October 2008 ISSN 1534-0937 Walt Crawford
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Under Western Stars by Howard Kazanjian and Chris Enss
Under Western Stars By Howard Kazanjian and Chris Enss King of the Cowboys Roy Rogers made his starring mo- tion picture debut in Republic Studio’s engaging western mu- sical “Under Western Stars.” Released in 1938, the charm- ing, affable Rogers portrayed the most colorful Congressman Congressional candidate Roy Rogers gets tossed into a water trough by his ever to walk up the steps of the horse to the amusement of locals gathered to hear him speak at a political rally. nation’s capital. Rogers’ character, Courtesy Library of Congress Collection. a fearless, two-gun cowboy and ranger from the western town of Sageville, is elected culties with Herbert Yates, head of Republic Studios, to office to try to win legislation favorable to dust bowl paved the way for Rogers to ride into the leading role residents. in “Under Western Stars.” Yates felt he alone was responsible for creating Autry’s success in films and Rogers represents a group of ranchers whose land wanted a portion of the revenue he made from the has dried up when a water company controlling the image he helped create. Yates demanded a percent- only dam decides to keep the coveted liquid from the age of any commercial, product endorsement, mer- hard working cattlemen. Spurred on by his secretary chandising, and personal appearance Autry made. and publicity manager, Frog Millhouse, played by Autry did not believe Yates was entitled to the money Smiley Burnette, Rogers campaigns for office. The he earned outside of the movies made for Republic portly Burnette provides much of the film’s comic re- Studios. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Child-Theft Across Visual Media
The Child-theft Motif in the Silent Film Era and Afterwards 7 The Child-theft Motif in the Silent Film Era and Afterwards — ※ — During the silent film era (1894–1927), the story of children who are stolen by ‘gypsies’ and then rescued/restored to their families resurfaces as one of the popular stock plots. I refrain here from analysing individ- ual films and offer, instead, two points for further consideration: firstly, a listing of works that stage the motif under discussion, and secondly, an expanded annotated filmography. The Films 1. Rescued by Rover (1905, UK) 2. Two Little Waifs (1905, UK) 3. Ein Jugendabenteuer (1905, UK) 4. Rescued by Carlo (1906, USA) 5. The Horse That Ate the Baby (1906, UK) 6. The Gypsies; or, The Abduction (1907, France/UK) 7. The Adventures of Dollie (1908, USA) 8. Le Médaillon (1908, France) 9. A Gallant Scout (1909, UK) 10. Ein treuer Beschützer (1909, France) 11. Scouts to the Rescue (1909, UK) 12. Il trovatore (1910, Italy/France) 13. Billy’s Bulldog (1910, UK) 14. The Little Blue Cap (1910, UK) 15. The Squire’s Romance (1910, UK) 16. L’Enfant volé (1910, France) 129 The Child-theft Motif in the Silent Film Era and Afterwards 17. L’Evasion d’un truand (1910, France) 18. L’Enfant des matelots (1910, France) 19. Le Serment d’un Prince (1910, France) 20. L’Oiseau s’envole (1911, France) 21. Children of the Forest (1912, UK) 22. Ildfluen(1913, Denmark) 23. La gitanilla (1914, Spain) 24. La Rançon de Rigadin (1914, France) 25. Zigeuneren Raphael (1914, Denmark) 26. -
Sagebrush News No 2
The Sagebrush News Inside this issue: Notes 2 Fan Mail/Martin guitar 3,4 Dodie’s Diary 5,6 Junior Cowpoke Arena 7,8 Hollywood’s Cowboy Car 9,10 Roy Rogers’ Roundup 11,12 The Pioneer Record Rack 13 Roy Rogers’ Festival 14 Great American Pie 15 Dates/ Character 16 Issue No. 3 May, 2009 May, 2009 The Sagebrush News Page 2 Issue number three of the Sagebrush News is arriving early There are two major Roy Rogers’ events each year. The first because we wanted to furnish you information about the Roy one is in Roy’s hometown of Portsmouth, Ohio. This will be the Rogers’ Festival in Portsmouth, Ohio, and the Roy Rogers 26th year of this event to be held June 3—June 6, 2009. Roundup in Branson, Missouri, that are held in June and Sep- tember of each year. Portsmouth is known for its mural wall along the Ohio River ******************************************************* and, of course, our hero has a prominent spot on the wall. Several of you have asked about a website and we are work- There is something about old river towns that is very interest- ing on that. We are somewhat technically challenged so pa- ing to me. Maybe it’s just what commerce the river brought tience is required. We would like to at least allow you to ac- to the community with its traffic and history. Besides the festi- cess all issues of the Sagebrush News from that site. val you can always take a drive out to Duck Run and find Roy’s original home. -
IARCHS NEWS - Fall 2005
