THE METROPOLITAN MUSEUM OF ART. ARCHIVES

RECORD SET OF THE METROPOLITAN MUSEUM OF ART PUBLICATIONS DATS

NO A BIBLIOGRAPHY OF THE WRITINGS OF BRYSON BURROUGHS

WITH LISTS REFERRING TO HIM AND HIS WORK

NEW YORK '935 NOTE The articles written by Bryson Burroughs for the Bulletin of the Museum, while for the most part short and dealing with current accessions, are of so important a character that it has seemed desirable to bring the list of them together in pamphlet form. For the sake of completeness, other articles written by him have been added to this list. Here also have been included lists of the published reproductions of his work, the articles written upon him, and the catalogues of his exhibitions.

H. E. WINLOCK Director CATALOGUE INTRODUCTIONS Winslow Homer. Catalogue of a Loan Exhibition of Paintings by Winslow Homer. New York, 1911, pp. xiii-xx. Portrait Painters in Colonial Days. Catalogue of an Exhibition of Colonial Portraits. New York, 1911, PP- 3-23- William Merritt Chase. Loan Exhibition of Paintings by William M. Chase. New York, 1917, pp. xv-xxii. Introduction. Catalogue of Portraits & Landscapes of the British School Lent by John H. McFadden. New York, 1917, pp. iii-viii. Introduction. Loan Exhibition of the Works of Thomas Eakins. New York, 1917, pp. v-viii. Introduction. Loan Exhibition of the Works of Albert P. Ryder. New York, 1918, pp. v-viii. Introduction. Loan Exhibition of the Works of Gus- tave Courbet. New York, 1919, pp. vii-xii. Introduction. Loan Exhibition of Impressionist and Post-Impressionist Paintings. New York, 1921, pp. vii-xvi. Introduction. Catalogue of an Exhibition of Spanish Paintings from El Greco to Goya. New York, 1928, pp. xi-xxiv. Arthur B. Davies. Catalogue of a Memorial Exhibition of the Works of Arthur B. Davies. New York, 1930, pp. xi-xviii. Landscape Paintings. Landscape Paintings, a Catalogue of an Exhibition Held May 14 through September 30, 1934. New York, pp. 1-12.

ARTICLES IN THE BULLETIN OF THE METROPOLITAN MUSEUM OF ART Cassone Panels by Pesellino. Vol. IV(i909), pp. 224- 225. A Painting by Daumier. Vol. ¥(1910), pp. 23-24. The Wolf and Fox Hunt, by Peter Paul Rubens. Vol. VO910), pp. 120-122. Paintings Recently Added. Vol. VO910), pp. 123- 124. Drawings by Matisse. Vol. VO910), p. 126. Ruskin's Tintoretto. Vol. VI(i9ii), pp. 6-9. A Painting by Perugino. Vol. VI(l9ll), pp. 130, 131. Three Miracles of Saint Zenobius by Botticelli. Vol. VI(l9ii),pp. 185-190. The Meditation on the Passion by Carpaccio. Vol. VI (i9ii),pp. 183, 191-192. The Adoration of the Kings by a Pupil of Giotto. Vol. VIO911), pp. 215, 216. The Adoration of the Kings by Quentin Metsys. Vol. VI(i9ii),pp. 227, 228. Cremorne Gardens No. 2 by James McNeill Whistler. Vol. VII(i9i2),pp. 74-75. A Tuscan Predella. Vol. VII(i9i2), pp. 92-93. Drawings. Vol. VII(i9i2), pp. 98-100. Saint Matthew and the Angel, by Giovanni Girolamo Savoldo. Vol. VIIO912), pp. 101-102. The Pieta by Moretto da . Vol. VII(l9i2), pp. 112-113. A Polyptych Representing the Life of Saint Godelieve. Vol.VII(i9i2),pp. 126-128. Early Italian Paintings Lent by Mrs. Liberty Emery Holden. Vol. VII( 1912), pp. 173, 174-183. A Loan Exhibition of Mr. Morgan's Paintings. Vol. VIII(i9i3),pp. 1,2-13. Early Drawings from the Collection of J. P. Morgan. Vol. VIII( 1913), pp. 14-18, 19. Four Saints by Correggio. Vol. VIII( 1913), pp. 25, 26-28. Arrangement in Flesh Color and Black—Portrait of Theodore Duret by James Abbott McNeill Whistler. Vol. VIII(i9i3),pp. 44-46. A Triptych by Adriaen Isenbrant. Vol. VIII(i9i3), pp. 67-68, 69. Allegorical Sketch for a Ceiling by G. B. Tiepolo. Vol. VIII(i9i3), pp. 70-71. An Important Tintoretto. Vol. VIII(i9i3), pp. 100- 101. A Landscape by Cezanne. Vol. VIII(1913), pp. 108- 109. A Picture by Hieronymus Bosch. Vol. VIII( 1913), pp. 130-133. An Important Gift from Mr. George A. Hearn. Vol. VIII(i9i3),pp. 146-147. Panels by Botticini. Vol. VIII( 1913), pp. 214-215. Venetian Paintings. Vol. VIII( 1913), pp. 257, 262- 265. New Acquisitions of Pictures. Vol. IXO914), pp. 75-79- A Painting by Lorenzetti. Vol. IX(i9i4), pp. 85, 99-100. A Panel by Sano di Pietro. Vol. IXO914), pp. 128- 129. Recent Additions of Paintings. Vol. IX(i9i4), pp. 150-151,155. Water-Color Drawings by William Blake. Vol. IX

