Music Through the Decades

Total Page:16

File Type:pdf, Size:1020Kb

Music Through the Decades & h on ob si b s ie a s P Endeavour Foundation Thrive Learning Music through the decades Module 5 the 90s in Australia Hosted by Stewart Koplick The Endeavour Foundation Thrive Learning programs are aligned to the activities offered in our Learning and Lifestyle hubs. & h The Music Modules support activities relating to on ob si b Passion & Hobbies. s ie a s P Utilising local connections and support, Passion & Hobbies programs involve projects or activities that are specific to a person or groups of people. Passion & Hobbies programs include: • Music • Furniture restoration • Woodworking • Activities that relate to the outdoors – i.e. gardening, bushwalking • Understanding how things work (gadgets and experiments) 2 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA Table of Contents How to participate in the Thrive Learning programs . 4 Icons . .4 . Module Overview . 5. Description . 5 Outcomes . 5. Equipment. 5. Activities. 6. Song Lyrics . 15. Hunters and Collectors: Holy Grail . 15. INXS: Never Tear Us Apart. .16 . Archie Roach: Took The Children Away . .17 . Vocabulary . 18 Activities answer guide. .19 . 3 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA How to participate in the Thrive Learning programs 1. Watch the video. 2. Read this workbook and answer the questions. 3. Need help? That’s ok! Leave that question and move onto the next one. 4. Your Support Worker will help you with any questions you have when they check in with you. Icons Watch the video when you see this icon. Read the information in your workbook when you see this icon. This icon shows you activities that are a bit harder. If you want, give them a go! This icon shows you the hints section. It will give you hints and tips to answer the questions. 4 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA Module Overview Description This is Module 5 in the Thrive Learning program about music. This module focuses on popular Australian homegrown acts from the 90s. It will include local music facts, key themes and ways the music was played. You’ll hear about artists like: Hunters and Collectors INXS Archie Roach Outcomes By the end of this module you will: • Have listened to Australian artists from the 90s • Sung songs from the 90s • Describe some key themes of the music • Be introduced to some of the technical aspects of music and musical instruments Equipment Nil – unless you have a guitar and want to play along! Oh and your voice! 5 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA Activities Watch the video and then answer the following questions. Hint: You can stop, rewind and play the video as many times as you want. 1. The word “genre” means a style or category, such as fiction or fantasy books, or country or classical music. What types of music genres were played in Australia in the 1990s? Circle your responses. hard rock stones alternative country heavy metal Uluru punk 2. Write down 5 bands that were big in Australia in the 90s: a. b. c. d. e. 3. Songs sometimes have themes – a theme is the main idea of a song. It could be, for example, love, or a breakup, having fun or even farming! Write down 3 themes or ideas that were sung about in the 90s in Australia: a. b. c. 6 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA 4. In the video, Stewart plays an acoustic guitar but also shows you a bass guitar. Write down 3 differences between a bass guitar and an acoustic guitar: a. b. c. 5. The video described parts of a bass guitar. Can you remember them? Label the correct parts on the bass guitar below: neck head body strings nut frets volume and pick ups tone control knobs tuning pegs pick guard 7 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA 6. Finish the sentence: To make the bass guitar louder, you plug it into an kettle / TV / amplifier / computer 7. Hunters and Collectors formed in what year? 8. What type of rock were they known for? For example: punk, heavy metal. 9. What do you think the song Holy Grail is about? 