HUGH STOUPPE LIBRARY SEPTEMBER, 2020 NEWSLETTER Welcome, Autumn
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
Catholic-Courier-Journal-1961
y ! 5 *-"?£mA;!*n v^^M^ffiSiSp * * \prm-&*TfpFH!!p ^jft^fpl&faainKii^fc^E^irjJa^fttL isfmeMffi&in?' • W COURIER-JOURNAL 'Diary Of Anne Frank' Theatre Guide Watching The Screen Friday, February 3,1961 11 RIVIERA Ben-Hur A-l Listed At Merqrmgti (Unobjectionable) Observation—The Legion of De cency recommends Ben-Hur Names Not The Same as wholesome entertainment on an unusually high level of By RAY SMITH sake, let's look at some of our by a gent named William Shake* stars. annual school achievement for the whole Looking at the marquee .we speare. (I wonder if that was lay at Mercy. wMi he directed family. see now and then some exotic his real name.) To this inquiry RECENTLY WE saw her as we may not always recall Im y Sister Mary Pius. fore they were discovered. Aii1| sweet • sounding name and one of the leads in "Midnight >E account of those year*-was kept;j|| HIAL.T0—East Bochester wonder why the parents ever mediately the -correct answer, Lace." Her parents knew her but the question still remains, The play is the story of a by Anne, a young teenage girL^f 3 Worlds of Gulliver A-l hung such a handle on their German Jewish family who as Doris Kappelhoff but we will an intriguing one. 10 The play was dramatized by Han On a String A-l child. But we can't always or remember her as Doris Day, A •ought refuge from Hitler in ^ Midnight Lace A-2 ever blame the parents. More few ihoons ago The Grass "was" Holland and hid for 2^ • years!*rances Goodrich and Albert ,S (Unobjectionable for adults often it is that little commun Greener at the Palace Theatre in an attic above a factory be- Hackett from the bestseller,, ity called Hollywood that BROADEN and adolescents) and Archibald Alexander Leach Anne Frank: Diary of "a Young : changes the name. -
Buckeye Morgan Horse Sale LLC Are Re- Quired to Be Registered
187th Annual Horse Sale llc. March 229-30,7-28, 20201920 Ashland County Fairgrounds 2024 Claremont Ave. Ashland, Ohio www.BuckeyeMorganSale.com Triple Pines Morgans Mares Age Sire Dam In Foal To: RMF Sweet Jewel 4-20-08 Chip N Dale JMF Sugar and Spice Triple Pines Grace 4-18-09 Chip N Dale A&R Rose’s Rhonda Caffeinated Chip-N-Amber 4-12-12 Chip N Dale DWM Ebony Cruz Derawnda Manhatten RMF Sugar Queen 4-25-15 WVS Ladyson Star BRMF Sweet Jewel Legendary Alex Kazam Triple Pines Black Cherry 5-15-15 WVS Ladyson Star Triple Pines Grace Yellowstone Crow Lady Bella 5-16-15 WVS Ladyson Star Chip N Ashley Derawnda Manhatten Triple Pines Sweet Spice 5-27-18 WVS Ladyson Star BRMF Sweet Jewel Triple Pines Misty 8-12-15 WVS Ladyson Star Triple Pines Starlet Derawnda Manhatten Triple Pines Miss Holly 4-05-17 WVS Ladyson Star Pleasant View Ebony Black Triple Pines Miss Kelly 7-16-17 WVS Ladyson Star EY Morningston Kathy Triple Pines Carmen 4-16-19 WVS Ladyson Star Pleasant Views Ebony Black Triple Pines Precious 4-25-19 WVS Ladyson Star Chip-N-Amber ECS Emotions Grace 5-19-15 Coal Miners Samson Coal Mines Emotion Derawnda Manhatten MSL Dora 3-11-13 HBMS Sir Alex Beauty In Beats Derawnda Manhatten Pleasant View Ebony Black 6-30-07 JMF Black Flame Redwinds Ebony FD Derawnda Manhatten Ely Megan 6-21-16 Legendary Alex Kazam BMR Ebony Anne Yellowstone Crow BRMF Unforgettable 2015 Gray Cliff Tony GCH Offsides Dressed Up GCH Pleasantviews Starlight 5-22-18 Bonus Time Forte Boxford Shameful Stallions: Yellowstone Crow 4-21-16 KJM Soul Commander Derawnda Intrepid -
Complete Film Noir
COMPLETE FILM NOIR (1940 thru 1965) Page 1 of 18 CONSENSUS FILM NOIR (1940 thru 1959) (1960-1965) dThe idea for a COMPLETE FILM NOIR LIST came to me when I realized that I was “wearing out” a then recently purchased copy of the Film Noir Encyclopedia, 3rd edition. My initial plan was to make just a list of the titles listed in this reference so I could better plan my film noir viewing on AMC (American Movie Classics). Realizing that this plan was going to take some keyboard time, I thought of doing a search on the Internet Movie DataBase (here after referred to as the IMDB). By using the extended search with selected criteria, I could produce a list for importing to a text editor. Since that initial list was compiled almost twenty years ago, I have added additional reference