. alex Michael arnolD nicholas chrisTopher reBecca e. -
65 Hours in C O L O R
From Television City in Hollywood 65 Hours in C O L O R David Rose & His Orchestra From over 620 Red Skelton television shows here are the first 65 hours ever available since they were seen only once on their original broadcast dates. Here’s Red with all of his friends; the biggest names & guest stars. One of America’s Clowns. RED SKELTON This document copyrighted LA Creative 2011 From Television City in Hollywood 65 Hours in C O L O R Hundreds of hours to follow…. ____________________________________________________________________ 1965 -66 Episode 1: Original Air Date—14 September 1965 Episode 2: Fastest Crumb in the West Original Air Date—21 September 1965 Episode 3: Original Air Date—28 September 1965 Episode 4: Whose Afraid of the Wife? Original Air Date—5 October 1965 Episode 5: Original Air Date—12 October 1965 Episode 6: Original Air Date—19 October 1965 Episode 7: Original Air Date—26 October 1965 Episode 8: Original Air Date—2 November 1965 Episode 9: Original Air Date—9 November 1965 Episode 10 Original Air Date—16 November 1965 Episode 11: Original Air Date—23 November 1965 Episode 12: Original Air Date—30 November 1965 Episode 13: A Jerk of All Trades Original Air Date—14 December 1965 Merv Griffen Milton Beryle John Wayne This document copyrighted LA Creative 2011 From Television City in Hollywood 65 Hours in C O L O R Episode 14 Original Air Date: 12/21/65 Episode 15 Original Air Date: 12/28/65 Episode 16 Original Air Date: 1/4/66 Episode 17 Original Air Date: 1/11/66 Episode 18 Original Air Date: 1/18/66 ―Concert In Pantomime -
The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music.