Digger Guestbook Redux (1995 to 2004)
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Injuries Associated with Posthole Diggers
FARM MACHINERY INJURY Injuries associated with posthole diggers A report for the Rural Industries Research and Development Corporation by J Miller, L Fragar and R Franklin Published September 2006 RIRDC Publication No 06/036 RIRDC Project No US-87A © Australian Centre for Agricultural Health and Safety and Rural Industries Research and Development Corporation. All rights reserved ISBN 1 74151 299 9 ISSN 1440-6845 Farm Machinery Injury: Injuries Associated with Posthole Diggers Publication No. 06/036 Project No. US-87A The information contained in this publication is intended for general use to assist public knowledge and discussion and to help improve the development of sustainable industries. The information should not be relied upon for the purpose of a particular matter. Specialist and/or appropriate legal advice should be obtained before any action or decision is taken on the basis of any material in this document. The Commonwealth of Australia, Rural Industries Research and Development Corporation, the authors or contributors do not assume liability of any kind whatsoever resulting from any person's use or reliance upon the content of this document. This publication is copyright. However, ACAHS and RIRDC encourage wide dissemination of their research providing that these organisations are clearly acknowledged. For any other enquiries concerning reproduction contact the RIRDC Production Manager on Ph 61 (0) 2 6272 3186 or the Manager on 61 (0)2 6752 8215. Research contact details L Fragar Australian Centre for Agricultural Health and Safety University of Sydney PO Box 256 Moree NSW 2400 Australia Phone: 61 2 67528210 Fax 61 2 67526639 E-Mail: [email protected] RIRDC Contact details: Rural Industries Research and Development Corporation Level 2, 15 National Circuit BARTON ACT 2600 PO Box 4776 KINGSTON ACT 2604 Phone: 02 6272 4218 Fax: 02 6272 5877 Email: [email protected]. -
A Turf of Their Own
HAVERFORD COLLEGE HISTORY DEPARTMENT A Turf of Their Own The Experiments and Contradictions of 1960s Utopianism David Ivy-Taylor 4/22/2011 Submitted to James Krippner in partial fulfillment of History 400: Senior Thesis Seminar Table of Contents Abstract 3 Acknowledgements 4 INTRODUCTION 5 Historical Problem 5 Historical Background 7 Sources 14 AN AQUARIAN EXPOSITION 16 The Event 16 The Myth 21 Historical Significance 25 DISASTER AT ALTAMONT .31 The Event 31 Media Coverage 36 Historical Significance 38 PEOPLE'S PARK: "A TURF OF THEIR OWN" 40 The Event 40 Media Coverage 50 Historical Significance 51 THE SAN FRANCISCO DIGGERS, COMMUNES, AND THE HUMAN BE-IN 52 Communes 52 The Diggers 54 San Francisco 55 CONCLUSIONS 59 BIBLIOGRAPHY 61 2 ABSTRACT After WWII, the world had to adjust to new technologies, new scientific concepts, new political realities, and new social standards. While America was economically wealthy after the war, it still had to deal with extremely difficult social and cultural challenges. Due to these new aspects of life, there were increasing differences in both the interests and values of children and their parents, what we have learned to call the "generation gap". The "generational gap" between the youth culture and their parents meant a polarizing society, each hating and completely misunderstanding the other.. This eventually resulted in a highly political youth culture that was laterally opposed to the government. Through isolation, the counterculture began to develop new philosophies and new ways of thinking, and a huge part of that philosophy was the pursuit of a "Good Society", a utopian dream for world peace. -
300 Series Two Man Hole Diggers Operator Manuals
OPERATOR MANUAL Includes Safety, Service and Replacement Part Information 300 Series Hole Diggers Models: 330H, 343H, 357H Form: GOM12070702 Version 1.2 Do not discard this manual. Before operation, read and comprehend its contents. Keep it readily available for reference during operation or when performing any service related function. When ordering replacement parts, please supply the following information: model number, serial number and part number. For customer service assistance, telephone 800.533.0524, +507.451.5510. Our Customer Service Department telefax number is 877.344.4375 (DIGGER 5), +507.451.5511. There is no charge for customer service activities. Internet address: http://www.generalequip.com. E-Mail: [email protected]. The products covered by this manual comply with the mandatory requirements of 98/37/EC. Copyright 2009, General Equipment Company. Manufacturers of light construction equipment Congratulations on your decision to purchase a General light construction product. From our humble beginnings in 1955, it has been a continuing objective of General Equipment Company to manufacture equipment that delivers uncompromising value, service life and investment return. Because of this continuous commitment for excellence, many products bearing the General name actually set the standards by which competitive products are judged. When you purchased this product, you also gained access to a team of dedicated and knowledgeable support personnel that stand willing and ready to provide field support assistance. Our team of sales representatives and in house factory personnel are available to ensure that each General product delivers the intended performance, value and investment return. Our personnel can readily answer your concerns or questions regarding proper applications, service requirements and warranty related problems. -
