Solo: a Star Wars Story Dad, Where Are We Going?
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MOZART in the JUNGLE Season 2 Q&A Jason Schwartzman (Creator
MOZART IN THE JUNGLE Season 2 Q&A Jason Schwartzman (Creator, Writer, Executive Producer) Paul Weitz (Executive Producer) What’s exciting about the new season? Jason Schwartzman: We’re joined by so many more guest stars and luminaries from the classical music world: Gustavo Dudamel, Joshua Bell, Lang Lang and Emanuel Ax. Paul Weitz: Basically people in the classical music world saw Season 1 and it’s kind of a guilty pleasure for them but we started to get incoming calls from people who wanted to be on the show. Schwartzman: We also have Dermot Mulroney and Gretchen Mol. The cast feels like there’s a lot more going on, more epic in that way. Why does the show appeal to non-classical fans? Weitz: It’s a show about a large, dysfunctional family and two outsiders who are entering the family. There’s Hailey, a young oboist who has been practicing since the age of 5 and has been the “good girl” for most of her life. And now as we enter Season 2, she’s questioning what she wants out of this. Does she want to be an instrument of orchestra or does she want to one day have a solo career. How, if you’re not used to it, are you the person who breaks up in a relationship? Are you able to have an ill-advised fling now and then and take ownership of your sexuality? She’s reinventing herself in a positive way. And Gael Garcia Bernal’s character, Rodrigo, is the other character. He’s a superstar, but he’s fairly isolated. -
The Chancellor Search Quietly Continues
INDEPENDENT SINCE 1956 INSIDE NEWS The The Aldermanic race and UWM UWM PAGE 3 EDITORIAL Dean blows the Iowa caucus January 28, 2004 The weekly campus newspaper of UWM Volume 48 | Issue 16 PAGE 25 UWM Dance Team wins NEWS Hip Hop Championships The SA Spotlight: Know what's PAGE 8 going on at UWM! PAGE 2 Men's Basketball hits SPORTS eight conference wins What you missed in UWM PAGE 18 athletics PAGES 18-19 Greenstreet to Veto override sent to Assembly Governor Doyle re-examines Conceal and Carry Bill continue progress very surprised that the veto was overridden," said Carpen ter. "I hold no ill will but I in plenary address think it was a terrible deci sion. By Nathan Hal! "It is one of the worst pieces Staff Writer of legislation I have seen writ ten in the last 20 years. It has The spring semester plenary a lot of flaws," said Carpenter. speech, titled "Building Bridges, Some Bill supporters are Laying Foundations—A Progress confident that the Assembly Report," was held on Thursday, will uphold the veto override; Jan. 22 in Bolton Hall. Interim others say it will be close. Chancellor Bob Greenstreet and "I think it will be a close call Provost/ Vice Chancellor for Aca in the assembly," said Rolf Lind- demic Affairs John Wanat gave gren the author of a brief report on the state of the recalldoyle.com. "I think it will university to an audience of come down to one vote." approximately 150 people, Carpenter agreed with Lind- including administrators, facul Greenstreet gren. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
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Rainie Yang Ambiguous Download
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Deepa Mehta (See More on Page 53)
table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region. -
Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
2017 Academy Award BALLOT
