Figure 1: Raphael, La Fornarina, c.1520, oil on wood, 87 x 63 cm, Palazzo Barberini

Figure 2: Raphael, La Donna Velata, c.1512-1515, oil on wood, 82 cm × 60.5 cm (32 in × 23.8 in), Pitti Palace, Palatine Gallery Figure 3: Ingres, The Betrothal of Raphael and the Niece of Cardinal Bibbiena, c.1813-14, oil on paper mounted on canvas, 59.1 cm x 46.5 cm (23.2 in x 18.3 in), Walters Art Museum

Figure 4: Ingres’ study for Raphael and Fornarina, c.1814, graphite on white wove paper, 10 x 7 3/4 in. (25.4 x 19.7 cm), Metropolitan Museum of Art Figure 5: Johann Scheffer von Leonardschoff, Raphael and La Fornarina (c.1819)

Figure 6: Raphael, Madonna of the Chair, c.1514, oil on wood, 71 cm × 71 cm (28 in × 28 in), Palazzo Pitti collection, Figure 7: Raphael’s self-portrait, c.1504-1506, tempera on panel, 47.5 x 33 cm (18.7 x 12.9 in), Gallery

Figure 8: Raphael’s Portrait of a Young Man, 1514, artificially colored image from a black-and-white photo of the now-lost original oil painting, 72 cm × 56 cm (28 in × 22 in), formerly held at the Czartoryski Museum, Poland Figure 9: Paulus Pontius, Raphael de Urbin, 1630-1640, after Raphael’s portrait in the Czartoryski Museum, engraving on fine laid paper lined onto a support sheet, 25.8 x 18.2 cm (plate), published in Antwerp. This 17th-century engraving is likely similar to one that Ingres used to model Raphael in the Raphael and La Fornarina paintings.

Figure 10: Ingres’ Portrait of Lorenzo Bartolini, 1806, oil on canvas, Musée Ingres, Montauban Figure 11: Poussin’s Self-Portrait with a Muse, 1650, oil on canvas, 98 x 74 cm, Musée du , , France

Figure 12: Raphael’s Portrait of Bindo Altoviti, c. 1512–1515, oil on wood, 60 cm × 44 cm (24 in × 17 in), National Gallery of Art, Washington, D.C. Figure 13: The Violinist by Sebastiano del Piombo, oil on panel, later copy of painting dated 1518

Figure 14: Fulchran-Jean Harriet, The Death of Raphael, 1800, watercolour, gouache and pencil, 45.4 × 37.7 cm. Collection of Wheelock Whitney III. Photo: Graham Haber. (Betzer p.41, fig. 8) Figure 15: Nicolas-André Monsiau’s La mort de Raphaël (1804), pencil, pen and ink, wash, 32.2 x 27.2 cm. (12.7 x 10.7 in.)

Figure 16: Pierre-Nolasque Bergeret’s Honors Paid to Raphael at his Death (1806), oil on canvas, 130 x 190 cm (51.1 x 74.8 in), Château de Malmaison Figure 17: Ingres, The Death of Leonardo da Vinci (1818), oil on canvas, 72 cm x 81.5 cm (28.3 in x 32 in), Petit Palais, Paris, France

Figure 18: Johannes Riepenhausen, Raphael Paints the Fornarina, 1829-33. Watercolor, pen, gray and brown ink, with black ink frame lines, 23 x 28.1 cm (sheet), 22.3 x 27.5 cm (image). Private collection, Munich. Photo: Engelbert Seehuber. (Siegfried p.183, fig. 99; McVaugh p.382) Figure 19: Henri Jean-Baptiste Fradelle, Raphael and La Fornarina, exhibited at the British Institution in 1824 (McVaugh p.382)

Figure 20: Augustus Wall Callcott, Raphael and the Fornarina, Royal Academy Exhibition of 1837 (McVaugh p.383) Figure 21: Ingres, Paolo and Francesca (1819), oil on canvas, Musée des Beaux-Arts d'Angers

