2009
10 - december 10 | november | november 28 c r e a t i v e living in t h e h u d s o n v a l l e y vol. vol. v a l l e y h u d s o n t h e f o r listings c i n e m a & t h e a t r e | a r t | m u s i c
music | art | theatre & cinema listings for the hudson valley Serving Healthcare Needs for Women in the Hudson Valley
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OK, maybe I’m just overreacting post-Halloween; way too many folks dressed up in their hottest outfits with the plastic fangs, fake blood trailing from lips, the classic easy last-minute costume. But I don’t think so. Years of Anne Rice novels and movies, Buffy the Vampire Slayer, and now this (I would imagine literally) God-forsaken Twilight phenomenon are adding up TEMPURA UDON & SOBA Organic & Locally grown ingredients and it’s obvious: vampires are hotter than ever. TATSUTA'AGE CHICKEN Vegan friendly & MSG free menu It’s easy to see the attraction. To young people, vampires represent the late HOUSE-MADE GYOZA Gluten free & Dairy free choices night nightlife, sleeping all day, taking whatever you need to get your rocks ORG. MADOFU Variety of Tea off, having a good time, living forever and being sexy doing it. To older folks the idea of a elixir (blood) that can stave off the reaper sounds pretty MSG FREE SPRING ROLL Sake & Japanese Beer darn good, never aging, staying vital, amassing intelligence and power, GREEN TEA ROLL CAKE Live Entertainment living forever and being sexy doing it. Modern day vampires are all pretty Cultural events & clubs and skinny…we sure have come a long way from freaky Nosferatu and SAPPORO, KIRIN, ASAHI classic Bela Lugosi. UNFILTERED SAKE Japanese gift items But the downside is this: vampires are murderers, pure and simple, killing mostly innocent people to survive, taking their life force for their own. 845-255-8811 True, sometimes the stories have those dying deserving their fate, but generally vampires are immoral thieves who care little for the consequences www.gomenkudasai.com of their actions. And I for one am sick and tired of them, the fictional…. 215 MAIN ST. NEW PALTZ NY and non-fictional. @MEDUSA ANTIQUES BUILDING Non-fictional, you say? What vampires, you ask? What do you call a vast insurance industry that sits between you and your doctor, siphoning money from your pocket while making an obscene profit by denying care (by not paying your doctor your money) for whatever reason they can devise? That is exempt from anti-trust laws, and uses the money you gave them to save your life to buy off your legislature and scare the public into accepting their
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What do you call a banking system that, lacking any significant oversight, made ridiculously complex, dangerous, and frankly unethical transactions ✶ Music every weekend (derivatives, credit default swaps, etc.) that made a select group extremely Bearsville Theater ✶ wealthy when the going was good, but when the bottom (inevitably) “committed to bringing music back to Woodstock” dropped out ruining tens of thousands of lives, sucked over a trillion dollars out of the entire country to save itself…only to go right back to those risky Most Thursdays transactions, as if nothing had happened? ✶ BLUEGRASS CLUBHOUSE 8-10pm Miss Angie’s Karaoke LIVE! 10pm ✶ What do you call a media that will never allow campaign finance reform— something this country desperately needs, in my opinion, to keep our Friday & Saturday Nov. 13 & 14 representatives from being bought off—simply because they wouldn’t get match PWDSTMS27 6presentsU C9 0RAILROAD EARTHmatch PMS158theU millions of dollars politicians need to spend most of their time raising C100 M90 M65 instead of serving their constituency? Friday Nov. 27 Gandalf Murphy & the ✶ M1 00 ✶K30 Slambovian CircusY8 0 Vampirism is alive and well, Dear Reader…for many, it has become a K50✶ 9pm way of “life.” For we don’t have just vampires. We have entire Vampire of Dreams Industries. And as long as they're getting…fed…well, they’re not going Saturday Nov. 28 The Brew 9pm anywhere. So, now that Halloween is over, how about we toss out the fake Friday Dec. 4 Three in Concert blood, mascara, and pointy teeth, and get out the stakes, garlic, and silver with Special Guest bullets. It’s time to reach down for our inner Van Helsing’s and Buffy’s and ✶ ✶ Weerd Science 9pm ✶ take on these amoral bloodsucking entities. Make your voices heard, write and call your representatives—don’t let them off the hook for a minute. Saturday December 5 Talk about it, sign petitions, blog. Demand that these vampires be forced 4th Annual Mulled Measure of Merry Mishegas into the sunshine where they don’t want to be. Let’s not have a country with Peter Schickele, Gilles Malkine that’s safe for vampirism; it didn’t work out so hot for Transylvannia, now ✶ and Mikhail Horowitz did it? And next year, if you’re looking for a classic monster to be, may I suggest Full Bar, Streamside Lounge, Gourmet Dining at Frankenstein’s monster, or the Bride? At least they had souls. The Bear Cafe! 2 miles west of Woodstock on Rt. 212... Tickets (845) 679-4406✶ • www.bearsvilletheater.com Cheers! Ross Rice, editor
2 | rollmagazine.com for his gift guide, can you put in images of: Acer and/or Lenova netbook Toshiba laptop Imac
I think his description from last year, with the addition of these listed as pictured will work.
For his ad: Alans Affordable Computers & Repairs Horizontal this time. expert computer service - wherever you need it! add images of imac, Acer netbook, and Mac- This holiday season, get everyone on book pro your list the gift they really want, without breaking the budget--their own computer copy: from Alan’s Affordable Computers. This holiday season, get everyone on your list the gift they really want, Come visit us at our new location in the without breaking the budget--their own Stone Ridge shopping plaza. computer from Alan’s Affordable Computers. BRAND NEW MACBOOKS UNDER $1000, REFURBISHED IBM THINKPADS UNDER $300, BRAND NEW MACBOOK PROS UNDER $1,900, NEW COMPUTERS WITH WINDOWS 7 UNDER $600, MONITORS FROM same info about visiting at the new Stone $79 TO $300, DESKTOPS , IMACS AS LOW AS $1099—PICK THE ONE Ridge location. THAT ’S RIGHT FOR YOU AND GET AN HOUR LESSON FREE ! PLUS THE LATEST RAGE —NETBOOKS WITH A FREE BURNER TO GO WITH IT! HEY YOU MAC add to the copy of the computer deals: ENTHUSIASTS , SUPPLIES ARE LIMITED ON IMAC , MACBOOKS , AND MACBOOK the latest rage--Netbooks with a free burner PROS , NO RAINCHECKS , FIRST ONE TO GET WILL SAVE AT LEAST $500. to go with it can you email him the new ad? ALAN MA r k E r /o W N E r 3835 main street/rte. 209 | stone ridge ny 12484 | 845.687.9505 | [email protected]
3 | rollmagazine.com table of contents
2 editor’s note
8 roll art & image— sky light on modern art: Dia Beacon, Riggio Galleries, by Ross Rice
16 roll the music— three the hard way: Peter Aaron talks to Joey Eppard of the band 3
18 roll listings— art | music | theatre & cinema
30 roll CD reviews— new releases by Twinn Connexion, John David Schrader, and Kirsten DeHann
Punk DVD’s from Iggy Pop, Dee Dee Ramone, D.O.A., and U.K. compilations
32 roll dollars & sense— year-end planning, by Beth Jones
34 roll on stage & screen— the evolving image of black women in American film: a discussion with author and Vassar professor Mia Mask, by Jay Blotcher
37 roll holiday gift guide
44 Rob Brezsny’s freewill astrology—
46 roll wine & spirits— the Thanksgiving meal, by Timothy Buzinski and Mei Ying So, Artisan Wine Shop, Beacon
47 roll cuisine corner— celebrating the harvest with Turkey Ballontine, by Pierre-Luc Moeys, Oriole 9, Woodstock
48 roll portrait
Co v e r Ar t , Su n p o r c h 2, Je n n y Ne l s o n
4 | rollmagazine.com FARM-FRESH PRODUCE • BUTCHER SHOP • FISH MARKET VAST GOURMET GROCERY, CHEESE & COFFEE SELECTION DELECTABLE BAKED GOODS • SWEET SHOP AND MORE! www.adamsfarms.com
POUGHKEEPSIE KINGSTON NEWBURGH Route 44 Route 9W Route 300 845-454-4330 845-336-6300 845-569-0303
5 | rollmagazine.com roll magazine is published monthly by Roll Publishing, Inc.
Ed i t o r | Ross Rice
Cr e a t i v e Di r ec t o r | Donna Calcavecchio
Op e r a t i o n s | Tom Grasso
Ca l e n d a r Ed i t o r & Pr o d u c t i o n As s i s t a n t | Tristan Sheltan
Bu s i n e s s Ma n a g e r | Ali Gruber
Co n t r i b u t o r s Peter Aaron, Jay Blotcher, Timothy Buzinski and Mei Ying So, Beth Jones, Crispin Kott, Pierre-Luc Moeys, Ross Rice
Ph o t o g r a p h y J. Ferrara, Buck Lewis, David Oroszi, Patricia Rubinelli
Co p y Ed i t o r | Adele Jones
Pr o o f Re a d e r s | Adele Jones & Dan Kajeckas
w eb s i t e | www.rollmagazine.com
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Su bm i s s i o n s | Advertising contact: [email protected] | 845.658.8153 Ad deadlines and artwork submissions are the 25th of the previous month.
Ev e n t s roll magazine publishes event listings for local music, art, theatre, film, dance and spoken-word events. Deadline for submission is the 25th of the previous month. Email event listings to: [email protected]. Include date, name, venue, time and location.
Ed i t o r i a l If you are interested in writing for roll magazine, or have an interesting story on creative living in the Hudson Valley, email a brief press release or story idea to [email protected] Or send to: Roll Publishing, Inc. PO Box 504 | Rosendale, NY 12472 Roll Publishing, Inc. is not responsible for anything, including the return or loss of submissions, or for any damage or other injury to unsolicited manuscripts or artwork. Any submission of a manuscript or artwork should include a self-addressed envelope or package bearing adequate return postage.
All contents copyright 2009 by Roll Publishing, Inc.
6 | rollmagazine.com 38th Annual Holiday Crafts Fair
Steve Fabrico Pottery Unique Hand Crafted Items and Specialty Foods Sat. & Sun., Nov. 28 & 29, 2009 10 AM - 4 PM Drumlin & Falcon Halls, DCC campus Admission: $6 Adults; $4 Seniors 55+, $4 DCC community with ID, Children under age 12 free. $1 off admission with this ad. Limit one discount per ad.
For more information, visit http://www.sunydutchess.edu/alumni/ 845.658.9330 | [email protected] foundationevents/AnnualCraftFair.html or email: [email protected]
7 | rollmagazine.com roll art & image
skylight on modern art
by Ross Rice DIA:BEACON RIGGIO GALLERIES
Mid-October, a Saturday at noon: “Beacon Day” at the world- Peeking around the corner, it becomes apparent that there are many renowned Dia:Beacon Riggio Galleries is turning out to be a more galleries—representing 25 artists work—within the massive success. It's a day when the hometown residents get free admission enclosure that is Dia: Beacon. With 240,000 square feet of interior and a very special treat—a performance by the legendary (and long space—lit naturally by 34,000 square feet of sky lighting—the sheer time Beacon-ite) Pete Seeger. Accompanied by some friends and a enormity impresses, and rather than making the visitor feel small and gaggle of precocious kids, Pete directs a sing-along of songs that insignificant, seems to suggest quite the opposite: that anything is are in every single attendees DNA, and there is a palpable warmth possible, scale is not a issue. and sense of community that settles over all. as Pete wraps up with a rousing version of “Ghost Riders in the Sky,” one youngster in particular gets the most out of the “yippie-ty-yays.”
Stepping back as the last notes fade, it becomes apparent that the warmth I’m feeling is also visual, a result of the diffused natural light hanks to the increasing suburbanization of that bathes the interior of the gallery room. No track lighting. And manufacturing post-WWII, and the subsequent the room I’m in is actually the size of most galleries, if not much availability and affordability of large industrial and larger. Scanning along the walls, the colorful repetition of Andy loft space in urban areas (particularly New York Warhol’s multi-canvas Shadows (1978-79) pulls in my attention. As City), it was only natural that contemporary artists of the 60s and a large-scale work, it would be almost impossible to install in all but T70s would engage the extra space. While hailed and celebrated very few galleries. Yet here it is. by their peers and cognoscenti, many of these artists' large-
8 | rollmagazine.com . NY , o n ac e , B o n ac e :B a i D t a
. t i o n a i n e t z l l V a m o n s t I : T h o t o . P 1967/2002. 1967/2002. t i o n , da t es o u n , W F n a o u t h n n a , S t L s f a o
t , E f g i ; o r t h t i o n , N da e i z e r o u n H F e l r t a h A c a i i M skylight on modern art D DIA:BEACON RIGGIO GALLERIES
scaled works were necessarily site-specific, limiting their ability to Broken Kilometer (1979), both in SoHo, New York City; Joseph Beuy’s make an impact on the general public consciousness. 7000 Eichen (1987), with trees and basalt columns along West 22nd St.; and Robert Smithson’s Spiral Jetty (1970), a curlicue reaching One particular couple was keen on allowing the new works their into the Great Salt Lake, Utah. due attention, and had the financial wherewithal to help. Oil heiress and art patron Phillipa de Ménil, and art dealer husband Heiner A suitably large New York City space was required to show the Friedrich wanted to support projects “whose nature or scale would moveable collection, and in 1987 a four-story warehouse on West preclude all other funding sources.” In 1974 they established the 22nd St. was renovated by Richard Gluckman Architects, and opened non-profit Dia Art Foundation, taking their name from the Greek as Dia: Chelsea, with focus put on individual artists, sometimes giving word for “through” (as in “seeing the project through”) and each an entire floor, allowing exhibitions up to an entire year to show. began assembling a comprehensive collection of original works Until its closing in 2004—due to the expense of necessary renovation by some of the most influential artists at the time: Joseph Beuys, to the space to continue as a gallery—Dia: Chelsea premiered works John Chamberlain, Walter De Maria, Dan Flavin, Donald Judd, Imi by Robert Ober, Ann Hamilton, Jenny Holzer, Pierre Huyghe, Robert Knoebel, Blinky Palermo, Fred Sandback, Cy Twombly, Andy Warhol, Irwin, Juan Muñoz, Jorge Pardo, Jessica Stockholder, Diana Thater, and Robert Whitman. Lawrence Weiner, On Kawara, Bridget Riley, and Robert Ryman.
Dia also threw their support behind “uncollectable” long-term sited But even Dia: Chelsea wasn’t quite large enough to properly works like Walter De Maria’s Lightning Field (1977) near Quemado, accommodate the potential of the complete collection. Fortunately, New Mexico, and his The New York Earth Room (1977) and The an almost perfect location became available: a former Nabisco
9 | rollmagazine.com c o n t i n u e d o n p g 10... c o n t i n u e d f r o m p g 9...
Im i Kn o e b e l , 24 Co l o r s — f o r Bl i n k y , 1977. In s t a l l a t i o n v i e w a t Di a:Be ac o n , Be ac o n , NY. Di a Ar t Fo u n da t i o n , Ne w Yo r k . Ph o t o : Bi l l Jac o b s o n . box-printing facility built in 1929 on the banks of the Hudson River, “(Dia: Beacon) all happened thanks to a dialogue between artist and five minutes walking distance from the Metro North train station architect,” says present Dia Foundation Director Philippe Vergne, in Beacon. Then-owner International Paper donated the factory who came to the position just over a year ago. Having previously building to Dia in 1999 and with a generous donation from board been the director of the Contemporary Art Museum in Marseilles members Louise and Leonard Riggio (among others) the renovation and most recently chief curator at Waller Art Center in Minneapolis, was underway. Artist Robert Irwin worked in tandem with the Vergne recognizes the importance of Dia: Beacon to the artistic architectural firm OpenOffice to devise a master plan that made legacy of that period. “Dia makes contemporary artists part of the the most of the building’s qualities—the abundant natural light and historical canon. Many of these artists are still alive, still have more broad spans between support columns—while providing idealized works to create.” areas for the individual artists in the collection. Opening in May 2003 under Director Michael Govan, Dia: Beacon is one of the largest It’s quite the experience, walking through the enormous ex-factory, museums to open in the US since MoMA opened in the late 30s. which now feels like nothing of the sort. Imagine an airport that has
10 | rollmagazine.com Im i Kn o e b e l , 24 Co l o r s — f o r Bl i n k y , 1977. In s t a l l a t i o n v i e w a t Di a:Be ac o n , Be ac o n , NY. Di a Ar t Fo u n da t i o n , Ne w Yo r k . Ph o t o : Bi l l Jac o b s o n . An d y Wa r h o l , Sh a d o ws , 1978-79. In s t a l l a t i o n a t Di a:Be ac o n , Be ac o n , NY. Co l l e c t i o n Di a Ar t Fo u n da t i o n . Ph o t o : Bi l l Jac o b s o n .
no concessions, airplanes, noise, or people in a hurry; all natural adopted color for the first time in honor of the deceased. The Dia light and spacious walkways. Instead of gate bays, you enter installation of 24 monochromatic polygons, all of different shape different areas attuned to the sensibilities of the individual artists, and size, sequenced and arranged by the artist himself with twelve and experience a full body of works as they would like you to. Even if on each side, seem innocuous and amorphous at first. But on further you think you don’t quite “get” contemporary art, you will find your inspection, the colors really speak; the shapes seem oddly organic, perspective transformed in ways you probably would not expect. like missing pieces to….something.
Rounding the corner from the Warhol exhibit, a wide, bright corridor The corridor passes through to Sol Le Witt’s Drawing Series, fourteen awaits, featuring the Imi Knoebel installation 24 Farben-für Blinky key works from the late 60s through early 70s. Math-class doodlers, (24 Colors-for Blinky, 1977). Shortly after the unexpected death of Spirographers, and maze-makers will find a kindred spirit in the his close friend, German painter Blinky Palermo, Knoebel—who wall-covering line drawings of Le Witt (1928-2007), whose sprawling had previously confined his palette to strictly black and white— works are a result of carefully devised pre-set instructions carried
11 | rollmagazine.com c o n t i n u e d o n p g 12... c o n t i n u e d f r o m p g 11...
Zo e Le o n a r d , Yo u see I a m h e r e a f t e r a l l , 2008. In s t a l l a t i o n a t Di a:Be ac o n , Be ac o n , NY. Co u r t e s y t h e a r t i s t a n d Ga l e r i e Gi s e l a Cap i t a i n , Co l o g n e . Ph o t o : Bi l l Jac o b s o n . out by teams of assistants; rigorous systems that also capitalize on It’s a worthwhile long afternoon taking in the entirety of Dia: Beacon, circumstance: architectural limitations, talents of individual assistants, and frankly, we just don’t have enough magazine here to do it justice. and differentiations of materials and stylus. While the works are all The sepia-toned industrial photography of Bernd and Hilla Becher, black line on white wall, one special highlight of the exhibition is the Dan Flavin’s oddly comforting minimalist fluorescents, Michael four color version of Drawing Series—Composite, Part I-IV, #1-24, Heizer’s geometric metal “holes,” Richard Serra’s massive sculptures A+B (1969), a first shown at Dia: Beacon. that seem like fragments of some giant technology…well, there’s a whole lot to see here. You shouldn’t visit in a hurry, or on an empty Adjacent to the Le Witt “gallery,” I find myself in yet another long stomach. Should you need repast however, there is a delightful café stretch running perpendicular to the Knoebel corridor, lined with on the premises, as well as an outstanding little art bookstore. patterned sequences of postcards—each depicting the same subject: Niagara Falls. Zoe Leonard’s You see I am here after all But it’s not just a gallery here. In 1995, Dia became one of the first arts (2008) is a new work inspired by the unlimited canvas provided by organizations to encourage using the internet as an artistic medium, Dia. Though repetitive and iconic, further attention reveals different commissioning a series of projects connecting artists and audiences photographic styles and technologies in the cards themselves, as via the web long before YouTube. In-house publishing produces well as the documentation of changes to the Falls—which operates books—print and audio—in conjunction with select exhibitions, as a visual mantra—over time, many due to human intervention. as well as the permanent collection. Art education programs, the
12 | rollmagazine.com So l LeWi t t , d e t a i l f r o m Dr a w i n g Se r i es —Co m p o s i t e , Pa r t I–IV, #1–24, B, 1969. In s t a l l a t i o n a t Di a:Be ac o n , Be ac o n , NY. ©So l LeWi t t.
