LISZT & CHOPIN IN PARIS

A MAJOR MOTION PICTURE

BUSINESS PLAN SUMMARY

LISZT & CHOPIN IN PARIS is a major dramatic, historic motion- picture and portraying the lives of and Frédéric Chopin in 19th Century Paris. Liszt & Chopin In Paris is targeted to a built-in audience of classical fans numbering in millions all over the world waiting for this kind of all their lives. It is a period epic drama about the glory of music in 19th Century Europe as seen through the eyes of two greatest piano icons Franz Liszt and Frederic Chopin in the context of Lisztomania – precursor to Jacksonmania as well as Presleymania and Beatlemania.

The project is set up with full turnkey production facilities, co- production and distribution, with all time legendary talent, including best cast, artists, orchestras, soloists and best music virtuosos from all over the planet. It is a first major blockbuster movie about the lives Frédéric Chopin and Franz Liszt in 19th century Romantic Age responsible for creating modern era of classical piano we know today can now be enjoyed by millions around the world. Liszt & Chopin In Paris is a first major, motion picture drama in this genre that combines two highly successful previous into a major, action-driven international costume drama and extravaganza presenting the best ever music recorded for cinema.. Production begins this Fall at Cinecitta’ (Rome) legendary studio in Rome and biggest in Europe. David Nichols, producer of The Tourist with Angelina Jolie and Johnny Depp, The Wolf of Wall Street with Leonardo DiCaprio many other Hollywood major films is Line Producing.

Background:

Two previous, highly successful films in this genre with direct reference to Liszt & Chopin In Paris film are “Song To Remember”with Cornell Wilde (c. 1945) about Chopin and “Song Without End” with (c. 1965). This project is budgeted at $75 million usd (below-the-line) in and financing is being completed now with major production groundwork is put in place now to successfully produce this major epci film project with groundbreaking international appeal.

Production services studio locations:

Production/Filming will be at Cinecitta’ studios both in Rome and Umbria, Studios in and Pinewood Studios in London after ten (10) month pre-production period. Production services studio locations – UK, France, Italy, and Russia. Babelsberg Studio (Berlin) where most salon and Lisztomania sequences (with extras and CGI) will be designed and shot, production will also take place at London’s Pinewood Studio for large, outdoor scenes using Pinewood studio lot and to some extent Cinecitta’ studio in Rome, including Pinewood’s affiliated branches in Rome and Cinecitta’s studio branch in Umbria. Production will also take place to limited extent in Prague, Budapest (possibly Romania) and St. Petersburg. Locations and Timeline: The film will be shot in France, Italy, Germany, UK (London and Scotland) and Russia. Production cycle: 24-30 months. Release date: Christmas 2019 CINECITTA’ (ROME) S.p.A. the production studio for Liszt & Chopin In Paris is one of three biggest Europe’s legendary studios, home of Sophia Loren, Dino de Laurentiis, Federico Fellini, Luchino Visconti, Pier Paolo Pasolini and a favorite studio of such acclaimed directors as Martin Scorsese, Woody Allen and many others. Production Team/Studio Babelsberg – Berlin: Dr. Carl L. Woebcken (Studio Babelsberg) Producer Christoph L. Fisser, Production Executive Sonja Zimmer, Production Executive

Babelsberg Studios – Europe’s largest motion picture studio.

Studio Babelsberg – Berlin (main gate) Europe’s oldest and largest movie studio.

Studio Executives

Studio Executives – Christoph Fisser and Dr. Carl L. Woebcken

The above production executives have 50-years of experience in motion picture production behind them. In charge of Babelsberg Studio, the oldest full turnkey studio in Europe on the outskirts of Berlin where Alfred Hitchock was an apprentice and legendary filmmakers made their mark on cinema worldwide have overseen productions such as ’s “The Pianist” “The Reader” Andy and Lana Wachowski’s “Cloud Atlas” ’s “The Inglorious Basterds”, ’s “Valkyerie” and most recently Wes Anderson’s “The Grand Budapest” nominated for for the Oscar for Best Picture and Best Director in 2015 Sonja Zimmer, Production Executive

