DOCSLIB.ORG

TANNHAUSER • Pro Musica �

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TANNHAUSER • Pro Musica � •• TANNHAUSER • pro mUSICa � XXV TEMPORADA MUSICAL "- III FESTIV AL D'OPERA . 438, 440 i 441 sessions •• TANNHAUSER de Richard Wagner Fllnció de Gala DIMECRES, 1 DE JUNY DE 1983, A LES 20 H. DIVENDRES, 3 DE JUNY DE 1983, A LES 20 H. DILLUNS, 6 DE JUNY DE 1983, A LES 20 H. GRAN TEATRE DEL LICEU * BARCELONA CONSORCI DEL GRAN TEATRE DEL LICEU GENERALITAT DE CATALUNYA AJUNTAMENT DE BARCELONA SOCIETAT DEL GRAN TEATRE'DEL LICEU PATRONAT DEL CONSORCI PRESIDENT: Molt Honorable Sr. Jordi Pujol VICE-PRESIDENT: ExceHentíssim Sr. Pasqual Maragall GERENT: Sr. Lluís Portabella VOCALS: Antoni Sàbat (Generalitat, de Catalunya) Montserrat Albet (Generalitat de Catalunya) Rafael Pradas (Ajuntament de Barcelona) Jordi Vallverdú (Ajuntament de Barcelona) R. Martínez Callén (Ajuntament de Barcelona) Manuel Bertrand (Societat del G. T. del Liceu) Fèlix M." Millet (Societat del G. T. del Liceu) Maria Vilardell (Societat del G. T. del Liceu) Carles Mir (Societat del G. T. del Liceu) SECRETARI: Adrià Alvarez A la portada: Dep. Legal B. 556 - 1980 "Tannhâuser", Miniatura del "Mtnnesânger" de Heidelberg LLORET, INDUSTRIAS GAAFICAS - BADALONA ADMINISTRADOR: Lluís Andreu DIRECTOR MUSICAL: Eugenio Marco DIRECTOR D'ESCENARI: Dídac Monjo ASSISTENTS MUSICALS: Jordi Giró Miguel Ortega Aldo Tarchetti Lolita Poveda APUNTADOR: Jaume Tribó CAP DE PREMSA I RELACIONS PÚBLIQUES: Adelita Rocha CAP D'ABONAMENT I TAQUILLES: Josefina Carbonell CAP D'ADMINISTRACIÓ: Joan Antich SERVEI MÈDIC: Dr. Enric Bosch SECRETARIA: Josep Delgado Maria Antònia Claramunt María José García CAP DE MAQUINISTES: Constancio Anguera CAP D'ELECTRICISTES: Francesc Tuset CAP D'UTILLATGE: Jaume Payet CAP DE SASTRERIA: Remei Mollor CAP DE MAQUILLATGE: Martha Vázquez PERRUQUERIA: «Damaret» SABATERIA: «Vall deperas» Assistència tècnica: JORQUERA HNOS., pianos PUBLICITAT I PROGRAMES: Publi-Tempo NOTES IMPORTANTS: Un cop començada la funció, no serà permesa l'entrada a la sala, així com verificar enregistraments, fotografies o filmar escenes de qualsevol tipus. Les funcions començaran puntualment a l'hora indicada. El Patronat Pro Música, si les circumstàncies ho reclamen, podrà alterar les dates, els programes o els intèrprets anun­ ciats en aquest programa. En compliment d'allò que disposa l'Article 92 del Reglament d'Espectacles, és prohibit de fumar als passadissos; hom ha d'utilitzar el Saló del 1er. pis i el vestíbul de l'entrada. ó, Accés pel carrer St. Pau núm. 1 bis PArrRONArr "PRO MÚSICA" DE BARCELONA JUNTA DIRECTlY A PRESIDENT Don Luis Portabella Ráfols VICE-PRESIDENT Don Ramón Negra Valls SECRETARI Don Juan Pujadas Obradors TRESORER Don Francisco Samaranch Torelló VOCAL Don Pedro Mir Amorós VOCAL Don Carlos Mir Amorós VOCAL Doña Montserrat Mombrú de Balañá VOCAL Don Esteban Molist Pol VOCAL Don Rogelio Roca Salamanca SOCIS ADHERITS LIGNE JUVENILE y OLVIDESE DE SU PIEL SECA. Doña Carmen Aguilera de Daurella Don Juan Esquirol Pedragosa Excmo. Sr. Marqués de Alella Don Jacinto