Independent Has Is Premature,” S C H W a R Tz Pointment
l l o ; ■ ; Keyport cops THE ■' a fc a commended for saving girl KEYPORT Sgt George Nadier and Ptl. James Lawson have n d e p e n d e n t been commended by Police I ft , . ft The Weekly Newspaper Chief William Geiger for ☆ ft ☆ their “quick thinking and professional m a n n e r ”, avoiding possible injury to a 4-year-old child in a kitchen Vol. 6 No. 1 Wednesday, Nov. 12, 1975 15 Cents; fire Wednesday The policemen had re sponded to 222 Maple PI. on the report of a woman locked out of the house. The woman W ill M ataw an C ouncil said that she had stepped outside to empty garbage, leaving the child in the house and the stove on, and the door had locked shut. Geiger said that the pa trolman had returned to his replace ad m inistrator? car for a prying tool and was returning when he heard the By David Thaler Thomas O’Hara, and Rich woman scream and saw a peated, “I won’t comment on year to evaluate the admi- ard Schwartz reportedly are ball of fire. Nadier broke MATAWAN BOROUGH that.” strator’s performance. prepared to vote to replace through a window, removed The Matawan B o r o u gh Piperno received a vote of The council apparently did the child from the kitchen Council will decide this week Piperno, although Schwartz confidence from Mayor Vic not consider replacing Pip and took a skillet which had whether to replace Michael said last night that he had tor Armellino, who would erno when it reorganized this caught fire off the stove, the Piperno as borough business “made no commitments.” vote only if the council dead year. -
Elvis Presley Music
Vogue Madonna Take on Me a-ha Africa Toto Sweet Dreams (Are Made of This) Eurythmics You Make My Dreams Daryl Hall and John Oates Taited Love Soft Cell Don't You (Forget About Me) Simple Minds Heaven Is a Place on Earth Belinda Carlisle I'm Still Standing Elton John Wake Me Up Before You Go-GoWham! Blue Monday New Order Superstition Stevie Wonder Move On Up Curtis Mayfield For Once In My Life Stevie Wonder Red Red Wine UB40 Send Me On My Way Rusted Root Hungry Eyes Eric Carmen Good Vibrations The Beach Boys MMMBop Hanson Boom, Boom, Boom!! Vengaboys Relight My Fire Take That, LuLu Picture Of You Boyzone Pray Take That Shoop Salt-N-Pepa Doo Wop (That Thing) Ms Lauryn Hill One Week Barenaked Ladies In the Summertime Shaggy, Payvon Bills, Bills, Bills Destiny's Child Miami Will Smith Gonna Make You Sweat (Everbody Dance Now) C & C Music Factory Return of the Mack Mark Morrison Proud Heather Small Ironic Alanis Morissette Don't You Want Me The Human League Just Cant Get Enough Depeche Mode The Safety Dance Men Without Hats Eye of the Tiger Survivor Like a Prayer Madonna Rocket Man Elton John My Generation The Who A Little Less Conversation Elvis Presley ABC The Jackson 5 Lessons In Love Level 42 In the Air Tonight Phil Collins September Earth, Wind & Fire In Your Eyes Kylie Minogue I Want You Back The Jackson 5 Jump (For My Love) The Pointer Sisters Rock the Boat Hues Corportation Jolene Dolly Parton Never Too Much Luther Vandross Kiss Prince Karma Chameleon Culture Club Blame It On the Boogie The Jacksons Everywhere Fleetwood Mac Beat It -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Craze Returns for One Last Council Worksession, July 12 CRAZE Photo Credit??? by Kathleen Gallagher
GREENBELT News ReviewAn Independent Newspaper VOL. 80, No. 35 15 Crescent Rd., Suite 100, Greenbelt, MD 20770-1887 JULY 20, 2017 Craze Returns for One Last Council Worksession, July 12 CRAZE photo credit??? by Kathleen Gallagher On the one hand, the Green- Craze, who retired as director of belt City Council worksession of the Department of Planning and July 12 was a down-in-the-weeds Community Development, was discussion of necessary modifica- present to review the annexa- tions to documents defining the tion situation with council and city’s 2005-2006 annexation of the steps staff and the city so- property in the South Core of licitor were proposing to remedy Greenbelt Station. Considering it. Accompanying her was her the scale of the original 78-acre husband, a tanned and relaxed- annexation, the errors, represent- looking Jim Craze, who retired as ing less than half an acre, were chief of police in November, fol- LARKIN SARAH BY PHOTO Dancing in costumes from the 1937 era, the Creative Kids relatively minor. Nonetheless, the lowing 45 years of city service. Camp Titans sing about a student-run store in their school, legal process for making the cor- At the end of the meeting, during their show, The Cookie Caper. See story on page 12. rections has already taken a good Mayor Emmett Jordan took Celia deal of work and will take some PALAU BEVERLY BY PHOTO Craze by surprise with a procla- Celia Craze time to accomplish. mation that managed to capture On the other hand, the work- employees, one of whom appar- a great deal of her 30-year city Camp Encore Stages Passionate session provided an opportunity ently did her best to get out of career. -
