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Music: Music and Me (Part 1) Hi Everyone! We Are Going to Be Exploring Our Identity Through Music
Music: Music and Me (Part 1) Hi everyone! We are going to be exploring our identity through music. Our identity is made up of all the different things that make us who we are. Each one of us is completely unique with our own experiences, feelings, family background and dreams. Music is a brilliant way of exploring and expressing our identity. It gives up confidence, power and purpose. Our gender is also a really important part of our identity. For different reasons, there haven’t been enough women working in the music industry. This is completely unjust, and meant that many women weren’t given a fair chance. People all around the world have been working really hard to change this, and we’re starting to see the results. We are going to look at 4 talented female musicians who are exploring their own musical and cultural identity. You will hear how they got to where they are, and see how you can do the same. You can be part of the change. How exciting! We will invite you to try out some different ways of making your own music and to explore some of the most inspirational and influential women in music from the last 100 years. Now don’t worry if you’ve never created your own music before; just enjoy the experience, and have fun! For today’s music lesson, let’s meet the 4 artists. When you listen to each song, write down your personal answers to the following questions (the more detailed your answers, the better): 1. -
Annie Lennox: Diva/Medusa
Annie Lennox: Diva/Medusa spectrumculture.com/2018/03/12/annie-lennox-diva-medusa Daniel Bromfield March 12, 2018 At its best, Annie Lennox’s music is as deep, comforting and mysterious as that of Sade, the Blue Nile, or any of the other great sophisticated pop acts from the late ‘80s and early ‘90s. But in Lennox’s voice there’s a certain acidity that grounds us firmly in reality rather than suave fantasy. Ugly, real emotions are never far beneath the illusion, and on her cover of “Take Me to the River” or as she whispers into the mic on “Why,” she’s ready to kill. Even on something as atmospheric as “Downtown Lights,” she never allows herself to disappear into the mix. Helen Folasade Adu never loses her cool, but Lennox ends her best-known solo song, a jaw-dropping cover of obscure British band The Lover Speaks’ “No More I Love You’s,” by bursting into tears. Lennox was a relative veteran by the time she released her solo debut Diva at 37. She’d come to fame in the Eurythmics but had been kicking around since the ‘70s, as part of Scottish band the Tourists. After her personal and professional relationship with guitarist Dave Stewart ended, Lennox wrote most of Diva herself and settled on a new sound: less lean and more immersive than that project’s rock-band hijinks, with Lennox’s voice in the center of an environment rather than at the front of a machine. Diva opens with a wash of pads so lush and pillowy our heads sink right back into it. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Episode 308: JOHNNYSWIM That Sounds Fun with Annie F. Downs
Episode 308: JOHNNYSWIM That Sounds Fun with Annie F. Downs [00:00:00] <Music> Annie: Hi friends, welcome to another episode of That Sounds Fun. I'm your host Annie F. Downs, I'm really happy to be here with you today. We've got a great show in store, one y'all have been requesting for always. So I'm thrilled about today's show. And before we get started, I want to tell you about one of our incredible partners, CRU. It probably goes without saying, but here I am saying it anyways, reading the Bible is so important to me. If you've been following me through 2021, you know, I've been doing the Bible in a Year, and I'm always blown away by the new things I learn, even in passages I feel like I've read 100 times. But imagine for a second that you couldn't get a Bible, like you couldn't afford one or couldn't just hop on Amazon and have one sent to your house. Take it one step further, and imagine that you aren't even allowed to have one. Honestly, sometimes we forget that there are so many people all around the world, who simply can't get a Bible. And that's why we're thrilled to partner with Cru. Cru is one of the largest evangelical organizations in the world, with over 25,000 missionaries in almost every country. Cru has given Bibles to people in their own heart language, and sharing the hope of Jesus all around the globe. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
War in the Age of Intelligent Machines