Figure 22: Jacques-Louis David, Oath of the Horatii (1784-85), oil on canvas, 329.8 cm x 424.8 cm (10.8 ft x 13.9 ft), Louvre Museum, Paris, France Figure 23: Ingres, Vow of Louis XIII (1824), oil on canvas, 421 cm x 262 cm, Montauban, Cathedral of Notre-Dame Figure 24: Madonna di Piazza (c.1475-83) by Verrocchio and Lorenzo di Credi, between 1475 and 1483, tempera and oil on wood, Pistoia Cathedral Figure 25: Ingres, Raphael and La Fornarina, 1813 (lost 1944). Oil on canvas, 58 x 46 cm. Formerly the Museum of Foreign Art, Riga, Latvia. Photo courtesy of the Museum of Foreign Art, Riga. (Siegfried, p.182)

Figure 26: Ingres, Raphael and La Fornarina (1814), oil on canvas, 64.8 x 53.3 cm (25 1/2 x 21 in.), Fogg Museum

Figure 27: Raphael, Portrait of Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi (c.1518), oil on panel, 155.5 cm x 119.5 cm (61.2 x 47 in), Uffizi Gallery, Florence, Figure 28: Ingres’ Grande Odalisque (1814), oil on canvas, 91 x 162 cm, Louvre, Paris, France

Figure 29: Ingres, drawing of Raphael and La Fornarina, 1825, graphite and white heightening (oxidations), 18 x 14.5 cm, Louvre, Paris, France. (Louis-Antonine Prat, p.82, Plate 21; Rosenberg’s Raphael and France, p.175) Figure 30: Daniele da Volterra, Michelangelo (c.1544), oil on panel, 88.3 × 64.1 cm (34.7 × 25.2 in), Metropolitan Museum of Art

Figure 31: Ingres, Raphael and La Fornarina, c.1814, private collection, photo: Alex Jamison (Betzer p.27); 1830s, Kettaneh Collection, New York (Liere, p.114) Figure 32: Horace Vernet, Raphael at the Vatican (1832), oil on canvas, 392 x 300 cm, displayed at the Salon of 1833, currently in the Louvre Museum, Paris, France Figure 33: Raphael’s Transfiguration, 1516–20, tempera on wood, 405 cm × 278 cm (159 in × 109 in), Pinacoteca Vaticana, Vatican City

Figure 34: Ingres, Raphael and La Fornarina, 1846, oil on canvas, 35.56 x 27.3 cm, Columbus Museum of Art. Frederick W. Schumacher Collection. Figure 35: The last, unfinished version of Raphael and La Fornarina, c.1860, private collection, photo: Sotheby’s Inc, 1989 (Betzer p.19)

Figure 36: Ingres, Turkish Bath, 1862, oil on canvas, Louvre, Paris, France Figure 37: Ingres, Apotheosis of Homer (1827), oil on canvas, 386 cm x 515 cm (12.6 ft x 16.8 ft), Louvre Museum, Paris, France

Figure 38: Ingres, Jesus Among the Doctors (1862), 265 x 320 cm, Musée Ingres, Montauban, France Figure 39: Ingres, Half-Length Bather (1807), oil on canvas, 51 cm x 42.5 cm (20 in x 16.7 in), Musée Bonnat-Helleu

Figure 40: Ingres, Preparatory Sketch for “Raphael and the Fornarina”, c.1813. Graphite on paper. 29.1 x 21.7 cm. Musée Ingres, Montauban. Photo from Roumagnac Photographe. (Siegfried p.186, Betzer p.26) Figure 41: Ingres, Half-Length Bather; Raphael and the Fornarina, graphite on tracing paper, 49.7 x 38.4 cm, Musee Ingres, Montauban, (Vigne’s catalogue raisonné des dessins, p.401, plate 2263; Betzer p.5)

Figure 42: Ingres, Study of Raphael, the Easel, and the Head of Fornarina, graphite on tracing paper, 49.7 × 38.4 cm. Musée Ingres, Montauban (Betzer p.22)