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Monarch of the Microphone: a Maurice Elwin Discography by A
MONARCH OF THE MICROPHONE A Maurice Elwin Discography by A. G. Kozak mauriceelwin.com Public Working Draft Version 0.2.2 (Updated July 22, 2021) Monarch of the Microphone: A Maurice Elwin Discography by A. G. Kozak is licensed under Attribution-NonCommercial-NoDerivatives 4.0 International https://orcid.org/0000-0002-8307-9716 DOI 10.5281/zenodo.4939404 Many thanks to Jonathan Holmes for providing me with the signed photograph of Maurice Elwin that graces the front page of this discography. TABLE OF CONTENTS Introduction Reference List Abbreviations Discography 1916-1922 1925 1926 1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 Difficult to Date: Homochord Little Marvel & Fairy Parlophone Pathé Actuelle and Derivative Labels Rex Solex Sterno Trusound Unconfirmed: Bert and Bob (Decca) Creighton and Laughton (Decca) Other Decca Groups Parlophone Groups Melody Boys (Homochord) Mellow and Rich (Broadcast) Other Possible Recordings Recordings Not By Elwin Appendix: Conventions Used in This Discography 1 INTRODUCTION I started this Maurice Elwin discography on January 31, 2021, at a time when a possible abatement of the global pandemic was in sight, in the expectation that it would be a few months before the bittersweet leisure afforded me by the crisis might be interrupted by my resuming my former activities. It was always my intention to publish it, as I have done, as a working draft on Elwin’s 125th birthday (June 14, 2021). The task was daunting, as I had reason to believe that Elwin might prove to be the second most prolific British singer of his era — a claim borne out so far by my research. -
“Whennation Wars Against Nation
Ratio Times, February 17, 1928. Bouthorm Baitions ri: EVERY PROGRAMME FROM EVERY STATION (February 19-25) \ J ao yoSS \ ae a setos Pas~ a euspnesgme® -, at a bare ai a FO Wer x ——pa * al ‘ae et Fl azoo it Cee “1 WEWEASTEE Pty HEL Fast trad i 1 . nen ‘ LOPos-peanrags Hie . Fe aT I Live eo Pag ke Lay | £ MS{Pm ake a c n e s r e n —_ebugenigioS —— ator iTiVvcnal STOAE Gah ateaF (gear) a 4 AneM oH aa Sere a pe CaanE ae | aeaa | cece 1 ale at The journal of the British Broadcasting Corporation. ——<— Vol. ‘18. No.229, Repisterel nt the | 2 29, GPO.| aan Npwepaper, - FEBRUARY17,1928. : | Every Friday. Two Pence. = ar - “WhenNation Wars Against Nation. Saturday, February 25, will be something of a ‘Rugger’ Festival for those football en- thusiasts who, being unable to attend the ‘Internationals,’ will hear them described from the ground—England v. France from Twickenham and Scotland wv. Ireland from Murrayfield. The former match will be heard from London, Daventry and other stations, while Belfast and Scottish listeners will be able to follow their countries’ fortunes from their local stations, Sh climax of the Rugbyseason is upon your lover of the game miss the seeing or and is likely so to remain. This implies no us; Broadcasting 1s. to take a hand init. the hearing of it. disrespect for the fine body of men: who, there are two International matches But though all Britons love football, all in the other code, take football for ther next Saturday. -
JACK PAYNE Artist's Portrait KITTY MASTERS
ADIO PiCrOWAL, February 8. '935.No. 58 JACK PAYNE Artist'sPortrait KITTY MASTERS AT HOME liONTINENTAL PROGRAMMES FOR ENGLISH LISTENERS Registered at the G.P.O. u a Newspaper. RADIO PICTORIAL February 8,1935 This is the ACTUALsize of RADIO PICTORIAL POSTCARDS 03per dozen This hobby of collecting photographs of the favourite radio stars is becoming quite a craze. "Radio Pictorial" is the only source from whence these postcard - sized portraits can be obtained. On the left you see a reproduction of the portrait of Les. Allen.This is exactly the same size as the postcards sup- plied.These photographs are supplied with a semi -matt finish, and can be obtained *price 1/3 per dozen post free. Just select any twelve from the list below, write them on a sheet of paper, together with your name and address, fix the coupon cut from the bottom left-hand corner of page 38 of this issue and send together with a Postal Order for 1/3 to : " RADIO STARS," RADIO PICTORIAL, 58-61 FETTER LANE, LONDON, E.C.4. If more than a dozen required increase amount of P.O. byI /3 per dozen.(Please note that a COMPLETE dozen or dozens only supplied.) OVER 160 to choose from JAMES AGATE DORA GREGORY SYDNEY PHASEY LES. ALLEN GERSHOM PARKINGTON MARIO DE PIETRO NORMAN ALLIN GARDA HALL [QUINTET EUGENE PINI GEORGE ALLISON HENRY HALL JACK PLANT JOHN ARMSTRONG TOMMY HANDLEY EDDIE POLA YVONNE ARNAUD LILIAN HARRISON LOU PREAGER FELIX AYLMER FRED HARTLEY ARTHUR PRINCE LES. ALLEN ALEXANDER AND MOSE CHARLES HAYES REGINALD PURDELL NORMAN AUSTIN PERCY HEMING HAROLD RAMSAY ISOBEL BAILLIE HARRY HEMSLEY HELEN RAYMOND GEORGE BAKER ROY HENDERSON WYN RICHMOND ETHEL BARTLE rT LEONARD HENRY DON RICO VERNON BARTLETT STANLEY HOLLOWAY PHILIP RIDGEWAY This Album FREE! SYDNEY BAYNES LESLIE HOLMES RAE ROBERTSON EVE BECKE CLAUDE HULBERT THE ROOSTERS To all the readers of "Radio Pictorial" who purchase twelve sets of these beautiful BILLY BENNETT LESLIE HUTCHINSON CONCERT PARTY photographs we will send themagnificent blue art -leather album illustrated below on HARRY BENTLEY WALFORD HYDEN PHYLLIS ROBINS receipt of 6d. -