Esteva Vendrell Don Carlos Andreu Batlló Doña Nuria Fábregas de Sarrias Don Jordi Argenté i Giralt Doña Magdalena Ferrer Dalmau veces en que a una mujer epidermis o con impedir que se LIGNE JUVENILE: Don Daniel Argimón Llofriu Doña M.' Antonia Ferrer de Thomas Don Jordi Balañá Albiñá Excma. Sra. Vda. le gustaría poder cambiar de evapore. MUCHO MAS UNA Condesa, de Fígols Hay QUE Profesor D. Joaquín Barraquer Moner Doña Joaquina Fina, Vda. de Rosa En el sentido la Pero en no es suficiente. piel. propio de realidad, LINEA HIDRATANTE. Don José Bel Font Don Santiago Fisas Mulleras palabra. Y es muy comprensible, Por eso, la Ligne Juvénile de La Ligne Juvénile de Lancaster Don Santiago Belloch Don Antonio Folcrá Folcrá Doña Irene A., Vda. de Bertrán Sra. Maria Font de Carulla pues se trata de un deseo que nace Lancaster aporta algo más. es un sistema de tratamientos Doña Flora Bertrand Mata, Vda. de Rosal Don Antoni Forrellad i Solà de la sensación de un sistema de tratamientos sencillos desagradable Aporta y rápidos, que propor­ Don Eusebio Bertrand Mata Doña Herminia Froutchman de Ochoa todos los Bertrand tener la piel deshidratada. Un para problemas de la cionan una mayor protección a su Don Manuel Vergés Don Buenaventura Garriga Brutau Don Jorge Blanch Cubiñé Excmo. Sr. Conde de Godó problema que se manifiesta bajo deshidratación, sea cual sea su piel. La belleza y la suavidad reen­ Don José Botey Serra Don Jaume Graell Massana distintas el clima edad. contradas en una formas, según y sensaciónde bien­ Don Emilio Brillas Saguer Don Joan A. Grau Cuadrada La está la fragilidad de la epidermis. Ligne Juvénile destina­ estar.A partir de ahora, ya puede Don Alejo Buxeres Pons Don Hans Hartmann Doña Maria Josefa Casacuberta, Don A. ¿QUE NECESITA LA PIEL da a las pieles secas, muy usted olvidarse de su piel seca. Wolfgang Hartmann Vda. de Soler Mauri Doña Petra Vda. de Vila secas sensibles. Es un Huarte, DESHIDRATADA? y conjunto Por muy sensible sea. Don que Joaquín Castella Mandos Doña Pilar Jaraiz Franco, Vda. de Lago El fenómeno de la deshidra­ de tratamientos cuyo objetivo Don Agustín Catalán Baulenas Don Alexander Konta tación es aparentemente sencillo: principal es hidratar la piel, no sólo Don Luis Clavera Monjonell Excmo. Sr. Conde de Lacambra Don José Colomer Ametller Don Lerín el abandona la de la de Miguel Seguí agua superficie compensando pérdida agua, Doña María Soledad Córdoba Gabaraín Don .Félix Llonch Salas la epidermis más deprisa de lo que sino también ayudando a su Don Enrique Corominas Vila Doña Elvira Madroñero Don llega desde las capas profundas. propio metabolismo natural. Marcelli Curell i Suñol Don Manuel Malagrida Pons LANCASTU, Doña Josefina Cusí Fortunet Don Axel Malowan Tejeira Por tanto, la solución parece Cremas y nutritivas, que ligeras Don Ricardo Defarges Ibáñez Doña Ginette Manry Bernaille sencilla: basta con restablecen la suavidad frescor jt'VENILF Don José igualmente y SKIN Descartín Don Enrique Mañosas Barrera -- -------- aportar continuamente agua a la incluso de las pieles más sensibles. Don