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Creating change for good ITV Responsibility Corporate Responsibility Summary Report 2017 Contents About us As an integrated producer broadcaster, we create, own and distribute high quality entertainment on multiple platforms globally. Since our first broadcast in 1955, we’ve grown into an integrated About us 1 producer broadcaster with an increasingly global and diversified How we do business 2 operating footprint. We run the largest commercial family of channels in the UK, as well as deliver programmes on demand through numerous Our Corporate Responsibility Strategy 3 platforms directly and on the ITV Hub. 2017 highlights and achievements 4 Our global production business, ITV Studios, creates and sells Did you programmes and formats from offices in the UK, US, Australia, France, People Germany, the Netherlands, the Nordics and Italy. It’s the largest and most successful commercial production company in the UK, and a know… Our commitments 6 leading unscripted independent producer in the US and Europe. In 2017, 54% of ITV Studios revenue was from outside the UK. ITV Studios Global Our website Case studies 7 Entertainment is a leading international distribution business, offering a Find out more on what we do at catalogue of over 45,000 hours of world-class television and film. In 2017, our itvresponsibility.com, including: Planet We reach 80% of the UK’s TV-watching population each week. group external Our commitments 8 Internationally, we’ve continued to grow with operations in 11 countries Reports and more than 6,300 colleagues based across the globe. revenue was over Policies Case studies 9 Toolkits In 2017, we continued to build significant scale in key creative markets £3.1 billion Latest news around the world, creating and producing programmes and formats Partnerships that return and travel, namely drama, entertainment and factual Our commitments 10 entertainment. -
ITV Partners with Viewability Company Meetrics
PRESS RELEASE ITV partners with viewability company Meetrics First measurements across all channels show viewability rates above industry-wide benchmarks ITV, the UK’s biggest commercial broadcaster, announces that it has partnered with Meetrics, a leading European software company for advertising measurement and analytics, to provide enhanced advertising campaign delivery validation for VOD advertising across ITV Hub platforms. As part of the partnership, Meetrics provides video viewability data and reporting for ITV Hub on connected TV platforms and In-App (Android and iOS) as well as desktop and mobile web campaigns. This enriches the reporting capabilities for VOD campaigns run on ITV Hub and demonstrates the high quality of ITV’s ad inventory on metrics that are important to agencies and advertisers. With the partnership, ITV underlines its commitment to very high transparency standards and quality controls for the benefit of its advertising customers. Meetrics is an independent vendor accredited for various services by the Media Rating Council and committed to strict privacy rules in full accordance with GDPR. With Meetrics as a partner ITV is breaking new ground by being the first broadcaster in the world to make use of the IAB Open Measurement SDK, which is considered the most rigorous standard for In-App viewability measurement. To date, average measurement for campaigns running across ITV Hub showed a viewability rate (according to the MRC definition) of 98%, which is far beyond average, compared to industry viewability benchmarks. The new viewability measurement and reporting will give advertisers huge confidence that ITV can deliver standards on human and viewability measures that outperform the VOD market. -
IRONBIRD AERIAL CINEMATOGRAPHY LTD AERIAL FILMING CV ACCREDITATIONS • CAA Permission for Commercial Operations (PFCO) Holders
IRONBIRD AERIAL CINEMATOGRAPHY LTD 16 Jordan St Studio D Liverpool, L10BP Tel: 0151 909 8464 Mail: [email protected] iron-bird.co.uk AERIAL FILMING CV ACCREDITATIONS • CAA Permission for Commercial Operations (PFCO) holders. First issued 2013, current OSC PFCO valid until 1st AUGUST 2020 - valid for UAS (unmanned aircraft systems) up to 20kg. • Holders of enhanced Operational Safety Case Permissions (heavy lifts within Towns and Cities) • Euro-USC BNUC-s & RPQ qualified Pilots. Feature & Independant Film • (2019) ’83’ Phantom Films • (2017) ‘Tolkien’ Fox Searchlight UK • (2017) ‘Stan and Ollie’ BBC Film // Bowler Hat • (2017) ‘Farming’ HH Films // Farming The Film LTD • (2016) ‘Eaten By Lions’ Mecca Films • (2013) ‘Mrs Browns Boys Da’ Movie’ - Penalty