2017 ACADEMY AWARD BALLOT BEST PICTURE DIRECTING COSTUME DESIGN FOREIGN LANGUAGE ARRIVAL ARRIVAL ALLIED FILM FENCES Denis Villeneuve Joanna Johnston LAND OF MINE — Denmark HACKSAW RIDGE HACKSAW RIDGE FANTASTIC BEASTS AND A MAN CALLED OVE — HELL OR HIGH WATER Mel Gibson WHERE TO FIND THEM Sweden HIDDEN FIGURES LA LA LAND Colleen Atwood THE SALESMAN — Iran LA LA LAND Damien Chazelle FLORENCE FOSTER TANNA — Australia LION MANCHESTER BY THE SEA JENKINS TONI ERDMANN — Germany MANCHESTER BY THE SEA Kenneth Lonergan Consolata Boyle MOONLIGHT MOONLIGHT JACKIE PRODUCTION DESIGN Barry Jenkins Madeline Fontaine ARRIVAL ACTOR IN A LA LA LAND FANTASTIC BEASTS AND LEADING ROLE SCREENPLAY Mary Zophres WHERE TO FIND THEM CASEY AFFLECK (ADAPTED) HAIL, CAESAR! Manchester by the Sea ARRIVAL MUSIC LA LA LAND ANDREW GARFIELD Screenplay by Eric Heisserer (ORIGINAL SCORE) PASSENGERS Hacksaw Ridge FENCES JACKIE —Mica Levi RYAN GOSLING Screenplay by August Wilson LA LA LAND — SHORT FILM La La Land HIDDEN FIGURES Justin Hurwitz (ANIMATED) VIGGO MORTENSEN Screenplay by Allison Schro- LION BLIND VAYSHA Captain Fantastic eder and Theodore Melfi Dustin O’Halloran and BORROWED TIME DENZEL WASHINGTON LION Hauschka PEAR CIDER AND Fences Screenplay by Luke Davies MOONLIGHT CIGARETTES MOONLIGHT Nicholas Britell PEARL ACTRESS IN A Screenplay by Barry Jen- PASSENGERS PIPER LEADING ROLE kins; Story by Tarell Alvin Thomas Newman ISABELLE HUPPERT McCraney SHORT FILM Elle MUSIC (LIVE ACTION) RUTH NEGGA SCREENPLAY (ORIGINAL SONG) ENNEMIS INTÉRIEURS Loving (ORIGINAL) AUDITION (THE -
TAIWAN BIENNIAL FILM FESTIVAL 2019 FILM INFORMATION/TIMELINE October 18, 2019 7:30 Pm
TAIWAN BIENNIAL FILM FESTIVAL 2019 FILM INFORMATION/TIMELINE October 18, 2019 7:30 pm – Opening Film HEAVY CRAVING Billy Wilder Theater In a special celebration, UCLA Film & Television Archive and Taiwan Academy in Los Angeles are excited to accompany the North American premiere of the film with a guest appearance by the film’s acclaimed Director/Screenwriter Hsieh Pei-ju, who will participate in a post-screening Q&A. HEAVY CRAVING (2019) Synopsis: a talented chef for a preschool run by her demanding mother, Ying-juan earns praise for her culinary creations but scorn for her weight. Even the children she feeds have dubbed her “Ms. Dinosaur” for her size. Joining a popular weight loss program seems like an answer but it’s the unlikely allies she finds outside the program—and the obstacles she faces in it—that help her find a truer path to happiness. Writer-director Hsieh Pei-ju doesn’t shy away from the darker sides of self-discovery in what ultimately proves a rousing feature debut, winner of the Audience’s Choice award at this year’s Taipei Film Festival. Director/Screenwriter: Hsieh Pei-ju. Cast: Tsai Jia-yin, Yao Chang, Samantha Ko. October 19, 2019 3:00 pm – “Focus on Taiwan” Panel Billy Wilder Theater Admission: Free With the ‘Focus on Taiwan’ panel UCLA Film & Television Archive and Taiwan Academy in Los Angeles are thrilled to present a curated afternoon of timely conversations about issues facing the Taiwan film industry at home and abroad, including gender equality and inclusion of women and the LGBTQ community on screen and behind the camera, the challenges of marketing Taiwanese productions internationally and more. -
Jason Schwartzman Elisabeth Moss Jonathan Pryce Krysten Ritter Joséphine De La Baume Listen up Philip a Film by Alex Ross Perry
Jason Schwartzman Elisabeth Moss Jonathan Pryce Krysten Ritter Joséphine de La Baume Listen Up Philip a film by Alex Ross Perry Following up his critically acclaimed THE COLOR WHEEL, Alex Ross Perry scripts a complex, intimate and highly idiosyncratic comedy filled withNew Yorkers living their lives somewhere between individuality and isolation. Jason Schwartzman leads an impressive cast including Elisabeth Moss, Krysten Ritter and Jonathan Pryce, balancing Perry’s quick-witted dialogue and their characters’ painful, personal truths. With narration by Eric Bogosian, we switch perspectives as seasons and attitudes change, offering a literary look into the lives of these individuals and the triumph of reality over the human spirit. Listen Up Philip was produced by Washington Square Films (the company’s follow-up film to the acclaimed All Is Lost) and Sailor Bear Productions, the team behind the 2013 Sundance hit Ain’t Them Bodies Saints. SYNOPSIS Anger rages in Philip (Jason Schwartzman) as he awaits the publication of his sure-to-succeed second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his photographer girlfriend Ashley (Elisabeth Moss), and his own indifference to promoting the novel. When Philip’s idol Ike Zimmerman (Jonathan Pryce) offers his isolated summer home as a refuge, he finally gets the peace and quiet to focus on his favorite subject – himself. Philip faces mistakes and miseries affecting those around him, including his girlfriend, her sister, his idol, his idol’s daughter, and all the ex-girlfriends and enemies that lie in wait on the open streets of New York. -