José Ensesa Montsalvatge Don Joan A. Maragall Noble Doña M.' Teresa Marca de Salvat Doña Gloria Sacrest Recolons Don Juan March Delgado Don José Sala Ama t Doña Francisca Marcet, Vda. de Torrederner Don Juan Salvat Don José M.' Mas Casals Don Manuel Salva t Don Jaime Mercadé Bertran Don Eusebio Sans CoU Don Jorge Miarnau Banús Doña Verónica Santalla Blavi Don Joan Millà Francolí Don Francisco A. Sensat Alemany Don Félix M.' Millet Tusell Don Gerardo Sensat Estrada Don Jesús Mir Amorós Don José Serra Roca Don Horacia Miras Giner Don Jesús Serra Santamans Don Federico Mitjans Martínez Don Antoni Serra Santamans Don Joaquín Monzó Lasala Doña M.' Teresa Serra, Vda. de Soler-Cabot Don Antonio Negre Villavecchia Don José Soldevila Armenteras Don Sebastián Noguera Vives Doña María Soldevila, Vda. de Gamis Don Gaspar Núñez Simón Excmo. Sr. José Suñer Martínez Don Antonio Olmos Miró Don José Ildefonso Suñol Soler Doña M.' Teresa Orellana, Vda. de Bricall Don Geza Tolnay Don Antonio Paricio Don Salvador Torrents Don Gabriel Paricio Larrea Doña María Dolores Torres de Andreu Don Raimon Patau Iglesias Don Antoni Torres Alvarez Don Joan del Peso Don Rodolfo Tovar Faja Don Mateo Pla Elías Don Joan Trias i Bertran Don Jorge Pla Martí Don Juan Uriach Tey Don José Pons Cardoner Doña Asunción Valls de Pi Figueras Don Antonio Pons Llibre Don Joan Vallvé Creus Don Javier Portabella Córdoba Excmo. Sr. Marqués de la Vega Inclán Don Luis Portabella Córdoba Don Ignacio Ventosa Despujol Doña M.' Teresa Puig de Riera Don Domingo Vernis Bonet Don Pedro Puig Massana Don Salvador Vidal Nunell Doña Carmen Puig de Viladomiu Don Ignacio Vila Basté Don Jordi Pujadas Hostench Don Santiago de Villalonga Gusta Don Andreu Pujol i Mir Doña Marta O. de Villavecchia Doña Teresa Ráfols, Vda. de Jover Don Wolf Zan top Don Rafael Rifá Puget Orfeó Català Don Leopoldo Rodés Castañé Fòrum Musical Doña Elvira Rosell de Santigosa Joventuts Musicals de Barcelona Don Martín Rossell Barbé Jorquera Hnos., pianos Don Francesc Rubiralta Vilaseca Radio Ambiente Musical, S. A. DOlla M.' Josefa Rusiñol, Vda. de Valls Taberner ADMINISTRADOR ARTíSTIC DEL III FESTIVAL D'òPERA Don Carles Caballé Folch A Ja Secretaria de «Pro Música» (Balmes, 26, Leo', 1.', Tel. 3186208) continua oberta la llista d'inscripció per a tots els qui desitgin adherir-se al Patronat. RICHARD CASSILLY Nasqué a Maryland; començà els estudis a l'escola local i els continuà al Peabody Conservatory of Music de Baltimore. L'any 1955, i quan formava part del cor de la Companyia de Gian-Carlo Menotti de Broadway que representava «The Saint of Bleeker Street», tingué la seva oportunitat en ser escollit per al paper de tenor prota­ gonista. La seva actuació fou rebuda com un autèntic esdeveniment ar­ tístic i immediatament fou invitat a formar part de la companyia d'ò­ pera de Nova York, amb la qual col·laborà durant onze anys, adquirí una valuosa experiència i aconseguí grans èxits amb una àmplia varie­ tat de papers (des del Don Joan d'«Èdip rei» i el Sergio de «Katerina Ismailova. fins al de Peter Quint de «The