10. The song Holy Grail was used as part of the entertainment at AFL (Australian Football League) games in 2002 – 2006. In AFL, what do you think the Holy Grail is? Hint: Something that the teams all want to win. 8 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA 11. The song Holy Grail has how many beats in the bar? 12. Look closely at the verse below. How many chords are played in the verse? Hint: Look back over the work you did in the last episode. Holy Grail E C#m B Woke up this morning from the strangest dream E C#m B I was in the biggest army the world had ever seen E C#m B We were marching as one on the road to the holy grail 13. The song Never Tear Us Apart was written and played by which Australian band? 9 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA Read the following and answer the questions below: INXS (pronounced “in excess”) were an Australian rock band, formed as The Farriss Brothers in 1977 in Sydney, New South Wales. The band’s founding members were bassist Garry Gary Beers, main composer and keyboardist Andrew Farriss, drummer Jon Farriss, guitarist Tim Farriss, lead singer and main lyricist Michael Hutchence, and guitarist and saxophonist Kirk Pengilly. INXS’ early records demonstrated a new wave / ska / pop style, and were followed by near constant touring with almost 300 shows during 1981 as the band developed their status as a live act. Source: https://en.wikipedia.org/wiki/INXS 14. Why do you think the band was originally (in the beginning) called The Farriss Brothers? 15. Who was the lead singer? 16. Around how many shows did INXS perform in 1981? 17. The song Never Tears Us Apart has a famous riff (a riff is like a main phrase in the music). When do you hear this riff? Hint: It’s either after the verse or chorus. 18. How many beats in the bar does Never Tear Us Apart have? Hint: It’s different to the songs we’ve played before. 10 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA 19. Archie Roach (an indigenous singer/songwriter of the Stolen Generation) wrote the song Took The Children Away. He released it in 1990. The song is about the stolen generation. Have you heard of this phrase before? Write down what you think it means: 20. After listening to the video and reading the lyrics, how does the song make you feel? 21. Why does the song make you feel this way? Take a look at the verse below: G This story’s right, this story’s true. I would not tell lies to you. C G Like the promises they did not keep, and how they fenced us in like sheep. Said to us come take our hand, set us up on mission land C Taught us to read, to write and pray. 22. What 2 chords are played in the verse? 11 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA 23. Complete the following word search: GSZDQJEXYNUIVSS WIMDAWRLOCRECTG TAMPLIFIERRHGRX YENGFKTCECOXPIF LORFIAISMRTSINF CAXFRQRWDVCRGGR OONERECSLOBCISS JVNDVEFHOEHVYCC BEZFCSGCVWNQCVZ GDBQTXENEQSZMPC SJYZMDVHIUTOQRL QSZGENNZCSARKDR UHUYDRUMSSEAWJR ITQDFHOCNEBBSFM SUROHCSSABRGULW AMPLIFIER BAR BASS BEATS CHORDS CHORUS DRUMS ELECTRIC FRET GENERATION LAND LOVE RIFF SINGER STRINGS VERSE 12 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA 24. How’s your song writing coming along? Any number 1 hits yet?! Remember, we started writing songs in the first module, so if you have written a few lines then keep going! If not, well maybe it’s time to get your creative juices flowing! A song is usually made of a 2-3 verses and a chorus – normally 4 lines each. Use the following sentence starters to start writing your own song, or make up your own first line and start writing! Think about using words that rhyme! I saw you walking down the street Song I was riding along... starters! There’s a party on at my house My baby don’t love me anymore… For example: I was at the station when I saw my baby board the train Suitcase in her hand, she wasn’t coming home again She turned to look at me one last time Blue eyes crying, but the tears were mine 13 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA 14 MUSIC THROUGH THE DECADES MODULE 5: THE 90s IN AUSTRALIA Song Lyrics Hunters and Collectors: Holy Grail Woke up this morning, from the strangest dream I was in the biggest army, The world has ever seen We were marching as one, on the road to the holy grail Started out, Seeking fortune and glory It’s a short song, but it’s a Hell of a story, when you Spend your lifetime trying to get Your hands on the Holy Grail But have you heard about the Great Crusade? We ran into millions, and nobody got paid Yeah, we razed four corners of the globe, For the Holy Grail. All the locals scattered, They were hiding in the snow We were so far from home, So how were we to know, There’d be nothing left to plunder When we stumbled on the Holy Grail? We were full of beans But we were dying like flies And those big black birds, they were circling in the sky, And you know what they say, yeah, Nobody deserves to die.