Introduction The image of the ''killer robot" once belonged uniquely to the world of science fiction. This is still so, of course, but only if one thinks of human like mechanical contraptions scheming to conquer the planet. The latest weapons systems planned by the Pentagon, however, offer a less anthropo morphic example of what machines with "predatory capabilities" might be like: pilotless aircraft and unmanned tanks "intelligent" enough to be able to select and destroy their own targets. Although the existing prototypes of robotic weapons, like the PROWLER or the BRAVE 3000, are not yet truly autonomous, these new weapons do demonstrate that even if Artificial Intel ligence is not at present sufficiently sophisticated to create true "killer robots,'' when synthetic intelligence does make its appearance on the planet, there will already be a predatory role awaiting it. The PROWLER, for example, is a small terrestrial armed vehicle, equipped with a primitive form of "machine vision" (the capability to ana lyze the contents of a video frame) that allows it to maneuver around a battlefield and distinguish friends from enemies. Or at least this is the aim of the robot's designers. In reality, the PROWLER still has difficulty negoti ating sharp turns or maneuvering over rough terrain, and it also has poor friend/foe recognition capabilities. For these reasons it has been deployed only for very simple tasks, such as patrolling a military installation along a predefined path. We do not know whether the PROWLER has ever opened fire on an intruder without human supervision, but it is doubtful that as currently designed this robot has been authorized to kill humans on its own. -
Stardigio Program
スターデジオ チャンネル:450 洋楽アーティスト特集 放送日:2019/09/23~2019/09/29 「番組案内 (8時間サイクル)」 開始時間:4:00~/12:00~/20:00~ 楽曲タイトル 演奏者名 ■TAYLOR SWIFT 特集 (1) Tim McGraw [Radio Edit] Taylor Swift PICTURE TO BURN [RADIO EDIT] Taylor Swift Teardrops On My Guitar [Pop Mix] Taylor Swift SHOULD'VE SAID NO Taylor Swift OUR SONG [SINGLE MIX] Taylor Swift I'M ONLY ME WHEN I'M WITH YOU Taylor Swift CHANGE Taylor Swift FEARLESS [SINGLE EDIT] Taylor Swift FIFTEEN [UK EDIT] Taylor Swift LOVE STORY Taylor Swift WHITE HORSE [RADIO EDIT] Taylor Swift YOU BELONG WITH ME [TOP 40 MIX] Taylor Swift TELL ME WHY Taylor Swift THE WAY I LOVED YOU Taylor Swift FOREVER & ALWAYS Taylor Swift YOU'RE NOT SORRY Taylor Swift ■TAYLOR SWIFT 特集 (2) BREATHE Taylor Swift feat. Colbie Caillat THE BEST DAY Taylor Swift Crazier Taylor Swift TWO IS BETTER THAN ONE [MAIN] Boys Like Girls feat. Taylor Swift HALF OF MY HEART JOHN MAYER with TAYLOR SWIFT TODAY WAS A FAIRYTALE Taylor Swift Jump Then Fall Taylor Swift MINE Taylor Swift Dear John Taylor Swift Never Grow Up Taylor Swift Enchanted Taylor Swift Long Live Taylor Swift BACK TO DECEMBER [RADIO EDIT] Taylor Swift ■TAYLOR SWIFT 特集 (3) Speak Now Taylor Swift Better Than Revenge Taylor Swift Innocent Taylor Swift Haunted Taylor Swift Last Kiss Taylor Swift MEAN Taylor Swift THE STORY OF US [UK RADIO EDIT] Taylor Swift SPARKS FLY Taylor Swift OURS Taylor Swift If This Was a Movie Taylor Swift Superman Taylor Swift BOTH OF US B.o.B feat. TAYLOR SWIFT SAFE & SOUND TAYLOR SWIFT feat. -
AN ANALYSIS of the MUSICAL INTERPRETATIONS of NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 a THESIS S
AN ANALYSIS OF THE MUSICAL INTERPRETATIONS OF NINA SIMONE by JESSIE L. FREYERMUTH B.M., Kansas State University, 2008 A THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2010 Approved by: Major Professor Dale Ganz Copyright JESSIE L. FREYERMUTH 2010 Abstract Nina Simone was a prominent jazz musician of the late 1950s and 60s. Beyond her fame as a jazz musician, Nina Simone reached even greater status as a civil rights activist. Her music spoke to the hearts of hundreds of thousands in the black community who were struggling to rise above their status as a second-class citizen. Simone’s powerful anthems were a reminder that change was going to come. Nina Simone’s musical interpretation and approach was very unique because of her background as a classical pianist. Nina’s untrained vocal chops were a perfect blend of rough growl and smooth straight-tone, which provided an unquestionable feeling of heartache to the songs in her repertoire. Simone also had a knack for word painting, and the emotional climax in her songs is absolutely stunning. Nina Simone did not have a typical jazz style. Critics often described her as a “jazz-and-something-else-singer.” She moved effortlessly through genres, including gospel, blues, jazz, folk, classical, and even European classical. Probably her biggest mark, however, was on the genre of protest songs. Simone was one of the most outspoken and influential musicians throughout the civil rights movement. Her music spoke to the hundreds of thousands of African American men and women fighting for their rights during the 1960s. -
Uptownlive.Song List Copy.Pages