(i9i4),pp. 151-152. Examples of Thomas Sully's Work. Vol. IXO914), pp. 247, 248-251. Modern Paintings in the Altman Bequest. Vol. IX (1914), pp. 252-256. The Jesup Collection. Vol. XO915), pp. 63, 64-69. A Recent Loan of Paintings.Vol. XO915), pp.75-76. European Paintings in the Jesup Collection. Vol. X (I9i5),pp. 87, 88-94. An Altarpiece by Benozzo Gozzoli. Vol. XO915), pp. 224-228, 229. Two Paintings by Puvis de Chavannes. Vol. XI (i9i6),pp. 12-13. The Portrait of Madame X. by Sargent. Vol. XI (1916),pp. 113, 115. An Interesting Blake. Vol. XI(i9i6),pp. 113-114. An Imaginary Landscape. Vol. XIO916), pp. 129- 130. Paintings of Shakespeare's Day. Vol. XIO916), pp. 130-131. Regnault's Salome. Vol. XI(i9l6), pp. 163, 164-166. A Miracle of Saint Nicholas by Bicci di Lorenzo. Vol.

XI(i9i6),pp. 237-238. German Pictures Bought out of the Reisinger Fund. Vol. XII(i9i7),pp.6-8, 9. Thomas Eakins. Vol. XIIO917), pp. 198-200. The Hudson River School of Painters. Vol. XII ( 1917 ), October Supplement. Nineteenth - Century French Painting. Vol. XIII (1918), pp. 174-181. Drawings by on Exhibition. Vol. XIII(i9i8),pp. 214-217. Four Saints by Fra Filippo Lippi. Vol. XIII(i9i8), pp. 231, 232. Sienese and Florentine Paintings. Vol. XIVO919), pp. I, 6-8. The Gustave Courbet Centenary Exhibition. Vol. XIV (1919), pp. 63-64. The Gustave Courbet Centenary Exhibition. Vol. XIV (1919), pp. 73-74, 75. The Gift of a Courbet. Vol. XTVO919), pp. 112,113. Drawings by Degas. Vol. XIVO919), pp. 115-117. Portraits of M. and Mme. Leblanc by Ingres. Vol. XIV(i9l9),pp. 129, 133-135. Drawings from the Pembroke Collection. Vol. XIV (1919), pp. 136-140. A Crucifixion by Pescllino. Vol. XIV(i9i9), pp. 155- I56,I57- Drawings among the Recent Accessions. Vol. XIV

