Explaining Color Term Typology As the Product of Cultural Evolution Using a Bayesian Multi-Agent Model

Total Page:16

File Type:pdf, Size:1020Kb

Explaining Color Term Typology As the Product of Cultural Evolution Using a Bayesian Multi-Agent Model Explaining Color Term Typology as the Product of Cultural Evolution using a Bayesian Multi-agent Model Mike Dowman ([email protected]) School of Information Technologies, F09, University of Sydney, NSW2006 AUSTRALIA Abstract Basic color terms have prototype properties (Taylor, 1989) as there is usually a single color, the prototype, which An expression-induction model was used to simulate the speakers of the language consider to be the best example of evolution of basic color terms in order to test Berlin and the color term. Colors become increasingly less good Kay’s (1969) hypothesis that the typological patterns examples of the color category as they become more observed in basic color term systems are produced by a dissimilar to the prototype, and the category boundaries are process of cultural evolution under the influence of universal fuzzy, as speakers are unsure about the exact range of colors aspects of human neurophysiology. Ten agents were simulated, each of which could learn color term denotations denoted by each color term. by generalizing from examples using Bayesian inference. There has been a considerable amount of research into the Conversations between these agents, in which agents would properties of basic color terms cross-linguistically. Perhaps learn from one-another, were simulated over several the most important study was that of Berlin and Kay (1969). generations, and the languages emerging at the end of each They examined a sample of 98 languages, and found that simulation were investigated. The proportion of color terms there was very wide variation between the color terms of of each type correlated closely with the equivalent different languages, in that the actual ranges of color frequencies found in the world color survey, and most of the denoted by each term differed between languages. However, emergent languages could be placed on one of the they found that this variation was certainly not completely evolutionary trajectories proposed by Kay and Maffi (1999). random. While the number of color terms varied between The simulation therefore demonstrates how typological patterns can emerge as a result of learning biases acting over languages, which combination of color terms existed in any a period of time. given language seemed to be at least partly predictable. Berlin and Kay found that all languages have between 2 Introduction and 11 basic color terms. For 20 of the languages in their study, they asked informants to map both the outer This paper describes computational modeling experiments boundary of each of the basic color terms on an array of performed to explain the typological patterns observed in Munsell color chips, and to identify the best or most typical the color term systems of human languages. Color terms are example (the prototype) of each term. They discovered that simply words which are used to denote the property of the boundaries of the areas of color denoted by color terms color, and in most languages, a special subset of such words varied greatly between languages, but that the locations of can be identified, which Berlin and Kay (1969) named basic the prototypes of most basic color terms were clustered in a color terms. Berlin and Kay listed a number of criteria few parts of the color space. which they used to distinguish basic color terms from other A further finding emerged when Berlin and Kay words used to denote color. They considered color terms to investigated the combination of color terms existing in any be basic only if they were known by all speakers of the particular language. They produced the implicational language and were highly salient psychologically, and if hierarchy shown in Figure 1 to explain the regularities they did not just name a subset of the colors denoted by which they found. All languages appeared to have terms another color word and their meanings were not predictable with their prototypes at black and white, but some languages from the meanings of their component parts. Application of had no other basic color terms. However, if a language had a these criteria seems to distinguish clearly between basic and term for any of the colors further right in the hierarchy, it non-basic color terms in most languages, although there can always had terms for all the colors appearing to the left of still remain some questionable cases. English has 11 basic that point. color words, red, yellow, green, blue, orange, purple, pink, Berlin and Kay proposed that this hierarchy described the brown, grey, black and white. Terms such as crimson, general patterns seen in color term systems cross- blonde and royal blue are not considered to be basic. linguistically, but they did acknowledge the existence of purple white green pink red black yellow blue brown orange grey Figure 1. Berlin and Kay’s Implicational Hierarchy. 