The summer ’05 show in Waukee I RCHS Iowa Antique Radio Club and Historical Society IARCHS NEWS - Fall 2005 Usually by this time of year, I’d be remarking about “the frost on the pumpkin” and so on as I hunkered down to write the fall newsletter. But with the autumn we’ve had so far, I’ve been too busy soaking up rays while I finished cutting firewood – in a “T” shirt – to get serious about any indoor activities yet; including the newsletter. But, the tree color and the calendar finally convinced me that this can’t last, so it was time to pull together a quarterly report of club events…. We had another nice crowd for the show n conjunction with the Mid-Iowa Hawkeye antique power fair in Waukee again this I haven’t talked Dean into becoming a year. I didn’t manage to muster any other member just yet (he splits his time between members to help, but had a ball as usual Iowa & Colorado with frequent trips all over visiting with the crowd, young and old alike including a recent stint in Baghdad where he and on Saturday, to my surprise a friend was working to help restore their electrical from my high school days, a traveling grid), but he sure seemed to have fun talking engineer who is working in the Grimes area to the crowd and playing the old sets in the for the next year or so, wandered through display, so he’s still a potential member. and wound up taking a couple turns behind the display. -
Television in the Cinema Before 1939: an International Annotated Database, with an Introduction by Richard Koszarski
Journal of e-Media Studies Volume 5, Issue 1, 2016 Dartmouth College Television in the Cinema Before 1939: An International Annotated Database, with an Introduction by Richard Koszarski Richard Koszarski and Doron Galili Visions of the Future An Introduction by Richard Koszarski Albert Abramson traced the first appearance of the word television to a paper presented in Paris by the Russian electrical engineer Constantin Perskyi on August 25, 1900. Perskyi discussed his own work as well as the contributions of his predecessors, such as Paul Nipkow, and suggested television as a replacement for words like telectroscope, one of many terms already in common use whenever the phenomenon of distant electric vision was under discussion. The International Electricity Congress, which heard the paper, was meeting in Paris that summer because this is where the great Exposition Universelle of 1900 was being held. For film historians, the exposition is renowned for its fabulous array of new projection technologies, involving everything from widescreen and color to talking pictures and Cineorama. Perskyi's linguistic contribution, on the other hand, is remembered only by specialists. One wonders if the proponents of the téléoscope and the téléphote, as they roamed the exposition, gave any thought to these new marvels of the cinema, and asked themselves why their medium still lagged so far behind in every conceivable measure. Seeing at a distance was a notion that had captivated engineers and entrepreneurs since word of Alexander Graham Bell's telephone first began to spread in the late 1870s, yet here it was 1900, and still only in the talking stage? People around the world had been waiting for television for decades, but the engineers had given them the cinema instead, a rival moving-image medium that appeared to have leapt from dream to multinational industry almost overnight. -
Black History in the Last Frontier
Black History in the Last History Black Frontier Black History Black History in the Last Frontier provides a chronologically written narrative to encompass the history of African Americans in in the Last Frontier Alaska. Following an evocative foreword from activist and community organizer, Ed Wesley, the book begins with a discussion of black involvement in the Paciÿc whaling industry during the middle and late-nineteenth century. It then discusses how the Gold Rush and the World Wars shaped Alaska and brought thousands of black migrants to the territory. °e ÿnal chapters analyze black history in Alaska in our contemporary era. It also presents a series of biographical sketches of notable black men and women who passed through or settled in Alaska and contributed to its politics, culture, and social life. °is book highlights the achievements and contributions of Alaska’s black community, while demonstrating how these women and men have endured racism, fought injustice, and made a life and home for themselves in the forty-ninth state. Indeed, what one then ÿnds in this book is a history not well known, a history of African Americans in the last frontier. Ian C. Hartman / Ed Wesley C. Hartman Ian National Park Service by Ian C. Hartman University of Alaska Anchorage With a Foreword by Ed Wesley Black History in the Last Frontier by Ian C. Hartman With a Foreword by Ed Wesley National Park Service University of Alaska Anchorage 1 Hartman, Ian C. Black History in the Last Frontier ISBN 9780996583787 National Park Service University of Alaska Anchorage HIS056000 History / African American Printed in the United States of America Edited by Kaylene Johnson Design by David Freeman, Anchorage, Alaska. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Film & Event Calendar
