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Concert & Recital Programs Concert & Recital Programs
Ithaca College Digital Commons IC All Concert & Recital Programs Concert & Recital Programs 4-25-2021 Concert: Ithaca College Madrigal Singers Hana J. Cai Ithaca College Madrigal Singers Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Cai, Hana J. and Ithaca College Madrigal Singers, "Concert: Ithaca College Madrigal Singers" (2021). All Concert & Recital Programs. 7962. https://digitalcommons.ithaca.edu/music_programs/7962 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons IC. Ithaca College Madrigal Singers Dr. Hana J. Cai, conductor Julianna LoBiondo, graduate assistant Ford Hall Sunday, April 25th, 2021 2:00 pm Program Royals Joel Little (b.1983) and Ella Yelich-O'Connor (b. 1996) arr. Deke Sharon Come Now My Dearest Jewel Thomas Weelkes (1575-1623) I Feel the Earth Move Carole King (b.1942) arr. Deke Sharon Lullabye (Goodnight, My Angel) Billy Joel (b. 1949) arr. Deke Sharon Kikkehihi Johann Hermann Schein (1586-1630) Blackbird John Lennon (1940-1980) and Paul McCartney (b. 1942) arr. Deke Sharon Time After Time Cyndi Lauper (b. 1953) and Rob Hyman (b. 1950) arr. Deke Sharon Royals I've never seen a diamond in the flesh I cut my teeth on wedding rings in the movies And I'm not proud of my address In a torn-up town, no postcode envy But every song's like gold teeth, Grey -
Hampton by Hilton Franchise Disclosure Document Brazil
HAMPTON BY HILTON FRANCHISE DISCLOSURE DOCUMENT BRAZIL HILTON WORLDWIDE MANAGE LIMITED a Limited Company Formed Under the Laws of England and Wales Maple Court, Central Park, Reeds Crescent Watford, Hertfordshire, WD24 4QQ UK +44 207 856 8000 Dated: July 31, 2019 {018316-999987 00275528.DOCX; 1} 2019 Brazil Hampton TABLE OF CONTENTS PART I THE FRANCHISOR AND ITS RELATED COMPANIES .......................................... 1 PART II FINANCIAL STATEMENTS ..................................................................................... 2 PART III LITIGATION ............................................................................................................ 2 PART IV THE LICENSE ......................................................................................................... 2 PART V THE IDEAL FRANCHISEE ...................................................................................... 3 PART VI OBLIGATION TO PARTICIPATE IN THE ACTUAL OPERATION OF THE FRANCHISE BUSINESS ......................................................................................... 3 PART VII INITIAL FEES AND ESTIMATED INITIAL INVESTMENT ........................................ 4 PART VIII PERIODIC AND OTHER FEES ..............................................................................11 PART IX FRANCHISEE INFORMATION ...............................................................................25 PART X TERRITORY ...........................................................................................................25 PART XI RESTRICTIONS -
Homeless Brother by Don Mclean, Released in 1974 on the Album Homeless Brother
Homeless Brother by Don McLean, released in 1974 on the album Homeless Brother I was walking by the graveyard, late last Friday night, I heard somebody yelling, it sounded like a fight. It was just a drunken hobo dancing circles in the night, Pouring whiskey on the headstones in the blue moonlight. So often have I wondered where these homeless brothers go, Down in some hidden valley were their sorrows cannot show, Where the police cannot find them, where the wanted man can go. There's freedom when your walkin', even though you're walkin' slow. Smash your bottle on a gravestone and live while you can, That homeless brother is my friend. It's hard to be a pack rat, it's hard to be a 'bo, But livin's so much harder where the heartless people go. Somewhere the dogs are barking and the children seem to know That Jesus on the highway was a lost hobo. And they hear the holy silence of the temples in the hill, And they see the ragged tatters as another kind of thrill. And they envy him the sunshine and they pity him the chill, And they're sad to do their livin' for some other kind of thrill. Smash your bottle on a gravestone and live while you can, That homeless brother is my friend. Somewhere there was a woman, somewhere there was a child, Somewhere there was a cottage where the marigolds grew wild. But some where's just like nowhere when you leave it for a while, You'll find the broken-hearted when you're travellin' jungle-style. -