The-Radio-Pictorial
RAM PICTORIAL, January 18, i OS.No 53 PORTRAIT PLATE HE ONLY PAPER DANCE BAND LE*DERIith CONTINENTAL PROGRAMMES OF ENGLISH LISTENERS GREAT OFFER RA DIO STARS AUTOGRAPHS 4 4.1 .s, 7 1 ' 4;440'0 ji 4 41' 0 * 41.1*'411 IL7 S *.f LES ALLEN & ANNA LEE Registered at the G.P.O. as a newspaper. RADIO PICTORIAL January 18, 1935 41?The PRICELESS= EWELS \YGOOD VERNON'S Britain's SPECTACLES CUM CORE WEAR SNIT I LARGEST & BEST MEN= ARE INEFFECTIVE! OPERATIONS LIE INNIEMINSI You realise how precious is good eyesight, NOTHING BARRED and the importance of treating your eyes, if at all affected, in the right way. The right FOOTBALL POOLS -the rational-way is the Neu -Vita gentle, safe method of Eye -massage, which is giving Tune in to wonderfulrelieftohundredsofeye - (312 sufferers every day, simply by gentle mani- PARIS (POSTE PARISIEN)metres) pulations over the closed eyelid. Every Saturday nightat11.15 p.m.for ALL - STAR VARIETY CONCERT and THIS METHOD MAKES WEAK EYES STRONG. declaration of dividends. A five -minutes' daily self home -treatment, as (1.304 described in our Book ontheEyes, accom- RADIO LUXEMBOURGmetres) plishes on Nature's own plan where eye- Every Sunday afternoonat2.30 p.m. for ALL- glasses, medicine and surgery have failed. STAR VARIETY CONCERT, during which This t/- book is being given away each previous day's dividends will be announced. month, at cost, so that the public may learn the right treatment. Write for a copy now Send for details of the famous Nothing Barred and open your eyes.Simply send your full pools that consistently pay record dividends name and address with 3d. -
The Performing Arts on Film and Television Catalogue
THE PERFORMING ARTS ON FILM & TELEVISION CATALOGUE Film and video materials held by the archives and collections of BFI, Arts Council England, LUX, Central St Martins British Artists Film & Video Study Collection relating to theatre, dance, music, performance art, politics and poetry Balletomines, 1954 2011 Acknowledgements This catalogue was commissioned by MI:LL (Moving Image: Legacy and Learning), an Arts Council England initiative to support projects and develop strategies that promote engagement with the arts through the moving image. Researched, written, edited, designed and published by Helena Blaker James Bell Michael Brooke Elaine Burrows Bryony Dixon Christophe Dupin Jane Giles Amy Howerska Edward Lawrenson Deborah Salter Dan Smith Louise Watson With thanks to Karen Alexander, Nigel Algar, Nigel Arthur, Steve Bryant, Mike Caldwell, Ros Cranston, David Curtis, Will Fowler, Philippa Johns, Nathalie Morris, Patrick Russell, David Sin, Mike Sperlinger, Gary Thomas, Rebecca Vick, Ian White, Andrew Youdell and Juliane Zenke. All stills courtesy of BFI Stills, Posters & Designs A BFI Publication 2011 available to download from www.bfi.org.uk BFI 21 Stephen Street London W1T 1LN UK Telephone +44 (020) 7255 1444 www.bfi.org.uk 2 Contents Please click on a word/link to be taken automatically to that part of the Catalogue Acknowledgements................................................................................................................. 2 Contents .................................................................................................................................. -
National Film Archive Catalogue, Part II
NATIONAL FILM ARCHIVE CATALO GU E Part II Silent Non-Fiction Films 1895-1934 [HE BRITISH FILM INSTITUTE LONDON 1960 ie, part II : silent 5-1934 J NATIONAL FILM ARCHIVE CATALOGUE Part II Silent Non-Fiction Films 1895-1934 Foreword by Sir Arthur Elton THE BRITISH FILM INSTITUTE LONDON 1960 Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/nationalfilmarchOOnati TABLE OF CONTENTS Foreword by Sir Arthur Elton Introduction by the Curator Arrangement of the Catalogue Credit Abbreviations Non-fiction Films, 1895-1934 Austria 1 Belgium . 1 Canada 1 Cyprus 1 Czechoslovakia 2 Denmark . 2 France 2 Germany . 18 Ghana 22 Great Britain 22 Italy . 125 Japan . 127 Netherlands . 127 New Zealand 128 Norway . 128 South Africa . 128 Sweden 130 Switzerland . 131 U.SA. 131 U.S.S.R. 146 Alphabetical Index to Film Titles Subject Index FOREWORD we can still consult the orations of Cicero, the commentaries of Julius Caesar and a fair number of the books of Livy. We often have the greatest difficulty in consulting film records ofeven the most epoch- making events in the first decades of the twentieth century. This is not only because paper, papyrus and parchment are more durable than cellulose nitrate, which is difficult to store, perishable, inflam- mable, and even spontaneously explosive, but also because the moving picture has positively attracted obliteration. People used to go out of their way to get rid of film the moment it ceased to be profitable. They were contemptuous of anyone who acted otherwise, and even today this attitude still lingers on.