turn of the Screw»), Durant aquest període adquirí una gran popularitat entre la majoria de les companyies d'òpera d'Amèrica del Nord, en interpretar reitera­ dament el seu repertori habitual en papers com Radamés, Manrico i Cavaradossi; en una mateixa temporada interpretà deu versions de «Carmen» en deu ciutats diferents. El 1965 debutà a Europa a la ciutat de Ginebra, amb una obra dirigida pel Dr. Herbert Graf; l'èxit assolit en aquesta representació li valgué contractes per actuar a la Deutsche Oper de Berlín i a la Staatsoper d'Hamburg, teatres en els quals interpretà el paper de Radamés. Actualment, i des del seu debut l'any 1955, compta amb més de cin­ quanta papers protagonistes, i en el seu repertori, entre moltes altres obres, figuren «Tannhâuser», «L'holandès errant», «Els mestres can­ taires», «La Walkyria», «Lohengrin», «Orello».
Load more

Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • THE NEW YORK PHILHARMONIC THIS WEEK Broadcast Schedule – Spring 2020
    THE NEW YORK PHILHARMONIC THIS WEEK Broadcast Schedule – Spring 2020 PROGRAM#: NYP 20-27 RELEASE DATE: March 25, 2020 Music of Our Time: Liang, Dalbavie, Shepherd, Muhly, and Pintscher Lei LIANG (b. 1972): Verge, for 18 Strings (2009) (Magnus Lindberg, conductor) Marc‐André DALBAVIE (b. 1961): Melodia, for Instrumental Ensemble (2009) (Magnus Lindberg, conductor) Sean SHEPHERD (b. 1979): These Particular Circumstances, in seven uninterrupted episodes (2009) (Alan Gilbert, conductor) Nico MUHLY (b. 1981): Detailed Instructions, for orchestra (2010) (Alan Gilbert, conductor) Matthias PINTSCHER (b. 1971): Songs from Solomon’s garden, for baritone and chamber orchestra (2009; New York Philharmonic Co‐Commission with the Frankfurt Radio Symphony Orchestra) (Alan Gilbert, conductor; Thomas Hampson, baritone) PROGRAM#: NYP 20-28 RELEASE DATE: April 1, 2020 Bernstein Conducts Bernstein BERNSTEIN: Chichester Psalms (World Premiere performance) (Leonard Bernstein, conductor; Camerata Singers, dir. Abraham Kaplan; John Bogart, boy alto) BERNSTEIN: Kaddish, Symphony No.3 (Leonard Bernstein, conductor; Camerata Singers, dir. Abraham Kaplan; Columbus Boychoir, dir. Donald Bryant; John Bogart, boy alto; Felicia Montealegre, speaker; Jennie Tourel, mezzo-soprano) BERNSTEIN: Suites 1 and 2 from the Dybbuk (Leonard Bernstein, conductor; Paul Sperry, tenor; Bruce Fifer, bass- baritone) PROGRAM#: NYP 20-29 RELEASE DATE: April 8, 2020 American Works: Gershwin, Russo, Ellington, and Copland GERSHWIN: Porgy and Bess (selections) (recorded 1954) (André Kostelantetz, conductor) RUSSO: Symphony No. 2, “Titans” (recorded 1959) (Leonard Bernstein, conductor; Maynard Ferguson, trumpet) ELLINGTON/ Marsalis: A Tone Parallel to Harlem (recorded 1999) (Kurt Masur, conductor; Jazz at Lincoln Center Orchestra, Wynton Marsalis, artistic director & trumpet) COPLAND: The Tender Land (abridged) (recorded 1965) (Aaron Copland, conductor; Joy Clements, soprano; Claramae Turner, mezzo-soprano; Richard Cassilly, tenor; Richard Fredricks, baritone; Norman Treigle, bass; Choral Art Society, dir.