(i9i9),pp. 176-178. The Acquisition of a Girolamo dai Libri. Vol. XV (1920),pp. 137-139. Italian Paintings. Vol. XV(i92o), pp. 156-164. Pictures Lent for the Fiftieth Anniversary Exhibition. Vol. XV( 1920), pp. 184-192. French, English, and American Paintings. Vol. XV (1920), pp. 202-209. The William K. Vanderbilt Bequest. Vol. XV(i92o), pp. 261, 268-270. A Ceiling by Pinturicchio from the Palazzo del Mag- nifico in Siena. Vol. XVI(i92i), January, Part II. Two Sienese Paintings. Vol. XVI(i92i), pp. 25, 28-29. The Harvesters by Pieter Bruegel the Elder. Vol. XVI (1921),pp. 96-103. Gustave Moreau. Vol. XVIIO922), pp. I, 9-12. An Anonymous Gift. Vol. XVIIO922), pp. 55-58. A Holy Family by Andrea del Sarto. Vol. XVII (1922), pp. 121, 123-124. A Painting Attributed to Claude Lorraine. Vol. XVII (1922),pp. 127-130. A Thirteenth-Century Manuscript. Vol. XVII (1922), PP- I53-J55- A Fifteenth-Century Madonna. Vol. XVIIO922), pp. 176,177. A Bull Fight by Goya. Vol. XVIIIO923), pp. 64-66. Loan Exhibition of the Arts of the : Paintings. Vol. XVIII( 1923), pp. 107, 108-110. A Portrait by Rubens. Vol. XVIII(i923), pp. 116- 117. A Picture of Saint Ursula. Vol. XVIIIO923), pp. 144-145. Landscape in in the Fifteenth Century. Vol. XVIII(i923), pp. 197-201. A Fifteenth-Century Italian Panel. Vol. XVIII 0923)> PP- 242-244. Thomas Eakins. Vol. XVIII( 1923), pp. 281-283. A Masterpiece by Tiepolo. Vol. XIX(1924), pp. 14- 16, 17. Rembrandt's Old Woman Cutting Her Nails. Vol. XIX(i924),pp. 16-17. The Nativity by Fra Angelico. Vol. XIXO924), pp. 66-68. Two Pictures by Poussin. Vol. XIX(i924), pp. 100- 105. Drawings by Michelangelo for the Libyan Sibyl. Vol. XXO925), pp. 6-14. A Portrait by El Greco. Vol. XXO925), pp. 117, 122-124. Adriaen Brouwer. Vol. XXI(l926), pp. 51-54. A Loan from the French Government. Vol. XXI (1926), pp. 68-72. A Miniature by Holbein. Vol. XXIO926), pp. 97, 98-99. The Island of the Dead by Arnold Bocklin. Vol. XXI (1926),pp. 146-148. The Three Ages of Man by Dosso Dossi. Vol. XXI (1926),pp. 152-154. Three Paintings in a Recent Gift. Vol. XXIO926), pp. 164-166, 167. The Madonna of Siena. Vol. XXIO926), pp. 185, 190-193. Antonello da Messina. Vol. XXIIO927), pp. 76-79. A Sketch by Rubens. Vol. XXIIO927), pp. 88-90. The Portrait of Alfonso d'Este by . Vol. XXII (1927), pp. 97, 98-101. Two Italian Marriage Salvers. Vol. XXII(i927), pp. 120-122. A Loan of Italian Drawings and Miniatures. Vol XXII(i927),pp. 137-139. The Assumption of the Virgin by Borgognone. Vol XXIIO927), pp. 144-146. The Descent of Christ into Hell by Hieronymus Bosch Vol. XXII(i927),pp. 272-274. Two Drawings by Daumier. Vol. XXIIO927), pp 291-292. Spanish Paintings from El Greco to Goya. Vol. XXIII (1928), pp. 37, 39-44. Woman Reading in the Fields, by Corot. Vol. XXIII (1928),pp. 154-156. A Landscape by William Sidney Mount. Vol. XXIII (1928),pp. 175-178. A Portrait by Moretto da Brescia. Vol. XXIII( 1928), pp. 216-217. The Ford: a Painting by Claude Lorraine. Vol. XXIII (1928), pp. 306-308. A Decoration by Boucher. Vol. XXIV(i929), pp. 160-161. The Museum of Modern Art. Vol. XXIVO929), p. 320. The Exhibition of the H. O. Havemeyer Collection: Paintings (with H. B. Wehle). Vol. XXV(i93o), PP- 53, 55-6o. Titian's Adoration of the Kings: an Important Loan. Vol. XXV( 1930), pp. 268-271. Russian Painting. Vol. XXVIO931), pp. 50-51. The Theodore M. Davis Bequest: The Paintings. Vol. XXVI(i93i), March, Section II, pp. 14-23. A Picture by Jacques Louis David. Vol. XXVIO931), pp.140-144. The Bequest of Lizzie P. Bliss. Vol. XXVIO931), pp. 261-264. The