Recommended publications
  • Paul Clarke Song List
    Paul Clarke Song List Busby Marou – Biding my time Foster the People – Pumped up Kicks Boy & Bear – Blood to gold Kings of Leon – Sex on Fire, Radioactive, The Bucket The Wombats – Tokyo (vampires & werewolves) Foo Fighters – Times like these, All my life, Big Me, Learn to fly, See you Pete Murray – Class A, Better Days, So beautiful, Opportunity La Roux – Bulletproof John Butler Trio – Betterman, Better than Mark Ronson – Somebody to Love Me Empire of the Sun – We are the People Powderfinger – Sunsets, Burn your name, My Happiness Mumford and Sons – Little Lion man Hungry Kids of Hungary Scattered Diamonds SIA – Clap your hands Art Vs Science – Friend in the field Jack Johnson – Flake, Taylor, Wasting time Peter, Bjorn and John – Young Folks Faker – This Heart attack Bernard Fanning – Wish you well, Song Bird Jimmy Eat World – The Middle Outkast – Hey ya Neon Trees – Animal Snow Patrol – Chasing cars Coldplay – Yellow, The Scientist, Green Eyes, Warning Sign, The hardest part Amy Winehouse – Rehab John Mayer – Your body is a wonderland, Wheel Red Hot Chilli Peppers – Zephyr, Dani California, Universally Speaking, Soul to squeeze, Desecration song, Breaking the Girl, Under the bridge Ben Harper – Steal my kisses, Burn to shine, Another lonely Day, Burn one down The Killers – Smile like you mean it, Read my mind Dane Rumble – Always be there Eskimo Joe – Don’t let me down, From the Sea, New York, Sarah Aloe Blacc – Need a dollar Angus & Julia Stone – Mango Tree, Big Jet Plane Bob Evans – Don’t you think
    [Show full text]
  • Mixing INXS in Surround Issue 33
    Mixing INXS in 5.1 ‘I’m Only Looking’ is a comprehensive package of hits and rare footage that is soon to be released by INXS on DVD. Andy Stewart headed into the studio to hear how Mark Opitz and his ‘Best Seat in the House’ production team pulled together this labour of love. ’ve just come from Studios 301 in Sydney where I’ve been now? What had changed? These were great songs back then sure, listening to some new 5.1 mixes of well-known songs recorded but they had never meant anything to me in the past. In my head Iby one of Australia’s most popular and successful bands, INXS. at least, INXS had always been more of a ‘phenomenon’ than a In my car on the way over I found myself vacillating between group I could ‘relate’ to. the present and the past, wondering what the making of a Greatest It wasn’t the ‘80s fashion palette (which was far more ludicrous Hits DVD collection meant to those involved, but more impor- than I remember it being) that made me feel nostalgic, or the tantly, how any of this work was relevant to fans in 2004. Was this gobsmackingly self-conscious hairdos (which in hindsight should an attempt by the band to reclaim former glory, or was it a labour have seen far more hairdressers jailed), or even the multi-tiered of love motivated by the desire to bring the expansive history of keyboard stands, that made Andrew Farriss look like an aerobics INXS together under one roof, one format? I really had no idea.
    [Show full text]
  • CLASSIFIEDS Record Your Final Wishes with Us for Your Family’S Peace of Mind Local Living Call 810-629-9321 Or Visit Sunday, June 19, 2016
    SECTION B REAL ESTATE OBITUARIES CLASSIFIEDS Record your final wishes with us for your family’s peace of mind Local Living Call 810-629-9321 or visit www.sharpfuneralhomes.com Sunday, June 19, 2016 WWW.DTEENERGYMUSICTHEATRE.ORG DTE Energy Music Theatre, formerly Pine Knob, has been the venue of choice for 44 years By Vera Hogan name “Pine Knob” as it is often Knob gave a summer home to rock, WWW.BRUCEBASE.COM [email protected]; 810-433-6823 referred to by concert-goers. pop, R&B and other contemporary Bob Seger and Bruce Springsteen Summer wouldn’ t be summer Pine Knob was built in 1972 to styles, creating a template that was backstage on Sept. 2, 1978. without at least one trip to see a be the primary outdoor amphitheater followed by more, and increasingly performance by your in the Detroit metro larger, outdoor venues. favorite entertainers area. It was nam ed One such venue called “Poplar at DTE Energy Music Pine Knob be cause Creek,” located in Hof fman Es - Theatre in Clarkston. n DTE Energy Music of its close proximity tates, Illinois, was nearly identical Theatre was so named Originally called in 2001 after its parent with the popular Pine to Pine Knob. Pine Knob, in 2001 company, Detroit Edison Knob golf course and Today, DTE Energy Music Thea- DTE Ener gy Music purchased the naming ski area. tre has a seating capacity of 15,294. Theatre (the parent rights for $10 million. At the time, Pine Pine Knob/DTE has received company of Detroit Originally built in 1972, the Knob was the lar g- more than 32 industry awards since amphitheater was called Edison) purchased Pine Knob Music Theater.