1 WED 17 FRI 21 TUE Events & Programs Film & Event Calendar 7:30 Event 1:30 Film 4:00 Film Gallery Sessions Summer Thursdays Quiet Mornings. Good Morning, Champ for a Day. T2 Daily, 11:30 a.m. & 1:30 p.m. Thursdays, through Aug 30, Museum galleries Vietnam. T2 7:00 Film Museum galleries 5:30–8:00 p.m. 1:30 Film 4:00 Film Make Haste to Live. Museum galleries & Sculpture Join us for conversations and What Just Make Haste to Live. T2 Garden activities that offer insightful and Happened? T2 T2 FRI TUE FRI TUE SAT THU unusual ways to engage with art. See MoMA’s summer exhibitions WED 4:00 Film 7:00 Film All-ages drawing sessions take and enjoy live music in The Abby In Between; 3 7 10 14 Champ for a Day. T2 22 25 30 place on Thursdays in August! Aldrich Rockefeller Sculpture Hair Wolf. T2 1:30 Film 3:00 Talk 1:30 Film 3:00 Talk 12:00 Event 1:30 Film Garden every Thursday night in 1:30 Film Free for admission ticket holders; limited Phil Spector. T1 Agora. Sculpture Diner. T1 Agora. Sculpture SAT Warm Up. MoMA PS1 Wag the Dog. T2 to 25 participants. July and August (sets begin at 4:30 Film Rain Man. T2 Garden Garden 6:30 p.m.). Y tu mamá también. 4:00 Film 18 4:00 Film T1 4:00 Film Moonrise. T1 4:00 Film Makala. T2 Art Lab: Nature Aug 2 OSHUN 12:00 Event Night Nurse. -
UC Santa Cruz Electronic Theses and Dissertations
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations Title Instant Messenger: The Pony Express, Media, and Modern Virtuality Permalink https://escholarship.org/uc/item/7425331x Author Corfield, Christina Publication Date 2018 Supplemental Material https://escholarship.org/uc/item/7425331x#supplemental License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SANTA CRUZ INSTANT MESSENGER: THE PONY EXPRESS, MEDIA, AND MODERN VIRTUALITY A dissertation submitted in partial satisfaction Of the requirements for the degree of DOCTOR OF PHILOSOPHY In FILM AND DIGITAL MEDIA By Christina Corfield December 2018 The Dissertation of Christina Corfield is Approved: Assistant Professor Jennifer Horne, chair Professor Shelley Stamp Professor Rick Prelinger Professor Zoe Beloff Lori G Kletzer Vice Provost and Dean of Graduate Studies Table of Contents List of Figures…...…………………………………………………………………....iv Abstract……………………………………………………………………………….vi Acknowledgements…………………………………………………………………viii Introduction…………………………………………………………………………. 1 Chapter One: The Pony Express and Technological Modernity in America……...…16 Chapter Two: The Pony Express as Media, the Pony Express in Media………….…82 Chapter Three: Virtual Communication, Virtual Subject…...…………………...…140 Chapter Four: De-Virtualizing the Pony Express in the Pony Express Museums, St. Joseph, Missouri…………………………..……………………………………..…178 Conclusion………………………...……………………………………………..…214 -
Reel Wars: Cold War, Civil Rights and Hollywood's
REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins M. Phil. 2006 . HESISfc tc o:> COL g REEL WARS: COLD WAR, CIVIL RIGHTS AND HOLLYWOOD'S CHANGING INTERPRETATION OF THE AMERICAN CIVIL WAR 1945-75 J. Roy Collins A thesis submitted in partial fulfilment of the requirements of the University of Greenwich for the degree of Master of Philosophy March 2006 ACKNOWLEDGEMENTS I would like to thank my supervisors, Andrew Dawson, for his patient encouragement and for gently keeping me focused, and Michael Zell, for his very pertinent comments, also the library staff at Greenwich who have always been most helpful. My thanks, too, to my son Dan and my friends May Clarke and Jim Murray for struggling through a rather large first draft and Alan Rose for his help in obtaining many of the films on video. Also, my sister Tessa, for her proof reading, and Jacob Veale for his computer expertise. Finally, my partner Sarah for her continual encouragement and support and my daughters Hannah and Esther, who accepted that 'Dad was doing his thing.' in ABSTRACT This study is an examination of America's evolving sense of racial and national identity in the period from 1945 to the mid 1970s as refracted through Hollywood's representation of the American Civil War - a powerful event in American memory which still resonates today. Civil War films have been the subject of study by film studies specialists and historians but they have concentrated on the early years highlighting the iconic films The Birth of a Nation (1915) and Gone with the Wind (1939). -
HOLLYWOOD's WEST: the American Frontier in Film, Television, And
o HOLLYWOOD’S WEST WEST*FrontMtr.pmd 1 8/31/05, 4:52 PM This page intentionally left blank HOLLYWOOD’S WEST The American Frontier in o Film, Television, and History EDITED BY PETER C. ROLLINS JOHN E. O’CONNOR THE UNIVERSITY PRESS OF KENTUCKY WEST*FrontMtr.pmd 3 8/31/05, 4:52 PM Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2005 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508–4008 www.kentuckypress.com 0908070605 54321 “Challenging Legends, Complicating Border Lines: The Concept of ‘Frontera’ in John Sayles’s Lone Star” © 2005 by Kimberly Sultze. Library of Congress Cataloging-in-Publication Data Hollywood’s West : The American frontier in film, television, and history / edited by Peter C. Rollins and John E. O'Connor. p. cm. Includes bibliographical references and index. ISBN 0-8131-2354-2 (hardcover : alk. paper) 1. Western films—United States—History and criticism. 2. Western television programs—United States. I. O'Connor, John E. II. Rollins, Peter C. PN1995.9.W4A44 2005 791.436'278--dc22 2005018026 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.