sources, marked titles released on NTSC laserdisc and NTSC Region 1 DVD formats. When a close friend complained about the length of the list as it passed 600 titles, the idea of producing a subset list of CONSENSUS FILM NOIR was born. Several years ago, a DVD producer wrote me as follows: “I'd caution you not to put too much faith in the film noir guides, since it's not as if there's some Film Noir Licensing Board that reviews films and hands out Certificates of Authenticity. The authors of those books are just people, limited by their own knowledge of and access to films for review, so guidebooks on noir are naturally weighted towards the more readily available studio pictures, like Double Indemnity or Kiss Me Deadly or The Big Sleep, since the many low-budget B noirs from indie producers or overseas have mostly fallen into obscurity.” There is truth in what the producer says, but if writers of (film noir) guides haven’t seen the films, what chance does an ordinary enthusiast have. -
November 15 & 16, 2019
November 15 & 16, 2019 Superior Morgan Horse Sale ~1 Superior Morgan Horse Sale ~2 10th Annual Superior Morgan Horse Sale LLC On November 15th & 16th, 2019 at the Michiana Event Center All consigned located at horses must be checked in by ~455 E Farver Street ~ 12:00 noon on Friday! Shipshewana, IN 46565 ~ Schedule of Events ~ Thursday, November 14, 2019 Checking in of Sale Horses...................................................................Afternoon All early arrivals must call contact number. Friday, November 15, 2019 Checking in of Sale Horses....................................................................Forenoon Tack Sale..................................................................................................11:00 am Sale of lot # 1-90........................................................................................2:00 pm Stallion Presentation................................................................................7:00 pm Saturday, November 16, 2019 Driving of Sale Horses on outside...........................................................7:30 am Horse Sale..................................................................................................8:30 am ~ Sale Committee ~ Dennis Bontrager Al Lehman 574-312-4685 260-350-9915 Contact phone numbers for day of Auction 260-350-9915 & 260-585-4927 ~Auctioneers~ Lyle Chupp #57199669299 Dale Chupp #2003000053 Shipshewana, IN Photographer - Ken Martin Shipshewana, IN Superior Morgan Horse Sale ~3 ~ Horse Health Requirements ~ All horses must have flu and rhino shots within the last six (6) months and no later than 21 days prior to the sale. This must be included on your health papers signed by your vet. Each horse must have a negative coggins test within six (6) months of the sale and an interstate health paper within 30 days of the sale. NOTE: Canadian horses must have International Health papers for transport between countries. Any questions on this should be directed to your vet or visit the following web site: www.aphis.USDA.gov/vs. -
Coronet 1956-1962
AUSTRALIAN RECORD LABELS THE CORONET LABEL 1956–1962 COMPILED BY MICHAEL DE LOOPER OCTOBER 2019 CORONET, 1956–1962 THE CORONET LABEL MADE ITS DEBUT IN JANUARY 1956. PRIOR TO ITS ACQUISITION BY A.R.C., TITLES FROM THE U.S. COLUMBIA CATALOGUE WERE RELEASED IN AUSTRALIA THROUGH PHILIPS RECORDS. CORONET KLC CLASSICAL 12” AND KGC 7” EP’S ARE NOT LISTED HERE CORONET KP SERIES 78’S KP-001 BIBLE TELLS ME SO / SATISFIED MIND MAHALIA JACKSON 2.56 KP-002 OOH BANG JIGGILY JANG / JIMMY UNKNOWN DORIS DAY 1.56 KP-003 MAYBELLINE / THIS BROKEN HEART OF MINE MARTY ROBBINS 1.56 KP-004 I WISH I WAS A CAR / REMEMB'RING PETER LIND HAYES 4.56 KP-005 BONNIE BLUE GAL / BEL SANTE MITCH MILLER AND HIS ORCHESTRA 3.56 KP-006 SIXTEEN TONS / WALKING THE NIGHT AWAY FRANKIE LAINE 1.56 KP-007 PIZZICATO WALTZ / SKIDDLES GEORGE LIBERACE & HIS ORCHESTRA 2.56 KP-008 HEY THERE! / WAKE ME ROSEMARY CLOONEY KP-009 HEY THERE! / HERNANDO'S HIDEAWAY JOHNNIE RAY KP-010 BAND OF GOLD / RUMBLE BOOGIE DON CHERRY 3.56 KP-011 MEMORIES OF YOU / IT'S BAD FOR ME ROSEMARY CLOONEY KP-012 LEARNING TO LOVE / SONG OF SEVENTEEN PEGGY KING KP-013 TELL ME THAT YOU LOVE ME / HOW CAN I REPLACE YOU TONY BENNETT 2.56 KP-014 TOUCH OF LOVE / WITH ALL MY HEART VAL VALENTE 1.56 KP-015 WHO'S SORRY NOW? / A HEART COMES IN HANDY JOHNNIE RAY 2.56 KP-016 TAKE MY HAND / HAPPINESS IS A THING CALLED JOE JERRI ADAMS 6.56 KP-017 JOHNNIE'S COMIN' HOME / LOVE, LOVE, LOVE JOHNNIE RAY 1.56 KP-018 LET IT RING / LOVE'S LITTLE ISLAND DORIS DAY KP-019 LAND OF THE PHARAOHS / THE WORLD IS MINE PERCY FAITH AND HIS ORCHESTRA -