Filmography 2015 The Hunger Games: Mockingjay - Part 2 (production executive) (post-production) 2015 Point Break (production executive) (post-production) 2015 Unfinished Business (production executive: GER) (completed) 2014 The Hunger Games: Mockingjay - Part 1 (production executive) 2014 Beauty and the Beast (production executive) 2014 (production executive: Studio Babelsberg) OSCAR 2015 2014 The Monuments Men (production executive - uncredited) 2013 The Book Thief (production executive - uncredited) 2013 Hansel & Gretel: Witch Hunters (production executive) 2012 The Apparition (production executive: Studio Babelsberg Motion Pictures) 2012 Anonymous (production executive - uncredited) 2011 Hanna (production executive: Studio Babelsberg - as Sonja Zimmer) 2010 The Ghost (production executive: Studio Babelsburg) 2009 (production executive) 2009 Inglourious Basterds (production executive: Studio Babelsberg - as Sonja Zimmer) 2008 Valkyrie (production executive: Studio Babelsberg) 2008 The Reader (production executive: Studio Babelsberg - as Sonja Zimmer)

http://www.studiobabelsberg.com/en/filming-in-germany-film-production-services-soft- money- incentives-germany/ Production Team:

Cineroma was started in 1998 by American producer David Nichols specifically for International Producers wishing to film in Italy and to make the process simple and straightforward.

Cineroma is a state-of-the-art production service company for film, television and commercials. Based in Rome and working throughout Italy Cineroma s.l.r. provides full production services, including budgeting, location scouting, casting and cast negotiation, and all other requirements through shooting and post production. CINEROMA (Italy) owned by David Nichols, Producer who is known for many successful films such as latest Woody Allen’s film “To Rome With Love” “Seven Years In Tibet” with Brad Pitt and many other successful films will produce Liszt & Chopin In Paris at Cinecitta’ (Rome) with production team including greatest legendary craftsmen and filmmakers from United States and Europe with, David Nichols, Producer and John Mark, Producer as supervising producers. http://cineroma.com/

CINEROMA s.r.l. (ROME) Credits:

JAKE PRODUCTIONS (France)

Jake Productions is the leading film production company in France. It was founded in 2004, by vastly experienced British Producer John Bernard. The company’s entire raison d’être is to provide a vastly modernized and competitive approach to film production in France. Jake Productions has excellent list of credits which includes “Munich”, “Devil Wears Prada”, “Iron Man 2”, “Entourage”, “Inception”, “Dom Hemingway”, “Edge of Tomorrow” “Inglorious Basterds” and Martin Scorsese's “Hugo” and “The Wolf of Wall Street”, as well as numerous TV commercials for UK companies such as Partizan, RSA and Mad Cow Films.

The company works in close liaison with CINEROMA s.r.l. in Rome.

Production heads of the company are John Bernard and Xavier Wakefield who’s careers have spanned over 20-years, and who for many years have worked internationally in the ranks of Assistant Director and Location Manager culminating in an exceptional knowledge of film process and film production. JOHN MARK, PRODUCER/DIRECTOR John Mark is the writer of Deathblow, After The Rainfall, 2045:Golden Voyage A Space Odyssey Trilogy and Liszt & Chopin In Paris. He is also a producer and director , please see background information enclosed below. DAVID NICHOLS, PRODUCER David Nichols is an American Producer who started in the film industry in Los Angeles working in commercials. In 1980 he returned to England and began working in London in commercials as an Assistant Director, Production Manager, and then a Producer. His feature film career began in 1982 as an Assistant Director on Merchant Ivory’s film “Heat and Dust” in India. In 1989 he became a feature film Producer, moving back to Los Angeles to work on major studio productions. His company CINEROMA in Rome is a full production house set up for large scale productions throughout Europe. Cineroma was started in 1998 by American producer David Nichols specifically for International Producers wishing to film in Italy and to make the process simple and straightforward.

Cineroma is a state-of-the-art production service company for film, television and commercials. Based in Rome and working throughout Italy Cineroma s.r.l. provides full production services, including budgeting, location scouting, casting and cast negotiation, and all other requirements through shooting and post production. CINEROMA s.r.l. (Italy) owned by David Nichols, Producer is known for many successful films such as latest Woody Allen’s film “To Rome With Love” “Seven Years In Tibet” with Brad Pitt and many other successful films will produce Liszt & Chopin In Paris at Cinecitta’ (Rome) with production team including greatest legendary craftsmen and filmmakers from United States and Europe with, David Nichols, Producer and John Mark, Producer supervising producers.

Producer David Nichols and his company CINEROMA (Italy) are now finalizing the budget and production schedule – full credentials attached and Sony and Universal will distribute.