Artist on Artist lecture series, music performances: all are a part Dia: Beacon Riggio Galleries will present two new installations in of strengthening the cultural life of the community…including November, with presentations by Robert Ryman and Agnes Martin, today’s “Beacon Day.” And annually, the Merce Cunningham and Gallery Talk: Reiko Tomii on On Kawara on November 28, 1 Dance Company has performed special works that provide a visual PM. Performances by the Trisha Brown Dance Company will be counterpoint to certain large Dia exhibitions. This November the November 14-15 at 1 and 3 PM. Please see www.diabeacon.org for gallery features the first performances of a year-long residency by gallery times and admission. Dia: Beacon is located at 3 Beekman the Trisha Brown Dance Company (November 14-15). St., Beacon, 845.440.0100.
And though Director Vergne admits that Dia: Beacon’s emphasis on the artists of the 60s and 70s that comprise the initial collection started by founders de Ménil and Friedrich presents “the danger of (Dia) becoming a time capsule,” Vergne makes the solid point: what better way to inspire the next generation of artists than to celebrate and validate the one immediately preceding? “What is the ‘living’ part of contemporary art today? We need to bring the living artist back.”
13 | rollmagazine.com Mountain Laurel Waldorf School november/art highlights Early Childhood through 8th grade
OPEN HOUSE 11/14 t h r o u g h 12/24- ALBRECHT DÜRER: IMPRESSIONS OF November 21, 2009 10 am to Noon THE RENAISSANCE, a t t h e Fr ances Le h man Lo eb Ar t Cen t e r , Vassa r Co lle g e , Po u g h k eepsie —Nuremberg-based artist Albrecht Annual Gift Making Fair Dürer (1471-1528)—considered one of the greatest artists of the December 13, 11:00 to 4:00 Northern Renaissance—was a master of printmaking and landscape watercolors who secured his considerable reputation while still in his twenties. Later in his life, as he became more engaged with intellectuals and humanists of the era, Dürer found inspiration from the combination of rediscovered classical sources and new theological ideas, particularly through intellectual discussions with his close childhood friend Willibald Pirckheimer, a scholar and translator who studied at the Universities of Padua and Pavia. Twenty-five of the resulting bibical and allegorically themed prints—most from the permanent collection at FLLAC—shows what can happen when a stimulated imagination and consummate skill meet at the apex. The Frances Lehman Loeb Art Center, Vassar College, 124 Raymond Ave., Poughkeepsie, fllac.vassar.edu, 845.437.5237.
16 S. Chestnut St. New Paltz, NY (845) 255-0033 www.mountainlaurel.org ©Aveda Corp. ©Aveda
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14 | rollmagazine.com 11/1 t h r o u g h 11/30- WE FLOCK TOGETHER: avian p h o t o g r ap h y b y F-St o p Fi t z g e r ald , a t t h e Ro sendale Caf é Galle r y , Ro sendale — As a photographer whose shots have appeared in Rolling Stone, Spin, Villiage Voice, GQ, the Washington Post, LA Weekly, and the San Francisco Chronicle, the suitably monikered F-Stop Fitzgerald has made his reputation mostly by photographing the beautiful and famous. For this exhibition at the venerable Rosendale Café—where you can also 3457 main street | stone ridge ny 12484 get a nice vegetarian meal and catch a touring musical act—Fitzgerald indulges his interest in our “feathered friends” with shots that are osteopathy also selections from Orvis Beginner’s Guide to Bird Watching. Early in the month might be a good time to visit the Café and gallery, as the yoga • continuum Rosendale Theater presents an encore production of Jane Martin’s Talking meditation classes • nia With… (Th/Fr 11/13,14) just down the street, featuring a talented local cast and director. For the artist reception (Su 11/22, 3-5 PM), Fitzgerald’s acupuncture • group room rental son Westin—of Preferably Tapioca—performs a suite of songs inspired per diem room rental by the Hubble Telescope. Rosendale Café Gallery, 434 Main St., Rosendale, www.f-stopfitzgerald.com, 845.658.9048. Reception psychotherapy Su 11/22, 3-5 PM pilates • workshops Th r o u g h 11/29- ANIMAL SPIRITS I: t h e Pe r s o nal Ic o n o g r ap h y if you would like to be on our mailing list for upcoming o f Pe g g y Cy p h e r s and Ka t h y Ru t t enbe r g , a t Kleine r t /James Ar t s events & workshops contact us at: srhealingarts@ gmail. com Cen t e r , Wo o ds t o c k —Different folks get different strokes out of the Byrdcliffe Arts Colony experience; the beauty and isolation of the woods has a way of giving the artist points of natural resonance from stoneridgehealingarts. com which to explore relevant themes. Byrdcliffe attendee Peggy Cyphers paints large-scale abstracts that attempt to mirror “animal” feelings, while presenting a dream-like iconography that utilizes shapes that echo local rock formations and scenery. Cyphers was a key member of the East Village art scene of the early 80s, combining disparate elements like Darwin’s theories, shamanism, and quantum physics with surprising results. Kathy Ruttenberg’s life-size sculptures have been shown in galleries from LA to NYC, and “encompass a private sense of narrative, an unselfconscious teeter-totter relationship with psychological revelations and metaphoric allusions, combining a child-like exuberance of expression with an adult sense of wounded reserve.” Curated by Paul Smart, the two artists’ work will be juxtaposed for a full effect. Kleinert/James Arts Center, 34 Tinker St., Woodstock, www.woodstockguild.org, 845.679.2079.
15 | rollmagazine.com roll the music
By Peter Aaron
Led by singer-guitarist Joey Eppard, Three (aka 3) had been kicking around the upstate scene for only a few months before roaring onto the world stage via a triumphant performance at the Woodstock ’94 festival. After an aborted deal with one of the majors, the group— presently comprised of Eppard, guitarist Billy Riker, bassist Daniel Grimsland, and drummer Chris “Gartdrumm” Gartmann—forged its name through the release of four acclaimed albums on Woodstock’s Planet Noise label culminating in 2004 with Wake Pig. Hailed as an instant classic of the progressive metal genre for its blending of epic, searing the hard way arrangements with Eppard’s emo-ey, sing-song vocals, Wake Pig was reissued by Three’s current label, Metal Blade, the following year and led to tours with Porcupine Tree, the Scorpions, Dream three Theater, and the group’s “sister band,” Coheed and Cambria. 2007, however, saw the release of The End is Begun d (Metal Blade Records), a disc seen by r ppa
many fans as the band’s masterpiece and home to such ambitious E
mini-opuses as “All That Remains” and the title track. o e y , J e r k If Eppard’s last name is familiar to Hudson Valley scenesters from i outside the hard rock realm, it should be: Joey is the son of venerated R guitarist and bassist Jimmy Eppard, who’s worked with Levon Helm, i l l y Garth Hudson, the Memphis Pilgrims, and just about everyone else. , B n n
Additionally, Joey’s brother is drummer Josh Eppard, who has served ma r t
with both Three and Coheed and Cambria. Just released on Metal a Blade is Revisions, a collection that revisits Three’s decidedly less- ” G
proggy, singer-songwriter roots via new and vintage performances mm r u
of earlier material. d r t a
Roll: Clearly, music is deeply embedded in the Eppard family genes. G “ What was it like to grow up with such a badass guitar player for a dad? How old were you when you started playing? Were there other h r i s , C d
musicians in the family before your father? n a s l m
Joey Eppard: It’s great to have someone to look up to musically, r i
especially when they are right there in your living room. I never felt G n i e l
that I could equal my dad on guitar, so I chose to carve my own a path as a player. I think what I learned most from him was passion ): D ):
for music. Both my parents were very supportive of their children’s R
musical endeavors; without that kind of support we wouldn’t have t o L
been able to do what we’ve done. My brother is a super-talented (
drummer and songwriter. His latest record, Sick Kids (Super Rap/ h r e e T
Equal Vision Records), is due out in December. My uncle, John the d n Baker, handles the punk and hardcore side of our musical family. a B
He lives out in San Francisco and works for Alternative Tentacles h e
Records. Going back any farther down my father’s side of the family , T tree is a bit of a mystery for us. It’s rumored that we come from a long i n e l l i b
line of musicians and carpenters. u R a i Being from the Catskills, you also grew up in an area better known for c t r i the music of The Band and other folk-based acts than for anything a P y
along the lines of the hard rock that Three plays. Have you ever b
felt at odds with the local scene? Do rootsier styles ever crop up in h o t o
Three’s music? p
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Sure, but local scenes can be different for different generations. You’ve blogged about being indelibly affected by seeing a UFO When we were kids playing some of our first gigs in Woodstock, we when you were six years old, and how that experience has done were misfits in the local scene because we were not as heavy as most much to shape the lyrics you write. How so? Can you cite some of our contemporaries. We played a lot of funk and progressive-type examples? stuff, but it was all based on good songs and melodies. Personally, I love The Band, I love folk music in general, and I am a very open- A song like “Alien Angel” [from Wake Pig] is a rather obvious minded person. I am more inspired by Stevie Wonder than by example: “Are you an Angel whose ship ran aground / can’t get anything out there in modern rock today. If you had told me in back a grip on this planet you found / never to look down / trade in my in 2000 that someone would be classifying the music I make as hard halo for feet on the ground.” Also on our next release we have a rock I would probably have laughed at how ridiculous that sounds. song called “You are the Alien”: “But you can’t keep a spark in a jar Life is a funny thing, though, and sometimes when you go with the / You must’ve traveled so far / Flesh was superimposed upon a star / flow you wind up exactly where you didn’t ever expect to be. That’s I know what you are / Peel off your outer skin only to find / that you the type of art I like to make; I like to surprise myself. are the alien.”
That’s what Three is about: It’s not about being confined to one I think, more than anything, it taught me to think for myself. I base genre, it’s about the passion and character that binds our diverse my ideas off my own experiences and intuitions. It’s true that I saw a body of work. I always think of Three as being rock plus funk plus giant UFO flying slowly through the early evening sky. I could clearly folk. I’ve had the unique opportunity as a solo artist to tour with see the shape of it as one solid object and It seemed close enough George Clinton and Parliament-Funkadelic. I’ve done shows with that I could’ve hit it with a rock. When my grandfather read me the Richie Havens, Aztec Two Step, and Little Feat. I toured with Heart newspaper article the next day saying it was a flight of 14 planes we for a while, and many others. Three has played shows with the Bad both laughed. It made me angry though, really. I knew that what Brains and Fishbone, and we’ve been able to reach people of all I’d seen was not a flight of 14 planes. I’m quite sure there are many different walks of life and bring them together. And that is a beautiful things on Earth that we “working class” humans are not privileged thing. to know about. I don’t know what the truth is, but I feel we have a right to know. Your band certainly had a baptism of fire by playing one of your first shows at Woodstock ’94. It must’ve been an amazing experience. Your brother Josh left Three to join Coheed and Cambria, before What do you remember about that gig? eventually leaving that band to start Weerd Science and, recently, Mours. With everything he’s involved in and you cultivating a solo It was our “big shot.” We were being managed by Michael Lang career in addition to playing in Three, do you guys still find the time at the time and were the subplot of the Woodstock ’94 movie. to jam these days? What about the E-Males, the band you two share Everyone around us thought we were going to be famous. That can with your dad? really mess your head up as a kid. Originally, we were supposed to play the main stage at 8pm on Friday night. Unfortunately, it didn’t Yeah, we play together any chance we get. There’s something very work out that way. We ended up playing at noon and it was a bit special about making music with your family. We’re gonna be doing rough, to say the least. more and more stuff together, and even when we’re not Josh and my dad both are close advisors in anything I do. We were on a circular stage that rotated, with a band on either side. While we were playing I could clearly hear the next band sound Revisions is a collection of early, previously unreleased material. checking because the monitor system wasn’t functioning properly. What made you decide to do this type of album? You also have It was tough to face 50,000 people and try to play over the top of a new studio album set for release next year. What can you tell us another band checking their drums. There’s nothing you can do but about that record? just plow through. It was still incredible to do it. I remember that as the stage rotated around I seemed to lose control of my legs. They I’ve wanted to make Revisions for a long time. For a songwriter just started moving on their own. I remember one reviewer in the songs can be like your children, and I was beginning to feel like I had New York Times said we sounded like we couldn’t decide whether too many of my children locked up in the basement. It feels good to we wanted to be Primus or Blind Melon. I remember thinking, “That have finally set at least some of them free, which leads to me feeling sounds like a pretty cool combination to me.” even more creative.