    [Show full text]
  • For Those About to Rock’ Cybersimulcasting Live Music on the Internet
    position the experience of different and purcliasing details are available at: and tests of the misuse of market power. nations in promoting competition in http YAvww.circit. rmit.edu.au/publics/ 5 Extending across: carrier interconnection; information and communications sectors ipm_book.html service provider and content creator access to distribution channels; and end-user access to to provide some guidance and signposts services. through the policy development maze. 1 Nevertheless, the study does recognise national differences. For example, in Australia, legislation targeted the development of a dual network Published by RMIT University Press in Ross Kelso is Senior Research Fellow infrastructure between 1991-1997 and carriers for the International Research on December 1999, The Information Policy have invested significantly in infrastructure Maze: Global Challenges - National development. Similarly, in the UK, policy has Communication and Information Responses is the result of a three-year supported infrastructure duplication. With the Technologies at RMIT. project conducted by the Centre for announcement of the US National Information Infrastructure agenda in 1993 there was a Dianne Northfteld is a Research Fellmv International Research on Communication coincidence of industry investment in and Information Technologies infrastructure and new services. at CIRCIT at RMIT and the Harvard (“CIRCIT”) at RMIT, Melbourne Information Infrastructure 1 Including regulation of horizontal and vertical Project, Kennedy School of Australia, and the Program on Information agreements between firms; control of mergers Resources Policy (“PIRP”), Harvard and acquisitions; regulation of horizontal and/or Government, Harvard University. University, U.S.A, Further information vertical integration activities of individual firms; [email protected] ‘For Those About to Rock’ Cybersimulcasting Live Music on the Internet Therese Catanzariti offers a lively analysis of the intellectual property issues in cybersimulcasting.
    [Show full text]
  • Kangaroo Valley Voice
    Kangaroo Valley Voice $2.50 Volume 24 Issue 1 ISSN 1833-8402 Circulation 800 JULY 2018 Kangaroo Valley’s own Plus, the TODAY Show comes to town! Broadband read more on Page 3 Network For some time now I’ve been aware of the but we are at the mercy of Telstra which The NBN might blame gamers for the limited reach of the internet in the Valley, can maintain that service for as long as it poor performance of the fixed wireless and I’m sure I’m not the only one! As decides and, as an ageing network, it is in network, but that is rubbish. Gaming only someone who provides internet services decline. accounts for a small portion of network first and foremost, and IT support as The NBN should be more reliable than use. Netflix is another matter. well, I am in contact with a lot of people ADSL. However our NBN wireless isn’t I think it’s time to build a local network who have lousy or no internet. I had high performing as it should and, when it that suits our needs. Kangaroo Valley hopes when the NBN was announced but, needs servicing, the NBN do it when doesn’t have to wait for crumbs from when they finally came, they put in one it suits them, not when it suits us. the government. We have a difficult (and tower and it just doesn’t give access Switching off the NBN for scheduled beautiful) topography, but when a big to enough people. Satellite, which is maintenance during working hours is company comes along with its cookie supposed to pick up everyone else, is not something they do normally in the cutter approach we inevitably miss out.