360 some exceptional languages which could not be placed on However, this proposal appears to be too restrictive, because the hierarchy. Since Berlin and Kay published their original it implies a limited set of universal color categories, while study, there has been a great deal of interest in basic color the empirical evidence shows that the boundaries of color terms, and much more data has been collected. These term denotations are quite variable, and that it is only the studies have in large part confirmed Berlin and Kay’s prototypes of color terms that are consistent across original findings, though several modifications have been languages. made to the hierarchy to accommodate languages of types Four special red, yellow, green and blue hues have also which were not attested in the original study. been identified by psychological evidence, and they are A very large survey of the color term systems of 110 termed unique hues, because they can’t be described as minor languages, the World Color Survey (Kay, Berlin, and blends of other colors. Heider (1971) showed that children Merrifield, 1991), has now produced a wealth of high are more likely to pick unique hues rather than other colors quality data allowing a much more complete picture of color out of selections of color chips, and so she proposed that term systems worldwide to be obtained. Using this new unique hues are especially salient. In Heider (1972) she data, Kay and Maffi (1999) produced a new classification of showed that people are best able to pick out a previously color term systems, which has modified the original seen color from an array of color chips when that color is a hierarchy of Berlin and Kay (1969) considerably, but which unique hue, which suggested that unique hues can be still shows that the attested color term systems are only a remembered more easily than other colors. We should note small subset of those which are logically possible. that Heider did not distinguish between the four unique hues There appear to be six fundamental colors, corresponding and the colors which formed the prototypes of color terms to the colors which are usually the prototypes of red, yellow, such as purple and orange, but a large amount of other green, blue, black and white color terms. The order of evidence points to the special status of unique hues. Also emergence of terms containing these fundamental colors is Kay and Maffi (1999) have questioned whether the unique fairly predictable, but the order of emergence of other basic hues apparent from the linguistic and psychological studies color terms, such as purple and orange terms, is less really correspond to those found using neurophysiological predictable. Kay and Maffi’s (1999) classification of color techniques. However, the consensus of opinion seems to be term systems was made by considering only terms whose that the four unique hues have a special psychological denotation included at least one of the fundamental colors, status, regardless of its cause. but Kay, Berlin and Merrifield (1991) noted that purple and The computer model described in this paper is a kind of brown terms tend to emerge before orange or pink ones. expression-induction model. These models, the first of Kay and Maffi (1999) found that 83% of the languages in which was described in Hurford (1987), aim to simulate the World Color Survey lie somewhere along the trajectory cultural evolution of language, usually over a number of shown in Figure 2, which represents a progression in which generations. They contain several agents, each of which is languages evolve from a state in which they contain only capable both of learning some aspect of language, and also two basic color terms, to states in which each of the using the language which they have learned to express fundamental colors is represented by a different basic color themselves, hence creating example utterances from which term. Kay and Maffi also proposed side branches to the other agents can learn. Usually expression-induction models main trajectory in order to accommodate some less common are run several times, so that the general properties of the language types, such as those containing yellow-green-blue, languages which emerge in them can be observed. If all the yellow-green or black-blue composites. There were four emergent languages have a particular property which is also languages which Kay and Maffi were unable to place a universal in real languages, or if the emergent languages anywhere on their trajectories, and which were simply show a limited range of variation, reflecting typological classed as exceptions. This paper attempts to address the patterns, then the model can be said to explain why these issue of what causes these typological patterns, by relating universals or typological patterns exist. Expression- them to fundamental properties of the human visual system. induction models have been developed to account for a wide white-red-yellow + black-green-blue range of linguistic phenomenon.