You have a really unique style of playing, kind of a slap/flamenco Our next record is what we’re working on now. It does feel good hybrid. How did that come about? Do you listen to many flamenco to be working on brand new songs. This record is going to be a bit players, or did that aspect come through other flamenco-influenced stranger and perhaps more elaborate. Whereas Revisions is a very rock guitarists? song-oriented work, this next album is going to be less traditional in terms of composition and melody. We’ll just have to see how it I am self-taught and I never was drawn to using a pick. Fingerpicking turns out... was what brought me to the guitar and I never even bothered to pick up an electric for the first few years of playing. Over time, my www.theband3.com percussive technique evolved and continues to evolve. I never Three, with Weerd Science, has their record release show for listened to flamenco until others made the association and got me Revisions at the Bearsville Theater, 291 Tinker St., Woodstock, listening to groups like Ojos de Brujo. www.bearsvilletheater.com, 845.679.4406. 8 PM
17 | rollmagazine.com art listings
ACCORD—No r t h Li g h t St u d i o , 4 City Hall Road, 845.626.2843 ACCORD—St o n e Wi n d o w Ga l l e r y , 17 Main Street, 845.626.4932 Open Sa And Su 10 AM- 6 PM And Weekdays By Appointment ANNANDALE-ON-HUDSON—He s s e l Mu s e u m Of Ar t At Ba r d Co l l e g e , Route 9 G www.bard.edu/ccs/museum, 845.758.7598 Th r o u g h Sa 12/5- ANNA OSTOYA: MARGINALIA Th r o u g h Su 12/20- RACHEL HARRISON: CONSIDER THE LOBSTER and OTHER ESSAYS: Ra c h e l Ha r r i s o n a n d a c u r a t o r i a l c o l l a b o r a t i o n w i t h a r t i s t s Na y l a n d Bl a k e , To m Bu r r , Ha r r y Do d g e , Al i x La mbe r t , Al l e n Ru p p e r s be r g , a n d An d r e a Zi t t e l ASHOKAN—Ro be r t Se l k o w i t z Su n l i g h t St u d i o Pa i n t i n g s An d Wi n t e r n i g h t Ga l l e r y 3024 Route 28, www.artfolks.com, 845.657.6982 BEACON—Ba c k Ro o m Ga l l e r y , 475 Main Street, 845.838.1838 11/5 t h r o u g h 11/22 Th-Mo- "Emotionalism" with B.Maryanska, l. To m a s ze w s k i , Ve r y a l 12-6 PM 12/1 t h r o u g h 12/24- Mi x e d Me d i a Gr o u p o f 20 Ex h i b i t w/ M. Kr a j a n , l. Wa x t e l , J. Wy n n 12-6 PM Tu 12/1- Op e n i n g Rece p t i o n 6-9 PM BEACON—Be a c o n Ar t i s t Un i o n , 161 Main Street, www.baugallery.com, 845.440.7584 11/14 t h r o u g h 12/6- ANNA JACOB: ON GLASS Sa 11/14- Op e n i n g r ece p t i o n 6-9 PM BEACON—Be a c o n In s t i t u t e f o r Ri v e r s a n d Es t u a r i e s , 199 Main Street www.riversandestuaries.org, 845.838.1600 Th r o u g h Decembe r - LINDA CROSS: reflections on the river Sa 11/14- Ar t i s t r ece p t i o n 5-7 PM BEACON—Di a :Be a c o n , 3 Beekman Street, www.diabeacon.org 845.440.0100, Th-Mo 11 AM- 6 PM Sa 11/28- GALLERY TALKS: REIKO TOMII o n On Kawara Sa/Su 11/14, 11/15- TRISHA BROWN DANCE PERFORMANCE General Information Meetings: 1 PM and 3 PM BEACON—Fi r e Lo t u s , 474 Main Street, www.thefirelotus.com, 845.235.0461 November 21st 12-2 pm BEACON—Fl o o r On e , 17 East Main St., 845.765.1629 December 2nd 12-2 pm BEACON—Fo v e a Ex h i b i t i o n s , Beacon Gallery, 143 Main Street www.foveaexhibitions.org, 845.765.2199 Th r o u g h Decembe r - FAITH b y Ch r i s t o p h e r Ch u r c h i l l , Cu r a t e d b y Mi c h a e l It k o f f Sa 11/14- Op e n i n g r ece p t i o n 4-8 PM BEACON—Th e Ho w l a n d Cu l t u r a l Ce n t e r , 477 Main Street www.howlandculturalcenter.org, 845.831.4988, Th-Su 1-5 PM Wee k e n d s t h r o u g h 11/15- JOHN LENNON EXHIBITION f r o m t h e Av a l o n Ar c h i v e s 1-5PM Wee k e n d s t h r o u g h 11/15- “ROCK AND ROLL STEW” 1-5 PM Sa 11/21 t h r o u g h Su 12/20- Membe r s o f t h e Be a c o n Ar t s Sa l o n Sa 11/21- Op e n i n g r ece p t i o n 3-5 PM BEACON—Hu d s o n Be a c h Gl a s s Ga l l e r y , 162 Main Street www.hudsonbeachglass.com, 845.440.0068 Th r o u g h 11/15- BEACON ON FIRE Sa/Su 11/14, 11/15- GLASS BEAD MAKING WORKSHOP Fr/Sa/Su 12/4, 12/5, 12/6- CRAFTS AT THE MORRISTOWN ARMORY BEACON—Mo r p h i c i s m , 440 Main St., www.morphicism.com, 845.440.3092 BEACON—Op e n Sp a ce Ga l l e r y , 510 Main St., www.openspacebeacon.com 718.207.3793 11/14 t h r o u g h 12/12- ROCKNESS MONSTERS Sa 11/14- Op e n i n g Rece p t o n 6-9PM BEACON—Ri v e r w i n d s Ga l l e r y , 172 Main St., www.riverwindsgallery.com 845.838.2880 BEACON—Va n Br u n t Ga l l e r y , 460 Main Street, www.vanbruntgallery.com 845.838.2995 BEACON—Za h r a ’s St u d i o , 496 Main St, www.zahrastudio.com, 845.838.6311 BOICEVILLE—Fa b u l o u s Fu r n i t u r e Ga l l e r y & Sc u l p t u r e Ga r d e n , 3930 Route 28 www.fabulousfurnitureon28.com, 845.657.6317 CATSKILL—Ga l l e r y 384, 384 Main Street, 917.674.6823 On g o i n g - REMOVE THE LANDMARK: w o r k s b y Ca n n o n He r s e y a n d Aa r o n Ya s s i n CATSKILL—Ga l l e r y 42, 42 Prospect Ave., 518.943.2642 CATSKILL—M Ga l l e r y , 350 Main Street, 518.943.0380, www.mgallery-online.com Sa & Su 12-5 PM Financial Planning for Inspired People CATSKILL—Th e Op e n St u d i o , 402 Main Street, www.potatospirit.com 518.943.9531 CATSKILL—Sa w d u s t Do g Ga l l e r y , 375 Main Street, 845.532.4404 CATSKILL—Te r e n c h i n Fi n e Ar t , 462 Main Street, www.terenchin.com 518.943.5312, Mo-Sa 1-6 PM CATSKILL—Th o m a s Co l e Na t i o n a l Hi s t o r i c Si t e , 218 Spring Street, 518.943.7465 www.thomascole.org CATSKILL—Un i o n Mi l l s Ga l l e r y , 361 Main St., 845.510.8081 Th r o u g h No v embe r - LEGACY IN LIGHT: t h e Ar t o f RUDIE BERKHOUT
18 | rollmagazine.com art listings art listings
CATSKILL—Ve r s o Fi n e Ar t , 386 Main Street, www.versofinearts.com, KINGSTON—FHK (Fr i e n d s Of Hi s t o r i c Ki n g s t o n Ga l l e r y ), corner of 518.947.6367 Main/Wall Street, www.fohk.org, 845.339.0720, Sa & Su 1-4 PM CHATHAM—Jo y ce Go l d s t e i n Ga l l e r y , 16 Main St., www.joycegoldsteingallery.com or by appointment 518.392.2250 On g o i n g - HUDSON-FULTON, TAKE TWO: m u l t i -me d i a w o r k s o f 10 a r t i s t s ’ 11/21 t h r o u g h 1/2- WHAT IS BEAUTY: a d e s i r e t o d ec o r a t e c o n t em p o r a r y r e s p o n s e s t o mem o r a b i l i a f r o m 1909 Hu d s o n -Fu l t o n Ce l eb r a t i o n Sa 11/21- Op e n i n g Rece p t i o n 4-6 PM KINGSTON—Ga l l e r y At R&F Ha n d m a d e Pa i n t s , 84 Ten Broeck Ave., CORNWALL-ON-HUDSON-—St o r m Ki n g Tr a i l He a d , Mountain Rd. www.rfpaints.com, 1.800.206.8088 silentwalksonthehalfmoon.blogspot.com KINGSTON—Hu d s o n Va l l e y LGBTQ Co mm u n i t y Ce n t e r , 300 Wall St. Tu 11/24- SILENT WALKS ON THE HALF-MOON COLLABORATIVE www.lgbtqcenter.org, 845.331.530 pERFORMANCE WALK 6 PM KINGSTON—Ki n g s t o n Mu s e u m Of Co n t em p o r a r y Ar t , 103 Abeel St. ELLENVILLE—Ar o m a Th y me Bi s t r o , 165 Canal Street www.kmoca.org www.aromathymebistro.com, 845.647.3000 12/5 t h r o u g h 12/26- 100 Halos d ecembe r g r o u p s h o w , i c o n i c , d e v o t i o n a l , o r Th r o u g h No v embe r - CLAY ON THE WALL w/ Sh a r y n Al e x a n d e r , j u s t p l a i n r a d i a n t (o p e n t o s u bm i s s i o n s ) Fe l i c i a Fl a n a g a n , Am y Mo s e s , Ma r y Be t h We h r u n g KINGSTON—Mi c h a e l La l i c k i St u d i o , 18 Hone St. 845.339.4280 Th r o u g h Decembe r - SANDY CITIES POTTERY KINGSTON—Se v e n 21 Ga l l e r y On Br o a d w a y , 721 Broadway, 2nd Floor, Su 12/6- Ar t Op e n i n g 1-3 PM 845.331.1435, Hours: Mo- Fr 9 AM- 5:30 PM, or by appt. GARDINER—Br u y n s w i c k Ar t Ga l l e r y An d St u d i o , 1058 Bruynswick Road MILLBROOK—Mi l l b r o o k Ga l l e r y a n d An t i q u e s , 3297 Franklin Ave 845.255.5693 www.millbrookgalleryandantiques.com, 914.769.5814 GARRISON—Ga r r i s o n Ar t Ce n t e r , Garrison’s Landing, Gillette Gallery, Th r o u g h 11/30- CORSO DE PALENZUELA www.garrisonartcenter.org, 845.424.3960, 12-5 PM Sa 11/15- Ch a m p a g n e Op e n i n g 5-8 PM Th r o u g h 11/15- PHOTOCENTRIC: A Ju r i e d Ph o t o g r a p h y Sh o w w/j u r o r s NEWBURGH—An n St r ee t Ga l l e r y , 104 Ann Street, www.safe-harbors.org Ma l c o l m Da n i e l & Al i ce Ro s e Ge o r g e 845.562.6940 Th-Sa 11 AM- 5 PM 11/20 t h r o u g h 11/29- CLAY POT LUCK Ho l i d a y Sa l e a n d Ex h i b i t i o n t h r o u g h 12/19- BOUND: ARTIST BOOKS g r o u p s h o w Fr 11/20- Op e n i n g r ece p t i o n Su 11/15- 1ST ANNUAL ANN. ST. GALLERY HIGH TEA PARTY 2-4 PM HIGH FALLS—Ka e t e Br i t t i n Sh a w Fu n c t i o n a l An d Sc u l p t u r a l Po r ce l a i n , Rte 213 NEWBURGH—Th e Ka r p e l e s Ma n u s c r i p t Li b r a r y Mu s e u m www.kaetebrittinshaw.com, 845.687.7828 94 Broadway, 845.569.4997 www.karpeles.com HIGHLAND—El i s a Pr i t z k e r St u d i o At Ca s a De l Ar t e , 257 South Riverside Road NEW PALTZ—Ma r k Gr u be r Ga l l e r y , New Paltz Plaza, www.markgrubergallery.com www.pritzkerstudio.com, 845.691.5506 845.255.1901 Th r o u g h 11/30- HEADS AND TAILS arists/gallery directors: Th r o u g h 12/2- HARDIE TRUESDALE: Behind The Lens two paths, one passion NEW PALTZ—Ne w Pa l t z Cu l t u r a l Co l l ec t i v e , 60 main street, www.60main.org, HUDSON—Al be r t Sh a h i n i a n Fi n e Ar t , 415 Warren Street, 518.828.4346 845.255.1241 Open Thurs-sat, 12-6; Sun, 12-5 & By Appoint. Or Chance Ev e r y Th i r d Sa- NEW PALTZ THIRD SATURDAY: l i v e m u s i c a n d a r t s h o w HUDSON—Ca r r i e Ha d d a d Ga l l e r y , 622 Warren Street NEW PALTZ—Sa m u e l Do r k s y Mu s e u m Of Ar t At Su n y Ne w Pa l t z , 1 Hawk Dr. www.carriehaddadgallery.com, 518.828.1915 www.newpaltz.edu/museum, 845.257.3844 Th r o u g h 11/22- FALL EXHIBIT/DREAMSCAPE w/Ka t h y Bu r g e , St e p h e n Ki n g , Ev e r y Su- Fr ee Ga l l e r y To u r Lo u i s e La p l a n t e a n d Va l e r i e Ha mm o n d Th r o u g h 11/29- INSCRIPTION: Ph i l i p p i n e Ho e g e n a n d Ca r o l i e n St i k k e r HUDSON—Ca r r i e Ha d d a d Ph o t o g r a p h s , 318 Warren St. Th r o u g h 11/29- THE HUDSON RIVER—A GREAT AMERICAN TREASURE: www.carriehaddadgallery.com, 518.828.1915 Gr e g Mi l l e r Th r o u g h 11/29- Architectural Photography: Th r o u g h 12/13- THE HUDSON RIVER TO NIAGARA FALLS: 19t h Ce n t u r y 1860 to the Present w i t h s e l ec t i o n s f r o m t h e St a n Ri e s Ar c h i t ec t u r a l Ame r i c a n La n d s c a p e Pa i n t i n g s f r o m t h e Ne w -Yo r k Hi s t o r i c a l So c i e t y , Ph o t o g r a p h Co l l ec t i o n c u r a t e d b y Dr. Li n d a S. Fe r be r HUDSON—Hu d s o n Op e r a Ho u s e , 327 Warren Street Th r o u g h 12/13- PANORAMA OF THE HUDSON RIVER: Gr e g Mi l l e r www.hudsonoperahouse.org, 518.822.1438 NEW PALTZ—Un f r a me d Ar t i s t s Ga l l e r y , 173 Huguenot Street HUDSON—Jo h n Da v i s Ga l l e r y , 362 1/2 Warren Street, www.johndavisgallery.com www.unframedartistsgallery.com, 845.255.5482 518.828.5907, Th-Mo 10 AM-5:30 PM NEW PALTZ—Un i s o n Ar t s Ga l l e r y , Water Street Market, Lower Main Street 11/12 t h r o u g h 12/6- COLIN COCHRAN www.unisonarts.org, 845.255.1559 Sa 11/14- Ar t i s t r ece p t i o n 6-8 PM We 12/2- DEBORAH GOLDMAN: Ce r a m i c s 5 PM HUDSON—Li m n e r Ga l l e r y , 123 Warren Street, www.limnergallery.com NEW PALTZ—Un i s o n Ar t s , Unison Theater, 68 Mountain Rest Road 518.828.2343 www.unisonarts.org, 845.255.1559 Th r o u g h 11/28- A SHOW OF HEADS Ev e r y Tu- LIFE DRAWING SESSIONS 7:30 PM HUDSON—Po s i e Kv i a t Ga l l e r y , 437 Warren Street, www.posiekviat.com Th r o u g h 12/6- ROAD WORKS, p a i n t i n g s b y Ba r b a r a Go r d o n 518.653.5407 Sa 11/14- OPEN-PIT-FIRED POTS w/ Bi l l Sh i l l a l i e s 11 AM Th r o u g h 11/30- Redux: Catalogue Show Sa/Su 12/5, 12/6- 19t h ANNUAL HOLIDAY CRAFTS FAIR 12/5 t h r o u g h 1/6- Haute-Kraft: De n y s e Sc h m i d t , Am y Sa i d e n s , Lo r a Sh e l l e y a t Ne w Pa l t z Mi d d l e Sc h o o l , s ee w eb s i t e f o r d e t a i l s KINGSTON—A.I.R. St u d i o Ga l l e r y , 71 O’Neil Street, www.airstudiogallery.com NEW PALTZ—Va n Bu r e n Ga l l e r y , 215 Main Street, www.vanburengallery.com 845.331.2662, We-Sa 9 AM-1 PM 845.256.8558 Ev e r y 2n d Sa- Ac o u s t i c Ar t i s t s Co a l i t i o n & Ar t Pa r t y 8- 11 PM NEW WINDSOR—Wa l l k i l l Ri v e r Ga l l e r y (Works Of John Creagh And Pat Morgan) KINGSTON—Ag u s t s s o n Ga l l e r y , 176 Broadway, 845.331.1388, Tu-Su 10-6 PM www.wallkillriverschool.com, 845.689.0613 KINGSTON—Ar t s So c i e t y Of Ki n g s t o n (ASK), 97 Broadway, www.askforarts.org Mo-Fr 9:30 AM- 6:30 PM, Sa 10 AM- 5 PM 845.338.0331 PAWLING—Ga l l e r y On Th e Gr ee n , 3 Memorial Avenue, www.gotgpawling.com 11/7 t h r o u g h 11/28- THE WEDNESDAY GROUP 845.855.3900 11/7 t h r o u g h 11/28- “COLORSCAPES,” s t r i k i n g a n d v i b r a n t f a b r i c c o l l a g e PEEKSKILL—Fl a t Ir o n Ga l l e r y In c ., 105 So Di v i s i o n St r ee t , www.flatiron.qpg.com p i c t u r e s b y a r t i s t Su s a n Mi n i e r 914.734.1894 KINGSTON—BSP (Ba c k s t a g e St u d i o Pr o d u c t i o n s ), 323 Wall Street PEEKSKILL—Th e Ha t Fa c t o r y , Ya me t Ar t s , In c ., 1000 N. Division Street Suite 4 www.bspinfo.net, 845.338.8700, Weekdays 3-8 PM, Fr & Sa 3 PM-12 AM www.yametonarts.com, 914-737-1646 KINGSTON—Ba t t l e d o r e Li m i t e d (Ar t Ga l l e r y De v o t e d To Pr e s e n t i n g Th e Ar t Of PEEKSKILL—Hu d s o n Va l l e y Ce n t e r Fo r Co n t em p o r a r y Ar t , 1701 Main Street Ma u r i ce Se n d a k ), 600 Broadway, 845.339.4889 www.hvcca.com, 914.788.0100 KINGSTON—Ce l l a r St u d i o An d Ga l l e r i e , 69 Esopus Avenue, 845.331.6147 On g o i n g - DOUBLE DUTCH: An e x h i b i t i o n ce l eb r a t i n g t h e Qu a d r i ce n t e n n i a l KINGSTON—Co r n e l l St. St u d i o s , 168 Cornell Street, 845.331.0191 o f t h e Du t c h d i s c o v e r y a n d s e t t l eme n t o f t h e Hu d s o n Ri v e r KINGSTON—Do n s k o j & Co m p a n y , 93 Broadway, www.donskoj.com On g o i n g - FENDRY EKEL: Ar t a n d Ar c h i t ec t u r e : A Wa y o f See i n g t h e Wo r l d 845.388.8473, Th-Sa11-5 PM On g o i n g - FOLKERT DE JONG - Mo u n t Ma s l o w KINGSTON—Du c k Po n d Ga l l e r y (At Es o p u s Li b r a r y ), 128 Canal Street, Port Ewan On g o i n g - THOMAS HIRSCHHORN - La u n d r e t t e www.esopuslibrary.org, 845.338.5580, Mo, Tu, Th 10 AM-5:30 PM PHOENICIA—Ar t s Up s t a i r s , 60 Main Street, 2nd Floor, www.artsupstairs.com We 10-8 PM, Fr 10-7 PM, Sa 10-4 PM 845.688.2142 KINGSTON—Th e Fi r e Ho u s e St u d i o , 35 Dunn Street PHOENICIA—Ca b a n e St u d i o s Fi n e Ar t Ga l l e r y a n d Ph o t o g r a p h y St u d i o , www.thefirehousestudio.com, 845.331.6469 38 Main Street, www.cabanestudios.wordpress.com 19 | rollmagazine.com art listings art listings