    [Show full text]
  • Making It in the Melbourne Music Scene Post-Punk and Post-Post-Punk
    Making it in the Melbourne Music Scene Post-Punk and Post-Post-Punk Dr Sarah Taylor School of Science RMIT University Victoria, Australia [email protected] This paper uses contemporary documentation, interviews and maps to highlight the different types of music careers, and modes of “making it”, seen in the 1986 feature film Dogs in Space. The film concerns a fictional band of the same name, based on The Ears, a minor group active in the Melbourne band scene between 1979-1981. INXS’s Michael Hutchence plays Sam, the singer in post punk group Dogs in Space. The contrast between Hutchence and Sejavka was seen as remarkable: a major-league rock star, having “made it” by the time of the film’s production, portraying a relatively obscure post-punk musician. However, the trajectories of these bands did overlap in time and place. An historical geographical analysis of INXS and The Ears can help to add context to the Melbourne music scene depicted in the film, as well as to the later cult status popularity of the film, made during a transitional time between norms in the Australian music industry. Keywords — Music industry; post punk; Melbourne; INXS; The Ears; Dogs In Space; restructuring. INTRODUCTION I was far more interested in doing, instead of your rags-to-riches pop star story, your rags-to-gutter story... by actually showing the ones that don’t become famous. — Richard Lowenstein, director of Dogs in Space (quoted in Coupe, 1986) At the time of its release in late 1986, Dogs in Space provided a compelling contrast between the heights of music industry success enjoyed by one of its stars, Michel Hutchence, and the exciting but imploding music movement it depicted (Smith, 1986, McGregor, 1986, Coupe, 1986).
    [Show full text]
  • He· Central Florida Future
    University of Central Florida STARS Central Florida Future University Archives 3-10-1988 Central Florida Future, Vol. 20 No. 49, March10, 1988 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 20 No. 49, March10, 1988" (1988). Central Florida Future. 767. https://stars.library.ucf.edu/centralfloridafuture/767 he ·Central Florida Future e 1988 The Central Florida Future Volume 20, Number 49 University of Central Florida/Orlando Thursday, March 10, 1988 Board selects new editor for newspaper William McCartney, "Brodnax "I think Dave (Schlenker) by Doris Pfister was chosen because ofhis pres­ Will be a great attribute to me CENTRAL FLORIDA FUTURE entation to the board, his ma­ as managing editor because he - • turity, and his background." knows the staff." The university Board of Wittekind said, "What Wittekind added, "David . Publications chose a new edi­ David lacks in newspaper ex­ (Brodnax) has a slight disad­ tor in chief for The Central perience he mak~s up with real vantage because he doesn't Florida Future last week. world business experience. know everyone's capabilities. David Brodnax will fill the Even without newspaper j-0ur­ He has a lot to learn, but with shoes of two-year editor Don nalism experience, his man­ Dave as managing editor, his Wittekind, who has decided to agement abilities can carry job will be a lot easier." leave the paper to pursue pro­ him through." He added, "Dave (Sch­ fessional opportunities.
    [Show full text]
  • Scabs' Dents." He Said
    TCU Daily Skiff Friday, December 3, 1993 Texas Christian University, Fort Worth, Texas 9lst Year, No. 56 O Tannenbaum! Minority students Left, students gather Wednesday night allege harassment around the Christmas Tree at Sadler Hall for Order of Omega's annual tree lighting. Below, a family sings Christmas carols at the holiday by campus police celebration. By ANGELA WRIGHT "The officer told me 'Don't get an TCU Daily Skiff attitude' and asked me 'You got a Photos by Alex Taliercio problem?' Fraternity parties with racial "1 told him 'Yes, I have a problem. themes, the debate over the Confed- I pay to go here and you are harass- erate flag and black student protests ing me,'" he said. have all contributed to the rising Bledsoe said the officer then threw racial tension on college campuses. his ID back at him and all the officers Now campus police forces are left. being brought under tire by African- Bledsoe said he never filed a American students who say they are report. being stopped for no reason other Roy Whatley, a junior business than their race. major, never filed a report either An article in the April 14. 1993, when he was detained by campus edition of the Chronicle of Higher police last spring. Education cited volatile incidents "Black Student Caucus was hav- between black male students and ing a party and I left in my car to go campus police at Princeton, the Uni- to 7-Eleven. On my way back, as I versity of Rhode Island and the Uni- turned off Berry on to Stadium.