Jefferson Airplane Crown of Creation Mp3, Flac, Wma
Jefferson Airplane Crown of Creation mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Crown of Creation Country: US Style: Acid Rock MP3 version RAR size: 1587 mb FLAC version RAR size: 1559 mb WMA version RAR size: 1405 mb Rating: 4.7 Votes: 458 Other Formats: ADX AC3 APE ASF MP2 XM MP4 Tracklist Hide Credits Lather A1 2:55 Written-By – Slick* In Time A2 4:07 Written-By – Balin*, Kantner* Triad A3 4:54 Written-By – Crosby* Star Track A4 3:09 Written-By – Kaukonen* Share A Little Joke A5 3:04 Written-By – Balin* Chushingura A6 1:17 Written-By – Dryden* If You Feel B1 3:30 Written-By – Blackman*, Balin* Crown Of Creation B2 2:52 Written-By – Kantner* Ice Cream Phoenix B3 2:59 Written-By – Cockey*, Kaukonen* Greasy Heart B4 3:25 Written-By – Slick* The House At Pooneil Corners B5 5:46 Written-By – Balin*, Kantner* Companies, etc. Recorded At – RCA Studios Mastered At – RCA Studios Pressed By – RCA Records Pressing Plant, Rockaway Manufactured By – Radio Corporation Of America Copyright (c) – RCA Credits Bass [Yggdrasil] – Jack Casady Bongos – Dan Woody* Congas – Tim Davis Design [Album], Art Direction – J. Van Hamersveld* Drums, Percussion [Steel Balls] – Spencer Dryden Effects [Sound] – Gene Twombly Engineer – Rich Schmitt Engineer [Featuring At The 8-Track] – Maurice Guitar – David Crosby Guitar, Vocals – Charles Cockey Humming [Nose Solo] – Gary Blackman Lead Guitar, Percussion [Electric Chicken] – Jorma Kaukonen Percussion [Talking Drum] – Bill Goodwin Photography By [Cover, Back Cover] – Hiro Photography By [Hiroshima Bomb] – USAF Piano, Organ – Grace Slick, Spencer Dryden Producer – Al Schmitt Rhythm Guitar – Marty Balin, Paul Kantner Vocals – Grace Slick, Jorma Kaukonen, Marty Balin, Paul Kantner, Spencer Dryden Notes © RCA, New York, N.Y. -
Madonna's Postmodern Revolution
Journal of Literature and Art Studies, January 2021, Vol. 11, No. 1, 26-32 doi: 10.17265/2159-5836/2021.01.004 D DAVID PUBLISHING The Rebel Madame: Madonna’s Postmodern Revolution Diego Santos Vieira de Jesus ESPM-Rio, Rio de Janeiro, Brazil The aim is to examine Madonna’s revolution regarding gender, sexuality, politics, and religion with the focus on her songs, videos, and live performances. The main argument indicates that Madonna has used postmodern strategies of representation to challenge the foundational truths of sex and gender, promote gender deconstruction and sexual multiplicity, create political sites of resistance, question the Catholic dissociation between the physical and the divine, and bring visual and musical influences from multiple cultures and marginalized identities. Keywords: Madonna, postmodernism, pop culture, sex, gender, sexuality, politics, religion, spirituality Introduction Madonna is not only the world’s highest earning female entertainer, but a pop culture icon. Her career is based on an overall direction that incorporates vision, customer and industry insight, leveraging competences and weaknesses, consistent implementation, and a drive towards continuous renewal. She constructed herself often rewriting her past, organized her own cult borrowing from multiple subaltern subcultures, and targeted different audiences. As a postmodern icon, Madonna also reflects social contradictions and attitudes toward sexuality and religion and addresses the complexities of race and gender. Her use of multiple media—music, concert tours, films, and videos—shows how images and symbols associated with multiracial, LGBT, and feminist groups were inserted into the mainstream. She gave voice to political interventions in mass popular culture, although many critics argue that subaltern voices were co-opted to provide maximum profit. -