Francesco Marras is Italy’s top Production Manager who has been with Cineroma as partner and head of production since 2003.

Experienced in both feature films and commercials he has worked in the industry since 1983 and worked as a Production Manager for many of Rome’s leading film and commercials companies with international directors, agencies and clients. Francesco speaks fluent Italian, English and French.

John Bernard has a long list of credits as Producer/Production Supervisor responsible for such production as “Iron Man 2”, “Inglorious Bastards”, “Informant”, “Transformers”, “Julie & Julia”, “Bourne Ultimatum”, “Munich” , “Tomorrow Never Dies”, “The Sheltering Sky” “Great Balls of Fire” and many other productions.

Xavier Wakefield is an established Producer at Jake Productions who’s resume includes over 500 commercials, pop videos and photo shoots. Xavier’s Location Manager credits include “Iron Man 2”, “Dom Hemingway”, fashion shoots for Mario Testino, as well as having scouted locations on 2 Ridley Scott movies and The Wachowskis’ “Cloud Atlas”. He has also worked extensively as 1st Assistant Director for Directors such as Michel Gondry, Tony Kaye, Michael Bay & James Toback. Xavier has shot in over 15 countries worldwide and now handles all commercials and photo shoots.

Other Production Crew/Personnel:

The personnel and production crew listed below is known for some of the greatest movies ever produced over the period of the last four decades.

Recipients of many Academy Award nominations with many OSCAR winners most of the personnel listed herein are ranked among the most distinguished filmmakers and professionals in motion picture industry.

Enzo Sisti Indiana Jones and the Last Crusade, The English Patient, The American, Mission Impossible III http://pro.imdb.com/name/nm0803141/

Marco Valerio Pugini (Letters to Juliet, Bright Star, Angels & Demons, Eat Pray Love) http://pro.imdb.com/name/nm0700081/

Guido Cerasuolo (Casino Royal, Quantum Solace, Star Wars – The Phantom Menace) http://pro.imdb.com/name/nm0148454/

Riccardo Neri (Gangs of New York, The Bourne Supremacy, The Legend of 1900) http://pro.imdb.com/name/nm0626218/

Francesco Frigeri (Passion of the Christ, The Entrepreneur, Twice Born) http://pro.imdb.com/name/nm0295698/

Stefano Maria Ortolani (The Talented Mr. Ripley, Ocean’s Twelve, Exorcist – The Beginning) http://pro.imdb.com/name/nm0651338/

Maurizio Millenotti (The Passion of Christ, Malena, Legend of 1900) http://pro.imdb.com/name/nm0587818/

Gabriella Pescucci (Death In Venice, Beowulf, La Nuit de Varennes, City of Women) http://pro.imdb.com/name/nm0675951/

Nicoletta Ercole (Under The Tuscan Sun, Letter to Juliet, The Unknown Woman) http://pro.imdb.com/name/nm0258708/

Production at CINECITTA’ (ROME) will include Sound FX and Visual FX production however, final mix and post-production may also be completed at Pinewood Studios (London) and/or at Sony, Universal (Los Angeles) and/or at other locations in addition to Cinecitta’ studios (Rome) that will include Cinecitta’ (Umbria) and with Jake Productions co-production on location in France.

Recording Process:

The recording of piano sequences along with set design, costumes, selection of locations, acting and photography will be the most important part of production process. Liszt & Chopin In Paris is the story of music, the Star Wars of classical music presenting 19th Century Romantic Age in Europe with depth, beauty and scope beyond anything that was ever done in cinema in the genre of classical music. The recordings of the music sequences for actors to perform on set will be performed by variety of world-class artists presenting a broad range of styles on highest level. Combined with the highest- quality instruments, superior acoustic conditions, quality of recordings, interpretation of the works and brilliant piano choreography these elements are central to the artistic and commercial success of this rare and unique project.

During the pre-recording process producers and director will match sonically, artistically and musically all required works for the piano sequences for major Hollywood A-list actors to accurately portray in front of camera on set during filming.

Select pianists, soloists and conductors will also participate in production process as coaches and advisers to the actors, and working with the director to assist the actors in syncing and choreography during filming.

The choreography of piano sequences for the actors and on set shooting both Liszt and Chopin performances utilizing our pre- recorded matches of the compositions for actors in digital format will be done with the best combination of acoustics, technology and instruments available.