It's Hip to Unzip Open Land Communes and Their Neighbours
“It’s Hip to Unzip”: Open Land Communes and Their Neighbours in Northern California, 1966-1979 by John Stuart Miller B.A., The University of British Columbia, 2013 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (History) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2016 © John Stuart Miller, 2016 Abstract This essay considers the histories of two countercultural, back-to-the-land communes located in northern California: Siskiyou County’s Black Bear Ranch and Sonoma County’s Morning Star Ranch. Both of these communes were highly influenced by the concept of Open Land, according to which anyone may freely live in a given space, particularly those individuals rejected or alienated by urban modernity. I examine the ways in which these communes related to and were shaped by their rural neighbours, as well as the local state, asserting the importance of the surrounding community in effecting events at each commune. I argue that positive relations with neighbours determined the continued viability of these communes, and that these positive relations in turn required a compromise of original founding principles including Open Land. I further uncover the changing perceptions rural people held of hippie communards, and contextualize the back-to-the-land ideal within broader American traditions of frontier settlement and reinvention. !ii Preface This thesis is entirely the original, unpublished, and independent work of the author, John -
Interview J. Berman Commune (PDF)
Interview with Jonathan Berman, Director of COMMUNE How did you get the idea for the film and was there something specific that inspired you? I grew up on Long Island in the 1960’s around that environment. You know just being a kid growing up around the 60’s and 70’s; this environment of the counterculture was always in the air, even in suburbia – maybe especially in suburbia. As I became a teenager I started to get into the music of Jimmy Hendrix and all that, playing keyboards and in rock bands. So I always had that warm feeling towards that whole world as an alternative to us and the bland world of suburban Long Island life. I was always intrigued by that and then was a Deadhead and into various counterculture ideas. The politics attracted me, and so when I was searching for my next project, I met this eccentric producer and was telling him about my film I was planning about barbequing in the Carolinas and he, being a New York no-nonsense eccentric: “I just don’t like that idea” and I said, “Well, what do you like?” because when you find, a co- producer, it is a good thing, and he said, “Well I like things that are off the grid” which literally means off the electric grid, that is alternative culture on the fringe. So that idea of things very much resonated with me, the idea of things being “off the grid.” How did you come into contact with the people of Black Bear Ranch? Well after that night, I did some reading and came across a book on the 60’s communes literally called “The Sixties Communes” by Tim Miller, a professor and read a few pages on Black Bear Ranch and said to myself, “this is it.” I saw Black Bear as the epicenter of all the benevolent anarchy and theatricality and counter culture ideas that speak to me. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Présentation D'un Nouveau Produit
Formation : 31 mars 2015 Le Manga au CDI Plan Introduction 1. Comment s'informer ? 2. L'histoire du manga au Japon 3. L'édition du manga en France 4. Le manga au CDI : questions pratiques 5. Le manga au CDI : quels titres ? 6. Quelles utilisations pédagogiques ? Introduction ● Définition du mot manga ● Le manifeste de la nouvelle manga par Frédéric Boilet http://www.boilet.net/fr/nouvellemanga_manifeste_1.html ● Manga - Manwha - Manhua ● Définition des genres (Shônen, Shôjo, seinen...) 1. Comment s'informer ? 1.1. Les documentaires : ● Le manga Stéphane Ferrand et Sébastien Langevin Milan Les Essentiels 6,20 € 1. Comment s'informer ? 1.1. Les documentaires : ● Animeland Hors Série 5 ● Animeland Hors Série 10 Pack à 15 € ● Animeland Hors Série 17 6,50 € ● Animeland Hors Série 18 9,95 € 1. Comment s'informer ? 1.1. Les documentaires : ● Le grapholexique Den Sigal Eyrolles 17,20 € 1. Comment s'informer ? 1.1. Les documentaires : ● Les 120 incontournables Olivier Richard 12 bis 9,90 € 1. Comment s'informer ? 1.1. Les documentaires : ● Le meilleur du manga 2013 Sébastien Kimbergt Kazé 7,99 € 1. Comment s'informer ? 1.1. Les documentaires : ● Manga : Soixante ans de bande dessinée japonaise Paul Gravett Editions du Rocher 24,20 € 1. Comment s'informer ? 1.1. Les documentaires : ● Osamu Tezuka : le dieu du manga Helen McCarthy Eyrolles 32,40 € 1. Comment s'informer ? 1.2. Les périodiques : ● Animeland Prix : 6,95 € Abonnement : 42 € ● Coyote Prix : 6,50 € Abonnement : 34,40 € 1. Comment s'informer ? 1.3. Les sites web : ● Manga news http://www.manga-news.com/ ● Manga Sanctuary http://www.manga-sanctuary.com/ ● Animeland http://www.animeland.com/ 2. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................