Interview with DON MCLEAN Was Conducted by the Library of Congress on April 13, 2017
This interview with DON MCLEAN was conducted by the Library of Congress on April 13, 2017. Don McLean LIBRARY OF CONGRESS: There is some debate (some may say controversy) about where you started writing “American Pie.” Would you like to set the record straight now? Don McLean: Yes. When I started writing the song, I lived in a little gate house owned by James Bennenson, Jr. It was in Cold Spring on the Hudson, a little town near Garrison, just north of Peekskill. So, I lived in that gate house because I needed a place to stay, because I had no money at the time. I was working with Pete Seeger’s environmental effort to save the Hudson River. I wrote the first part of the song, from “Long, long time ago” to “The day the music died,” there. The chorus was written in the same houses about a month later. I wrote the remainder in the home of my first wife’s parents in Chestnut Hill, Pennsylvania. LOC: When was the first time you performed the song? DM: The first time I performed it was at Temple University in Philadelphia. I had to have a little girl hold up the lyrics for me. LOC: Where’d you get the little girl from? DM: I called her up from the audience. I was there opening for the great Laura Nyro. LOC: Did the song immediately get a good reaction from that first audience? DM: No. Not really. Though it picked up as it went along. But it only really got recognition after I made the record, when people started to really listen to the song. -
Grace Slick Welcome to the Wrecking Ball! Mp3, Flac, Wma
Grace Slick Welcome To The Wrecking Ball! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Welcome To The Wrecking Ball! Country: Spain Released: 1981 Style: Rock & Roll, Psychedelic Rock MP3 version RAR size: 1470 mb FLAC version RAR size: 1435 mb WMA version RAR size: 1173 mb Rating: 4.5 Votes: 400 Other Formats: DXD AHX XM MP1 FLAC DTS AUD Tracklist A1 Wrecking Ball 3:50 A2 Mistreater 3:26 A3 Shot In The Dark 3:20 A4 Round & Round 3:40 A5 Shooting Star 5:22 B1 Just A Little Love 4:23 B2 Sea Of Love 4:06 B3 Lines 3:21 B4 Right Kind 3:10 B5 No More Heroes 3:54 Credits Arranged By – Ron Frangipane, Scott Zito Art Direction – Joe Stelmach* Bass – Phil Stone Cover [Concept] – Grace Slick, Skip Johnson Creative Director – Tony King Drums – Bobby T.* Engineer – Ed Sprigg Engineer [Assistant] – Alan Meyerson, Kevin Ryan, Michael Guerra Keyboards – Paul Harris Lead Guitar, Vocals, Harmonica – Scott Zito Management – Skip Johnson Mastered By – Bob Ludwig Percussion – Joe Lala Photography By – Roger Ressmeyer Producer – Ron Frangipane Rhythm Guitar – Danny Gulino Written-By – Slick* (tracks: A1, B3 to B5), Zito* Notes Gatefold cover with printed inner sleeve containing photos and text. Other versions Category Artist Title (Format) Label Category Country Year Grace Welcome To The Wrecking AQL1-3851 RCA AQL1-3851 US 1981 Slick Ball! (LP, Album) Welcome To The Wrecking Grace AQL1-3851 Ball! (LP, S/Sided, Album, RCA AQL1-3851 US 1981 Slick TP) Grace Welcome To The Wrecking PL 13851 RCA PL 13851 Italy 1981 Slick Ball! (LP, Album) Grace -
NOVEMBER 1986 on Occasion, Special-Interest Publications Like Interfacing Equipment, and So On
