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MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Corey Johnson Drops Mayoral
The Voice of the West Village WestView News VOLUME 16, NUMBER 10 OCTOBER 2020 $2.00 Corey Johnson Drops Mayoral Bid By George Capsis aunt from Boston who wanted to plea for him: “He’s a nice boy and deserves the job.” (Later, The always smiling and articulate City Corey would remind me of this visit and smile). Council Speaker (who I thought was next Corey had been a football player in a Bos- in line to become the mayor) announced on ton suburb. In the last game against their Thursday, September 24th, that he would arch rivals, his team won and stormed into drop his run for mayor. the dressing room shouting with elation. This came as a surprise to me because Corey climbed on a bench and shouted for whenever I offered his name in an article silence. He disclosed that because his family I would suggest with complete conviction was poor, he, unlike the others, would not be that he was most likely going to be the next going to college. He further explained that mayor; and then the reason for his quitting as this was perhaps the last time he would was a real shocker—the ever-smiling, ever- see them he wanted there to be no secrets; articulate Corey was a victim of depression. and then he announced he was gay. When Corey first attempted to run for Corey has confessed easily to all the vices, the city council he rang my doorbell and alcohol, and drugs. But when seeing him on asked if WestView would endorse him. -
Victoria Music Advisory Committee - Bios
Victoria Music Advisory Committee - Bios Christopher Butterfield – Christopher Butterfield studied composition with Rudolf Komorous at the University of Victoria (B.Mus. 1975) and with Bulent Arel at the State University of New York at Stony Brook (M.A. 1977). He lived in Toronto between 1977 and 1992, where he was active as a performance artist, rock guitar player, and composer. In 1979/1980 he taught in the graduate visual arts department at Concordia University in Montreal, and in 1986 and 1989 he taught in the School for the Contemporary Arts at Simon Fraser University in Vancouver. In 1992 he was appointed assistant professor of composition at the University of Victoria. His music has been performed across Canada and in Europe, and is recorded on the CBC and Artifact labels. Kathryn Calder (Chair) - Kathryn Calder is a musician, songwriter, recording artist, and a record label and studio owner based in Victoria. For the last 15 years, she has been recording and touring as a vocalist/keyboardist with indie rock group The New Pornographers. She has also released three solo records, five albums with Immaculate Machine, and one album with her latest project, Frontperson. Composing musical scores for feature films has been another focus of Kathryn's in recent years, including ‘A Matter of Time’, a documentary about her mother’s battle with ALS. She continues to raise money and awareness for ALS research through performance and public speaking. Kathryn is the founder of Oscar St. Records, an artist-run boutique record label based on Vancouver Island. She also owns The Hive recording studio with her husband, producer/engineer Colin Stewart. -
Mongrel Media Presents
Mongrel Media Presents Official Selection: Toronto International Film Festival Official Selection: Sundance Film Festival (97 mins, USA, 2009) Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Short Synopsis Rarely can a film penetrate the glamorous surface of rock legends. It Might Get Loud tells the personal stories, in their own words, of three generations of electric guitar virtuosos – The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes). It reveals how each developed his unique sound and style of playing favorite instruments, guitars both found and invented. Concentrating on the artist’s musical rebellion, traveling with him to influential locations, provoking rare discussion as to how and why he writes and plays, this film lets you witness intimate moments and hear new music from each artist. The movie revolves around a day when Jimmy Page, Jack White, and The Edge first met and sat down together to share their stories, teach and play. Long Synopsis Who hasn't wanted to be a rock star, join a band or play electric guitar? Music resonates, moves and inspires us. Strummed through the fingers of The Edge, Jimmy Page and Jack White, somehow it does more. Such is the premise of It Might Get Loud, a new documentary conceived by producer Thomas Tull. -
The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3. -
Complete Section 1
Jessica Hopper on girl groups p 25 The most popular gassy Jewish lesbian on the Web CHICAGO’S FREE WEEKLY | THIS ISSUE IN FOUR SECTIONS p 10 FRIDTheAY, JAN 6, 2006 | VOLUME 34, NUMBER 15 Best Movies andJonathan RosenbaMusicum, p 1 J.R. Jones, p 17 ofA 15 -music2005-critic pileup, p 19 McSweeney’s reprints a lost Chicago writer, a Roscoe Village businessman says he’s being PLUS harassed for speaking up, the music scene rallies around a veteran soundman, and more. Section One Letters 3 Reviews Music 25 Columns One Kiss Can Lead to Another: Girl Group Hot Type 4 Sounds Lost and Found, Evie Sands’s Any On the Trib on the war Way That You Want Me The Straight Dope 5 Books 27 Literally scared to death? Triksta: Life and Death and New Orleans Rap by Nik Cohn, The Riddle of the The Works 8 Traveling Skull by Harry Stephen Keeler A row in Roscoe Village Plus Our Town 10 What Are You Wearing? 15 A podcaster to watch; how the City Council Aay Preston-Myint spends its money; have Virgin, will travel January 6, 2006 Ink Well 31 This week’s crossword: Subscription Descriptions ON THE COVER: JIM NEWBERRY (MADGE), COURTESY BERTHA MCNEAL (THE VELVELETTES) The Best Film of the Past Two Years And 24 more picks from what the industry thought us yokels could handle in 2005 By Jonathan Rosenbaum o choose the best movies of 2005 is to compromise. I T limit my list of candidates to films that have screened in Chicago, but I could easily fill it with movies that haven’t screened in the U.S. -