    [Show full text]
  • Temporada D'òpera 1984 -1985
    GRAN TEATRE DEL LICEU TEMPORADA D'ÒPERA 1984 -1985 SALOME EAU SAUVAGE EXTRÊME Christian Dior EAU DE TCHLETTE CONCBiTRÉE C-Kristian Dior PAPIS inventa Eau Sauvage Extrême Eau Sauvage Extrême: aún más intenso aún más presente aún más Eau Sauvage. GRAN TEATRE DEL LICEU Temporada d'òpera 1984/85 CONSORCI OKI. GRAN TEATRE DEE LICEU (;knerali·|'\t de cataeenva aji ntament de a\rceu)na s(k:ietat del cran teatre del i.icel SAAB 900 Turbo 168: 2000 cm.'; 4 válvulas por cilindro; doble árbol de levos; intercooler y sistemo A.P.C.; 175 C.V.:5velocidodes; 210l<m/h; oceleroción de 0-100 km: 8,75sg; consumo 90km/h:7,l 1,120km/h:9,5l;troccióndelontera. A más de 200 km. por hora, el mundo combla. Por eso es indispensa¬ ble poder confiar en el vehículo que los alcance. Plenamente, como se puede confiar en un SAAB. Poraue el SAAB es un coche concebido en uno de los centros más avanzados del mundo en tecnología aeronáu¬ tico: SAAB SCANIA. Incorporando los últimos avances de su potencia tecnolágico, SAAB presenta el nuevo SAAB 900 Turbo-16, equipado con el revolucionario motor turbo de 16 vál¬ vulas e intercooler, que desarrolla 175 CV. Lo tecnología elevado o la máximo potencia, que Vd. puede comprobar en su concesionario SAAB. Personalidad en coche koÜnUc Tenor Viñas, 8 - BARCELONA- Tel: 200 73 08 m SALOMÉ Drama musical en 1 acte segons el poema homònim d'Oscar WÜde Música de Richard Strauss Dijous, 7 de febrer de 1985, a les 21 h., funció num.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1969
    THE MUSIC DIRECTOR music department he organizes the vocal lenufa, Aida, Parsifal, The flying Dutch- fellows' activities, which have been much When ERICH LEINSDORF relinquishes his man, Tristan und Isolde, Elektra and Son's extended during the last two seasons. post as Music Director of the Boston Sym- Codunov, to name only a few. He now Charles Wilson becomes principal resi- phony Orchestra at the end of the 1969 lives in Hamburg. dent conductor of the New York City Berkshire Festival, he will have made a Opera Company, beginning this coming significant contribution to American mu- SHERRILL MILNES, who made his first fall. sical life. Under his leadership the Or- appearance with the Boston Symphony chestra has presented many premieres and last summer here at Tanglewood, started revived many forgotten works. Among THE SOLOISTS his professional career as a member of the latter have been the complete Schu- Margaret Hiilis's Chicago Choir, and was mann Faust, the original versions of Twenty-three year old ANDRE WATTS soon taking solo parts when the chorus Beethoven's Fidelio and Strauss's Ariadne made his debut with the Boston Sym- appeared with the Chicago Symphony. auf Naxos, and the Piano concerto no. 1 phony Orchestra last winter. He started He won scholarships to the opera depart- of Xaver Scharwenka, while among the to study the piano with his mother when ment of the Berkshire Music Center for numerous world and American premieres he was seven. Two years later he won a two consecutive summers, then joined have been works like Britten's War competition to play a Haydn concert for Boris Goldovsky's company for several requiem and Cello symphony, the piano one of the Philadelphia Orchestra chil- tours.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • January 19, 2020 Luc De Wit 3:00–4:40 PM
    ALBAN BERG wozzeck conductor Opera in three acts Yannick Nézet-Séguin Libretto by the composer, based on the production William Kentridge play Woyzeck by Georg Büchner co-director Sunday, January 19, 2020 Luc De Wit 3:00–4:40 PM projection designer Catherine Meyburgh New Production set designer Sabine Theunissen costume designer Greta Goiris The production of Wozzeck was made possible lighting designer Urs Schönebaum by a generous gift from Robert L. Turner A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia general manager Peter Gelb jeanette lerman-neubauer music director Sunday matinee performances at the Met are Yannick Nézet-Séguin sponsored by the Neubauer Family Foundation 2019–20 SEASON The 75th Metropolitan Opera performance of ALBAN BERG’S wozzeck conductor