PINE PLAINS—Th e Ch i s h o l m Ga l l e r y , 3 Factory Lane, www.chisholmgallery.com STONE RIDGE—Ce n t e r f o r Cr e a t i v e Ed u c a t i o n , 3588 Main Street, 518.398.1246 www.cce-kingston.org, 845.687.8890 POUGHKEEPSIE—Ar l i n g t o n Ar t Ga l l e r y , 32 Raymond Avenue STONE RIDGE—Th e Dr a w i n g Ro o m , 3743 Main St., www.arlingtonartgallery.com, 845.702.6280 www.thedrawingroomonline.com, 845.687.4466 POUGHKEEPSIE—Ba r r e t t Ar t Ce n t e r /c l a y w o r k s /g a l l e r y , 485 Main Street 10/17 t h r o u g h 11/22- GILLIAN JAGGER: “KINDRED SPIRITS” www.barrettartcenter.org, 845.471.2550 STONE RIDGE—Pe a r l Ar t s Ga l l e r y , 3572 Main Street, www.pearlartsgallery.com Th r o u g h 11/21- BARRETT ART CENTER GALLERIES: p a i n t i n g s , d r a w i n g s , 845.687.0888 photographs , p r i n t m a k i n g , c o l l a g e , s c u l p t u r e a n d m i x e d me d i a w o r k s 10/17 t h r o u g h 11/22- GILLIAN JAGGER: “KINDRED SPIRITS” POUGHKEEPSIE—Ca f é Bo cc a , 14 Mt. Carmel Place STONE RIDGE—SUNY Ul s t e r , Muroff Kotler Gallery, Cottekill Road www.cafebocca.net, 845.483.7300 www.sunyulster.edu, 845.687.5113 Su 11/22- PROJECT ABRUZZO ART AUCTION 11/19 t h r o u g h 12/18- Fighting, Dancing and Standing Still w o r k s POUGHKEEPSIE—Du t c h e s s Co mm u n i t y Co l l e g e , Mildred Washington Art Gallery b y He a t h e r Hu t c h i n s o n a n d Ma r k Th o m a s Ka n t e r 53 Pendell Road, www.sunydutchess.edu, 845.431.8916 Th 11/19- Op e n i n g r ece p t i o n Mo- Th: 10 AM- 9, PM, Fr: 10 AM- 5 PM TIVOLI—Ti v o l i Ar t i s t s Co-o p An d Ga l l e r y , 60 Broadway POUGHKEEPSIE—Th e Fr a n ce s Le h m a n Lo eb Ar t Ce n t e r At Va s s a r www.tivoliartistsco-op.com, 845.757.2667, Fr 5-9, Sa 1-9, Su 1-5 124 Raymond Avenue, www.fllac.vassar.edu, 845.437.7745 WEST HURLEY—So h o We s t Ga l l e r y , Route 28 at Wall Street, 845.679.9944 Tu,We,Fr,Sa, 10 AM- 5 PM, Th 10 AM- 9 PM, Su 1-5 PM WOODSTOCK—Ce n t e r Fo r Ph o t o g r a p h y At Wo o d s t o c k , 59 Tinker Street Ev e r y Th- LATE NIGHT THURSDAYS a t t h e f l l a c 5-9 PM www.cpw.org, 845.679.9957 On g o i n g - CATCHING LIGHT: Eu r o p e a n a n d Ame r i c a n Wa t e r c o l o r s f r o m t h e Th r o u g h 12/20- NUTOPIA Pe r m a n e n t Co l l ec t i o n Th r o u g h 12/20- ODE TO MUNKACSI 11/14 t h r o u g h 12/24- ALBRECHT DÜRER: Im p r e s s i o n s o f t h e Re n a i s s a n ce WOODSTOCK—Ea s t Vi l l a g e Co l l ec t i v e , 8 Old Forge Road, 845.679.2174 Th 11/19- Op e n i n g l ec t u r e a n d r ece p t i o n 5:30 PM WOODSTOCK—Fl e t c h e r Ga l l e r y , 40 Mill Hill Road, www.fletchergallery.com Sa 11/14- SPECIAL MEMBER EVENT: t o u r o f ANNE TRUITT: PERCEPTON 845.679.4411, Th-Su 12-6 PM and REFLECTION 10:30 AM 10/24 t h r o u g h 11/29- Pa i n t i n g s a n d Sc u l p t u r e s b y The Countess BIRGIT POUGHKEEPSIE—G.A.S. Ga l l e r y An d St u d i o , 196 Main Street liljEBLAD BEER (1924-1981) www.galleryandstudio.org, 845.486.4592, Fr-Su 12- 6 PM WOODSTOCK—Fo r s t e r Ga l l e r y An d St u d i o , 72 Rock City Road POUGHKEEPSIE—Ko r k a t Ba i l e y Br o w n e CPA & As s o c ., 80 Washington Ave, Ste www.forsterstudio.com, 845.679.0676 201, www.korkd.blogspot.com, 914.844.6515 WOODSTOCK—Ga l e r i e Bm g /c o n t em p o r a r y Ph o t o g r a p h y POUGHKEEPSIE—Lo c u s t Gr o v e , 2683 South Rd, www.lgny.org, 845.454.4500 12 Tannery Brook Road, www.galeriebmg.com, 845.679.0027 POUGHKEEPSIE—Ma r i s t Co l l e g e Ar t Ga l l e r y , 3399 North Road 12/4 t h r o u g h 1/11- HIBERNUS...a w i n t e r s t u d y b y Da v i d El l i n g s e n www.marist.edu/commarts/art/gallery, 845.575.3000, Ext. 2308 WOODSTOCK—Ha w t h o r n Ga l l e r y , 34 Elwyn Lane, 845.679.2711 POUGHKEEPSIE—Mi l l St r ee t Lo f t , 455 Maple Street, www.millstreetloft.org WOODSTOCK—Ja me s Co x Ga l l e r y At Wo o d s t o c k , 4666 Route 212 845.471.7477 www.jamescoxgallery.com, 845.679.7608 11/12 t h r o u g h 12/5- JUNIOR ART INSTITUTE SHOW Th r o u g h 11/20- PLAY IT AGAIN SAMUEL b y F.B. Mo r s e Sa 11/14- Ga l l e r y Op e n i n g & Ar t i s t Rece p t i o n WOODSTOCK—Kl i e n e r t /Ja me s Ar t s Ce n t e r , 34 Tinker Street Tu/We 11/10, 11/11, Sa 11/14- EDUCATOR'S FORUM 5:30-8:30 PM www.woodstockguild.org, 845.679.2079, Fr-Su 12-5 PM POUGHKEEPSIE—Pa l me r Ga l l e r y At Va s s a r Co l l e g e , 124 Raymond Ave. Th r o u g h 11/19- ANIMAL SPIRITS I: THE PERSONAL ICONOGRAPHY palmergallery.vassar.edu, 845.437.5370 of PEGGY CYPHERS & KATHY RUTTENBERG RED HOOK—Th e Ar t s Ce n t e r Of Th e Gr e a t e r Hu d s o n Va l l e y 12/4 t h r o u g h 12/24 7392 S Broadway (Route 9), 845.758.8708 Fr 12/4- TENTH ANNUAL 5 BY 7 SHOW, Op e n i n g r ece p t i o n 5-7 PM RED HOOK—Be t s y Ja c a r u s o St u d i o & Ga l l e r y , The Chocolate Factory WOODSTOCK—Li l y En t e St u d i o ,153 Tinker Street, 845.679.6064, 212.924.0784 98 Elizabeth Street, www.betsyjacarusostudio.com, 845.758.9244 WOODSTOCK—Lo t u s Fi n e Ar t , 33 Rock City Rd, www.lotuswoodstock.com, RHINEBECK—Ga l l e r y Lo d o e , 6400 Montgomery Street, www.gallerylodoe.com 845.679.2303 845.876.6331. Open 11-6 PM, except Tu WOODSTOCK—Sw ee t h e a r t Ga l l e r y , 8 Tannery Brook Road RHINEBECK—Ga ze n Ga l l e r y , 6423 Montgomery Street, www.gazengallery.com www.sweetheartgallery.com, 845.679.2622 845.876.4278 WOODSTOCK—Va r g a Ga l l e r y , 130 Tinker Street 11/20 t h r o u g h 1/8- CHILLING WINTER WARM-UP SHOW www.vargagallery.com, 845.679.4005 Fr 11/13- EROTIC ART SHOW 5-9PM 18+ only WOODSTOCK—Vi t a ’s Ga l l e r y & St u d i o , 12 Old Forge Road, www.vitas.us Fr 11/20- ARTIST GROUP OPENING 4-9PM 845.679.2329 RHINEBECK—Ome g a Rh i n ebec k Ca m p u s , 150 Lake Dr, www.eomega.org WOODSTOCK—Wi l l o w Ar t Ga l l e r y , 99 Tinker Street, 877.944.2002 845.679.5319, Th-Mo 12:30-6 PM ROSENDALE—Li f eb r i d g e Sa n c t u a r y , 333 Mountain Rd., www.lifebridge.org, WOODSTOCK—Wo o d s t o c k Ar t i s t s As s o c i a t i o n & Mu s e u m , 28 Tinker Street 845.338.6418 www.woodstockart.org, 845.679.2940 ROSENDALE—Ro o s Ar t s , 449 Main Street, www.roosarts.com, 718.755.4726 Th r o u g h 11/15- INTO THE MIX: MIXED MEDIA 11/4 t h r o u g h 12/12- POLLINATOR DREAMS: h u d s o n v a l l e r y Th r o u g h 11/15- SOLO SHOW: LISA DELORIA WEINBLATT s ee d l i b r a r y p a c k a r t 2010 w/ a y u m i h o r i e p o t t e r y 11/21 t h r o u g h 1/3- HOLIDAY SHOW: s o l o s h o w b y CRAIG WOOD w/ Sa 11/14- Op e n i n g r ece p t i o n Ag n e s To m a s e l l i & Sm a l l Wo r k s ROSENDALE—Th e Ro s e n d a l e Ca f é , 434 Main Street, www.rosendalecafe.com Sa 11/21- Op e n i n g Rece p t i o n 2 PM 845.658.9048 Su 11/22- Ga l l e r y Ta l k 2 PM 11/1-11/30- WE FLOCK TOGETHER: a v i a n photographs b y f-s t o p f i t z g e r a l d Sa 11/7- POETS IN THE GALLERY: BOYZ IN THE WOODS 4:30 PM ROSENDALE—Wi l l i a m s La k e , Binnewater Road, www.theproject19.com Fr 12/4- WOODSTOCK HOLIDAY OPEN HOUSE 5-8 PM 845.383.1279 WOODSTOCK—Wo o d s t o c k Sc h o o l Of Ar t , 2470 Rte. 212 ROSENDALE—Wo me n ’s St u d i o Wo r k s h o p , 722 Binnewater Lane www.woodstockschoolofart.org, 845.679.2388 www.wsworkshop.org, 845.658.9133 10/17 t h r o u g h 11/14- SILENT AUCTION EXHIBITION SAUGERTIES—Ca f é Mezz a l u n a Bi s t r o La t i n o An d Ga l l e r y ,626 Route 212, Sa 11/14- Au c t i o n 3-5PM 845.246.5306 11/10 t h r o u g h 12/31- SAUGERTIES ARTIST TOUR: t r e a s u r e b o x e s r e t u r n !!!! SAUGERTIES—Ca t s k i l l Ga l l e r y , 106 Partition Street, 845.246.5554 SAUGERTIES—Cl o v e Ch u r c h St u d i o & Ga l l e r y , 209 Fishcreek Rd., 845.246.7504 open noon- 4 PM SAUGERTIES—Ha l f Mo o n St u d i o ,18 Market Street, 845.246.9114 SAUGERTIES—Lo v e l a n d Mu s e u m /j u s t i n Lo v e Pa i n t i n g Ga l l e r y An d St u d i o 4 Churchland Road, www.justinlove.com, 845.246.5520 SHADY—El e n a Za n g Ga l l e r y , 3671 Route 212, www.elenazang.com 845.679.5432
20 | rollmagazine.com music listings music listings
ANNANDALE-ON-HUDSON—Ol i n Ha l l At Ba r d Co l l e g e , Route 9G www.bard.edu, 845.758.7950 HUDSON—Hu d s o n Op e r a Ho u s e , 327 Warren Street Su 11/15- THE RED PRIEST OF VENICE: VIVALDI 2 PM www.hudsonoperahouse.org, 518.822.1438 ANNANDALE-ON-HUDSON—Ri c h a r d B. Fi s h e r Ce n t e r At Ba r d Co l l e g e , Route 9G Sa 11/21- PAUL CARLON AND THE MCCARRON BROS. Ja zz Qu a r t e t www.fishercenter.bard.edu, 845.758.7950, Box Office: 845.758.7900 HUDSON—Ja s o n ’s Up s t a i r s Ba r , 521 Warren Street, www.jasonsupstairsbar.com Su 11/15- TOM CHAPIN: f a m i l y c o n ce r t t o be n e f i t h o s p i ce m u s i c t h e r a p y 3 PM 518.828.8787 BEACON—Ho w l a n d Cu l t u r a l Ce n t e r , 477 Main Street Ev e r y We- OPEN MIC NIGHT 9 PM www.howlandculturalcenter.org, 845.832.4988 HUDSON- Ti me a n d Sp a ce Li m i t e d , 434 Columbia St., Sa 11/14- CLASSICS FOR KIDS CONCERT w/ Cl a i r Ch a s e , f l u t i s t 3 PM www.timeandspacelimited.org, 518.822.8448 Su 11/15- HOWLAND CHAMBER MUSIC CIRCLE CONCERT 4 PM Sa/Su 11/14, 11/15- MET OPERA: TURANDOT 1 PM Fr 11/20- OPEN MIC w/ Pa u l Lu k o w i a k 8 PM Sa 11/21- SPECIAL EVENT: TIME & SPACE FOR OPERA BENEFIT 6-9 PM Su 11/22- AN EVENING OF SONG w/ Ch i p Ta y l o r , Jo h n Pl a t a n i a , HYDE PARK—Hy d e Pa r k Br e w i n g Co m p a n y , 4076 Albany Post Road Ke n d e l Ca r s o n , & Ka r i Sp i e l e r 7-10 PM www.hydeparkbrewing.com, 845.229.8277 BEACON—Th e Pi g g y Ba n k , 448 Main Street, www.local845.com, 845.838.0028 Ev e r y We- OPEN MIC Blues Jam 8:30 PM Fr 11/13- Pi g g y Ba n k Fr i d a y s w i t h Mi l t o n 8 PM Fr 11/13- CROSSROADS ROCK AND ROLL PARTY 9:30 PM BETHEL—Be t h e l Wo o d Ce n t e r Fo r Th e Ar t s , 200 Hurd Road and Route 17B Fr 11/20- THE ERIN HOBSON COMPACT 9:30 PM (at the site of the original 1969 Woodstock Festival) Sa 11/21- VITO & 4 GUYS IN DISGUISE 9:30 PM www.bethelwoodscenter.org, 845.454.3388 Fr 11/27- BIG TAKEOVER 9:30 PM Fr 11/13- TOM RUSH 8 PM KINGSTON—A.I.R. St u d i o Ga l l e r y , 71 O’Neil Street, www.airstudiogallery.com Sa 11/14- KENNY WERNER: An Ev e n i n g o f Ja zz 7 PM 845.331.2662. Second Saturdays (art, food, and acoustic music), 8-11 PM COLD SPRING—Th e Li s t e n i n g Ro o m , 1 Depot Square Ev e r y 2n d Sa- Acoustic Artists Coalition & Art Party 8-11 PM www.theveltzfamily.com/listeningroom, 845.265.5000 Sa 11/14- ERIN POWERS 8 PM Ev e r y Th- NEW SONGWRITER SHOWCASE NIGHT 7 PM Sa 11/14- JONI BISHOP w/ Rene Bailey & The Saints of Swing CORNWALL-ON-HUDSON-—2 Al i ce s Co f f ee Lo u n g e , 311 Hudson St. 9-11 PM www.2alicescoffee.com KINGSTON—Th e Ba s eme n t , 744 Broadway, www.myspace.com/thebasement744 Fr 11/13- A NIGHT OF ART AND MUSIC w/ Ph i l & Za c k , 845.340.0744 Jo s h u a Sa n d e r s 7:30-8:30- PM Ev e r y Mo- Mo’s Mu s i c Mo n d a y s 8:30 PM Sa 11/14- DON SPARKS 8 PM Tu 11/10- Ca l l o f Du t y : MW2 & WSOP Ch a m p i o n s h i p Ni g h t 7 PM Fr 11/20- NEON GLOWORMS 8 PM Fr 11/13- WHITE KNUCKLE RODEO, THE DIRTY PEARLS, PLANESIDE Sa 11/21- MARK DOUGLAS BERARDO 8 PM 8:30 PM Sa 12/5- LYDIA ADAMS DAVIS w/ Ka t h y Ba y e r s a n d Be n Se i be r t 8 PM Sa 11/14- THROUGH THE FAÇADE, TAXI TO ALASKA, WITHOUT SANITY, ELLENVILLE—Ar o m a Th y me Bi s t r o , 165 Canal Street EURYDICE (all ages) 4 PM www.aromathymebistro.com, 845.647.3000 Sa 11/14- CATERWAUL, THE DIRTY PEARLS, THE F BOMBERS, BURNING Ev e r y Th- John Simon Trio 8 PM strEETS 8:30 PM Sa 11/7- BRYAN GORDON 8-11 PM Tu 11/17- Al a n n a ’s Bi r t h d a y - Ve g a s Th eme Ni g h t 8:30 PM Sa 11/14- ERIC ERICKSON 8-11 PM Fr 11/20- THE EPPARD BROTHERS, COSMONAUT, THE RICOCHET Sa 11/21- LOWRY HAMNER 8-11 PM 8:30 PM Sa 11/28- MACHAN 8-11 PM Su 11/22- Op e n Mi c Co me d y Ni g h t 9 PM FISHKILL—Th e Ke l t i c Ho u s e , 1004 Main Street Th 11/26- 2n d An n u a l Thanksgiving Po t l u c k 6 PM www.myspace.com/thekeltichouse, 845.896.1110 Fr 11/27- DEAD UNICORN, THE VIKING, BALLTURRET, WHITE KNUCKLE Ev e r y We- Op e n Mi c w/ Thrown Together 6 PM rodEO 8:30 PM We 11/11- The Nerds 7 PM Sa 11/28- SILVER SPADE, OCEAN’S EDGE 8:30 PM Fr 11/13- Dead Or Alive (Bo n Jo v i t r i b u t e ) 7 PM Fr 12/4- STENCH, NEUTRON RATS, BALLISTIK, AL GORE & Sa 11/14- Bosco and the Storm 10 PM thE ALCOHOLICS 8:30 PM Fr 11/20- crush 7 PM Fr 11/27- DEAD UNICORN, THE VIKING, BALLTURRET a n d Sa 11/21- Good N Loaded 7 PM whitE KNUCKLE RODEO 9 PM We 11/25- TREMOR!! 7 PM Fr 12/4- STENCH, NEUTRON RATS, BALLSTIK, AL GORE AND THE Fr 11/27- Milo Z 7 PM alCOHOLICS 9 PM Fr 12/4- Dr. Mudd 7 PM KINGSTON—Kee g a n Al e s , 20 St James Street, www.keeganales.com Sa 12/5- Michael Powers (He n d r i x t r i b u t e ) 7 PM 845.331.2739 Fr 12/11- Black 47 7 PM Ev e r y We- Op e n Mi c Ni g h t 6:30 PM Sa 12/12- Sanctuary (Ir o n Ma i d e n t r i b u t e ) 7 PM Ev e r y 2n d Su- THE BIG BANG JAZZ GANG p l a y s t h e m u s i c o f MINGUS, GARRISON—Ph i l i p s t o w n De p o t Th e a t r e , Garrison's Landing MONK DUKE An d Mo r e www.philipstowndepottheatre.org, 845.424.3900 Ev e r y 4t h Su- THE BIG SHOE JAM! GREAT BARRINGTON, MA—Th e Ma h a i w e Th e a t e r , 14 Castle Street KINGSTON—Sk y t o p Br e w i n g Co m p a n y An d St e a k h o u s e , 237 Forest Hill Drive www.mahaiwe.org, 415.528.0100 www.skytop.moonfruit.com, 845.340.4277 We 11/11- WARM UP THE WINTER II: a be n e f i t f o r l o c a l f u e l a s s i s t a n ce 7 PM Ev e r y 1s t Sa- The Upstart Blues Allstars Su 11/15- JANE MONHEIT: s u l t r y j a zz v o c a l i s t 3 PM Ev e r y Tu e s d a y - Stump Trivia! 8 PM Fr 12/4- EMPIRE BRASS HOLIDAY SPECTACULAR: t h e a r m a n d o g h i t a l l a KINGSTON—Sn a p p e r Ma g ee s , 59 North Front Street f o u n d a t i o n p r e s e n t s s o n g a n d d a n ce w i t h s p ec i a l g u e s t s c a n t i l e n a c h a mbe r www.myspace.com/snappermageeslivemusic, 845.339.3888 c h o i r a n d s t a r s o f t h e a l b a n y be r k s h i r e b a l l e t 7 PM All shows start at 10 PM and are 21+ Sa 12/5- St r a v i n s k y ’s SOLDIER’S TALE: Ho l i d a y Co n ce r t KINGSTON—Ul s t e r Pe r f o r m i n g Ar t s Ce n t e r , 601 Broadway, www.upac.org w i t h Be n j a m i n Lu x o n , n a r r a t o r 6 PM 845.473.5288 HIGH FALLS—Hi g h Fa l l s Ca f é , Route 213 and Mohonk Road Su 11/15- Lyle Lovett and his Large Band 7 PM www.highfallscafe.com, 845.687.2699 MIDDLETOWN—Co r n e r St a g e , 368 East Main Street 1s t & 3r d Tu- BLUES AND DANCE PARTY w/ Bi g Jo e Fi t z 7 PM www.myspace.com/cornerstage, 845.342.4804 Ev e r y Th- ACOUSTIC THURSDAY h o s t e d b y Ku r t He n r y 7 PM Ev e r y We- ACOUSTIC OPEN MIC NIGHT Su 11/8, 22, 12/6- Jazz at the Falls w/ Bi l l Ba n n a n 12-3 PM Ev e r y Th, Fr, & Sa- OPEN BLUES JAM w/ The Mike Quick Trio 9 PM Sa 11/14- VOODELIC 9 PM MIDDLETOWN—Pa r a m o u n t Th e a t r e , 17 South Street Sa 11/21- MOJO DADDYO 9 PM www.middletownparamount.com, 845.346.4195 Su 11/22- SAINTS OF SWING w/ Re n ee Ba i l e y 7 PM