Rock Music's Crusade of Authenticity
ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive. -
The New Pornographers
The New Pornographers For what purpose the popular song? Does the popular song have a purpose? Is it just a sequence of auditory gestures, desperate acts, adrift in the bigger broader silence of an unforgiving cultural landscape? In what follows, we will assume that the purpose of the popular song is to unite warring disputants and to repair the manifold puncture wounds of life, so that life is revealed, again, as less accursed than it appears. And let’s assume that we go on listening to the popular song, which in the vast majority of its iterations is a failure, because we are chronic in our need for this rehabilitation of our puncture-wounded selves. Take any fine example, take “All You Need Is Love,” by the Beatles, or “Walk Away, Renee,” by the Left Banke, or “Tears of a Clown,” by Smokey Robinson. Try listening to these songs. Almost immediately, your suppurations begin to clot. Into this tryingly difficult history of the popular song stride The New Pornographers, into a period in which it has to be acknowledged that the medium is mostly dead, is passed, is no longer a uniting force, but, more frequently, a medium of division, one entirely controlled by the Ownership Society and made profitable according to shareholders who don’t give a fuck if your puncture wounds are healed over as long as the product ships. The New Pornographers, stunningly, do not seem to understand that the popular song is dead, is passed, and The New Pornographers, despite their complete and nearly monastic understanding of the Secret Knowledge of the popular song, will themselves into being, characterized by a uniform devotion to the great history that precedes them by only a couple of decades, and their coming into being in a somewhat unlikely place, Vancouver, not previously noted for a unvarying profusion of rock genius, is particular not only for uniformity of purpose but because they manage, in this uniformity, to bring a considerable cast of local adepts all as one into the tent. -
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THAT MSAZlNf FKOm CUR UM.* ftR AAfJUfJ fPJpw^-iTKAlfCIC BILLY rtiABrir/ HIATUS ^ ^mrc ^ ^international 06 I 22 Ex-Centric Sound System / Velvet 06 I 23 Cinematic Orchestra DJ Serious 06 I 24 The New Deal / Q DJ Ramasutra 06 I 26 Bullfrog featuring Kid Koala Soulive 06 I 30 Trilok Gurtu / Zony Mash / Sex Mob PERFORMANCE WORKS SRflNUILLE ISLRND 06 ! 24 Cinematic Orchestra BULLFROG 06 1 25 Soulive 06 127 Metalwood ^ L'" x**' ''- ^H 06 1 28 Q 06 1 29 Broken Sound Barrier featuring TRILOK GURTU Graham Haynes + Eyvind Kang 06 130 Kevin Breit "Sisters Euclid" Heinekeri M9NTEYINA ABSOLUT ^TELUS- JAZZ HOTLINE 872-5200 TICKETMASTER 280-4444 WWW.JAZZVANCOUVER.COM PROGRAM GUIDES AT ALL LOWER MAINLAND STARBUCKS, TELUS STORES, HMV STORES THE VANCOUVER SUN tBC$.radiQ)W£ CKET OUTLETS BCTV Music TO THE BEAT OF ^ du Maurier JAZZ 66 WATER STREET VANCOUVER CANADA Events at a glance: \YJUNE4- ^guerilla pres ERIK TRUFFAZ (Blue Note) s Blue Note signed, Parisian-based trumpe t player Doors 9PM/$15/$12 ir —, Sophia Books, Black S — Boomtown, Bassix and Highlife guerilla & SOPHIA Bk,w-> FANTASTIC PLASTIC MACHINE plus TIM 'LOVE' LEE fMfrTrW) editrrrrrrp: Lyndsay Sung gay girls rock the party by elvira b p. 10 "what the hell did i get myself DERRICK CARTER© inSOe drums are an instrument, billy martin by sarka k p. 11 into!!! je-sus chrisssttf!" mirah sings songs, by adam handz p. 12 ad rep/acid kidd: atlas strategic: wieners or wankers? by lyndsay s. p. 13 Maren Hancock Y JUNE 10 - SPECTRUM ENT pres bleepin' nerds! autechre by robert robot p. -
2005 / 2006 Annual Report
RADIO STARMAKER FUND ANNUAL REPORT 2005#–2006 ANNUAL REPORT RADIO TABLE OF CONTENTS STARMAKER #FUND 02. Message from the Chair 03. Board of Directors and Staff | Mandate 04. Application Evaluation | Applications Submitted vs. Applications Approved 05. Tracking Success | Grant Allocation by Type of Record Label 06. Radio Starmaker Funded Artists 07. Sales Certifications 08. Grant Allocation by Province | Grant Allocation by Genre 09. Grant Allocation by Music Industry Association 10. Awards Won by Radio Starmaker Funded Artists 11. Allocation of Funding by Category 12. – 16. Condensed Financial Statements 17. Appendix: Criteria for Qualifying 25 Adelaide Street East, Suite 1300, Toronto, Ontario M5C 3A1 PHONE.416.597.6622 FAX.416.597.2760 TOLL FREE.1.888.256.2211 www.radiostarmakerfund.com RADIO STARMAKER FUND ANNUAL REPORT 2005-2006 .01 ANNUAL REPORT RADIO MESSAGE FROM THE CHAIR STARMAKER #FUND This year has been one of reflection for • 77% of the total funding requested was approved We continue to maintain the highest standards of the Radio Starmaker Fund. We had the accountability to our stakeholders and the industry at opportunity to review our history from • The “funding per record” breakdown (based on the top large. Our audit process once again shows complete the inception of the fund and present an 22 funded RSF artists) is approximately $2 per record. compliance with our funding rules and regulations and overview to the CRTC during its radio With average marketing costs per album hovering in we appreciate the efforts made by our applicants to review proceedings in May 2006. the range of $3 per record this means we are making maintain this track record.