Kick Films // BBC Films // Thats Nice Broadcast & Drama • (2019) ‘Hanna II’ UMSI Productions Ltd • (2019) ‘Tin Star’ Season 3 Kudos • (2019) ‘Cobra’ New Pictures // All3 Media • (2019) ‘The English Game’ Netflix • (2019) ‘The Stranger’ Red Productions • (2019) ‘Years & Years’ Red Productions • (2019) ‘Bancroft II’ ITV • (2018) ‘Deep Water’ Kudos // ITV • (2018) ‘Long Shot - Catfish and the Bottle Men’ Island Records // VEVO • (2018) ‘Hospital’ LabelTV // BBC • (2018) ‘Silent Witness 22’ BBC • (2018) ‘The Feed’ Studio Lambert // Amazon Prime • (2018) ‘Creeped Out 2’ DHX Media // CBBC • (2018) ‘Care’ LA Productions // BBC One • (2018) ‘Wander Lust’ Red Productions // Netflix • (2018) ‘All or Nothing MCFC’ Amazon Prime • (2018) ‘Free Rein’ Lime Pictures // Netflix • (2017) ‘Bulletproof’ Vertigo -
Drama Drama Documentary
1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV -
Itv Studios Acquires Swedish Production Company Elk Production
ITV STUDIOS ACQUIRES SWEDISH PRODUCTION COMPANY ELK PRODUCTION 21 June 2017 – ITV Studios has acquired the Swedish production company Elk Production, a subsidiary of Elk Entertainment Group. The production label is known for hit entertainment shows including quiz En Ska Bort (Odd One Out) and award-winning series Wahlgrens and Parneviks. Elk Production currently has 15 shows in production or on air across Sweden’s free to air and pay TV channels including Drömpyramiden (Stacked), Ett jobb för Berg (A Job For Berg) and Superskaparna (Supercrafters). It has also produced local versions of international formats including Ninja Warriors, Superstars and Top Chef: Just Desserts. ITV Studios’ majority stake in Elk Production will see the company combine with ITV Studios’ existing Swedish production business, with the amalgamated companies operating under the brand ITV Studios Sweden. ITV Studios Sweden has produced Come Dine With Me for TV4 since 2008 creating 19 seasons so far. It is also producing This Time Next Year for SVT. Elk Production’s current Managing Director, Anna Rydin, will lead the newly combined ITV Studios Sweden reporting to Mike Beale, Managing Director, Nordics and Global Creative Network, ITV Studios. Elk Formats is not included in the acquisition and remains part of Elk Entertainment. However, ITV Studios will be its exclusive formats partner in the Nordics with the right to produce shows, including Stacked and All Inclusive, through ITV Studios’ production companies in Sweden, Denmark, Finland and Norway. ITV Studios now represents a strong library of formats in the region encompassing ITV Studios, Talpa, Twofour and now Elk 1 Entertainment formats. -
Broadcast and on Demand Bulletin Issue Number 299 22/02/16
Ofcom Broadcast and On Demand Bulletin Issue number 299 22 February 2016 1 Ofcom Broadcast and On Demand Bulletin, Issue 299 22 February 2016 Contents Introduction 3 Broadcast Standards cases In Breach Azmat-e-Islam Peace TV Urdu, 12 and 13 September 2015, 14:00 5 Derren Brown: Something Wicked This Way Comes Watch, 6 December 2015, 09:10 13 Jessie Disney Channel, 23 October 2015, 15:55 16 Geo News Geo News, 28 October 2015, 16:00 22 Big Tunes Brit Asia TV, 30 September 2015, 09:30 29 Trend ATN Bangla UK, 22 June 2015, 10:00 31 Resolved Geoff Lloyd with Annabel Port Absolute Radio, 14 January 2016, 18:40 35 Broadcast Licence Conditions cases In Breach Retention and production of recordings 1 Ummah FM (Reading), 12 to 14 November 2015 38 Tables of cases Investigations Not in Breach 40 Complaints assessed, not investigated 41 Complaints outside of remit 49 Investigations List 51 2 Ofcom Broadcast and On Demand Bulletin, Issue 299 22 February 2016 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. Ofcom must include these standards in a code, codes or rules. These are listed below. The Broadcast and On Demand Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and rules below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. -
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS
Pan Macmillan AUTUMN CATALOGUE 2021 PUBLICITY CONTACTS General enquiries [email protected] Alice Dewing FREELANCE [email protected] Anna Pallai Amy Canavan [email protected] [email protected] Caitlin Allen Camilla Elworthy [email protected] [email protected] Elinor Fewster Emma Bravo [email protected] [email protected] Emma Draude Gabriela Quattromini [email protected] [email protected] Emma Harrow Grace Harrison [email protected] [email protected] Jacqui Graham Hannah Corbett [email protected] [email protected] Jamie-Lee Nardone Hope Ndaba [email protected] [email protected] Laura Sherlock Jess Duffy [email protected] [email protected] Ruth Cairns Kate Green [email protected] [email protected] Philippa McEwan [email protected] Rosie Wilson [email protected] Siobhan Slattery [email protected] CONTENTS MACMILLAN PAN MANTLE TOR PICADOR MACMILLAN COLLECTOR’S LIBRARY BLUEBIRD ONE BOAT MACMILLAN Nine Lives Danielle Steel Nine Lives is a powerful love story by the world’s favourite storyteller, Danielle Steel. Nine Lives is a thought-provoking story of lost love and new beginnings, by the number one bestseller Danielle Steel. After a carefree childhood, Maggie Kelly came of age in the shadow of grief. Her father, a pilot, died when she was nine. Maggie saw her mother struggle to put their lives back together. As the family moved from one city to the next, her mother warned her about daredevil men and to avoid risk at all cost. Following her mother’s advice, and forgoing the magic of first love with a high-school boyfriend who she thought too wild, Maggie married a good, dependable man. -
Case Study ITV
Case Study ITV Case Study ITV “The main benefit of moving to Fujitsu and their VME services is risk mitigation. In moving to Fujitsu from our incumbent provider we get access to a very rare resource base for VME development and support. This provides us with a path enabling us to keep our critical Artist Payments System application running and allows us to keep our options open when VME as a product is end dated in 2020.” Anthony Chin, Head of Technology - Finance Systems, ITV The customer ITV is an integrated producer broadcaster and the largest commercial television network in the UK. It is the home of popular television from the biggest entertainment events, to original drama, major sport, landmark factual series and independent news. It operates a family of channels including ITV, ITVBe, ITV2, ITV3 and ITV4 and CITV, which are broadcast free-to-air, as well as the pay channel ITV Encore. ITV is also focused on delivering its programming across multiple platforms including itv.com, mobile devices, video on demand and third party platforms. ITV Studios is a global production business, creating and selling programmes and formats from offices in the UK, US, Australia, France, Germany, the Nordics and the Netherlands. It is the largest and most successful commercial production company in the UK, the largest independent non-scripted indie in the US and ITV Studios Global Entertainment is a leading international distribution The customer businesses. The challenge Country: United Kingdom ITV receives revenue from advertising, its online, pay and interactive Industry: Broadcasting business as well as from the production and sales of the programmes Founded: 1955 it creates and holds rights to. -
TV Producer Simon Withington
SIMON WITHINGTON [email protected] / www.simonwithington.co.uk BIOGRAPHY I am an award-winning freelance television producer, having produced many high-profile shows with big-name talent. Recently, I have produced multiple 3-hour archive shows for Channel 5 (When… Goes Horribly Wrong) where I’ve overseen up to 7 edits and managing a team of around 25 people. I originated Greatest Celebrity Wind Ups Ever! with Joe Pasquale which consistently rated 25% above slot average for Channel 5 and World Cup Epic Fails hosted by Angus Deayton for ITV in 2014. which rated with 3.7 million viewers and resulted in a subsequent commission, Christmas Epic Fails. Often working with top talent and priding myself on always coming in on budget, my television background has covered both shiny floor Entertainment & Factual Entertainment programming. I also self-shoot and edit. EMPLOYMENT HISTORY SHOWRUNNER / EXECUTIVE PRODUCER: CRACKIT PRODUCTIONS (Executive Producers: Elaine Hackett & Jason Wells) (November ’16 to Dec ‘18) When…Goes Horribly Wrong. (14 x 180 mins) Live TV, Celebrity, Chatshows, Gameshows, Kids TV, Talent Shows, Reality TV, Television 2, Comedy, Award Shows, News, Eurovision, Christmas, TV Animals (September ’17 to Jan ‘18) Greatest Celebrity Wind-ups Ever! Series (6 x 60 mins) (June ’17 to July ‘17) Greatest Celebrity Wind-ups Ever! (1 x 60 mins) (May ’18) 5 Goes to Eurovision: Greatest Hits (1 x 60 mins) * Overseeing top-rating fast-turnaround talking heads clip-shows for Channel 5. Multiple edits, up to 25 staff * Directing talking heads. Clearing archive within tight budgets. Clearing and re-versioning for International market * Greatest Celebrity Wind-Ups Ever went from commission to on-air in just 3 weeks. -
ITV Embarks on a Ten-Year Digital Archive Project to Preserve Its Video Content for Future Generations with a Spectra Logic Storage Solution