21 | rollmagazine.com music listings upstate MILLBROOK—La Pu e r t a Az u l , 2510 Route 44, www.lapuertaazul.com musicians & artists 845.677.2985, all shows 9 PM Fr 11/13- SHORTY KINGS CLUBHOUSE Sa 11/14- THE BERT CAREY DUO Th 11/19- THE BERNIE & MIKE ACOUSTICS: JDRF Be n e f i t 7 PM Fr 11/20- THE DIFFERENTS your work Sa 11/21- REALITY CHECK Fr 11/27- THE JOHN MUELLER BAND deserves attention Sa 11/28- LICK THE TOAD MILLBROOK—Se a n y B’s, 3264 Franklin Avenue, which means you need a great bio for 845.677.2282 your press kit or website MILLERTON—Ma n n a De w , 54 Main Street, 518.789.3570 Peter Aaron | [email protected] Ev e r y Th- OPEN MIC NIGHT 10 PM I also offer general copy editing & proofreading services Ev e r y Fr- LIVE JAZZ, BLUES, AND FOLK 10 PM MOUNT KISCO- Aa r o n Co p e l a n d Ho u s e a t Me r e s t e a d , 455 Byram Lake Rd, www.coplandhouse.org, 845.788.4659 Su 12/6- OFF THE RECORD w/ Alex Ross 3 PM NEWBURGH—Pa me l a ’s On Th e Hu d s o n , 1 Park Place www.pamelastravelingfeast.com, 845.563.4505 NEWBURGH—Th e Ri t z Th e a t e r , 111 Broadway www.safeharborsofthehudson.org, 845.563.694 Su 12/6- BAYOU BREW w/Jesse Lege 3 PM American Roots NEWBURGH—Te r r a ce Ba r & Lo u n g e , 81 Liberty Street, 845.561.9770 Ev e r y Tu- Ja zz Ja m Se s s i o n Wi t h Marvin Bugalu Smith 7:30- 10 PM NEWBURGH- Th e Wh e r e h o u s e , 119 Liberty St., 856.561.7240. All shows 8 PM music Fr 11/13- DEEP CHEMISTRY Sa 11/14- THE WILL SMITH TRIO Th 11/19- THE REESE PROJECT rock | jazz | cajun | gospel | r&b | cowboy Fr 11/20- NEIL ALEXANDER & NAIL Sa 11/21- THE REDDAN BROTHERS BAND Sa 11/28- THE WILLIE AMROD BAND NEW PALTZ—Go me n Ku d a s a i , 215 Main Street, www.gomenkudasai.com 845.255.8811 whvw/950 am NEW PALTZ—Th e Mu d d y Cu p Co f f ee h o u s e , 58 Main Street, www.muddycup.com 845.255.5803 Ev e r y Mo- Open Mic Night 7 PM NEW PALTZ—Ne w Pa l t z Cu l t u r a l Co l l ec t i v e , 60 Main Street, www.60main.org 845.255.1901 Ev e r y Th- OPEN MIC 8 PM Sign up at 7:30 PM Ev e r y Su- JAZZ JAM 2 PM Ev e r y Th i r d Sa- NEW PALTZ THIRD SATURDAY: l i v e m u s i c a n d a r t s h o w We 11/11- LIANA GABEL a n d JOHN CRAIGIE 8 PM Fr 11/13- ROB JOHNSON a n d SCOTT CLARK 8 PM Sa 11/14- THE SHOE STRING BAND Fr 11/20- DIET KONG NEW PALTZ—SUNY Ne w Pa l t z , Mc k e n n a Th e a t r e , 1 Hawk Drive www.newpaltz.edu/theatre, 845.257.3880 NEW PALTZ—Un i s o n Ar t s Ce n t e r , 68 Mountain Rest Road, www.unisonarts.org 845.255.1559 Ev e r y Th i r d Su- OPEN MIC NIGHT Ho s t e d By John Denicolo folk | big band | rockabilly | bluegrass Ev e r y We- AFRICAN DRUM w/ Fode Sissoko and Toby Stover 6 PM Sa 11/14- AOIFE CLANCY & ROBBIE O'CONNELL 8 PM PAWLING—Th e To w n e Cr i e r , 130 Route 22, www.townecrier.com, 845.855.1300 www.whvw.com Fr/Sa shows at 9 PM, Su 7:30 PM 1s t An d 3r d We- Open Mic Night 7 PM DP_RollAd.pdf 2/4/09 10:13:03 PM Fr 11/13- JIM WEIDER’S PROJECT PERCOLATOR Sa 11/14- ROOMFUL OF BLUES 40t h An n i v e r s a r y Su 11/15- IONA Fr 11/20- CHRIS O’LEARY BAND w/ Ru b y Ho g g Sa 11/21- DANA FUCHS BAND w/ Ch r i s Tr a p p e r Su 11/22- musical heritage night w/ PETE SEEGER C Fr 11/27- MARC BLACK BAND
M Sa 11/28- ALEXIS P. SUTER BAND Su 11/29- ROB MORSBERGER a l s o PETER CALO Y Offset & Digital Printing Th 12/3- THE CIRCLE: songwriters in the round 7 PM Fr 12/4- TOM PACHECO w/ Jim Weider CM Cross-Media Campaigns Sa 12/5- THE CLANCY TRADITION Custom Variable Imaging MY Su 12/6- GUITAR STARS r ec i t a l Digital Die-Cutting w/ George Krzyzewski, Joe Krzyzewski CY PEEKSKILL—12 Gr a p e s Mu s i c & Wi n e Ba r , 12 North Division Street, www.12grapes.com, 914.737.6624 CMY Ev e r y Su- SINGER SONGWRITER SHOWCASE 6 PM h w e t e y o p K 518.446.9129 T 11/12- OPEN MIC NIGHT / P H 8:30 PM Fr 11/13- gr a mm y no m i n a t e d gu i ta r i s t GIL PARRIS w i t h Digital Page is FSC Certified. 75 Benjamin Street | Albany, NY 12202 Th e Gil Parris Band 9:30 PM Sa 11/14- JERRY DUGGER & THE DUGGER BROTHERS 9:30 PM
22 | rollmagazine.com music listings
PEEKSKILL— Be a n Ru n n e r Ca f é , 201 S. Division Street, www.beanrunnercafe.com 914.737.1701 Sa 11/14- THE JEFF ALLEN TRIO 7:30-10:30 PM Fr 11/20- ANNA FISZMAN TRIO w/ Ma r c La n d e s be r g 7:30-10:30 PM Sa 11/21- a n e v e n i n g o f ALL JOHN COLTRANE w/ BOB MEYER AND THE youth QUARTET 7:30-10:30 PM Su 11/22- JAZZ JAM w/ Bob Meyer, Neil Alexander 6-9 PM Sa 11/28- CELEBRATE HIS BIRTHDAY w/ David Amram 7:30-10:30 PM Fr 12/4- APOSTROPHE w/ Michael Nardone, George Seitz, theodore Ogden 7:30-10:30 PM Sa 12/5- PREMIK & FRIENDS w/ Premik Russell Tubbs, J. Eric Johnson, Nathan Peck, & Todd Isler 7:30-11 PM PEEKSKILL— Th e Di v i s i o n St r ee t Gr i l l , 26 North Division Street www.divisionstreetgrill.com, 914.739.6380 PEEKSKILL—Pa r a m o u n t Ce n t e r Fo r Th e Ar t s , 1008 Brown Street www.paramountcenter.org, 914.739.2333 Fr 11/13- DIONNE WARWICK 8 PM Sa 11/14- GREGG ALLMAN 8 PM Su 11/15- A TASTE OF THE PARAMOUNT 12-3 PM Th 11/19- BELA FLECK & THE ORIGINAL FLECKTONES 8 PM Fr 11/20- LINDA EDER - “ALL OF ME” 8 PM Sa 11/21- JOHNNY MAESTRO & THE BROOKLYN BRIDGE, & thE DUPREES 8 PM "When one tugs at a Sa 12/5- AL JARREAU - HOLIDAYS & HITS 8 PM PEEKSKILL—Pee k s k i l l Co f f ee Ho u s e , 101 S. Division St., www.peekskillcoffee.com single thing in nature, he 914.739.1287 finds it attached to POUGHKEEPSIE—Th e Ba r d a v o n , 35 Market Street, www.bardavon.org
845.473.2072 the rest of the world." Th 11/19- MATINEES & MUSIC: a big band tribute 2 PM —John Muir POUGHKEEPSIE— Ca f e Bo cc a , 14 Mt Carmel Pl., www.cafebocca.net 845.214.8545 Sa 11/14- Landfall Ensemble 7-9 PM Sa 11/21- Quatrane 7-9 PM POUGHKEEPSIE—Th e Ch a n ce , 6 Crannell St. www.thechancetheater.com 845.486.0223 Th 11/12- THE BLACK DAHLIA MURDER w/ Skeletonwitch, tOxic Holocaust, Trap Them & Left in Ruins 7 PM Fr 11/13- SILVERSTEIN 7 PM Sa 11/14- WPDH 101.5 & LocoLobo e v e n t s p r e s e n t : Stars of the Heroes of Woodstock with Jefferson Starship 8 PM Fr 11/20- THE ENGLISH BEAT w/ Perfect Thyroid, The Closers & Bring back the melody 8 PM Sa 11/21- FOOD STOCK 2- Mu s i c & Ar t Sh o w w/ The Big Take over, chasing Daybreak, Kinney & Storms and more Fr 11/27- TENSION w/ Black Jack, Naenia, Our Only Reason & TBA Sa 11/28- MURPHY’S LAW w/ Life Line, Ja Moustached Eddies Fr 12/4- HINDENBERG w/ the Sundown band & No Jack Sunday 7 PM roll magazine Sa 12/5- MELVIN SEALS & Jerry Garcia Band w/ Desolation Angels & Greta Frost 8 PM is printed POUGHKEEPSIE—Th e Lo f t , 6 Crannell Street, www.thechancetheater.com 845.486.0223 on recycled f s c paper We 11/11- THE MORNING OF w/ The Graduate, The Hoodies & using soy based inks more 6 PM Sa 11/14- BREATHE CAROLINA w/ Cash Cash, Stephen Jerzak, Kill Paradise and Fight Fair 5 PM Th 11/19- HIT THE LIGHTS w/ There for Tomorrow, vINNIE Caruana, Sparks the Rescue & I Rival 6 PM Fr 11/27- CREEPIN CADAVERS w/ Dead Luck Devilles, The gREYhounds & Cocktail Daddys, Scarred Stiffs & Nightmares for a week 8 PM Su 11/29- VANNA w/ Therefore I Am, A Loss For Words, Taste Of fAte, To Know Avail & If All Else Fails 5 PM POUGHKEEPSIE—Pl a t i n u m Lo u n g e , 367 Main Street, www.thechancetheater.com Fr 12/4- ACOUSTIC NIGHT 3 w/ A Good Day, Her Eyes Lie, gARREt Garcia, Letters From Troy, After September, vEtela & Dan Michos 6 PM
23 | rollmagazine.com music listings
POUGHKEEPSIE—Sk i n n e r Ha l l Of Mu s i c , Va s s a r Co l l e g e , 124 Raymond Avenue, music.vassar.edu, 845.437.7319 Fr 11/13- VASSAR CAMERATA AND MAHAGONNY ENSEMBLE 8 PM Sa 11/14- SENIOR RECITAL: Isaac Leslie, trumpet 4 PM Sa 11/14- VASSAR COLLEGE CHOIR w/ Christine R. Howlett, c o n d u c t o r 8 PM Su 11/15- VASSAR COLLEGE AND COMMUNITY WIND ENSEMBLE 3 PM Sa 11/21- SENIOR RECITAL: Seth Biberstein, baritone w/ dAvid Alpher, p i a n o 1:30 PM Sa 11/21- SENIOR RECITAL: Mark Van Hare, c o m p o s e r 4 PM Su 11/22- VASSAR COLLEGE MADRIGAL SINGERS w/ Drew Minter, c o n d u c t o r 3 PM Fr 12/4- VASSAR COLLEGE JAZZ ENSEMBLE w/ James Osborn, d i r ec t o r 8 PM Sa 12/5- VASSAR COLLEGE ORCHESTRA w/ Eduardo Navega, c o n d u c t o r 8 PM Su 12/6- a se r v i ce o f le s s o n s a n d ca r o l s 7 PM
RED HOOK—St. Pa u l ’s Lu t h e r a n Ch u r c h Ha l l , Broadway 845.802.6515 Sa 11/14- An Ev e n i n g w i t h MARTIN HAYES a n d DENNIS CAHILL 7 PM RED HOOK— Ta s t e Bu d d ’s Ca f é 40 W Market St. www.tastebudds.com 845.758.6500 Sa 11/14- CHRISTINE PIZZUTI 2-4 PM Su 11/15- DAVID KRAAI 12-2 PM Sa 11/21- TERN ROUNDERS 2-4 PM Su 11/22- BILL GALANIN 12-2 PM Sa 11/28- ACOUSTIC MEDECINE SHOW 2-4 PM Su 11/29- THE SPARROWS 12-2 PM Sa 12/5- KATIE PEARLMAN 2-4 PM Su 12/6- MERRILY JAMES 12-2 PM RHINECLIFF- Th e Rh i n ec l i f f Ho t e l , 4 Grinnell St., www.therhinecliff.com 845.876.0590 Ev e r y Tu- LOCAL MUSICIAN SHOWCASE w/ Karl Allweier 9 PM Ev e r y Sa- LATE LOUNGE AT THE RHINECLIFF 9 PM Ev e r y 1s t Su- ERIN HOBSON COMPACT 11:30 AM Ev e r y 2n d Su- WILL SMITH TRIO 11:30 AM Ev e r y 3r d Su- BLUE GARDENIA 11:30 AM Ev e r y 4t h Su- VARIOUS ARTISTS 11:30 AM Su 11/29- SUNDAY BRUNCH: ELAINE RACHLIN ce l eb r a t e s 100 y e a r s o f Jo h n n y Me r ce r w i t h s o n g s a n d a n ec d o t e s RHINEBECK—Ce n t e r Fo r Th e Pe r f o r m i n g Ar t s , Route 308 www.centerforperformingarts.org, 845.876.3080 RHINEBECK—St a r r Pl a ce Re s t a u r a n t s & Lo u n g e , 6417 Mo n t g o me r y St. www.starrplace.com, 845.876.2924 Ev e r y 1s t Fr- OPEN MIC Ev e r y Th- KARAOKE w/ D.J. Tedesh 11/13 REALITY CHECK BAND 11/14 THE WOODCOCKS 11/20 SURPRISE GUEST 11/21 CROSSROADS BAND 11/27 DJ TEDES 11/28 NEW GUYS BAND ROSENDALE—Ma r k e t Ma r k e t , 1 Madeline Lane, www.jentrip.com, 845.658.3164 Ev e r y Th- Ja zz j a m w/ MARVIN BU-GA-LU- SMITH 9 PM Sa 11/14- THE TRAPPS, ORYAN 8 PM Fr 11/20- THIS AIN’T YOUR MAMMA’S KARAOKE 9 PM Sa 11/21- THE BONES OF DAVEY JONES, KLESSA, SUPERBOBBY, sarah D 8 PM Sa 11/28- MAMALAMA, PETER HEAD, ASK FOR USA 8 PM ROSENDALE—Ro s e n d a l e Th e a t r e , 330 Main St., 845.658.8989 Sa 11/21- PROFESSOR LOUIE & THE CROWMATIX w/ MR. ROPER, a be n e f i t f o r Qu ee n ’s Ga l l e y 8 PM ROSENDALE—Th e Ro s e n d a l e Ca f é , 434 Main Street, www.rosendalecafe.com 845.658.9048 Sa 11/14- AMY & LESLIE 8 PM Fr 11/20- JESSE LEGE a n d BAYOU BREW 8 PM Sa 11/21- SHTREIML 8 PM Fr 12/4- PAUL GEREMIA 8 PM
24 | rollmagazine.com music listings
SAUGERTIES—Ca f é Mezz a l u n a Bi s t r o La t i n o An d Ga l l e r y ,626 Route 212, 845.246.5306 Ev e r y 1s t & 3r d Th- Open Mic Su 11/15- SUNDAY BRUNCH w/ SPLIT THE BILL 11 AM Fr 11/20- JOE WASHINGTON l ec t u r e o n w o me n i n j a zz 7-9 PM Sa 11/21- MUSIC MENU AT MEZZALUNA w/ Bruce Hildenbranc, fRANk Critelli a n d C.B. Smith & The Lucky Devils Su 11/22- SUNDAY BRUNCH w/ SHARON KLEIN 11 AM We 11/25- CUMBIA SPRIT & CARLOS OSORIO s a l s a l e s s o n 7 PM Sa 11/28- DINNER CONCERT w/ CHRIS WALSH Su 11/29- SUNDAY BRUNCH w i t h “THE JULES & RICK ORCHESTRA” 11 AM SAUGERTIES—Jo h n St r ee t Ja m , 16 John Street, www.johnstjam.net, 845.943.6720 Sa 11/14- Songwriters in the Round w i t h Jackie Young, John Wirtz, Mark Brown, Ken Fox, Sean Kelly, charles Wellcome, a n d Shane Murphy 7:30 PM SAUGERTIES—Mu d d y Cu p /i n q u i r i n g Mi n d Co f f ee h o u s e & Bo o k s t o r e , 65 Partition St., 845.246.5775 All shows 7 PM unless otherwise noted Ev e r y Tu- Open Mic w/ Chrissy Budzinski 7 PM Fr 11/13- New Lazy Boys Sa 11/14- Frances Kramer 2 PM, E C Lorick 7 PM Su 11/15- Mamalama Th 11/19- Rocky Sa 11/21- Doug Markus 11:30 AM, Garden Set Fire 7 PM Fr 11/27- Mamalama Sa 11/28- Vito’s Saturday Night Music Su 11/29- Peter Einhorn 1 PM STONE RIDGE—Ja c k An d Lu n a ’s, 3928 Main Street, www.jackandluna.com, 845.687.9794 Sa 11/14- ERIC PERSON 7:30 & 9 PM Fr 11/27- MARK GUITARZILA DZUIBA 7:30 PM, 9 PM TIVOLI- Th e Bl a c k Sw a n , 66 Broadway, 845.757.3777 WOODSTOCK— Al c h em y o f Wo o d s t o c k , 297 Tinker St, 845.684.5068 All shows 9 PM unless otherwise noted Ev e r y We- OPEN MIC 8 PM Th 11/12- Sp o k e n Wo r d Ni g h t 8 PM Fr 11/13- PAL SHAZAR 8:30 PM Sa 11/14- HOOSIER MAMAS w/ BEKI BRINDLE & VICTORIA LEVY 8 PM Th 11/19- Sp o k e n Wo r d Ni g h t 8 PM Fr 11/20- Kurt Henry Trio 8 PM Sa 11/21- Be n e f i t f o r CREATIVE MUSIC STUDIO 6 PM Su 11/22- LEAH-CARLA GORDONE 7 PM Sa 11/28- MARC BLACK 8 PM Fr 12/4- JAY COLLINS BAND 8 PM ºSa 12/5- LINDSEY WEBSTER, KEITH SLATTERY, & PAUL BERETTA 8 PM WOODSTOCK—Th e Be a r s v i l l e Th e a t e r , 291 Tinker Street (Route 212) www.bearsvilletheater.com, 845.679.4406 Ev e r y Th- Bluegrass Clubhouse 8 PM Ev e r y Th- Miss Angie’s Karaoke 10 PM Fr/Sa 11/13, 11/14- RAILROAD EARTH 9 PM Fr 11/20- TRACY BONHAM: I GOTTA SHOW 9 PM Fr 11/27- GANDALF MURPHY & the SLAMBOVIAN CIRCUS OF DREAMS 9 PM Sa 11/28- THE BREW 9 PM Fr 12/4- THREE IN CONCERT w/ WEERD SCIENCE 9 PM WOODSTOCK—Th e Co l o n y Ca f é , 22 Rock City Road, www.colonycafe.com 845.679.5342 Ev e r y Mo- OPEN SPOKEN: poetry, prose, and open mic with vinyl showcase 9:30PM Sa 12/5- PHIL OCHS FEST w/ THE FLAMES OF DISCONTENT 8 PM WOODSTOCK—Th e Kl e i n e r t / Ja me s Ar t s Ce n t e r , 34 Tinker Street www.woodstockguild.org, 845.679.2079 WOODSTOCK—Ti n k e r St. Ci n em a , 132 Tinker Street Su 11/29- “MUSIC AT THE MOVIES” w/ TOM PACHECO, 11/14 Voodelic 11/21 Mojo Daddyo BRIAN HOLLANDER 8 PM 11/15 Wings & Karaoke to benefit MOAS Closed Thanksgiving - Brunch 11/27 10am Phelonious Funk 12/4 9pm 12/5 High Falls Tree lighting 5:30 /Barbara Dempsey & Company 7pm search by date Check our web site for menus & more On & off premise catering! Private room for up to 50 people.