in this issue . VOL. 10, NO. 11 Features Cover Photo by Rick Mattingly Columns EDUCATION ELECTRONIC INSIGHTS Midi And The Electronic Drummer: Part 2 by Jim Fiore 40 IN THE STUDIO Working With Arrangers/Producers Mattingly by Ndugu Chancler 42 Rick THE MACHINE SHOP by Living With The Machine by Simon Goodwin 56 Photo BASICS Working With A Metronome by Kenny Zail..... 64 ROCK 'N' JAZZ CLINIC Playing Around With Time by Rod Morgenstein 72 JAZZ DRUMMERS' WORKSHOP JOE MORELLO A Melodic Approach To Soloing When it comes to technique, Joe Morello is in a class by by Stanley Ellis 80 himself, and his work with the Dave Brubeck Quartet proved that he knew how to use that technique musically. Now, as a ROCK CHARTS teacher, Morello is passing down his expertise to a new Mel Gaynor: "Alive And Kicking" generation of drummers. by Andy Rankin 96 by Rick Mattingly 16 CONCEPTS Getting Unstuck DAVID UOSIKKINEN by Roy Burns . 110 CLUB SCENE Although the Hooters seemed to suddenly come out of nowhere, drummer David Uosikkinen explains the years of Hearing Aid development that led to the group's unique sound. by Rick Van Horn 112 by Robert Santelli 22 EQUIPMENT STAYING IN SHAPE: SETUP UPDATE Terry Bozzio And Rick Marotta 74 ELECTRONIC REVIEW TIPS FROM THE PROS Simmons SDS1000 And Rack PART 2 by Bob Saydlowski, Jr 114 The finest drummers in the business share the exercises, diets, JUST DRUMS 118 and warm-ups that keep them in top physical condition. by Ron Spagnardi 26 PROFILES UP AND COMING BARRIEMORE Marillion's Ian Mosley BARLOW by Susan Alexander 38 His experiences with such artists as Jethro Tull, Yngwie Malmsteem, and Robert Plant have given Barrie Barlow some NEWS strong opinions about the current state of music—opinions UPDATE 6 that he's happy to share without pulling punches, INDUSTRY HAPPENINGS 116 by Teri Saccone 30 DEPARTMENTS EDITOR'S OVERVIEW 2 GENE CHRISMAN READERS' PLATFORM 4 His name might not be on the tip of every drummer's tongue, but the list of artists that Gene Chrisman has recorded with is ASK A PRO 10 a virtual Who's Who of the music business. -
Jake Mack's the LIST
Jake Mack’s THE LIST Updated: July 2019 Don’t see it on the list? Billy Bragg & Wilco - Remember The Mountain Bed Request it anyway! Billy Joel - Vienna SUBMIT AT: Billy Joel – Piano Man wwww.jakemack.com/requests Black – Pearl Jam Fill in “Request It Live” form, and send! Black Crowes - Thorn in my pride (Only tap send once) Black Crowes - She Talks To Angels A Black Keys - Little Black Submarines Aimee Mann - That’s Just What You Are Blind Faith – Can’t Find My Way Home Albert King - Born Under A Bad Sign Bob Dylan - Blowin’ in The Wind Allman Brothers Band - Ain’t wastin time no more Bob Dylan - I Shall Be Released Allman Brothers Band - Blue Sky Bob Dylan - Lay Down Your Weary Tune Allman Brothers Band - Melissa Bob Dylan - Mr. tambourine man Allman Brothers Band - Old friend Bob Dylan - Simple twist of fate Allman Brothers Band – One Way Out Bob Dylan - Subterranean Homesick Blues B Bob Dylan – The Times Are A-Changin’ B.B. King – How Blue Can You Get? Bob Marley - No Woman No Cry B.B. King – Rock Me Baby Bob Seger – Mainstreet Backdoor Slam - Come home Bob Seger – Turn The Page Barenaked Ladies - Pinch Me Bruce Hornsby - The Way It Is Barenaked Ladies – Brian Wilson Bruce Springsteen - Growing Up Barenaked Ladies – If I Had A Million Dollars Bruce Springsteen - My City Of Ruins Beck - Beautiful Way Buddy Guy - Champagne and Reefer Ben Folds - Landed Buddy Guy - Feels Like Rain Ben Harper - Diamonds On The Inside C Big Head Todd & The Monsters - Please Don’t Tell Her Chicago - Does Anybody Really Know What Time It Is? Big Star - Ballad -
Rock 'N' Ro Ll & a Comfy Hou
BRI E F TH E HO OT E RS O N STA RD OM AND STAYING POWE R Rock ’n’ Ro ll & a Comfy Hou s e ric Bazilian,C’75, is hiking through a national park somewhere in northern Sweden. Engulfed by the Ewilderness, Bazilian and his two youngestchildren Ð ages 4 and 6 Ð are on the lookout for wolverines, bears and all manner of forestcreatures. “The countryside here is justamazing,”he says of his wife’s homeland,which the family visits each summer. “I used to have to for ce myself to come over here,and the carrot was that I could setup in the barn and write music every day.” Two decades ago, Bazilian and Rob Hyman,C’72, were in the midst of an experience that was equally wild Ð but now h e r e near as seren e . With their band, the Hooters, th e y kicked off Live Aid in Philadelphia on July 13 , 1985, before a capacity crowd at JFK Stadium and