Taste of Today in Masterpieces of Painting be­ fore 1900. Vol. XXVIIO932), pp. 170-173. The Friedsam Collection: Paintings (with H. B. Wehle). Vol. XXVIIO932), November, Section II, pp. 5-52. Two Great Pictures. Vol. XXVIII(i933), pp. 41, 57-62. A Diptych by Hubert van Eyck. Vol. XXVIII( 1933), pp. 184-193. Moonlight-Marine: a Painting by Albert P. Ryder. Vol. XXIXO934), pp. 105-106. An Early Painting by Thomas Eakins. Vol. XXIX (1934),PP- H5, I5I-I53- ARTICLES IN OTHER BOOKS AND MAGAZINES Painting, in The Significance of the Fine Arts. [ci923],pp. [2791-315, pis. 95-110. A Discoverer of Landscape, in The Arts, vol. XII (1927),pp. 124-166. He Painted It Five Times, in The Mentor, vol. XV, no. 3(April, 1927), pp. 48-49. Arthur B. Davies, in The Arts, vol. XVO929), pp. 79-93- A Painting by Corot Restored, in Metropolitan Mu­ seum Studies, vol. 11(1929), pp. 59-64. Albert Pinkham Ryder, m The Arts, vol. XVIO930), p. 638. Arthur B. Davies, Romanticist, in Creative Art, vol. VIII(i93i), pp. 98-102. Un Portrait inedit attribue a Hugo van der Goes, in Melanges Hulin de Loo, 1931, pp. 71-73, pl. 10. Apotheosis of Theodore Chasseriau, in Creative Art, vol. XI(i932),pp. 122-131. 1935 Views the Pre-Raphaelites, in The American Magazine of Art, vol. XXVIII( 1935), pp. 6-13. ARTICLES ABOUT BRYSON BURROUGHS Dezarrois, Andre. Paris Discovers a New Painter in Bryson Burroughs. New York Times, July 19,1914. Translation of a study of Bryson Burroughs ap­ pearing in the catalogue of the First Exhibition of Modern American Art, July 3 to October I, 1914, at the Galerie Levesque, Paris. An Exhibition of the Works of Bryson Burroughs at the Albright Art Gallery. Academy Notes (The Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, N.Y.), vol. XIII(l9l8), pp. 137-143. Field, H. E. Bryson Burroughs, the Man and His Work. Arts & Decoration, vol. XII(i9l9), pp. 82-84. Current Exhibitions [paintings by Leon Gaspard, Abel Pann, O. D. Grover, C. F. Browne, Bryson Bur­ roughs]. Bulletin of the Art Institute of Chicago, vol. XIV(i92o), pp. 5-7. Bryson Burroughs, Montross Gallery. The Art News, vol. XXX, no. 17 (January 23, 1932), p. 9. [Exhibition, Montross Gallery.] The Art Digest, vol. VI, no. 9 (February 1, 1932), p. 19. Bryson Burroughs, Montross Gallery. Parnassus, vol. IV, no. 2 (February, 1932), pp. 17-18. Metropolitan Buys Painting by Its Curator. The Art Digest, vol. VI, no. 12 (March 15, 1932), p. 13. Taylor, Mary. Living Picture Study: An American Farm Scene, Painted by Bryson Burroughs. Ameri­ can Childhood, vol. XXO934), pp. 19, 46-47. Cortissoz, Royal. Bryson Burroughs, an editorial in the New York Herald Tribune, November 18, 1934. Reprinted in the Bulletin of The Metropolitan Mu­ seum of Art, vol. XXIX(i934), pp. 202-203. Bryson Burroughs, Curator and Painter, Dies at Sixty- five. The Art News, vol. XXXIII, no. 8 (Novem­ ber 24, 1934), PP- 8, 11. Burroughs Dead. The Art Digest, vol. IX, no. 5 (December 1, 1934), P- 1- Bryson Burroughs. Museum News, vol. XII, no. 11 (December I, 1934), p. 2. Watson, Forbes. The Innocent Bystander. The Ameri­ can Magazine of Art, vol. XXVIII(i935), PP- 43-44- Watson, Forbes. Bryson Burroughs. Parnassus, vol. VI, no. 8 [vol. VII, no. 1] (January, 1935), p. 3. Ivins, William M., Jr. Bryson Burroughs, in Bryson Burroughs: Catalogue of a Memorial Exhibition of His Works (The Metropolitan Museum of Art), T935,PP-xi-xx. Wehle, Harry B. Bryson Burroughs the Painter, in Bryson Burroughs: Catalogue of a Memorial Exhi­ bition of His Works (The Metropolitan Museum of Art), 1935, pp. xxi-xxvi.

