Gray Lensman
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The Jeremiad in American Science Fiction Literature, 1890-1970
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2019 The eJ remiad in American Science Fiction Literature, 1890-1970 Matthew chneideS r University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, English Language and Literature Commons, and the United States History Commons Recommended Citation Schneider, Matthew, "The eJ remiad in American Science Fiction Literature, 1890-1970" (2019). Theses and Dissertations. 2119. https://dc.uwm.edu/etd/2119 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE JEREMIAD IN AMERICAN SCIENCE FICTION LITERATURE, 1890-1970 by Matthew J. Schneider A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2019 ABSTRACT THE JEREMIAD IN AMERICAN SCIENCE FICTION LITERATURE, 1890-1970 by Matthew J. Schneider The University of Wisconsin-Milwaukee, 2019 Under the Supervision of Professor Peter V. Sands Scholarship on the form of sermon known as the American jeremiad—a prophetic warning of national decline and the terms of promised renewal for a select remnant—draws heavily on the work of Perry Miller and Sacvan Bercovitch. A wealth of scholarship has critiqued Bercovitch’s formulation of the jeremiad, which he argues is a rhetorical form that holds sway in American culture by forcing political discourse to hold onto an “America” as its frame of reference. -
Triplanetary Lensman Cut up Solo
Cut Up Solo Triplanetary Lensman Sample file Parts Per Million Coveri Credits Written by: Peter Rudin-Burgess Interior Art: Public Domain via Pixabay This work includes much of the original text from Triplanetary and First Lensman by E. E. “Doc” Smith, taken from the Project Gutenberg public domain eBooks. I learned about Cut Up solo role-playing from Alex Yari’s supplement Tilt. I highly recommend it. Cut Up Solo Triplanetary Lensman is copyright © 2021 Parts Per Million Limited, International House, 12 Constance Street, London E16 2DQ. Sample file 1 Contents Introduction 4 What is solo role-playing? 5 Cut Up Solo 6 How To Cut Up 7 The Spreadsheet 8 Searching for an Answer 9 Interpretation 10 Rules and Games 11 Absolute Answers 11 Example of Play 14 The Snippets 16 Sample file 2 ThisIntroduction ‘cut up’ booklet does not directly correlate with a game system. The first cut up book was Conan themed, and there is a dedicated Conan game system, as well as the barbarian, being a staple of many fantasy games. The next was Dracula, and there is a very popular Vampire game from Onyx Path. The third was aimed at Cthulhu fans and there is a big name Cthulhu game system out there. I tried reading E. E. “Doc” Smith when I was about 12 and it was a bit of a hard read at that time. When I did really get into his science fiction is was with the Skylark series. It was only after Skylark did I discover the Lensman series. I wanted this cut up book to be more about space opera, and it made more sense to use the Lensman series rather than Skylark. -
Second Stage Lensman
Second Stage Lensman By E. E. Smith Second Stage Lensman FOREWORD A couple of billion years ago, when the first and Second Galaxies were passing through each other and when myriads of planets were coming into being where only a handful had existed before, two races of beings were already ancient. Each had become independent of the chance formation of planets upon which to live. Each had won a large measure of power over its environment; the Arisians by force of mind alone, the Eddorians by employing both mind and mechanism. The Arisians were native to this, our normal space-time continuum. They had lived in it since the unthinkably remote time of their origin. The original Arisia was very much like Earth. Thus all our normal space was permeated by Arisian life-spores, and thus upon all Earth-like planets there came into being races more or less like what the Arisians had been in the days of their racial youth. The Eddorians, on the other hand, were interlopers. They came to our space- time continuum from some horribly different plenum. For eons they had been exploring the Macrocosmic All; moving their planets from plenum to plenum; seeking that which at last they found--one in which there were enough planets, soon to be inhabited by intelligent life, to sate even the Eddorian lust for dominance. Here, in our own universe, they would stay; and here supreme they would rule. The Elders of Arisia, however, the ablest thinkers of the race, had known of and had studied the Eddorians for many cycles of time. -
New Space Opera and Neoliberal Globalism a Dissertation Submitted In
UNIVERSITY OF CALIFORNIA RIVERSIDE Nostalgia for Infinity: New Space Opera and Neoliberal Globalism A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Jerome Dale Winter June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Weihsin Gui Dr. Steven Axelrod Copyright by Jerome Dale Winter 2015 The Dissertation of Jerome Dale Winter is approved: _______________________________________________________ _______________________________________________________ _______________________________________________________ Committee Chairperson University of California, Riverside Acknowledgements I would like to acknowledge the irredeemable debt I owe to my committee members Sherryl Vint, Weihsin Gui, and Steven Axelrod whose guidance and support contributed to all the virtues of this dissertation and none of its flaws. A version of part of Chapter 1 was published in the November 2013 issue of The Eaton Journal of Archival Research ; and the journal Extrapolations published Chapter 3 in their December 2014 issue. I would like to thank the editorial staff at Extrapolations for their copious feedback and faith in the project. I also wish to acknowledge The Los Angeles Review of Books , under the editorial leadership of Tom Lutz and Johnathan Hahn, and for the speculative- fiction page, under the diligent attention of Rob Latham, for allowing me to publish interviews with major SF writers who directly contributed to the contentions of this project. These writers — Norman Spinrad, Michael Moorcock, Alastair Reynolds, and Ken MacLeod — were all gracious with their precious time in fielding my questions. A special thanks to Steven Axelrod for magnanimously agreeing to serve on my committee at such short notice. Thanks as well to Rob Latham for all his vital contibutions to this dissertation.