Yannick Nézet-Séguin in order of vocal appearance the captain the fool Gerhard Siegel Brenton Ryan wozzeck a soldier Peter Mattei Daniel Clark Smith andres a townsman Andrew Staples Gregory Warren marie marie’s child Elza van den Heever Eliot Flowers margret Tamara Mumford* puppeteers Andrea Fabi the doctor Gwyneth E. Larsen Christian Van Horn ac tors the drum- major Frank Colardo Christopher Ventris Tina Mitchell apprentices Wozzeck is stage piano solo Richard Bernstein presented without Jonathan C. Kelly Miles Mykkanen intermission. Sunday, January 19, 2020, 3:00–4:40PM KEN HOWARD / MET OPERA A scene from Chorus Master Donald Palumbo Berg’s Wozzeck Video Control Kim Gunning Assistant Video Editor Snezana Marovic Musical Preparation Caren Levine*, Jonathan C. Kelly, Patrick Furrer, Bryan Wagorn*, and Zalman Kelber* Assistant Stage Directors Gregory Keller, Sarah Ina Meyers, and J.
    [Show full text]
  • The Following Great Artists Have Taught
    The following great artists have performed, taught, and/or studied at Hidden Valley Ansel Adams Rod Gilfry Pepe Romero Photographer Baritone Guitarist Sir Thomas Allen Philip Glass Jenny Penny Baritone Composer/Pianist Principal Dancer, The Royal Ballet Julius Baker Thomas Hampson Claudette Peterson Principal Flute, New York Philharmonic Baritone Soprano Samuel Barber Gary Hines Cindy Phelps Composer Conductor, Sounds of Blackness Principal Violist, New York Philharmonic Jeanne Baxtresser Sue Hinshaw Gregor Piatigorsky Principal Flute, New York Philharmonic Soprano Cellist Randall Behr Henry Holt Paul Polivnik Conductor/Pianist Conductor Conductor Martin Bernheimer Reg Huston Margarite Porter Music Critic Bass-Baritone Principal Dancer, The Royal Ballet Roger Cantrell Eugene Izotov Jean-Pierre Rampal Conductor Principal Oboist, San Francisco Symphony Flutist Colin Carr James Jarrett Stewart Robertson Celloist Author/Aesthetist Conductor Richard Cassilly Graham Johnson Joe Robinson Tenor Pianist Principal Oboe, New York Philharmonic David Conte Emil Khudyev Neil Rosenshein Composer Associate Principal Clarinet, Seattle Sym- Tenor Ronald Cunningham phony Ali Ryerson Choreographer, The Boston Ballet Farkhad Khudyev Jazz Flutist Robert Darling Conductor,/Violinist Charles Schleuter Designer/Director Mark Kosower Principal Trumpet, Boston Symphony Or- Leonard Davis Principal Cello, The Cleveland Orchestra chestra Principal Violist, New York Philharmonic Louis Lebherz Elisabeth Schwarzkopf Warren Deck Bass Soprano Principal Tuba, New York Philharmonic
    [Show full text]
  • Lost in the Stars
    REVIEWS Performances Lost in the Stars Washington National Opera and the production rocked the house. In musical terms, the 2016 version is even stronger, especially 12–20 February 2016 the contributions of the orchestra, due in great part to the added forces supplied by the Kennedy Center and WNO, particularly the dark richness of added violas. Conductor John DeMain’s Kurt Weill and Maxwell Anderson’s Lost in the Stars sailed into authoritative command of Weill’s score brought the powerful the Kennedy Center this February captained by Washington music to the forefront. National Opera’s Artistic Director Francesca Zambello. The The sound of the men in the Chorus reminds me of the production was an important event in the nation’s capital, not powerful South African tradition of male ensembles, rooted in only amplifying pressing conversations about race and unequal the practice of corralling Black miners in stockades, with music justice but broadening an artistic question in what has become their only emotional outlet. Through the choral writing, the a rich musical-theater nexus—what is musical theater? Lost nation itself becomes a character, with the first act establishing the in the Stars has been a challenge to define since it debuted on context and letting music invoke the work’s panoramic feel and Broadway, where it met mixed critical response. It has continued grand themes. The audience is challenged to feel the loneliness of to perplex many critics who try ungraciously to fit it into a pre- living in fear of “the other,” and to consider how fear and greed existing genre.