Metamorphoses Curated by Claire Chase Soundbox
METAMORPHOSES CURATED BY CLAIRE CHASE SOUNDBOX 1 “Each of the pieces on this program explores, in different ways, the idea of metamorphosis, transformation, transfiguration—the ways that we take on new forms and ultimately transcend what we were before.” —Claire Chase 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen recently concluded his tenure as Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and he is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. Salonen is the Conductor Laureate for both the Swedish Radio Symphony Orchestra and the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009. Salonen co-founded— and from 2003 until 2018 served as the Artistic Director for—the annual Baltic Sea Festival. 3 The Orchestra Esa-Pekka Salonen, Music Director SECOND VIOLINS CELLOS Michael Tilson Thomas, Music Director Laureate Dan Carlson, Principal Vacant, Principal Herbert Blomstedt, Conductor Laureate Dinner & Swig Families Chair Philip S. Boone Chair Daniel Stewart, San Francisco Symphony Youth Helen Kim, Associate Principal Peter Wyrick, Associate Principal Orchestra Wattis Foundation Music Director Audrey Avis Aasen-Hull Chair Peter & Jacqueline Hoefer Chair Ragnar Bohlin, Chorus Director Jessie Fellows, Assistant Principal Amos Yang, Assistant Principal Vance George, Chorus Director Emeritus Vacant Vacant The Eucalyptus Foundation Second Century Chair Lyman & Carol Casey Second Century Chair FIRST VIOLINS Raushan Akhmedyarova Barbara Andres Alexander Barantschik, Concertmaster David Chernyavsky The Stanley S. -
2019-2020 Annual Review 2 Table of Contents
2019-2020 ANNUAL REVIEW 2 TABLE OF CONTENTS 04 PRESIDENT & CEO REPORT 08 ROSTER & REPERTOIRE 12 REVENUE PERFORMANCE 13 PROTECTING THE FUTURE OF MUSIC 15 DISTRIBUTION & ADMINISTRATION 16 TECHNOLOGY 4 President & CEO Report IT’S BEEN A YEAR UNLIKE The $1.233 billion total in distributions includes domestic and international royalties, with the COVID-19 crisis profoundly as well as distributions from direct deals that ANY OTHER, transforming the world and deeply affecting BMI administers on behalf of our publisher the creative and business communities BMI and digital service provider clients. Those is entrusted to serve. In response, BMI’s deals, which account for $71 million, represent commitment to meeting the diverse and an increase of $9 million over last year and evolving needs of our songwriters, composers, approximately 6% of BMI’s total distribution. publishers and licensees has never been stronger. The Company was well positioned to BMI’s long-term strategic focus on diversifying navigate this challenging time, and despite the revenue streams enabled the Company to unprecedented impact of the global pandemic weather declines that resulted from the I am pleased to share that BMI is reporting pandemic. To that end, strong growth in the record-breaking results for the fiscal year Digital and Radio categories helped offset a ended June 30, 2020. BMI generated historic significant downturn in the General Licensing revenues of $1.311 billion, an increase of $28 sector. For the first time ever, revenue from million, or 2%, over the prior year. Notably, Digital sources represented the largest portion BMI absorbed a $60 million negative impact of BMI’s domestic total with 32%, or $304 due to the pandemic’s effect across multiple million, an increase of $42 million, or 16%, over businesses, yet the Company still surpassed last year.