    [Show full text]
  • 1 II . 1 Rice of 7.92
    ..------------...................................-----,, 1 1 1 I The Long Weekend. 1I 1 1 I 1 I1 1 I Right at... 1 1I Spend that Valuable Time 1 1 1 •Qweerc,x••4 I •••:•:'4,:WW•••••••••• I -4.*:;•••*.'%'**.:•4*,"•% .e.••••:•••”.9eza 1 •z•<4; N- 1 nsVa ••N'Fa • •• N:. I 1 c'vs • . ,:‘,Nk,.:,„ esmn 1 4 :■ . -Sce t• • It:.• . . . • . . •• ''•••••••••••••:•••:<.:•:::•97.:;•:::::0::•:: . • .".••••W:' . I k . I I I I I e: e I I I I I I I I I I ..-,4 'A 4 r IC f4 Tieln4I:m g I I I o. o . 1 II se. 0. wAttle•giti I o I I I I I I I I . Thurs., November 9 .. . 8pm to 1 am . . ... . South Gym . . . . . r,_,. ..e low r d war: -civ 1 . ir..,._,_,„... ke ,, e ava ble t de 1 1 1 1 of 7.92. 1 , rice 1 1 1 1 1 1 With each ticket sold you will receive $2 off albums and I 1 1 1 1 cassettes from A & A Records. 1 1 Plenty of doorprizes to be given away. Get your tickets : 1 1 1 1 at the SA offices, CMOR, or at the door. 1 1 1 1 1 1 Sponsored by the Students' Association, A & A Records, I1 1 1 Labatt's, the Winnipeg Jets, and the 1 1 1 1 Winnipeg Blue Bombers. 1 anu .............................................a Monday, November 20, 1989 Page 2 Page 10 Monday, November 20, 1989 new A 14s, 0 \ Mice Infest The College 1r<\ By Louise Charette Students searching for ways to the problem seems to be at its earn a few extra dollars for Christ- worst in the LRC.
    [Show full text]
  • ADJS Top 200 Song Lists.Xlsx
    The Top 200 Australian Songs Rank Title Artist 1 Need You Tonight INXS 2 Beds Are Burning Midnight Oil 3 Khe Sanh Cold Chisel 4 Holy Grail Hunter & Collectors 5 Down Under Men at Work 6 These Days Powderfinger 7 Come Said The Boy Mondo Rock 8 You're The Voice John Farnham 9 Eagle Rock Daddy Cool 10 Friday On My Mind The Easybeats 11 Living In The 70's Skyhooks 12 Dumb Things Paul Kelly 13 Sounds of Then (This Is Australia) GANGgajang 14 Baby I Got You On My Mind Powderfinger 15 I Honestly Love You Olivia Newton-John 16 Reckless Australian Crawl 17 Where the Wild Roses Grow (Feat. Kylie Minogue) Nick Cave & The Bad Seeds 18 Great Southern Land Icehouse 19 Heavy Heart You Am I 20 Throw Your Arms Around Me Hunters & Collectors 21 Are You Gonna Be My Girl JET 22 My Happiness Powderfinger 23 Straight Lines Silverchair 24 Black Fingernails, Red Wine Eskimo Joe 25 4ever The Veronicas 26 Can't Get You Out Of My Head Kylie Minogue 27 Walking On A Dream Empire Of The Sun 28 Sweet Disposition The Temper Trap 29 Somebody That I Used To Know Gotye 30 Zebra John Butler Trio 31 Born To Try Delta Goodrem 32 So Beautiful Pete Murray 33 Love At First Sight Kylie Minogue 34 Never Tear Us Apart INXS 35 Big Jet Plane Angus & Julia Stone 36 All I Want Sarah Blasko 37 Amazing Alex Lloyd 38 Ana's Song (Open Fire) Silverchair 39 Great Wall Boom Crash Opera 40 Woman Wolfmother 41 Black Betty Spiderbait 42 Chemical Heart Grinspoon 43 By My Side INXS 44 One Said To The Other The Living End 45 Plastic Loveless Letters Magic Dirt 46 What's My Scene The Hoodoo Gurus
    [Show full text]
  • SPMT$ CAR TAB Members of Hiding Fhelr Real William Slelth