www.rollmagazine.com www.highfallscafe.com ~ 845-687-2699 ~ www.myspace.com/highfallscafe
25 | rollmagazine.com theatre/cinema listings theatre/cinema listings
ANNANDALE-ON-HUDSON—Ri c h a r d B. Fi s h e r Ce n t e r , Route 9G KINGSTON—Co a c h Ho u s e Pl a y e r s , 12 Augusta Street www.fishercenter.bard.edu, 845.758.7950, Box Office: 845.758.7900 www.coachhouseplayers.org, 845.331.2476 Th/Fr/Sa 11/12, 11/13, 11/14- 10 MINUTE PLAY FESTIVAL 11/13, 11/14, 11/15, 11/20, 11/21, 11/22- PLAY IT AGAIN SAM Th 7 PM Fr/Sa 8 PM 8PM, Su 2PM KINGSTON—Ul s t e r Pe r f o r m i n g Ar t s Ce n t e r (UPAC), 601 Broadway, BEACON—Be a c o n In s t i t u t e f o r Ri v e r s a n d Es t u a r i e s , 199 Main Street www.upac.org, 845.339.6088 www.riversandestuaries.org, 845.838.1600 Sa 11/14- LISA WILLIAMS: MESSAGES FROM BEYOND 7:30PM BEACON—Di a :Be a c o n , 3 Bee k m a n St r ee t , www.diabeacon.org 845.440.0100, Th-Mo 11 AM- 6 PM MIDDLETOWN—SUNY Or a n g e , Harriman Hall, 115 South Street Sa 11/14, Su 11/15- TRISHA BROWN DANCE PERFORMANCE www.sunyorange.edu, 845.341.4891 BEACON—Ho w l a n d Cu l t u r a l Ce n t e r , 477 Main Street www.howlandculturalcenter.org, 845.832.4988 NEWBURGH—Th e Do w n i n g Fi l m Ce n t e r , 19 Front Street We 11/11- “REBECCA’S GARDEN” v i d e o a t t h e t i o r o n d a g a r d e n c l u b www.downingfilmcenter.com, 845.561.3686, check website for times m o n t h l y mee t i n g Ev e r y Su- FILMS WITH FRANK 1 PM Fr 12/4- Fe a t u r e d Po e t s : N. WILSON ENOCH & addison GOODSON 8-10:30 PM NEW PALTZ—Ne w Pa l t z Cu l t u r a l Co l l ec t i v e , 60 Main Street, www.60main.org 845.255.1901 BETHEL—Be t h e l Wo o d Ce n t e r Fo r Th e Ar t s , 200 Hurd Road and Route 17B Tu 11/10- FILM SCREENING: Coal Country 7 PM (at the site of the original 1969 Woodstock Festival) NEW PALTZ—SUNY Ne w Pa l t z , Mc k e n n a Th e a t r e , 1 Hawk Drive www.bethelwoodscenter.org, 845.454.3388 www.newpaltz.edu/theatre, 845.257.3880 NEW PALTZ—Un i s o n Ar t s Ce n t e r , Mountain Rest Road, www.unisonarts.org CHATHAM—PS/21, 2980 Route 66, www.ps21chatham.org, 518.392.6121 845.255.1559 CHATHAM—Cr a n d e l l Th e a t r e , 46-48 Main Street, www.thechathamfilmclub.com, Fr 11/20- MMSRT p r e s e n t s RIP VAN WINKLE: On e Bo o k , On e Ne w Pa l t z 518.392.3331 r e a d i n g 8 PM Sa 11/21- MIKHAIL HOROWITZ & GILLES MALKINE s t a n d u p p o e t r y ELLENVILLE—Sh a d o w l a n d Th e a t r e , 157 Canal Street www.shadowlandtheatre.org, 845.647.5511 PEEKSKILL—Pa r a m o u n t Ce n t e r Fo r Th e Ar t s , 1008 Brown Street www.paramountcenter.org, 914.739.2333 GARRISON—Ph i l i p s t o w n De p o t Th e a t r e , Garrison's Landing Su 12/5- THE NUTCRACKER, p e r f o r me d b y t h e Ne w Yo r k www.philipstowndepottheatre.org, 845.424.3900 Th e a t r e Ba l l e t 3 PM, 6 PM Th r o u g h 11/15- THE SECRET GARDEN Fr/Sa 8 PM, Su 2 PM PHOENICIA—STS Pl a y h o u s e , 10 Church Street, www.stsplayhouse.com 845.688.2279 GREAT BARRINGTON, MA—Th e Ma h a i w e Th e a t e r , 14 Castle Street 11/13, 11/14, 11/15, 11/20, 11/21, 11/22- THE MISER b y Mo l i é r e www.mahaiwe.org, 415.528.0100 Fr/Sa 7PM, Su 4PM Tu 11/10- TIMESTALKS: A Co n v e r s a t i o n w i t h n o v e l i s t STEPHEN KING 7 PM Fr 11/27- THAT'S ENTERTAINMENT 7 PM Fr 11/13- SHANGRI-LA CHINESE ACROBATS 8 PM Fr 11/20- An t i -c o r p o r a t e p r a n k s t e r s , THE YES MEN, POUGHKEEPSIE—Th e Ba r d a v o n , 35 Market Street, www.bardavon.org s c r ee n i n g t h e i r n e w f i l m , “THE YES MEN FIX THE WORLD” 7:30 PM 845.473.5288, Box Office: 845.473.2072 Su 11/22- h i t c h c o c k ’s NOTORIOUS (1946) 7 PM Fr 11/13- THE GODFATHER: part ii (1974) 7:30 PM Sa 11/28- 70t h ANNIVERSARY OF WIZARD OF OZ (1939) 4 PM Sa 11/14- THE MET l i v e i n h d (e n c o r e ) 1 PM Su 12/6- SYMPHONY SPACE’S SELECTED SHORTS: YIDDISH WRITERS Tu 11/17- PIGEON PARTY 10 AM, 12 PM w/ John Shea, Joanna Gleason a n d h o s t Isaiah Sheffer Fr 12/4- MARY POPPINS (1964) 8 PM Su 12/6- A CHRISTMAS CAROL 3 PM HIGHLAND—Bo u g h t o n Pl a ce Th e a t e r , 150 Kisor Rd., www.boughtonplace.org, Th 12/10- n e w p a l t z b a l l e t 's THE NUTCRACKER 9:45 AM, 12 PM 845.691.7578 POUGHKEEPSIE—Va s s a r Co l l e g e , 124 Raymond Avenue, www.vassar.edu, 845.437.7319 HUDSON—Hu d s o n Op e r a Ho u s e , 327 Warren Street Mo 11/16- REPORTING THE LOCAL NEWS: h o w a v a s s a r g r a d w o n t h e www.hudsonoperahouse.org, 518.822.1438 p u l i t ze r p r i ze i n a n e r a o f n e w s p a p e r d ec l i n e , Sp i t ze r Ha l l 5:30 PM Sa 11/28- PIGEON PARTY! 10 AM, 12 PM POUGHKEEPSIE—Cu n n ee n -h a c k e t t Ar t s Ce n t e r , 9 & 12 Vassar Street HUDSON- Sp a ce 360, 360 Warren St., www.wtdtheater.org, 1.800.838.3006. 845.486.4571 Shows are 8 PM, Su 2 PM POUGHKEEPSIE—Mi d Hu d s o n Ci v i c Ce n t e r , 14 Civic Center Plaza 11/12 t h r o u g h 11/29- Wa l k i n g t h e Do g Th e a t e r p r e s e n t s I TAKE YOUR www.midhudsonciviccenter.com, 845.454.5800 hand IN MINE, b y Ca r o l Ro c a m o r a POUGHKEEPSIE—Mi l l St r ee t Lo f t , 455 Maple Street, www.millstreetloft.org 12/4 t h r o u g h 12/20- A CHRISTMAS CAROL 845.471.7477. See website for classes and events. HUDSON—St a g e w o r k s -t h e Ma x An d Li l l i a n Ka t zm a n Th e a t e r 41-A Cross Street, www.stageworkstheater.org, 518.822.9667 RHINEBECK—Ce n t e r Fo r Th e Pe r f o r m i n g Ar t s , Route 308 HUDSON—Ti me & Sp a ce Li m i t e d , 434 Columbia Street www.centerforperformingarts.org, 845.876.3080 www.timeandspace.org, 518.822.8448, check website for times Fr/Sa shows 8 PM, Su 3 PM Th-Su, 11/12, 11/13, 11/14, 11/15- MOVIE: Fr 11/14- BAREFOOT DANCE COMPANY thE YES MEN FIX THE WORLD 5:30 PM Fr/Sa 11/14, 11/15- ELAIN COLANDREA DANCE Tu 11/10- TIMESTALKS LIVE: A Co n v e r s a t i o n w i t h n o v e l i s t Fr 11/20 t h r o u g h Su 11/29- THE WORLD GOES ROUND stEPHEN KING 7 PM Sa 11/21- FRAGON THE DRAGON'S ADVENTURE IN COURAGE Sa 11/14, Th 11/19, Fr 11/20, Su 11/22- MOVIE: Sa 11/28- JUGGLING WITH A MAGICAL TWIST no IMPACT MAN, Sa 7:30 PM, Th/Fr/Su 5:30 PM Fr 12/4 t h r o u g h Su 12/6- A CHRISTMAS CAROL Th 11/19 t h r o u g h Su 11/29- MOVIE CLASSIC: CONTEMPT s ee w eb s i t e f o r We/Th 12/9, 12/10- A CHRISTMAS CAROL d a y t i me f i e l d t r i p 10 AM s h o w t i me s RHINEBECK—Co c o o n Th e a t r e , 6384 Mill Street (Route 9) Th 11/26 t h r o u g h Su 11/29- MOVIE CLASSIC: www.cocoontheatre.org, 845.876.6470 ELEVATOR TO THE GALLOWS Th/Fr/Sa 7:30 PM Su 5:30 PM RHINEBECK—Up s t a t e Fi l m s , 6415 Montgomery Street (Route 9) www.upstatefilms.org, 845.876.2515. Call for dates and times. KINGSTON—ASK Ar t Ce n t e r , 97 Broadway, www.askforarts.org, 845.338.0331 11/14, 11/15, 11/19, 11/20, 11/21, 11/22- ROSENDALE—Ro s e n d a l e Th e a t r e , 330 Main St., 845.658.8989 noBODY, a p l a y b y Br i a n Pe t t i 8PM/Su 1PM Th/Fr 11/13, 11/14- TALKING WITH... b y Ja n e Ma r t i n 8 PM Su 12/6- GUSTAFER YELLOWGOLD'S KINGSTON DEBUT 10 AM
26 | rollmagazine.com theatre/cinema listings november/theatre & cinema highlights
SAUGERTIES- Mu d d y Cu p /i n q u i r i n g Mi n d Co f f ee h o u s e & Bo o k s t o r e Fr-Su 11/13 t h r o u g h 22- Sh anda k en Th ea t r ical So cie t y p r esen t s 65 Partition St., 845.246.5775 Mo li è r e ’s THE MISER a t STS Pla y h o u se , Ph o enicia —Despite Su 11/29- Au t h o r r e a d i n g a n d b o o k s i g n i n g w i t h Pe t e r Aa r o n , Ma g g i e Es t e p , Ja n a Ma r t i n , a n d To n y Fl e t c h e r 4 PM having secured the protection and support of King Louis XIV, French STONE RIDGE—SUNY Ul s t e r , Qu i mb y Th e a t r e , Cottekill Road (Route 209) playwright Molière still found himself with powerful enemies. The www.sunyulster.edu, 845.687.5000, 800.724.0833 French Roman Catholic Church was deeply offended by his previous 11/12 t h r o u g h 11/22- INSPECTING CAROL b y da n i e l su l l i v a n s ee w eb s i t e f o r s h o w t i me s production Tartuffe (1664), whose religiously hypocritical lead WAPPINGERS FALLS—Co u n t y Pl a y e r s , 2681 West Main Street character was seen as a direct assault, leading the Archbishop of Paris www.countyplayers.org, 845.298.1491 to proclaim anybody involved with producing or witnessing the play 11/13, 11/4, 11/15, 11/20, 11/21- TWELVE ANGRY MEN b y Re g i n a l d Ro s e 8PM, 11/15 2 PM excommunicated. As a result, subsequent plays had no such inclination WOODSTOCK— Al c h em y o f Wo o d s t o c k , 297 Tinker St, 845.684.5068 to controversy. A self-conscious farce or “comedy of manners,” The WOODSTOCK—Co l o n y Ca f é , 22 Ro c k Ci t y Ro a d , www.colonycafe.com 845.679.5342 Miser (1668) has a skinflint for a hero, makes a running joke of the use of Ev e r y Mo- SPOKEN WORD Op e n Mi c Wi t h Ho s t Ph i l i p Le v i n e 7:30 PM asides to the audience, and has an ending reminiscent of…Star Wars? WOODSTOCK—Ti n k e r St r ee t Ci n em a , 132 Tinker Street, 845.679.6608 STS gives you another good reason to get up in the Catskill Mountains WOODSTOCK—Th e Be a r s v i l l e Th e a t e r , 291 Tinker Street (Route 212) www.bearsvilletheater.com, 845.679.4406 over the weekend. Adapted by Miles Malleson, directed by Amy Sa 12/5- 4TH ANNUAL MULLED MEASURE OF MERRY MISHEGAS Wallace. STS Playhouse, 10 Church St., Phoenicia, www.stsplayhouse. w/ Pe t e r Sc h i c k e l e , Gi l l e s Ma l k i n e a n d Mi k h a i l Ho r o w i t z 9 PM com, 845.688.2279. Fr & Sa 8 PM, Su 4 PM WOODSTOCK—Wo o d s t o c k To w n Ha l l , 76 Tinker Street WOODSTOCK—Wo o d s t o c k Pl a y h o u s e , Route 212 and 375 www.woodstockplayhouse.org, 845.679.4101 11/12 t h r o u g h 29- Wal k in g t h e Do g Th ea t e r p r esen t s I TAKE YOUR HAND IN MINE, b y Ca r o l Ro cam o r a , a t Space 360, Hu ds o n — email your music, art, stage & Created by the playwright to be performed by Academy Award-winner Olympia Dukakis and Louis Zorich, I Take Your Hand In Mine is based screen listings and creative living on over 400 love letters between legendary Russian playwright Anton events by the 22th to: Chekhov and Olga Knipper, founding member and leading lady for the [email protected] world famous Moscow Art Theatre. The two knew each other for six years, the last three as husband and wife, until his death in 1904. It’s an intimate look into the lives of two exceptional and creative people living in Russia at the turn of the century, through a play that Dukakis herself hailed as “a gift for all lovers of the theater.” Directed by Benedicta Bertau, starring David Anderson and Bethany Caputo. Space 360, 360 Warren St., Hudson, www.wtdtheater.org, 1.800.838.3006. Th-Sa (and We 11/18) 8 PM, Su (and Sa 11/27) 2 PM
Fr/Sa 11/20, 21- Mo h o n k Mo u n t ain St a g e Reade r s Th ea t e r Gr o u p p r esen t s RIP VAN WINKLE: A ONE BOOK, ONE NEW PALTZ READING (11/20); Unis o n Ar t Cen t e r p r esen t s MIKHAIL HOROWITZ and GILLES MALKINE (11/21), a t U nis o n A r t C en t e r , New Pal t z —Here’s a good weekend two-fer for you at Unison. Friday night it’s a theatrical version of the locally inspired Rip Van Winkle tale. From the Unison release: “In 1859, a young American actor named Joseph Jefferson began to perform a version of the American classic story Rip Van Winkle. This version was never entirely successful, but Jefferson's reputation grew as a fine comedic actor. In 1865, he asked his friend, Irish playwright Dion Boucicault, to develop a full-length play from the material. Boucicault wrote what became one of the most famous plays of the late 18th century. Jefferson toured the play for 40 years, fixing his interpretation of Rip in the collective imagination of American culture.” Then, on Saturday night it’s “Cutting Edge Anachronisms” with musical and comedic nonsense-ations Mikhail Horowitz and Gilles Malkine, whose schtick and ditties somehow manage to fill the house quickly (so reserve your tickets), and never fail to leave audiences yukking it up. Or was it yucking it up? Either way, it’s worth a small amount of your time and lucre to see what the lack of buzz is all about. Unison Art Center, 68 Mountain Rest Rd., New Paltz, www.unisonarts.org, 845.255.1559. Both shows 8 PM
27 | rollmagazine.com pro audio & video production november/music highlights proaudio&video production Fr 11/13- JIM WEIDER’S PROJECT PERCOLATOR a t To wne Sales & Rentals Cr ie r , Pawlin g —Even if you know diddly-squat about electric guitars, you probably know about or have at least seen a Fender Telecaster. With its distinctive single-cutaway shape and pronounced twang, it’s Ballantine been the go-to solid-body guitar for early rock ‘n’ roll and country communications pickers. But a handful of guitarists out there can make it rock like all key foods plaza • rt 44 • pleasant valley • ny 12569 get out (Roy Buchanan and NRBQ’s Al Anderson come to mind), and 845.635.8606 one of those guys is Woodstock’s own Jim Weider. Known mostly for his touring work replacing Robbie Robertson in The Band (1985-2000), Jim has worked with an A-list of artists including Scotty Moore, Keith Richards, Los Lobos, Graham Parker, Taj Mahal, Mavis Staples, Hot Tuna, Johnny Paycheck, Kim Wilson, and Paul Butterfield; and released three solo CD’s. His most recent Project Percolator—with Rodney Holmes, Mitch Stein, and Ron Jenkins—pushes into more modern techno boundaries with its new CD Pulse. Towne Crier, 130 Rte. 22, Pawling, www.townecrier.com, 845.855.1300. 9 PM
Sa 11/14- St u di o Wo o ds t o c k p r esen t s Ir is h fiddle & g u i t a r d u o MARTIN HAYES and DENNIS CAHILL, a t St. Pa u l ’s Lu t h e r an Ch u r c h Hall , Red Ho o k —If a person wins the All-Ireland fiddle championship not just once, but SIX times, as well as the 2008 Musician of the Year Award from Irish language TV station TG4, do you figure there’s a pretty good chance this guy can play really really well? Ya think? Fiddle virtuoso Martin Hayes has found his perfect musical foil with American master guitarist Dennis Cahill, whose simpatico accompaniment and counterpoint make this duo the must-see/hear show for lovers of the Celtic genre, and beyond. “A Celtic compliment to Steve Reich’s quartets or Miles Davis’ ‘Sketches of Spain.’”- The New York Times. Presented by new music promoters Studio Woodstock. St. Paul’s Lutheran Church Hall, Broadway, Red Hook, www.studiowoodstock.net, 845.802.6515. 7 PM
Th r o u g h No vembe r - Sp o t li g h t o n Pa r am o u n t Cen t e r f o r t h e Ar t s , Pee k s k ill —Though it can seem far away to most in the Mid Hudson Valley, Peekskill is actually a pretty quick jaunt down from Beacon, and has a nice downtown cultural/cuisine area anchored by the Paramount Center for the Arts. This month is particularly jam-packed with good stuff there: DIONNE WARWICK (Fr 11/13, 8 PM) was a big part of making the Burt Bacharach/ Hal David songbook come to life (“I Say a Little Prayer”, “Do You Know the Way to San Jose?”), and is the very definition of “pop soul.” GREGG ALLMAN (Sa 11/14, 8 PM) brings his soulful Southern style to town with his own band. He’s an Allman Brother. That’s all you need to know. “A TASTE OF THE PARAMOUNT” (Su 11/15, 12-3 PM) features
Di o n n e Wa r w i ck
28 | rollmagazine.com samples from a variety of local eateries, with local entertainment. BELA FLECK & THE ORIGINAL FLECKTONES (11/19, 8 PM) would be worth the trip alone simply to experience the astounding musicality of original harmonicist/pianist Howard Levy, back in the Flecktone fold for a tour. Acclaimed vocalist and Broadway star LINDA EDER presents an evening of Broadway classics and standards with “All Of Me” (Fr 11/20, 8 PM), and JOHNNY MAESTRO & THE BROOKLYN BRIDGE, w/ THE DUPREES (Sa 11/21, 8 PM) brings “ a powerhouse evening of music memories.” Then it’s time to start getting into the holiday vibe with AL JARREAU- HOLIDAYS & HITS (Sa 12/5, 8 PM), with the Grammy- winning vocalist taking on the Christmas classics, and of course THE NUTCRACKER, performed by the New York Theatre Ballet (Su 12/6, 3 & 6 PM). And we may as well give you a heads up on one of the best new guitarists—particularly on slide—around: DEREK TRUCKS BAND (Fr 12/11, 8 PM) is hitting town. He’s an Allman Brother. That’s all you need to know. Paramount Center for the Arts, 1008 Brown St., Peekskill, www.paramountcenter.org, 914.739.2333.
Eve r y Th u r sda y - Ja z z sessi o n wi t h MARVIN BU-GA-LU SMITH a t Ma r k e t Ma r k e t , Ro sendale —This little Rosendale joint on Rte.32 keeps humming. Great food, beer/wine/sake, cool local and Brooklyn bands on the weekends and, your bus ticket to the city should you need one. Now they have a killer jazz night under the stewardship of drummer Marvin Bu-Ga-Lu Smith, who also hosts a similar night on Tuesdays at The Terrace in Newburgh. Smith has the chops and the cred, having performed with Chet Baker, Art Farmer, Charles Mingus, Artie Shepp, and five years with Sun Ra. His students keep the drum chair a hot spot, and the local jazz guys—and yes, we have some bad mother-shut-yo-mouths up in these woods—are showing up to feel have you missed the current the flame. So should you, jazz-lover. Market Market, 1 Madeline Lane, looking for roll? Rosendale, www.jentrip.com, 845.658.3164. 9 PM issue of ROLL magazine?
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29 | rollmagazine.com music reviews
Twinn Connexion— Surprisingly, this process is more hit than miss, and if Songs Songs From the Heart From the Heart isn’t destined to be a classic, it’s worth (The Twinn Connexion Group) seeking out.
With its breezy harmonies and sparse guitar accompaniment, Sophomore efforts don’t usually take more than 40 years to come album opener “Think I Will” sounds as though it was actually together, though in fairness, Twinn Connexion is a fairly unusual completed back in 1968, a possibility made more believable when proposition. Identical twin brothers Jay and Jerry Hopkins were teen the next two tracks—“Nothing’s Changed But Me” and “Barbara sensations in the late ‘60s, releasing a single album of contemporary Pepper”—unfold. It’s not that the songs themselves don’t work, but pop music on Decca Records before seeing their label support all the deliberately retro production sounds canned and inauthentic. but evaporate in the wake of a sell off. The ship is righted on “Run Out to Meet Myself,” another song that sounds as though it’s been beamed directly from the past. Both the Jay Hopkins became a stock trader on Wall Street before his untimely first and fourth tracks were among the bonus material on a recent death on September 6, 2001, and his brother Jerry, who resides in CD re-release of the group’s debut, though there is no indication the Hudson Valley, became a successful painter. here that they’re the same.
According to the sprawling liner notes, Songs From the Heart is Songs From the Heart boasts 16 tracks, well over half of which come something of a bubblegum pop version of a posthumous Tupac off as totally plausible solid ‘60s pop tunes. It’s just a shame Jay Shakur album, with Jerry Hopkins and Jim Barbaro taking previously Hopkins couldn’t be around to hear how it sounds. recorded vocal tracks and bits and pieces of songs from back in the group’s heyday and finishing them in the past year in a Woodstock www.last.fm/music/twinn+connexion recording studio.
John David Schrader— Kirsten DeHaan— Daylight Crashing Thorns on a Crown (Bugbird Records) (SirLady Records)
Nearly one minute in, and I began to wonder if there was some Kirsten DeHaan’s new EP, Thorns on a Crown, sort of malfunction with the CD pressing. But Daylight Crashing’s comes on like a dream, with opening track opening track, “Shock,” stayed true to its name, beginning with “1984" like a P.J. Harvey outtake where the a delicate piece of classical music before commencing with the legendary indie rocker held up on the vocals rock. and went for sexy instead of stunning.