    [Show full text]
  • Beethoven Symphony No. 3 in E Flat ("Eroica") Mp3, Flac, Wma
    Beethoven Symphony No. 3 in E Flat ("Eroica") mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Symphony No. 3 in E Flat ("Eroica") Country: US Released: 1959 Style: Romantic MP3 version RAR size: 1100 mb FLAC version RAR size: 1783 mb WMA version RAR size: 1410 mb Rating: 4.1 Votes: 876 Other Formats: AA XM MOD DMF ASF MP1 VOX Tracklist Beethoven: SYMPHONY No. 3 in E Flat major ('Eroica') A1 Allegro con brio 19:15 A2 Adagio assai (Part One) 7:05 B1 Adagio assai (Conclusion) 9:20 B2 Scherzo—Allegro vivace 5:35 B3 Finale—Allegro molto 12:30 Companies, etc. Record Company – The Decca Record Company Limited Credits Conductor – Georg Solti Orchestra – Vienna Philharmonic Orchestra* Barcode and Other Identifiers Matrix / Runout (Side A): ZAL-4475-10W Matrix / Runout (Side B): ZAL-4476-11W Label Code (Side A): ZAL 4475 Label Code (Side B): ZAL 4476 Other versions Category Artist Title (Format) Label Category Country Year Beethoven*, Vienna Beethoven*, Philharmonic Vienna Orchestra*, Sir SXL 2165 Philharmonic Decca SXL 2165 UK 1959 Georg Solti* - Orchestra*, Sir Beethoven Georg Solti* Symphony No. 3 "Eroica" (LP) Georg Solti, Wiener Georg Solti, Philharmoniker, Wiener 66 528 1 Beethoven* - Decca 66 528 1 Germany Unknown Philharmoniker, Sinfonie Nr. 3 Beethoven* "Eroica" (LP, Club) Beethoven* - Georg Solti Beethoven* - conducting The Georg Solti Vienna conducting The CS 6778 Philharmonic London Records CS 6778 Canada 1972 Vienna Orchestra* - Philharmonic Symphony No. 3 Orchestra* in E Flat ("Eroica") (LP) Beethoven*, The Vienna Beethoven*, The Philharmonic Vienna Orchestra*, Georg CS-6145 Philharmonic London Records CS-6145 UK 1959 Solti - Beethoven Orchestra*, Symphony No.