ITV embarks on a ten-year digital archive project to preserve its video content for future generations with a Spectra Logic storage solution Spectra T950 Spectra Logic has provided us with the tools we need to simply Tape Library and 4U Spectra and affordably archive ITV’s digital content for many years. Through BlackPearl the use of the BlackPearl and Spectra’s T950 tape library, our content is kept safe and secure, yet still easily accessible. Marcel Mester, Senior Project Manager, ITV The Challenge ITV was looking to embark on a new, long-term archive project to preserve the organization’s digital assets for years to come. They anticipated reaching vol- umes of up to 20PB of content over time, with an estimated increase of about 2PB each year, and needed to store it for up to 30 years. Therefore, they ITV is an integrated producer broad- required a solution that was high in capacity and durability, with the ability to caster and the largest commercial scale to accommodate future growth. They also wanted a solution that did not television network in the UK. It is the require expensive proprietary middleware, was open standard, and allowed them the flexibility to work with other ITV departments like sports and news. home of popular television from the biggest entertainment events, to The Solution original drama, major sport, landmark ITV already operated three Spectra tape libraries at other locations throughout the UK. Therefore, they knew that Spectra Logic was a company that could factual series and independent news. It be trusted and that offered high-quality products and support. -
Broadcast and on Demand Bulletin Issue Number 308 04/07/16
Ofcom Broadcast and On Demand Bulletin Issue number 308 4 July 2016 1 Ofcom Broadcast and On Demand Bulletin, Issue 308 4 July 2016 Contents Introduction 3 Broadcast Standards cases In Breach Going Underground RT, 5 and 23 March 2016, 14:00 5 Tables of cases Investigations Not in Breach 31 Complaints assessed, not investigated 32 Complaints outside of remit 38 Investigations List 40 2 Ofcom Broadcast and On Demand Bulletin, Issue 308 4 July 2016 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content as appear to it best calculated to secure the standards objectives1. Ofcom also has a duty to secure that every provider of a notifiable On Demand Programme Services (“ODPS”) complies with certain standards requirements as set out in the Act2. Ofcom must include these standards in a code, codes or rules. These are listed below. The Broadcast and On Demand Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes and rules below, as well as licence conditions with which broadcasters regulated by Ofcom are required to comply. We also report on the outcome of ODPS sanctions referrals made by the ASA on the basis of their rules and guidance for advertising content on ODPS. These Codes, rules and guidance documents include: a) Ofcom’s Broadcasting Code (“the Code”) for content broadcast on television and radio services. b) the Code on the Scheduling of Television Advertising (“COSTA”) which contains rules on how much advertising and teleshopping may be scheduled in television programmes, how many breaks are allowed and when they may be taken. -
E BULLETIN 2014 VOLUME 2, ISSUE3 P a G E 3 Age UK New Pilot Scheme
E Bulletin S UPPORTING B LACKPOOL , W YRE & F YLDE 2014 F O R O V E R 7 5 YEARS VOLUME 2, ISSUE3 2 7 . 0 1 . 2 0 1 4 S P E C I A L P O I N T S O F INTEREST: CVS Updates Two funding stream elcome to the new edition of the CVS e-bulletin. We hope you find the articles information useful. INSIDE THIS W ISSUE: Save the Date! The CVS are holding an Information Event on February 20th 2014 at St. John’s Church Wyre Together 2 Community Showcase in Blackpool and we would like to invite you to come along. There will be ten Blackpool Event based organisations waiting to share with you what they do in the community. This is also an Fuserna Foundation 2 excellent opportunity for networking and talking about your own organisation. If you wish to Grants Programme attend please contact us and we will give you more details. Age UK New Pilot 3 Advice Session Park View 4U 3 Simon Lawton will be holding another advice session on Wednesday 29th January here at the Workshops CVS offices. He will be advising you on matters such as funding, governance, or setting up. Blackpool Central 4 PACT Meetings Please give him a ring on 01253 624505 to book a slot. The Zone - Wyre, 4 Social Media and Why It’s Important Winter Programme Thousands of charities in the UK are aware of social media, but aren’t sure what it can do for Coming up at Wyre’s 5 Theatres them.