Daylight Crashing is an album that wears its ambitions on its sleeve, Some of DeHaan’s previous work has been licensed for use in MTV namely bringing anthemic guitar-driven rock music back from reality programming, and the tune here most likely to make a similar the dead. In a world of Lady Gagas and T-Pains, this is no easy jump to the small screen is “The Night Shift,” which spends its first proposition. But if anyone is up to the task, it could well be John two-thirds as an introspective monologue before opening up and David Schrader, who wrote, produced and mixed Daylight Crashing. getting aggressive down the stretch. He also played most of the instruments, and it’s a testament to his vision that he’s able to wear so many hats and still make it all come “I’m Coming Home” is firmly on the mellow side from beginning together this seamlessly. to end, and might set up nicely the teary middle half of an episode of The Real World, while the EP’s closer, “Ms. Daisy” works as the Most of the album’s 15 tracks fall into the same basic formula, and soundtrack to a redemptive monologue. rock along either politely (“Racing April”) or brusquely (“Breathe”), creating a collection Jon Bon Jovi would give his eyeteeth to come If it sounds formulaic, maybe that’s the intention. And there’s really up with today. nothing wrong with that, anyway. Is there? www.johnschrader.com www.kirstendehaan.com
30 | rollmagazine.com roll back
Iggy Pop— Lust For Life DVD (ABC Entertainment) Various Artists— Punk in London DVD (MVD Visual) Various Artists— Punk in England DVD (MVD Visual) Dee Dee Ramone— History on My Arms DVD/CD (MVD Visual) D.O.A.— The Men of Action DVD/CD (MVD Visual/Sudden Death Records)
In case you weren’t aware, the 62-and-still-rockin’ Iggy Pop is widely considered to be—as the opening credits of Lust For Life spell out—the godfather of punk. And though the argument can be made that punk’s lineage extends much farther back than Pop’s arrival, the fact remains that pretty much every punk outfit from the late 70s onward—from the Ramones to the Birthday Party to the White Stripes—owes more than a little to the Ig and his primal late 60s/early 70s band, the Stooges. Filmed for European TV in 1986, Lust For Life chronicles the singer’s early solo career and nascent Michigan days with the Stooges, who split in 1974 but would reunite in 2003. The scenes of the band’s recently fallen guitarist, Ron Asheton, touring old haunts and demonstrating his technique in his mom’s basement showing off his numerous tattoos, telling the stories are downright precious. behind them, and waxing humorous about his days in and out of the Ramones. The short “Vom in Paris” stars drummer Vom Ritchie German director Wolfgang Büld shot Punk in London and its recounting the tale of the doomed punk super group Ramone had companion volume, Punk in England, when he was a Munich Film attempted to form with the likewise departed Stiv Bators and Johnny School student. Punk in London has riveting, raw clips of the Jam, Thunders, while the title featurette culls outtakes from “Hey is Dee Chelsea, the Adverts, X-Ray Spex, Subway Sect, and others; extras Dee Home.” The accompanying CD of lo-fi apartment jams with include an interview with the director and the entire explosive Clash Dee Dee dicking around on guitar, however, is for diehards only. set whose songs pepper the main feature. Punk in England includes interviews with the Boomtown Rats’ Bob Geldof and more live Clash, Formed in 1978, Canadian band D.O.A. (no relation to Kowalski’s Jam, Adverts, and their fellow first-wavers Ian Dury, Spizz Energi, Pistols flick) is widely credited with having coined the term hardcore Siouxise and the Banshees, and adds post-punkers Madness, the as the name for punk’s faster, harder variant via the group's 1981 Specials, the Pretenders, and laughable mod revivalists Secret Affair; sophomore album Hardcore ’81. The Men of Action celebrates a bonus doc, “Women in Rock,” has great interviews with the Slits three decades of the band’s tough, melodic, politically charged rock and the underrated Girlschool. Pretty cool for a couple of school ‘n’ roll (think sped-up Clash) with 26 live and promo vids by ever- projects, really. (Reggae in a Babylon, Büld’s look at the young British changing lineups. Perhaps unsurprisingly, it’s the early songs that reggae scene, is also out on MVD Visual.) hold up best: “The Prisoner,” “World War 3,” “New Age,” “America the Beautiful.” Negatives: The DVD extra voiceover by leader Joey Of the five releases covered here,History on My Arms, which compiles Shithead, aka Joe Keithley, is uh, less than compelling, and the three films centering on Dee Dee Ramone, far surpasses the others in included CD of Northern Avenger, D.O.A.’s latest studio album, is nailing the essence of its subject. Then again, director Lech Kowalski slick and formulaic. But a winning package for fans, nevertheless.— didn’t have to do much. Even off stage, the late Ramones bassist was Peter Aaron endlessly and unwittingly entertaining, a human cartoon character; it was just a matter of Kowalski (who also made the 1980 Sex Pistols doc Iggy Pop: www.seeofsound.com. D.O.A.) plunking him under boom lights and letting him be himself. Punk in London, Punk in England, Dee Dee Ramone, D.O.A.: Which is exactly what he does for “Hey is Dee Dee Home,” the disc’s www.MVDvisual.com. stark 2003 core feature. In his trademark Queens brogue, Ramone speaks his piece in unassuming and self-deprecating fashion,
31 | rollmagazine.com roll—dollars & sense
year-end planning ― b e p r o a c t i v e a n d s a v e t a x e s By Beth Jones, RLP® and how you are going to make the best use of it.
LOSS OF SPOUSE—When you begin to process what has happened to your life after the loss of a spouse, you comeTaxes face-to-face in N withovember? two major issues: the grief over the loss and a new financial position that has been thrust upon you. Both of Whythese are issues we discussing are so powerful taxes when and at tax times season overwhelming seems so far that away? you may• find ANNUAL yourself GIFTING acting as TO though 529 PLANone or ―both The of annual them giftingdoes not limit exist. ThisThere’s loss isno not time one like of thethose present miserable to take situations a proactive you canapproach work around—youto for 2009 must increased work through from $12,000 it. The toamount $13,000. of time The itgifting will take strategy to feel “normal”your current again tax varies situation. widely Being as there informed are no of magic tax law time opportunities tables you can consultremoves to assets find outout ofwhen your the estate grief while will avoidingend. any future taxes will help ensure you make the necessary changes while you can if the funds are used for qualified higher-education expenses. The financial aid formula includes 529 accounts owned by the INSURANCEstill impact yourSETTLEMENTS—Money taxes. Remember, your that 2009 comes tax returnfrom the may settlement not of a lawsuit is hardly a joyous windfall. Most of the time, this money be due until April 15, 2010, but expenses for tax deductions must student’s parents, but not those owned by grandparents. For this is a recovery of damages, pain, suffering, and loss. It has probably taken many years of legal battling to secure your settlement. While getting be complete by December 31, 2009. reason, using a 529 plan is more beneficial from a financial aid the money might be nice, the real blessing is to have the matter over withstandpoint so you than can contributinggo on with yourto UGMA life. You or UTMAmay be accounts, surprised which at the wayHere you are feel some when ideas you thatfinally will receive get you the started settlement. on a path This to event being can reigniteare consideredthe pain and student-owned suffering you experienced assets and weightedwhen the heavilytragedy infirst occurred.fully informed Ideally, andyou prepared:will begin the orientation and planning process priordetermining to receiving financial the settlement. aid. • CONSIDER A ROTH IRA CONVERSION ― Converting a BEWARE• REVIEW OF FUTUREYOUR FINANCES SPENDING—Even from the beginningif the settlement of the amountyear soundstraditional huge, IRA be toassured a Roth that IRA itbefore is limited. year-end You don’t while want the market to end is up owingto be as sure much your or incomemore than is not you outpacing receive. Pre-settlement the taxes you currentlyis a confusing downtime, youcould can result either in aimprove smaller taxyou bill. chance When of the successfully market recovers, managing yourpay life, or, oradjust you yourcan permanentlytax withholding and if unknowinglyyou will receive damage a tax refundyour future andfinancial the accountsecurity. appreciates, those earnings will be tax free, of $1,000 or more. This strategy can put more money in your assuming that certain conditions are met. *Note that until 2010, Workpocket; with be a surefinancial to work planner with atrained tax professional in Financial if Transitionconsidering Planning. an Theclients Decision are not Free eligible Zone foris youra Roth best IRA tool conversion to separate if their the incomenecessary exceeds $100,000. andadjustment. unnecessary decisions. Then begin to build a system for stress-testing the financial impact of your ideas; what house to live in, need • ORGANIZE YOUR PAPERWORK for 2009 tax return • LOST YOUR JOB? ROLLOVER TO AN IRA ― Don’t take for additional income, how to afford the best insurance coverage and so on. Sudden Money® Advisors are uniquely suited to guide you preparation. Locate all necessary receipts and proofs of distributions from your retirement accounts until income is throughdeductions. the complexities Getting a jumpof life ontransitions. your 2009 www.suddenmoney.com. tax preparation may needed. 401(k) and 403(b) accounts may be eligible for a direct put more money in your pocket sooner. rollover to an IRA if a “triggering event” applies (e.g., retirement, Beth• INCREASE Jones, RLP® CONTRIBUTIONS is a Registered Life PlannerTO YOUR and 401(K)independent PLAN Financialto jobConsultant change, with you Third reach Eye age Associates, 59½). NewLtd, a regulationsRegistered Investment became Adviserreduce located your taxable at 38 Spring income Lake in 2009.Road Maximumin Red Hook, contribution NY. She canfor be reachedeffective at in 845-752-2216 2009, and you or may www.thirdeyeassociates.com be better served by consolidating and is an affiliated2009 is $16,500Sudden plusMoney® $5,500 Advisor.catch-up Securities contribution offered for thosethrough who Commonwealth retirement Financial assets inside Network, an IRA, Member which mayFINRA/SIPC. provide you with more are 50+ years old. Taxes are deferred until you withdraw funds in investment choices and control over your account. IRAs may have retirement. more tax favorable options for beneficiaries. • INDIVIDUAL 401(K) FOR SELF-EMPLOYED ― If you are • ENERGY RELATED TAX CREDITS ― There are some major self-employed, establish and fund an Individual 401(k) by the changes for energy-related issues, including a more generous end of the year to increase retirement savings and provide a tax credit of 30% for the full cost of installing home solar power substantial tax break. or geothermal systems. There are new tax credits for small wind • REVIEW YOUR PORTFOLIO ― Are there any tax losses you turbines for residential or business use and biomass stoves. The could harvest by December 31 to create capital losses for 2009? solar and wind residential tax credit can be claimed against You can use up to $3,000 for 2009 and, any unused losses can the alternative minimum tax as well. The new bicycle tax credit then be carried forward to offset gains in future years. You could allows employers to reimburse employees up to $20 a month for remain invested by purchasing a like fund and holding for at least expenses related to bicycle commuting. 30 days. • PLAN CHARITABLE DONATIONS you intend to make by If you need assistance in tax planning, consider consulting the end of the year, and when you make them, be sure to get an independent Financial Consultant to ensure that you’ve proof in the form of a receipt, canceled check, or bank statement, considered all the possibilities; they typically take a more holistic regardless of how small or large the donation. The previous IRS approach. Every person’s situation is unique and all changes documentation requirement for a single gift of $250 or more in tax code should be considered when it comes time to file a expired with the 2007 tax year, and you would be wise to have return. Consult your tax advisor to address any of your tax needs proof of your donations in case of an audit. specifically. • LOOK FOR TAX BREAKS ― If you need to renovate your home, you could get some tax relief. If you open a home equity line of credit to pay for these items, the interest may be tax- Beth Jones, RLP® is a Registered Life Planner and independent deductible. And if you buy a hybrid car or make energy-efficient Financial Consultant with Third Eye Associates, Ltd, a Registered improvements, there are hefty tax incentives. Investment Adviser located at 38 Spring Lake Road in Red Hook, NY. • REQUIRED MINIMUM DISTRIBUTIONS (RMD) She can be reached at 845-752-2216 or www.thirdeyeassociates. SUSPENDED ― For taxpayers age 70½ and older, RMDs from com. Securities offered through Commonwealth Financial individual retirement accounts and other retirement plans can be Network, Member FINRA/SIPC. skipped without penalty for tax year 2009. The same rules apply to heirs of inherited IRAs.
32 | rollmagazine.com Pique Boutique 43 East Market St Ste2 Rhinebeck | New York 12572 845.876.7722
33 | rollmagazine.com roll on stage & screen Broken promises in the dark: The evolving image of black women in American film / m o c .
A Di s c u s s i o n w i t h V a s s a r pr o f e s s o r Mi a Ma s k ma i n e c t e a r
By Jay Blotcher pa s e . The Hollywood film industry has rarely been an engine of social Author Mia Mask, Associate Professor and Chair of the Department w w w advancement. Its silver-screen images were meant to merely of Film at Vassar College, is that uncommon academic: she travels h i v e
reflect the status quo—with a little wish-fulfillment added. Social between the rarefied demimonde of the intellectual and the c r
justice in mainstream movies is rare; for decades, maligned groups clubhouses of popular culture. To capture the fitful progress of A
such as Jews, gays and people of color suffered either invisibility black women in film, she analyzes the commercial output of five ma or bruising stereotypes. avatars: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah i n e C
Winfrey and Halle Berry. Some were constrained by their era, while t e a others struggled to surpass the twin limitations of studio and social r pa ven today, black depictions in mainstream films setting. e S
tend to be self-conscious exercises; they are h e / T
either a result of—or a defiant stand against— Make no mistake; this is no breathless tell-all; Mask does some heavy h c
our dubious cinematic history of African- intellectual lifting in her quest to assess how society formed these i s Americans. Consider this: how many blacks onscreen today are women—and, in turn, how black female film stars affected American K simply portraying people, rather than black people? American race relations. She draws her findings from studies by high-minded o h n
E J filmic depiction of blacks has evolved, but not expansively scholars as well as from fan magazines. since 1915’s racist epic, Birth of a Nation. Moviehouse blacks o u r t e s y c have made the transition from shambling buffoons and amoral In a late September interview in her Vassar office, Professor Mask sirens to saintly everyman, from Blaxploitation cartoons to explained to Roll cultural writer Jay Blotcher what the careers and s t i l l s superstars Denzel and Halle. But the normalization of the films of these five women tell us about American life. d n
African-American actor has yet to be achieved. The studios are a far from being color-blind.
How can commercial films created solely for box-office profits o s t e r s p
The persistent problems of representing African-American possess the gravitas to be considered social history? d people onscreen—specifically women—receives a thorough deconstruction in the new book Divas on Screen: Black Women in All of these representations of black women in popular culture o l l y w o o
American Film (University of Illinois Press). are important because they’re part of a larger canon or series of H
34 | rollmagazine.com representations. I place them in the broader context in my [Vassar] remember that with African-American stars and performances, they courses on African-American cinema. But I can’t really talk about don’t get the same mainstream exposure that white stars get. So a African-American cinema without looking at the various directors lot of people don’t remember who certain figures are. But the fact and filmmakers, and the people who starred in the films. So I talk that people know these women—on a national and international about Paul Robeson: incredible figure, incredible man, so many level—speaks to a recognition and identification on the part of the accomplishments. But when you look at some of the films that he spectator. made, they often fell short of who he was. Talking about that gap, as many people have done in their research and in documentary films, Among the women you analyze in this book, who was most cognizant is important; that gap is part of the African-American experience. of her powers, her resources, and was able to manipulate her public Even though some of the films are commercial—in Pam Grier’s case and onscreen image best? they are exploitation films—they are also part of the black American experience. Oprah Winfrey, for all the obvious reasons. Oprah is a phenomenon and understands the media marketplace maybe better than Is it possible to identify a causal relationship between a successful anybody. She is also incredibly talented at presenting herself as the mainstream film about a black woman and demonstrations of Everywoman, which is the backbone of my chapter on her. All of empowerment in black culture? these women are exceptional, but they and their handlers work to remind people that they are real people as well. This is one of the Often, that is in the response you get from viewers. That is, the fan trademarks of well-managed celebrity: you have to continually be culture. Quite a bit of film studies does look at fanzines and fan extraordinary and ordinary at the same time, so people can identify magazines. What kind of distribution and readership did they have? with you. That’s one indication of the extent to which people are looking to, looking for, and are interested in, the narrative or diagetic or extra- For African-American women from Dorothy Dandridge to the narrative or extra-diagetic life of the star. So they’re interested in the present, does diva worship activate self-esteem that leads to star persona, but also in the person beyond their life in film. accomplishments—or does the dynamic remain that of a gap between the slavish fan and the inaccessible star? With Pam Grier (Coffy, Foxy Brown), it’s very easy to recognize that appeal, that sense of empowerment. Every time I told people about I look at them in terms of role models. Not role models that women the book I was writing, people always wanted to talk to me about necessarily want to go out and be like, but role models in terms of Pam Grier. It’s the fact that people know these women. You have to possibilities. That people see African-American women succeeding
c o n t i n u e d o n p g 36... 35 | rollmagazine.com c o n t i n u e d f r o m p g 35... in the entertainment industry in some capacity, and that there’s a history of the evolution of varying degrees of success in the industry. The book does not say these are all success stories that are unmitigated, without complication. No. Throughout their careers, they were all dealing with and negotiating stereotypes. But each one of them represented in mainstream media the presence, the possibility, the existence of black women in mainstream film. d ve
For example, Dorothy Dandridge’s films in the 1950s. l o e
Carmen Jones is a film that has been rigorously critiqued B i n for its reproduction of black stereotypes. It’s based on ] Bizet’s opera but utilizes all these Southern stereotypes. e n t e r I question whether that’s the extent to which black c [ r y
audiences in the 50s consumed, absorbed, received f these images. When I talked to people who watched i n W these films in the 50s from the balconies of white theatres h a r or in colored theatres in the South, they said to me, We p were so proud to see beautiful black people on the screen O [despite stereotyped roles]. James Baldwin had a critical awareness of [this situation]. In his book The Devil Finds Work, and in other writings like The Price of the Ticket, he said, There’s scarcely an African-American actor who has not been something: I don’t want to give you the impression that Blaxploitation misused, speaking of the films that Dandridge and Poitier [Carmen was unanimously accepted by a monolithic black audience. Not Jones co-stars] were making in the 50s and 60s. But black audiences true. and black critics knew that the roles were limited by mainstream white society, but were also pleased to see, as Baldwin said, people Grier became a figure of, a repository for, black nationalist sentiment sneaking in kernels of truth in the performance. and an icon of black power in the 70s. A tough-talking but sexy black power figure, standing up for the community against whomever the bad guys were—black or white. If they were bringing the black community down, Pam Grier was going to take them out.
How can we become more discerning moviegoers when it comes to cinema that profiles the American black experience?
We can communicate with studios [by supporting] the types of films we want to see. [Jonathan Demme’s 1998 film] Beloved in a perfect example of that. It is a film that African- American audiences should have supported by going when it was in theatres to see it and improving its box office revenue. The analogy is: Don’t you think that supporting films like Beloved is akin to voting? Studios look at what these films make: how many tickets they sold opening weekend, as an indication of what people will go to see. We have to support films, [in order] for people who are making decisions about green-lighting pictures to know that they are bankable.
Mi a Ma s k , p h o t o b y Bu ck Le w i s
Divas on Screen: Black Women in American Film, by Mia Mask, should It appears that Whoopi Goldberg is the first major black actress be available in local bookstores. We recommend Inquiring Minds to acknowledge the stereotypes of black cinema in her roles and (Saugerties, New Paltz) and Oblong Books and Music (Rhinebeck, explode them. Maybe Pam Grier less so, because she was less Millerton) empowered due to her era.