billions of people watc h - ing on TV worldwide. “We were sort of like deer in the Eric Bazilian and Rob Hyman he a d l i g ht s, ” Bazilian says. “W e wer e all con ce nt r ating so hard th a t it took a while to rea l i z e what we wer e exp e r i e n c i n g .” It was a high-water mark for the two friends, who met “Then I realized that after the show, she would getback “IT’SA PRIVILEGE in an electronic music class at Penn and later achieved all on the bus and drive for six hours and I would go back to TO LIVE A SEMI- the trappings of rock stardom Ð iconic singles like “And We my comfy bed and house with a studio in the back.” Danced,”music awards and concerts with the likes of U2 After lying fallow for the lasthalf of the 1990s, the NORMAL LIFE AND and Bruce Springsteen. -
Chords of Mclean
I N H O U D A H Always look at the bright side of life ...................... 9 Hard day’s night ................................................... 37 Against all Ods .................................................... 67 Harvest ................................................................ 71 Ain’t that a shame ............................................... 76 Heart beat ........................................................... 35 A boy named Sue ............................................... 22 Help ! ................................................................. 127 American pie ....................................................... 54 Hee Amsterdam ................................................. 94 All shook up ........................................................ 33 High heel sneakers .............................................. 50 All I have to do is dream ...................................... 84 Hit the road Jack ................................................. 87 Als de klok van Arnemuiden .............................. 130 Hope of deliverance ............................................ 82 Are you lonesome tonight? ............................... 122 Hou me vast ...................................................... 126 Angie .................................................................. 44 How you gonna see me now ............................. 106 Hee, kom aan ...................................................... 13 B Banana boat song ............................................. 118 I Before the next -
“American Pie” RIAA’Sdon Top 5 Songs of Themclean 20Th Century
recorded by the likes of Elvis Presley, Garth Brooks, Madonna, Fred Astaire, George Michael, and Ed Sheeran. In addition to “American Pie,” Don has scored other mega-hits like “Vincent (Starry, Starry Night),” “Castles in the Air,” “Wonderful Baby,” and many more. ith a musical career spanning over 50 years, The 21st Century has seen a number of new honors for legendary singer-songwriter Don McLean has Don McLean and his music. In 2004, McLean was inducted made many contributions to the music industry, into the Songwriters Hall of Fame by country superstar Garth including his magnum opus “American Pie,” one of the Brooks. 2017 brought a huge honor when “American Pie” DonRIAA’s Top 5 Songs of theMcLean 20th Century. “American Pie” has was inducted into the Library of Congress’ National Recording broughtW great happiness and hope to millions of people Registry, joining less than 500 works including “Somewhere through the years and continues to be honored for its success. Over the Rainbow,” classical music compositions, infamous In 2002, the song was inducted into the Grammy Hall of Fame. live broadcasts and similar recordings. A New York native, Don McLean has established himself as With a number of hits and decades of music under his belt, one of the most revered and respected songwriters in American McLean continues to tour both North America, Europe and other history, having influenced such artists like Garth Brooks and Ed international destinations, bringing a mix of his classic hits with an Sheeran, who cite Don McLean’s songwriting as the finest in array of new works.