Entrance to Liszt’s library presented to Liszt as a gift in Woronice (Kiev) by Princess Carolyne zu Sayn- Wittgenstein in Liszt & Chopin In Paris with custom-made organ by famous organ makers Alexandre et Fils (Paris) especially made for him.

The original organ instrument for Franz Liszt was made by famous organ makers Alexandre et Fils in Paris. It was custom- ordered for him by Princess Carolyne, a noble woman by the name Iwanowska whose parents owned many estates in today’s Voronivtsi (Воронівці - Ukraine).

The organ brand for Liszt & Chopin In Paris used for production will be the Johannus Organ brand from Netherlands that will allow the recording of high-end organ sequences for the IMAX and 3D movie theater with the dynamic range and resolution from earthshaking bass to heavenly sounds of midrange and treble during the recording Liszt’s organ sequences presenting unspeakable power and sonic resolution.

Johannus Organ (Holland) that will be used to record some of the best organ sequences ever recorded for Liszt & Chopin In Paris soundtrack.

Digital sequence of recording material from the source to the studio as recorded on Johannus Organ (Holland) for state-of-the-art organ sequences.

Major organists proposed for the original Liszt & Chopin In Paris soundtrack among others will be: Olivier Latry, Thomas Trotter, and Louis Robilliard.

Liszt & Chopin In Paris soundtrack will achieve highest level of recording presentation sonically and artistically resulting in high-end soundtrack suitable for IMAX, 3D Surround Sound and 70mm Wide Screen distribution of in 10,000+ theaters and complexes worldwide on all continents.

The state-of-the-art soundtrack will be released on major record labels worldwide with the film’s distribution shown in thousands of theaters worldwide pushing sales of CDs and downloads on various media platforms.

During the editing process piano segments will be mixed and matched to previously pre-recorded piano performances of the actors for final mix precisely matching the recorded sequences completed during pre-production and filming.

Liszt & Chopin In Paris production we will use the latest, cutting-edge recording technology, visual effects, camera

equipment, location shots and costumes, along with state-of- the-art choreography and set design created by legendary filmmakers and crew at Cinecitta’ (Rome) to present this period of with breathtaking authenticity.

Aided by magnificent European locations with unique insight into Europe’s greatest locations the production will recreate the legacy of classical music as it were with spectacular performances by Hollywood’s greatest actors and participation of major A-list international movie stars.

This approach will allow movie audiences around the world to fully relive those magnificent moments of the Romantic Age in today’s state-of-the-art cineplexes around the world.

All piano recordings will be recorded with the highest available technology in SDDS and SACD Super-Audio technology and released in CD format as well as in binaural format on HD players. SACD (Super-Audio CD) is an optical disc format aimed at high- performance audio playback. SACD discs are based on DSD (Direct Stream Digital) processing, a 1-bit format with a sampling rate of 2.8224 MHz (MegaHertz – this means millions 64x times the resolution rate of standard compact disc. Typical compact disc today is recorded with 16-bits of resolution at a of 44.1kHz sampling rate. Higher sampling rate results in wider frequency response and audio reproduction with more clarity and detail. SACD discs are based on DSD (Direct Stream Digital) processing, a 1-bit format with a sampling rate of 2.8224 MHz, (MegaHertz – this means millions 64x times the resolution rate of a standard compact disc.

A special edition player pre-loaded with all recordings in super High-Definition in “Liszt & Chopin In Paris” such as Astell & Kern will also be available for sale.

Astell & Kern High Definition HD player provides crystal clear quality of reproduction reminiscent of IMAX experience. It will be on sale with fully pre-loaded super soundtrack to “Liszt & Chopin In Paris”.

Following completion of the recording of the soundtrack all recorded music will be guaranteed separate CD released in both Super-Audio and in HD (High Definition) binaural format on portable devices, (iPhone, iPads and Android systems in HD Flak format) released by established and well-known record labels e.g. Deutsche Grammophon, EMI, Decca, London Phillips, etc.

In addition to the soundtrack being released on major labels in the world each recording artist will also have a guaranteed spot on

promotional Tour Mondial 500-Years of Music Tour that will be done on rotational basis for a period of one (1) year with the release of the film with participation of world’s renowned orchestras and soloists promoting the film’s release with the worldwide tour.