CATALOGUES OF EXHIBITIONS Galerie Levesque, Paris. First Exhibition of Modern American Art: Bryson Burroughs. July 3-Octobcr 1, 1914. Montross Gallery, New York. Exhibition of Pictures by Bryson Burroughs, January second to sixteenth, 1915. Buffalo Fine Arts Academy, Albright Art Gallery. Catalogue of an Exhibition of Paintings by Bryson Burroughs, September 18-October 31, 1918. Montross Gallery, New York. Bryson Burroughs, Paintings and Drawings, March 19th-April 9th, 1921. Montross Gallery, New York. Bryson Burroughs, Paintings and Drawings, April 7th to 26th, 1924. Montross Gallery, New York. Bryson Burroughs, Paintings, March 14th to 26th, 1927. Montross Gallery, New York. Bryson Burroughs, Paintings and Drawings, March 1 ith to 23rd, 1929. Montross Gallery, New York. Bryson Burroughs, January 18th to 30th, 1932. Century Association, New York. Bryson Burroughs, Paintings, March 5th to April 2nd, 1933. The Metropolitan Museum of Art, New York. Bry­ son Burroughs: Catalogue of a Memorial Exhibition of His Work, March 25 through May 5, 1935.

REPRODUCTIONS OF HIS PAINTINGS The Age of Gold. Academy Notes (The Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo,

N. Y.), vol. XIII(i9i8),p. 142. Andromeda. Bulletin of the Art Institute of Chicago, vol. XIVO920), p. 4. The Archers. Academy Notes (The Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, N. Y.), vol. XIIIO918), p. 140. Betrayal of Samson. Cleveland Museum Bulletin, vol. XVIO929), p. in. Calypso's Island. The Arts, vol. XV(i929), p. 193. Demeter in Winter. Arts & Decoration,vol. XII( 1919), p. 83. Europa. The American Magazine of Art, vol. XXI 0930), p. 391- Eurydice Bitten by the Snake. The Art News, vol. XXX, no. 24(March 12, 1932), p. 13; Arts Week­ ly, vol. 1(1932), p. 65. The Excavation. Arts & Decoration, vol. XII(i9i9), p. 82. The Fishermen. Academy Notes (The Buffalo Fine Arts Academy, Albright Art Gallery, Buffalo, N. Y.), vol. XIII(i9l8), p. 143; Arts & Decora­ tion, vol. XIIO919), p. 83. The Island of Naxos. Parnassus, vol. VII(January, I935),P- 3- June. American Childhood, vol. XXO934), pp. 4, 20. Nausicaa and Her Maidens. The Arts, vol. XI( 1927), p. 209. The Sailors. Arts& Decoration,vol. XII( 1919), p. 84. Saint George Catches Sight of the Dragon. The Arts, vol. I, no. 4 (April, 1921), p. 41. The Toilet of Helen (drawing). The Arts, vol. V (1924), p. 289. Venus at the Funeral of Adonis. Arts & Decoration, vol. XIIO919), p. 84; The American Magazine of Art, vol. XXVIIIO935), p. 43.