Janet Green Collection
JANET GREEN COLLECTION Accession date: March 1984 Extent: 52 Archive boxes INTRODUCTION Documents relating to the work of film, television and stage writer Janet Green (Born Ethel Victoria Green, 4/7/1914, Hitchin, Hertfordshire, died 30/3/1993, Beaconsfield, Buckinghamshire) Adopted the professional name Janet Green [also wrote as Sarah Mutimer and occasionally as Janet McCormick after her second marriage to theatre manager and writer John McCormick]. Janet Green had short stories published before she was sixteen but became an actress in 1931 (acted with Ralph Lynn in the Aldwych farces and had leading roles in 'Hellowagain' and 'Nap Hand' at the Aldwych and Shaftesbury Theatres) and was involved in theatrical entertainment for the armed forces throughout World War II. In 1945 she gave up acting and began writing for the stage and screen, often in collaboration with her husband John McCormick. During 1956-1959 the couple were under contract to the J. Arthur Rank Organisation, to provide two original screenplays per year for three years Janet Green’s main film, television and stage writing credits include: the CLOUDED YELLOW (GB, 1950) TRIO (GB, 1950) - [not credited on sift but did a re-write for the 'Sanatorium' segment of the film] the GOOD BEGINNING (GB,1953) CAST A DARK SHADOW (GB,1955) - based on JG's Original 1953 Stage play 'Murder Mistaken' [A BBC television Version of the play MURDER MISTAKEN was transmitted 18/10/ 1956 with Margaret Lockwood in the lead role] EYEWITNESS (GB,1956) LOST (GB,1956) the LONG ARM (GB,1956) the GYPSY -
The Rise of the Australian Novel
Richard Nile The Rise of the Australian Novel (PhD Thesis, School of History University of New South Wales, December 1987) UNIVERSITY OF N.S.W. - 8SEP 1988 LIBRARY TABLE OF CONTENTS PAGE INTRODUCTION 1 CHAPTER 1 PRODUCTION 34 CHAPTER 2 PROFESSIONAL! SAT ION 91 CHAPTER 3 CENSORSHIP 140 CHAPTER 4 REPUTATION 183 CHAPTER 5 MODERNISM 225 CHAPTER 6 WAR 268 CHAPTER 7 INDUSTRIALISM 312 CONCLUSION 357 APPENDICES 362 BIBLIOGRAPHY 378 THIS THESIS IS MY OWN WORK this thesis is dedicated to weirdo Those who read many books are like the eaters of hashish. They live in a dream. The subtle poison that penetrates their brain renders them insensible to the real world and makes them prey of terrible or delightful phantoms. Books are the opium of the Occident. They devour us. A day is coming on which we shall all be keepers of libraries, and that will be the end. (Anatole France 1888) I was wondering about the theory of the composite man. The man who might evolve in a few thousand years if we broke down all the barriers. Or if they broke themselves down, which is more likely. A completely unrestricted mating - black, white, brown, yellow, all the racial characteristics blended, all the resulting generations coming into the world free of the handicaps that are hung round the necks of half-casts now. (Eleanor Dark 1938) ACKNOWLEDGEMENTS To write this history of Australian literature was as difficult as it was enjoyable. Many times I felt very alone, locked into a private world of books and ideas. Yet many people expressed interest in this project and offered their support. -
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Songs by Title
Songs by Title Title Artist Title Artist - Human Metallica (I Hate) Everything About You Three Days Grace "Adagio" From The New World Symphony Antonín Dvorák (I Just) Died In Your Arms Cutting Crew "Ah Hello...You Make Trouble For Me?" Broadway (I Know) I'm Losing You The Temptations "All Right, Let's Start Those Trucks"/Honey Bun Broadway (I Love You) For Sentimental Reasons Nat King Cole (Reprise) (I Still Long To Hold You ) Now And Then Reba McEntire "C" Is For Cookie Kids - Sesame Street (I Wanna Give You) Devotion Nomad Feat. MC "H.I.S." Slacks (Radio Spot) Jay And The Mikee Freedom Americans Nomad Featuring MC "Heart Wounds" No. 1 From "Elegiac Melodies", Op. 34 Grieg Mikee Freedom "Hello, Is That A New American Song?" Broadway (I Want To Take You) Higher Sly Stone "Heroes" David Bowie (If You Want It) Do It Yourself (12'') Gloria Gaynor "Heroes" (Single Version) David Bowie (If You're Not In It For Love) I'm Outta Here! Shania Twain "It Is My Great Pleasure To Bring You Our Skipper" Broadway (I'll Be Glad When You're Dead) You Rascal, You Louis Armstrong "One Waits So Long For What Is Good" Broadway (I'll Be With You) In Apple Blossom Time Z:\MUSIC\Andrews "Say, Is That A Boar's Tooth Bracelet On Your Wrist?" Broadway Sisters With The Glenn Miller Orchestra "So Tell Us Nellie, What Did Old Ironbelly Want?" Broadway "So When You Joined The Navy" Broadway (I'll Give You) Money Peter Frampton "Spring" From The Four Seasons Vivaldi (I'm Always Touched By Your) Presence Dear Blondie "Summer" - Finale From The Four Seasons Antonio Vivaldi (I'm Getting) Corns For My Country Z:\MUSIC\Andrews Sisters With The Glenn "Surprise" Symphony No. -
Text Publishing the Fortunes of Richard Mahony Joins the Text Classics Stable
Text Publishing The Fortunes of Richard Mahony joins the Text Classics stable Read here an edited version of Peter Craven's introduction to the book No Success Like Failure by Peter Craven Only Australia could have coughed up The Fortunes of Richard Mahony. A doctor on the goldfields meets a girl and makes good. He thrives, he fails, he goes off his head. He brings all his bright hopes crashing down around him because he has no capacity for practical life. Call that a national epic. No wonder we settled for the doggerel and the bushrangers. Patrick White read The Fortunes of Richard Mahony as a young man, working as a jackaroo, and thought it was wonderful. He was not wrong. You could argue that the impulse to create an Australian art of fiction filled with that sense of calamity that can rise to tragedy, an art exalted in its scope however rooted in the notations of naturalism, and open to the way Australia can impose itself on the geography of the imagination as a thing of doom, rather than good fortune, all harks back to Richard Mahony. White might have said, with some truth, that he had come out of that rubbishy Ballarat goldfield too. Germaine Greer wrote that Henry Handel Richardson chose to embrace the conventions of naturalism at precisely the moment when those conventions died. It’s a resounding judgement, though not one that can be sustained. Richard Mahony is a great, if belated, novel: Australia Felix was published in 1917, The Way Home in 1925 and Ultima Thule in 1929, seven years after Joyce’s Ulysses and the death of Proust. -
Annual Oration HHR Society (16 March 2019)
Annual Oration HHR Society (16 March 2019) Stefan Welz (University of Leipzig/ Germany) On Proud Irish, Clumsy Saxons, and Provincial Englishmen: Henry Handel Richardson’s cultural knowledge and tolerance. Introduction Henry Handel Richardson was a writer who could claim a broad range of personal experience and intellectual contact with important cultures of her time. She had both English and Irish roots, a certain Latin element was present, too; she was well read and demonstrated a cultural open-mindedness while growing up in Australia; she studied and lived in Germany for a decade, translated Danish and Norwegian books and visited Scandinavia; she learned French and Italian1. All that was a good precondition for shaping a cosmopolitan mindset. However, Henry Handel Richardson added particular characteristics to this disposition such as curiosity, self-criticism, tolerance, the gift of sharp observation, and the capacity of critical evaluation. In her novels – from Maurice Guest, The Getting of Wisdom, even more so in her trilogy The Fortunes of Richard Mahony, and still in her final book The Young Cosima –, Richardson as a writer makes ample use of all that, although in different degrees and ways. It is undeniable that Richardson’s relation to German culture had a somewhat privileged place among her other cultural interests. Nevertheless, these relations are far from being unbalanced or partial, neither are they uncritical. She had spent formative years in Germany, living in Leipzig, Straßburg2, and Munich – “the ten most impressionable years of my life”, as she put it3. She was fluent in speaking and reading the language – an advantage and a capacity not many other writers and intellectuals from the English-speaking world of the time possessed4.