I would agree, but Pam Grier’s tough-girl, kick-ass persona from the sexploitation prison films was one that translated very well into the Blaxploitation films. Though it comes out of Roger Corman and AIP [American International Pictures, B-level grindhouse films]. Out of Corman’s stable of tough-girl personas: the role reversals that he loved putting in his films. It worked very well in Blaxploitation. And black audiences enjoyed these films. (But) I do want to clarify
36 | rollmagazine.com roll's ovember N gift guide
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wk&c_lecreuset_roll1109_hph.indd 1 41 | rollmagazine.com 10/19/09 8:12 PM Betsy Jacaruso Studio & Gallery
“Harvest to Holiday” November 20 - January 30 Please join us for an Opening Reception Friday, Nov 27, 5-8pm Gallery Hours: W-Sat 12-5, Sun 12-4 or by appointment The Chocolate Factory 54 Elizabeth St, Red Hook, NY 12571 . 845-758-9244 www.betsyjacarusostudio.com
FALL CLASSES Gerald Hopkins include Woodstock Painter
KAREN O’NEIL Basic Painting Wednesdays, 1 - 4 PM
JUDITH REEVE Drawing & Painting the Figure Tuesdays, 1 - 4 PM
Looking for Miranda in Heaven for a complete listing of classes go to www.woodstockschoolofart.org Fletcher Gallery 40 Mill Hill Road Woodstock, NY 12498 or contact the school by calling 845. 679.2388 (845) 679.4411 www.fletchergallery.com
42 | rollmagazine.com Alice Austin BOUND Artist Book ExhiBition Mary-Ellen Campbell Carol Barton exhibitions runs Beatrice Coron nov. 7 - dec. 19 Alieen Bassis Catherine Kirkpatrick Doug Beube Thornwillow Press
R.D. Burton 104 Ann Street, Newburgh, NY Amanda Sparks 845.562.6940 x119 www.annstreetgallery.org Alice Vaughan Blast, Douglas BeuBe gallery Hours: THurs-saT 11aM-5pM MixeD MeDia or By appoinTMenT
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* 4-9pm—18 Years and Older 6423 Montgomery Street (US-9) Rhinebeck, New York
Art: The Gift that Lasts a Lifetime 845-876-4ART (4278) www.GazenGallery.com
43 | rollmagazine.com november/2009 © Copyright 2009 Rob Brezsny
ARIES (Ma r c h 21-Ap r i l 19): According to my device that cooks food at low heat for a long time. Right about now, astrological guesstimate, you may be as flooded I'd advise you Leo men to be like crockpots not only in the bedroom with briny emotion as a Pisces on a meandering but everywhere else, too. To spot the subtle opportunities that will binge. You might be as embedded in a labyrinth be available, you'll have to be gradual, deliberate, and thorough. of your own creation as the Geminis who verge on Leisurely foreplay should be your all-purpose metaphor. As for you being too clever for their own good. You may be Leo women: I'm betting there are ways that you have fallen under as cagey a listener as a Scorpio who's searching the sway of the microwave meme. If I'm right, it's time to fully for a hidden vulnerability in an ally. In other words, Aries, you're re-embrace the spirit of the crockpot. Be more like the tortoise, not exactly yourself. But it's one of those rare times when that's a not the hare; like a 400-page novel, not Twitter; like the Pyramid of good thing. Khufu, not a sandcastle.
TAURUS (Ap r i l 20-Ma y 20): "Dear Rob: I've read VIRGO (Au g . 23-Se p t . 22): "The more beautiful horoscope columns written by many astrologers, the bird, the poorer the singer," wrote L. M. and yours is the only one that's not prejudiced Boyd. "Peacocks scream, macaws screech. Birds against at least one of the signs. You really do of Paradise croak." Among the most interesting treat everyone equally. You play no favorites. But singers, on the other hand, are birds that are that's exactly the bone I have to pick with you. far less spectacular in appearance: the Black- I'm wondering if you've got a passion deficiency capped Chickadee, the Willow Thrush, and the or something. It seems abnormal not to display a hint of a bias now White-throated Sparrow. Keep that in mind as you navigate your way and then. -Suspicious Taurus." Dear Suspicious: In my natal chart, through the dilemmas of the coming weeks. My personal inclination I have three planets in Libra, which means I'm committed to being is to favor inspiring singing over comely appearance, but you may fair-minded, well-balanced, and full of equanimity. At the same time, have a different bias. The important thing is to recognize the nature my Venus is in Taurus, which means I have strong desires and am of the options before you. Be alert for and responsive to the themes intensely devoted to cultivating beauty. These two different parts of plain beauty, secret genius, disguised power, and open secrets. of me get along very nicely—don't feel contradictory at all. In the coming weeks, I recommend that you, too, find ways to blend the LIBRA (Se p t . 23-Oc t . 22): At a family planning Libra and Taurus approaches. conference in Beijing, a researcher from Ghana presented testimony about tribal issues that GEMINI (Ma y 21-Ju n e 20): During this phase of he had in part gleaned through interviews with your cycle, you'll generate good fortune if you dead ancestors. He said that spirit mediums had brainstorm and meditate about your relationship acted as his "translators." When he was met with with work. I urge you to empty your mind of skepticism from colleagues, he was defensive. everything you think you know about the subject. "If I only heard from the living," he explained, "I Adopt a fresh and innocent perspective. Here are wouldn't get a very good balance." His perspective would be smart some questions to prime your investigations. 1. What's the quality for you to adopt right now, Libra. To make the wisest decisions and of the experience you want to have as you earn a living? 2. What take the most righteous action, draw inspiration from what has gifts do you want to give to life as you toil at challenging tasks that passed away as much as from what's alive and in your face. are interesting to you? 3. What capacities do you want to develop in yourself while doing your work? SCORPIO (Oc t . 23-No v . 21): Your anti-role model —the person you should be the opposite of —is CANCER (Ju n e 21-Ju l y 22): Israeli poet Yehuda the Scorpio warrior, U.S. General George Patton, Amichai (1924-2000) witnessed the full range of also known as "Old Blood and Guts." He once said, experiences that life on this planet has to offer, "Practically everyone but myself is a pusillanimous from war to love and everything in between. son of a bitch." That's an attitude you should During an interview he gave in Jerusalem in especially avoid in the coming weeks, since your 1994, he said, "I can stand on my balcony and success will depend on you seeing the best in people—even if they tell my children, 'Over there I was shelled for sometimes don't seem to warrant it. P.S. It may be OK to think of the first time, and over there, to the right, just beneath those trees, yourself as "Old Blood and Guts" if and only if you dedicate your I was kissed for the first time.'" I suspect his words will soon be ferocity to the service of love. meaningful for you, Cancerian. It's likely you'll have a breakthrough or epiphany near a place where you once suffered SAGITTARIUS (No v . 22-De c . 21): The Da Vinci disappointment. Code author Dan Brown has a unique way of stimulating his imagination: He dons his gravity LEO (Ju l y 23-Au g . 22): Author Gary Smalley says boots and meditates on complex storylines while that the sexual nature of men is like a microwave he's inverted. It's also a good way to overcome oven, while women resemble a crockpot, the writer's block. "You think differently upside-
44 | rollmagazine.com down," he says. Do you have an equivalent method for providing gentle shock therapy to your perspective, Sagittarius? This is a good time to use it. If you don't already have a creative aid like that, hunt around for one. In the days ahead, it will come in handy.
CAPRICORN (De c . 22-Ja n . 19): When Sheelah Ryan won $55 million in the Florida lottery, she used the money to create an organization dedicated to helping the disadvantaged. "I guess I've disappointed a lot of people," she told a reporter. "I could be traveling all over the world, or have a beautiful mansion on the ocean, or have a chauffeur-driven Rolls-Royce. But that's not my style." She's your Let me help you create role model for the coming weeks, Capricorn. When good fortune comes to you—and I'm almost positive it will—I recommend that you look for ways to share it. The ironic fact of the matter is that Abundance for if you're generous as you tap in to your gift, there'll be more of the gift. yourself and others,
AQUARIUS (Ja n . 20-Fe b . 18): When I did a performance in Santa Fe a few years ago, a woman in the audience came up to me after the show and made a sardonic proposal: Would I like to join her twelve-step program for writers who are overly fond of vivid adjectives and adverbs? With all the uppity mock politeness I could summon, I told her that I was preposterously happy with my scintillating addiction to brazen language, and didn't regard it as a raggedy problem that needed invasive correcting. Now I'm advising you to be like me and follow your heart when it tells you to be bigger, bolder, and brasher than ever before. Right now, shiny intensity is your sacred duty!
PISCES (Fe b . 19-Ma r c h 20): I hope you won't with an extremely rewarding merely wander around the frontier. I hope you'll undertake a meticulous yet expansive exploration business opportunity of that virgin territory. Here are some tips on how to proceed: 1. Formulate specific questions about 845-750-0576 what you're looking for. 2. Develop a hypothesis for the experiments you want to carry out. 3. Ignore what doesn't interest you and pounce only on what stirs your fascination. Be like an alien anthropologist visiting Earth from another planet, or a time-traveler from the future who's doing a documentary on this historical moment, or a religious pilgrim who's keeping a detailed journal.
To check out my expanded audio forecast of your destiny go to http://RealAstrology.com.
45 | rollmagazine.com w i t h roll Ti m o t h y Bu z i n s k i w i n e & & Me i Yi n g So, spirits o w n e r s Ar t i s a n Wi n e Sh o p , Be a c o n the Thanksgiving Meal
Most Thanksgiving and other holiday meals share a common thread: they match the weight of a pâté while the minerals play well with the zesty are generous-to-a-fault bountiful feasts with distinctive dishes that may elements of the carte du jour. On the red side, gamay is again the call, or may not go together. It is the variety of the dishes that make our wine however, from an important area called Morgon. The Morgon AOC is so choices a bit tricky. You’ve got to consider some pretty diverse flavors: highly regarded it is often compared with the nearby wines of Burgundy’s some rich and meaty, others sweet, and still others earthy. As we’ve written Côte d’Or. Thévenet’s version is a prime example of this quality: heady in the past, this is a challenging mix for any one wine. The best option is aromatics and savory red fruit with just the right amount of acidity make always to choose wines that offer great balance, keeping the fruit, crisp this an excellent choice for Thanksgiving or any autumnal meal. Equally acidity and tannins all in check. compelling is the red Burgundy from Jean-Marc Millot. The spicy and lush bouquet of this wine makes it difficult to put down the glass. Fresh crushed Here are a few menus you may encounter or may want to create this cherries highlight the flavors while the earthy core drives the lengthy finish Thanksgiving, reflecting the influences of some of the regional and of this wine. international cultures that shape the American landscape.
ITALIAN THANKSGIVING LOCAL HUDSON VALLEY THANKSGIVING MENU: Antipasti platter; garlic and rosemary crusted pork loin with MENU: Butternut squash-apple soup with blue cheese cream; heritage pancetta-cipollini onion gravy; stuffed cremini mushrooms; potato-gnocchi breed turkey brined and roasted with rosemary-lavender giblet gravy; gratin; baked squash & cranberries with olive oil; sautéed spinach with pine mushroom-chestnut stuffing; potato-brussels sprouts-bacon gratin; roasted nuts and raisins. sweet potatoes with caramelized leeks. WINES: Marco Porello Roero Arneis DOCG Camestrì 2008 ($15-$17); WINES: Clinton Vineyards Seyval Blanc “Victory White” 2008 ($17- Tenuta la Meridiana Barbera d’Asti DOC “Vitis” 2007 ($15-$17); Valle $19); Whitecliff Vineyards Gamay Noir Hudson River Region 2008 ($17- dell’Acate Cerasuolo di Vittoria DOCG Classico 2006 ($22-$24) 18); Millbrook Vineyards & Winery Cabernet Franc Proprietor’s Special Reserve 2005 ($27-$30) This Italian-style feast features roast pork as opposed to turkey, but is no less comforting. These homey flavors offer richness in a variety of ways: In keeping with the local theme, look for whites produced from seyval pancetta, squash, pine nuts and raisins. Thus we turn to wines that have a blanc. This grape variety is well suited to the cooler climate and ripens bit more intensity to complement this menu. A crisp white might fall short earlier than other varieties, particularly important in a blight- and rain- when faced with caramelized squash, cranberries and sweet raisins, so try filled 2009. Clinton’s offering brings all the fresh, crisp flavors typical of the a wine with a bit more fruit. Porello’s arneis from the Piedmont region grape, with notes of citrus and pear. fits the bill, with clean, peachy, stonefruit flavors braced by amineral core that keeps the wine from becoming flabby. Also from Piedmont, the On the red spectrum, one of our favorite grapes is gamay and we are Barbera d’Asti from La Meridiana has a gutsy old-world feel from older fortunate that it has been successfully grown here in the Hudson Valley. oak barrels rather than new French oak. This is honest, easy to drink wine You may associate gamay with the red wines of the Beaujolais region. Not that has enough character to carry the meal. Heading further south, the to be exclusively aligned with Beaujolais Nouveau, which arrives around Cerasuolo di Vittoria is a wine with beautiful aromatics, subtle spices and this time each year, this grape can produce some profound wines. Look black raspberry fruit. for the cherry fruit flavors and vibrant aromatics that this grape can offer. Aging the wine in oak barrels gives Whitecliff’s gamay noir a heady whiff of vanilla and the backbone to handle this feast. Cabernet franc, on the LATIN THANKSGIVING other hand, appears to be on the short list of red grapes best suited to the MENU: Shrimp escabèche with mini corn tortillas; ensalada verde with New York climate. At home in France, this grape is widely planted in the queso fresco; Yucatán braised pork; turkey mole; chorizo & jalapeño corn cool Loire Valley, where the climate is similar to that of the Hudson Valley. bread stuffing; fried plantains; cilantro rice; ancho chile and roasted garlic Millbrook makes a few different versions, but the Proprietor’s Special black beans. Reserve has been a favorite over the years. Notes of tobacco mingle with WINES: Adegas Benaza Godello Monterrei DO 2008 (Spain; $12-$14); green pepper spice while red fruits dance on the palate. Jelu Torrontés San Juan DO 2009 (Argentina; $12-$14); Kingston Family Vineyards Syrah Casablanca Valley DO “Lucero” 2007 (Chile; $18-$20)
FRENCH COUNTRY THANKSGIVING Here is a Latin-themed menu that brings not only robust earthy flavors, but MENU: Country pâté with baguette, Dijon mustard and cornichons; spice as well. The Benaza, made predominantly from the godello grape, roasted guinea hen with black truffle-herb-butter rub; céleri rémoulade; offers soft, peachy fruit without the excessive boozy feel. It can easily rosemary lavender butter potatoes; chestnut-parsnip purée; haricots verts handle an escabèche, while bringing life to braised pork. For a slightly with shallots and orange zest vinaigrette. richer take, the Jelu torrontés provides more stonefruit flavors with a more WINES: Château de Chamboureau Savennières AOC Cuvée d’Avant textured palate. This has the weight to handle black beans and an earthy 2004 ($22-$24); Jean-Paul Thévenet Morgon AOC Vieilles Vignes 2007 mole. For a red option, a full-bodied syrah from Kingston Family may be ($28-$30); Jean-Marc Millot Côtes de Nuits-Villages AOC “Aux just the ticket. This darkly colored red brings ample fruit and concentration Faulques” 2007 ($32-$34) for the pork, and shouldn’t be overwhelmed by spice.
This heady menu offers its own set of challenges to the oenophile. Rich pâté and fragrant buttery potatoes tango with vinegary celery root salad and green beans. Here we’re recommending a Chenin Blanc, a rich yet mineral-driven wine. The richness will
46 | rollmagazine.com w i t h Ti m o t h y Bu z i n s k i r o l l Cuisine & Me i Yi n g So, c o r n e r w i t h Pierre-Luc Moeys, chef/owner Oriole 9 o w n e r s Ar t i s a n Wi n e Sh o p , Be a c o n In a famous letter to his daughter Finely chop and/or blender the leg meat, and mix together with discussing the recently chosen cranberries, walnuts, egg whites, peppercorns, juniper berries, national bird of the United States of and some salt/pepper. Set aside mixture, and roll out enough America, Benjamin Franklin clearly aluminum foil to make a 30” X 15” rectangle on the counter. preferred an alternative to the bald Spread out turkey skin on top into a 20” X 10” inch rectangle, and eagle. “For the Truth the Turkey layer the pancetta/bacon over that. Thinly slice the breast meat, is in Comparison a much more respectable Bird, and withal a true and layer on top of the pancetta, covering the area. Spread leg original Native of America... He is meat mixture over that, leaving a 4” opening along the top. Now besides, though a little vain & silly, a roll the “meat collage” up into a tight roll, wrap in foil, and put in Bird of Courage, and would not hesitate the refrigerator to set for 30 min. to attack a Grenadier of the British Guards who should presume to invade his Farm Yard Bring a large pot of water (or stock) to a boil, and carefully place with a red Coat on.” The bald eagle? “ (A) Bird the foil-wrapped roll inside pot. Poach for 20 minutes, keeping of bad moral character. He does not get his Living water temperature just under boiling. Remove roll and refrigerate. honestly. You may have seen him perched (You can do this the day before serving if you like.) When ready to on some dead Tree near the River, where, serve, slice off a 1¾” thick disk and fry in olive oil or butter. too lazy to fish for himself, he watches the Labour of the Fishing Hawk; and when that diligent Bird has at length taken a Fish, and is bearing it to his Nest for SUNSHINE SQUASH the Support of his Mate and young Ones, the Bald Eagle pursues him and w h a t y o u n e e d : takes it from him.” 3 n i c e f i r m s u n s h i n e s q u a s h e s (w e r e c o m m e n d RSK Fa r m s in Pr a t t s v i l l e ) c i n n a m o n Why do we eat so much turkey at Thanksgiving? Much credit is due to n u t m e g the favorite Thanksgiving myth of friendly Native Americans sharing their b u t t e r harvest bounty with newly arrived and starving colonists. The menu in 1621 1 c u p o r a n g e j u i c e would have been heavy on meat over vegetables this time of year, with most tribes observing a harvest feast, cooking up pretty much whatever Cut squash into nice pieces, mix with spices and butter, and bake was lying or running around. Wild turkeys were native, plentiful, versatile, large, and delicious. And easier to bag than bald eagles. in oven at medium heat, 10-15 minutes until squash is soft. Mash squash, blend in orange juice, and add salt and pepper to taste. (The colonists didn’t come completely empty-handed. Though they get a bad rap for “bland” food, the British actually had quite a spice palette at APPLE, CRANBERRY, AND CHORIZO STUFFING their disposal: cinnamon, ginger, nutmeg, black pepper, dried fruits. This w h a t y o u n e e d : may have helped improve their welcome.) 3-4 a p p l e s , w h a t e v e r y o u p r e f e r 1 c u p cranberries So if you’re inclined to enjoy your traditional turkey this year, we have a nice 2 l b s . h o m e m a d e c r o u t o n s recipe from longtime Oriole 9 (since 2007) executive chef Mike Bernardo. (d o n ’t e v e n t h i n k o f g e t t i n g s t o r e b o u g h t ! Lo o k u p a n y c r o u t o n r e c i p e Over the past few years Mike has further developed his culinary skills and fully articulated a personal style of cuisine, incorporating the freshest local o n l i n e , t h e y ’r e v e r y s i m p l e a n d w o r t h t h e e ff o r t .) ingredients available from growers and purveyors who share his passion 2 w h o l e c h o r i z o s a u s a g e s for great simple food. Mike recently opened his own new restaurant on (w e r e c o m m e n d w w w .ingredientsgourmet .c o m ) November 3: MIO, in Gardiner. We highly recommend visiting Café MIO w a t e r /s t o c k /o l i v e o i l soon! (And yes…we’ll miss Mike at Oriole 9.) Chop and mix up all ingredients, add a little water/stock/oil and By the way, this recipe requires a de-boned turkey. Your neighborhood salt/pepper, and bake at 350˚ until golden brown, for 20 min. butcher can do this for you easily, or you can take a crash course in poultry de-boning at CIA in Hyde Park! Either way, be sure to save the skin, and keep the breasts and legs separate. Enjoy this seasonal spin on Thanksgiving turkey. We hope you have much to be thankful for this holiday season! TURKEY BALLONTINE (s e r v e s 10) w h a t y o u n e e d : 1 w h o l e t u r k e y , 25 l b s ., d e -b o n e d (w e r e c o m m e n d No r t h w i n d Fa r m s ), w i t h s k i n 2 c u p s cranberries 2 c u p s w a l n u t s 3 e g g s , w h i t e s o n l y 2 l b . t h i n l y s l i c e d p a n c e t t a o r b a c o n s o m e c r a c k e d peppercorns a n d j u n i p e r b e r r i e s s a l t /p e p p e r
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"Naked Henna" [h e n n a a r t b y Mi c h e l l e Da w s o n ], b y J Fe r r a r a
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