Uptown Live Sample - Song List Top 40/ Pop 24k Gold - Bruno Mars Adventure of A Lifetime - Coldplay Aint My Fault - Zara Larsson All of Me (John Legend) Another You - Armin Van Buren Bad Romance -Lady Gaga Better Together -Jack Johnson Blame - Calvin Harris Blurred Lines -Robin Thicke Body Moves - DNCE Boom Boom Pow - Black Eyed Peas Cake By The Ocean - DNCE California Girls - Katy Perry Call Me Maybe - Carly Rae Jepsen Can’t Feel My Face - The Weeknd Can’t Stop The Feeling - Justin Timberlake Cheap Thrills - Sia Cheerleader - OMI Clarity - Zedd feat. Foxes Closer - Chainsmokers Closer – Ne-Yo Cold Water - Major Lazer feat. Beiber Crazy - Cee Lo Crazy In Love - Beyoncé Despacito - Luis Fonsi, Daddy Yankee and Beiber DJ Got Us Falling In Love Again - Usher Don’t Know Why - Norah Jones Don’t Let Me Down - Chainsmokers Don’t Wanna Know - Maroon 5 Don’t You Worry Child - Sweedish House Mafia Dynamite - Taio Cruz Edge of Glory - Lady Gaga ET - Katy Perry Everything - Michael Bublé Feel So Close - Calvin Harris Firework - Katy Perry Forget You - Cee Lo FUN- Pitbull/Chris Brown Get Lucky - Daft Punk Girlfriend – Justin Bieber Grow Old With You - Adam Sandler Happy – Pharrel Hey Soul Sister – Train Hideaway - Kiesza Home - Michael Bublé Hot In Here- Nelly Hot n Cold - Katy Perry How Deep Is Your Love - Calvin Harris I Feel It Coming - The Weeknd I Gotta Feelin’ - Black Eyed Peas I Kissed A Girl - Katy Perry I Knew You Were Trouble - Taylor Swift I Want You To Know - Zedd feat. Selena Gomez I’ll Be - Edwin McCain I’m Yours - Jason Mraz In The Name of Love - Martin Garrix Into You - Ariana Grande It Aint Me - Kygo and Selena Gomez Jealous - Nick Jonas Just Dance - Lady Gaga Kids - OneRepublic Last Friday Night - Katy Perry Lean On - Major Lazer feat. -
Sam Moore BIO for Years Sam Moore Was Best Known for His Work With
Sam Moore BIO For years Sam Moore was best known for his work with the historic soul duo Sam & Dave. The rapid-fire style, built on the call and response of gospel, was fashioned and pioneered by Sam and became the trademark of the duo. Songs like Hold On I’m Coming, I Thank You, When Something Is Wrong With My Baby, Soul Sister, Brown Sugar, Wrap It Up and his monster hit Soul Man catapulted them up both the Pop and R & B Charts. Sam & Dave sold more than 10 million records worldwide. The music and sound of Sam & Dave became so popular that the duo served as the inspiration for The Blues Brothers parody by Dan Aykroyd and John Belushi. Though he has tremendous love and respect for the music he created as “the voice” of the duo, Sam, who has been called “the blast furnace of soul,” has maintained his appeal and his stardom as a solo artist and continues to tour scoring critical acclaim for his work. He recorded Rainy Night In Georgia, as a duet with Conway Twitty, which earned them a platinum record as well as two Country Music Association Awards nominations. This was Twitty’s last recording. The Grammy Award winner has countless television appearances globally including The Leno Show, Late Night With David Letterman, Later With Jools, The Today Show, Entertainment Tonight, The Grammys and many others. Sam has also appeared in several major movies including One Trick Pony, Tapeheads, Blues Brothers 2000 and Night of The Golden Eagle. A documentary filmed by the legendary D.A. -
John Mayer Celebrated Weekend, American Way, June 2006
American Way Magazine - Trends for the Modern Traveler / Travel 06/09/2006 08:48 AM 06.01.06 THE MAYER OF ATLANTA by Kevin Raub John Mayer’s status in his adopted hometown has afforded him plenty Archive of time to enjoy the finer things, like hybrid sushi dinners with Elton John. But the real reason he keeps coming back? People in Atlanta know that escalators are for chilling out. Author KEVIN RAUB is a Los Angeles– based travel and entertainment Folk-pop wonder boy John Mayer journalist. His work has appeared has just bitten his lip between bites in Travel+Leisure, the New York of tortilla soup at a small and trendy Mexican café. That in itself isn’t Post, FHM, and Stuff, among other publications. all that remarkable — we’ve all been there. It’s just that Mayer gets all up in arms over it. “I just bit my lip good,” he announces. “This is now going to set off a vicious cycle of continual biting. This means I will end up chewing like this [makes funny sideways chewing face]. That was great. Thanks, John!” Well, it’s a good thing he didn’t choke. Actually, choking is not part of Mayer’s routine thus far. Intensive word of mouth — much of it on the Internet — eventually led the record-buying public to his whimsical major label debut in 2001, Room for Squares. The album spawned the hits “No Such Thing,” “Why Georgia,” and “Your Body is a Wonderland.” The Dave Matthews comparisons were swift and unrelenting, but Mayer soldiered on.