    f - p-m tm aasnnttaatALiy. -nmnufav. oet. ml m MANCHESTER SPORTS Who owns HIM? Squabble (Mays 8V 5 Whalers bi lie N’t up to Judge spending bin with Winnipeg TOWN FMR TIRE IS READY FOR A w ★ Largest Iwveiitofy of SNOW M d MI>Seasoii Tires ...peg# 5 ... peg# 15 * Great Gaaranlee * AH the FREE Services Pies CilARAWTi^ii^**!KL£Bf^ cowriar wc(. BRAND NAMES SNTiSFACriOf* LOW, LOW PIUCES! iHaurlipfilrr) J ' j :|.-p rn ,,. MrralJi Friday. Oof 17,1SSS S'niBB Moumniot 30 Cents S'FBBB BALAlfCm Of:ttJtrte S' FRBB m rrATKM R tsr^ g P E C a A L f ConsoUdation backers want to keep volunteers 0 ^ FREE tsrCHABOEOVERI FREE FRONT-END ALIGNMENT S y John F. Kirch I*/ '"H Tr'F C-i F statement released at the news O' FR EE FLA T REPAIRI Harold Naporfar NA ' ^^F // ripF conference. Susag saM that the district’s the Every fire sow hy Town Pair IS bached by our famous The Cofnmtttea ter Charter volunteer fire departm ent shonld Soi "IRONCLAD NO HASSLE” Guarantee! WfTH Ravlaton today n i d It favors 'GUMIANT{EDlOW{$TPRI(lPOU(r P U R C H A S E he retained, but shonld become a rvwfy for dton-f saerifte® ffw . PLUS! Every fire sow at TOWN r AM TME w poaranfeed conaoHdaften of the town and the separate company Binder the Juris- l o r O F 2 N E W ■ pwformanc* and gMaranta* yow n«ed. Tov*n Fair Tnraa, m worhmansfMp or m M fM t tor aa «MW ae yew ovm the tire — raparetsss of years in service or Eighth t/tlNtiaa District but wants dlcllon of the paid Town of miteape received ft a datoet in vmrfimenehip or maleriato devetop, retorn a to TOWN TAM We C TIRES to keep alive the disfriot's voton- whom jfow can (rusf, has a store near you — and there Wifirepairaaf nochwpaorrepleeeM.
    [Show full text]
  • INXS Casting Announcement
    Never Tear Us Apart: The Untold Story of INXS ʹ Cast Announced In a joint statement today, Shine Australia and Seven announced the cast for Never Tear Us Apart: The Untold Story of INXS. Luke Arnold (Winners & Losers, City Homicide) will star as Michael Hutchence, newcomer Nicholas Masters is Tim Farriss, Ido Drent (Offspring, Shortland Street) is Jon Farriss, Andy Ryan (Underbelly: Squizzy Taylor, Reef Doctors) is Andrew Farriss, Alex Williams (Underground: The Julian Assange Story) is Kirk Pengilly and Hugh Sheridan (Packed to the Rafters) is Garry Gary Beers, while Damon Herriman (The Sullivans, Love My Way) is ƚŚĞďĂŶĚ͛ƐŵĂŶĂŐĞƌ͕CM Murphy. This major, two part television event is being Executive Produced by Mark Fennessy and Rory Callaghan, with CM Murphy as Co-Executive Producer. Promising an authentic behind the scenes look beyond the music, Never Tear Us Apart: The Untold Story of INXS will tell the band's extraordinary and uncensored story ʹ with full access to their archive of music, photography and stories. Mark Fennessy, CEO Shine Australia said: ͞It's a true privilege to be working with such a stellar cast of young acting talent. Together with a powerful script and brilliant production team we will bring to life the extraordinary, untold story of INXS.͟ ƌĂĚ>LJŽŶƐ͕^ĞǀĞŶ͛ƐŝƌĞĐtor of Network Production said: ͞tĞ͛ǀĞƐĞĐƵƌĞĚĂ sensational group of actors to tell the story of three brothers and their best ŵĂƚĞƐ ǁŚŽ ƚŽŽŬ ƚŚĞ ǁŽƌůĚ ďLJ ƐƚŽƌŵ͘ ^ĞǀĞŶ ĐĂŶ͛ƚ ǁĂŝƚ ƚŽ ƐŚĂƌĞ this incredible part of Australian rock history ǁŝƚŚŽƵƌĂƵĚŝĞŶĐĞ͘͟ CM Murphy said: ͞These guys are the new sensation, they already look like rock stars.
    [Show full text]