    [Show full text]
  • The Following Great Artists Have Performed, Taught, And/Or Studied at Hidden Valley
    The following great artists have performed, taught, and/or studied at Hidden Valley Ansel Adams Rod Gilfrey Pepe Romero Photographer Baritone Guitarist Sir Thomas Allen Philip Glass Jenny Penny Baritone Composer/Pianist Principal Dancer, The Royal Ballet Julius Baker Thomas Hampson Claudette Peterson Principal Flute, New York Philharmonic Baritone Soprano Samuel Barber Gary Hines Cindy Phelps Composer Conductor, Sounds of Blackness Principal Violist, New York Philharmonic Jeanne Baxtresser Sue Hinshaw Gregor Piatigorsky Principal Flute, New York Philharmonic Soprano Cellist Randall Behr Henry Holt Paul Polivnik Conductor/Pianist Conductor Conductor Martin Bernheimer Reg Huston Margarite Porter Music Critic Bass-Baritone Principal Dancer, The Royal Ballet Roger Cantrell Eugene Izotov Jean-Pierre Rampal Conductor Principal Oboist, San Francisco Symphony Flutist Colin Carr James Jarrett Stewart Robertson Celloist Author/Aesthetist Conductor Richard Cassilly Graham Johnson Joe Robinson Tenor Pianist Principal Oboe, New York Philharmonic David Conte Emil Khudyev Neil Rosenshein Composer Associate Principal Clarinet, Seattle Sym- Tenor Ronald Cunningham phony Ali Ryerson Choreographer, The Boston Ballet Farkhad Khudyev Jazz Flutist Robert Darling Conductor,/Violinist Charles Schleuter Designer/Director Mark Kosower Principal Trumpet, Boston Symphony Or- Leonard Davis Principal Cello, The Cleveland Orchestra chestra Principal Violist, New York Philharmonic Louis Lebherz Elisabeth Schwarzkopf Warren Deck Bass Soprano Principal Tuba, New York
    [Show full text]
  • 1 K Ü R E GRAN TEATRE DEL LICEU
    D i e W a 1 K_ ü r e GRAN TEATRE DEL LICEU Temporada 90-91 CONSORCI DEL GRAN TEATRE DEL LICEU Generalitat de Catalunya Ajuntament de Barcelona Ministerio de Cultura Diputació de Barcelona Societat del Gran Teatre del Liceu Die Walküre Primera jornada de l'Anell del Nibelung Drama musical en tres actes Text i música de Richard Wagner (Amb sobretitulat) Funció de Gala BARCELONA MADRID 6 de 20 núm. torn B Muntaner, 300, Esq. Laforja Hermosilla, 75, Esq. Gra. Pardiñas Dijous, desembre, h., funció 38, TeL 200 81 00 TeL 435 89 89 BARBERÁ DEL VALLÉS MADRID·2 Diumenge, 9 de desembre, 17 h., funció núm. 39, torn T . LA VAGUADA· TeL 7304882 Baricentro TeL 7189751 Dimarts, 11 de desembre, 20 h., funció núm. 40, torn A Divendres, 14 de desembre, 20 h., funció núm. 41, torn e Dilluns, 17 de desembre, 20 h., funció núm. 42, torn D Die Walküre Siegmund Robert Schunk Hunding Matti Salminen Wotan Simon Estes Sieglinde Montserrat Caballé Brünnhilde Johanna Meier Fricka Marjana Lipovsek Brigitte Fassbaender (14 i 17) Gerhilde María Uriz Ortlinde Rosa Maria Conesa Waltraute Camilla Ueberschaer Schwertleite Claudia Rüggeberg Helmwige Regina Marheineke Siegrune Begoña Alberdi Grimgerde Rosa Maria Ysàs Rossweisse Marijke Hendriks Director d'orquestra Uwe Mund Direcció d'escena i escenografia Hugo de Ana Assistents de direcció d'escena i vestuari Marta Maier - Hilda Cabezas Realització del vestuari Peris 150, Barcelona Servei de sabateria Valldeperas, Barcelona Servei de perruqueria Damaret, Barcelona Producció Teatro Lírico Nacional La Zarzuela - Madrid Traducció del sobretitulat Jordi Ibàñez, L'Avenç S.A., Barcelona Violí concertino Josep M.
    [Show full text]
  • A Conductor's Guide to Twentieth-Century Choral-Orchestral Works in English
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9314580 A conductor's guide to twentieth-century choral-orchestral works in English Green, Jonathan David, D.M.A. The University of North Carolina at Greensboro, 1992 UMI 300 N.
    [Show full text]