Casting

Since casting began in April of 2016 producers have received over 12,364 submissions by SAG-AFTRA applying for four (4) lead and 39 supporting roles in Liszt & Chopin In Paris. The company is now reviewing submissions by actors and actresses for leading roles in pre-liminary casting process and the actors are presently submitting their candidacy for both supporting and leading their roles. This process is taking place currently via professional services at IMDBPro (link below) a standard in motion picture and television industry.

https://pro- labs.imdb.com/casting/breakdown/br1608596583/

Auditions will be finalized in Rome (Cinecitta’ studios and Cineroma s.r.l. Rome) following completion of financing.

Budget Summary:

Production budget is set at $75 million usd which includes above- the-line expenses (salaries and fees of executive team plus talent) and below-the-line (net production cost). Initial $75 million usd will start pre-production with additional capital (production incentives) that will be used for shooting/filming during production and post-production stages.

LISZT & CHOPIN IN PARIS

SCRIPT DATED: MARCH 29, 2016 SHOOTING: 150 DAYS/20 WEEKS PA HOLIDAYS BUDGET 03/29/2016 STUDIOS: BABELSBERG/PINEWOOD LONDON POST- PRODUCER: JOHN MARK PRODUCTION PARIS/BERLIN/LONDON DISTRIBUTION: DIRECTOR: JOHN MARK SONY/UNIVERSAL/ WEINSTEIN CO./CHINA FILM LINE PRODUCER: DAVID NICHOLS, CINEROMA EUROPE: GROUP/BEIJING JOHN BERNARD, PRODUCER EST. COMPLETION DATE: FALL 2019

Acct# Category Description 1100 STORY RIGHTS 250,000 1200 SCENARIO MISCELLANOUS 159,100 1300 PRODUCER 5,500,000 1400 EXECUTIVE PRODUCERS 3,000,000 1500 DIRECTOR 2,700,000 1600 CAST 32,030,000 1700 BIT & STUNTS - ALL CAST 1,619,210 1800 ATL TRAVEL & LIVING 720,250 1900 EXTRAS & STANDINS 1,567,180 2020 PRODUCTION STAFF ALL CREW 1,234,046 2021 WARDROBE 754,600 3020 MAKEUP & HAIRDRESSING 377,360 4010 CAMERA 917,887 4400 SET DRESSING 224,800 4600 ACTION PROP 756,400 4602 ACTION PROPS - VEHICLES 355,000 5100 CHARACTER MAKE UP & EFFECTS 267,500 5300 SET DESIGN 635,050 5400 SET CONSTRUCTION 944,600 5500 SET STRIKE 325,000 5900 SET OPERATION 754,450 6000 PRODUCTION FACILITIES 981,000 6100 SPECIAL EFFECTS 362,775 6200 TEST & REHEARSALS 109,000 6300 LOCATIONS 110,000 6400 TRANSPORTATION 163,000 6500 SECOND UNIT 780,000 6600 SET LIGHTING 484,500 6800 PRODUCTION SOUND 170,600 6900 BTL TRAVEL & LIVING ALL CREW 879,500 Acct# Category Description 7000 VISUAL EFFECTS 795,000 7200 EDITING 673,000 7300 TITLES 128,500 7400 MUSIC 923,400 7600 SOUND PRE & POST 971,000 7800 PREVIEW 124,500 8200 FILM LAB - DIGITAL PROCESSING 78,600 8400 CONTINGENCY 10% 5,000,000 8500 INSURANCE & MEDICAL 316,500 8600 COMPLETION SURETY BOND 1,500,000 8700 PUBLICITY 5,000,000 8800 UNCLASSIFIED EXPENSES 124,500 9000 CERTIFICATES & ROYALTIES 43,000 *1000 *** SUBSIDIES AND TAX INCENTIVES TBA *** Total Fringes 189,192 GRAND TOTAL 75,000,000

After completion of agreements/contracts an account at major bank is to be opened under special purpose company formed for this production (“SPC”) and for accounting purposes. This can be done via U.S. based LLC company, or corporation, and/or any foreign company established in U.S. or in Eurozone for purpose of production of Liszt & Chopin In Paris film with funds deposited in escrow, and specifically designated for Liszt & Chopin In Paris production. As soon as all the contracts are signed and executed, funds will be then turned over to professional, third-party firm handling all payables working closely with production personnel, film crew and the studio (producing entity) in charge of accounts payable and soon this is cleared “Liszt & Chopin In Paris” film crew can begin pre-production. Entertainment Partners are professional payroll, production entities with assurance of timely handling payment of production crew and other personnel as well as production cash-flow. http://www.entertainmentpartners.com/home/ Production Incentives: Liszt & Chopin In Paris production takes place entirely in Eurozone with primary locations in France, Italy, Germany and UK consequently the production qualifies for EU production incentives that between France, Italy and Germany qualify for $26 million usd in production incentives. http://www.entertainmentpartners.com/incentives/ Italy: France:

Germany:

Production Information/Key Dates:

Pre-Production: (10) months Production/Filming: (4) months Post-Production: (10) months Production cycle: 24 months. Promotion & Global Market Awareness – 6-9 months prior to release of the film. Release & Global Distribution of the Film – Winter 2019.

Worldwide Release: Christmas 2019

Production requires 24-month cycle in order to meet production guidelines. Setup and preparations casting, financing, production incentives, distribution, production crews finalized requires min. 6 months in addition to 24-month production cycle. Total production time from the moment check clears to release is 30 months.

***NOTE*** Production must be fully financed contractually with funds committed via verifiable bank account deposited specifically for this production/escrowed under control of investors pending completion of agreements in order to provide any Letters of Intent (LOI), or commitments from major Hollywood A-List stars.

Impact/Revenue Stream:

A major film on this level has the ability to galvanize the world with respect to a genre that is not only the most beloved around the world – classical music with hundreds of millions of fans, but also renew and revive interest in the entire classical music industry. Liszt & Chopin In Paris is clearly the best classical music, historical film on this level since "Amadeus". In the days and age when orchestras are "folding" due to the lack of funds and when classical music is less taught in schools because people are less and less exposed to this genre of music here comes a movie that can change all that with amazing voyage into the classics from Paris to London and Russia with some of the greatest performances ever to be presented on big movie screen with participation of major Hollywood cast, breathtaking costumes, set design and the greatest story ever told about the Romantic Age. ArcLight – one of the professional distribution chains in Hollywood that specializes in the forecasts for worldwide box- office sales has established conservative benchmark for this film at $600 million worldwide. However, those numbers do not reflect soundtrack revenues, ancillary revenues (DVDs, Cable, Satellite, Netflix, Amazon, etc.) and revenues worldwide from the promotional tour promoting the film. Contact:

John Mark, Producer/Director Tel. +1 941 276-1474 e-mail: [email protected]

APPENDIX A. COMPARABLES

Amadeus, Gone With The Wind and Titanic are comparable to Liszt & Chopin In Paris in terms of subject matter and dramatic content.

AMADEUS – a highly successful film about Mozart and classical music based on the Broadway play by Peter Schaefer and adapted into feature drama directed by Milos Forman was produced in 1984 on budget of $10 Million. The figures for “Amadeus” are not adjusted for inflation.

Sales estimates for Liszt & Chopin In Paris projected by ArcLight distribution a professional distribution company specializing in analyzing U.S. theatrical and worldwide releases based on available data. Projections are as conservative as possible based on comparables and similar data provided herein.

Production will also most likely have a similar distribution plan starting with limited release and then opening wide.

*** Figures are not adjusted for inflation.

DISCLAIMER:

This document and the information contained herein regarding the motion picture Liszt & Chopin In Paris is confidential and proprietary and is intended only for the persons to whom it is transmitted and/or its immediate representatives.

By accepting this document, the recipient agrees to keep the contents in strictest confidence and not to reproduce or divulge any of its contents without the prior written consent of the Company.

This document shall not be construed as an investment, or an offering of securities. Each recipient of this document specifically understands and agrees that any estimates, projections, revenue models, forecasts or assumptions are by definition uncertain.

This business plan contains forward-looking statements and is subject to risks, uncertainties, and assumptions by the producing company. Use of any materials that describe Liszt & Chopin In Paris film and/or any commercial products related thereof and contained in these materials are for informational and illustrative purposes only and are not to be used without the permission of its owners. Moreover use of the Liszt & Chopin In Paris materials and/or commercial products associated with this motion picture is not meant to suggest any endorsement, sponsorship or approval by the owners and/or rights holders, and/or any expressed, or implied warranties otherwise.

This document contains projections of future performance. Such projections are based on numerous estimates and other assumptions about future events and circumstances, many of which will not be within the control of the Company and its management. The Company believes that such estimates and other assumptions are reasonable under the circumstances, but no representation, warranty or other assurance is given that such projections will be realized. There may be variances between such projections and actual events and results of such variations may be material.

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