Recommended publications
  • Color Names Across Languages: Salient Colors and Term Translation in Multilingual Color Naming Models
    EUROVIS 2019/ J. Johansson, F. Sadlo, and G. E. Marai Short Paper Color Names Across Languages: Salient Colors and Term Translation in Multilingual Color Naming Models Younghoon Kim, Kyle Thayer, Gabriella Silva Gorsky and Jeffrey Heer University of Washington orange brown red yellow green pink English gray black purple blue 갈 빨강 노랑 주황 연두 자주 초록 회 분홍 Korean 청록 보라 하늘 검정 남 연보라 파랑 Figure 1: Maximum probability maps of English and Korean color terms. Each point represents a 10 × 10 × 10 bin in CIELAB color space. Larger points have a greater likelihood of agreement on a single term. Each bin is colored using the average color of the most probable name term. Bins with insufficient data (< 4 terms) are left blank. English has 10 clusters corresponding to basic English color terms [BK69], whereas Korean exhibits additional clusters for ¨ ( ), ­] ( ), 자주 ( ), X늘 ( ), 연P ( ), and 연보| ( ). Abstract Color names facilitate the identification and communication of colors, but may vary across languages. We contribute a set of human color name judgments across 14 common written languages and build probabilistic models that find different sets of nameable (salient) colors across languages. For example, we observe that unlike English and Chinese, Russian and Korean have more than one nameable blue color among fully-saturated RGB colors. In addition, we extend these probabilistic models to translate color terms from one language to another via a shared perceptual color space. We compare Korean-English trans- lations from our model to those from online translation tools and find that our method better preserves perceptual similarity of the colors corresponding to the source and target terms.
    [Show full text]
  • Color Dictionaries and Corpora
    Encyclopedia of Color Science and Technology DOI 10.1007/978-3-642-27851-8_54-1 # Springer Science+Business Media New York 2015 Color Dictionaries and Corpora Angela M. Brown* College of Optometry, Department of Optometry, Ohio State University, Columbus, OH, USA Definition In the study of linguistics, a corpus is a data set of naturally occurring language (speech or writing) that can be used to generate or test linguistic hypotheses. The study of color naming worldwide has been carried out using three types of data sets: (1) corpora of empirical color-naming data collected from native speakers of many languages; (2) scholarly data sets where the color terms are obtained from dictionaries, wordlists, and other secondary sources; and (3) philological data sets based on analysis of ancient texts. History of Color Name Corpora and Scholarly Data Sets In the middle of the nineteenth century, color-name data sets were primarily from philological analyses of ancient texts [1, 2]. Analyses of living languages soon followed, based on the reports of European missionaries and colonialists [3, 4]. In the twentieth century, influential data sets were elicited directly from native speakers [5], finally culminating in full-fledged empirical corpora of color terms elicited using physical color samples, reported by Paul Kay and his collaborators [6, 7]. Subsequently, scholarly data sets were published based on analyses of secondary sources [8, 9]. These data sets have been used to test specific hypotheses about the causes of variation in color naming across languages. From the study of corpora and scholarly data sets, it has been known for over 150 years that languages differ in the number of color terms in common use.
    [Show full text]
  • Development and Difference in Germanic Colour Semantics
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/264981573 Two kinds of pink: development and difference in Germanic colour semantics ARTICLE in LANGUAGE SCIENCES · AUGUST 2014 Impact Factor: 0.44 · DOI: 10.1016/j.langsci.2014.07.007 CITATIONS READS 3 87 8 AUTHORS, INCLUDING: Cornelia van Scherpenberg Þórhalla Guðmundsdóttir Beck Ludwig-Maximilians-University of Mun… University of Iceland 3 PUBLICATIONS 4 CITATIONS 5 PUBLICATIONS 5 CITATIONS SEE PROFILE SEE PROFILE Linnaea Stockall Matthew Whelpton Queen Mary, University of London University of Iceland 18 PUBLICATIONS 137 CITATIONS 13 PUBLICATIONS 29 CITATIONS SEE PROFILE SEE PROFILE Available from: Linnaea Stockall Retrieved on: 03 March 2016 Language Sciences xxx (2014) 1–16 Contents lists available at ScienceDirect Language Sciences journal homepage: www.elsevier.com/locate/langsci Two kinds of pink: development and difference in Germanic colour semantics Susanne Vejdemo a,*, Carsten Levisen b, Cornelia van Scherpenberg c, þórhalla Guðmundsdóttir Beck d, Åshild Næss e, Martina Zimmermann f, Linnaea Stockall g, Matthew Whelpton h a Stockholm University, Department of Linguistics, 10691 Stockholm, Sweden b Linguistics and Semiotics, Department of Aesthetics and Communication, Aarhus University, Jens Chr. Skous Vej 2, Bygning 1485-335, 8000 Aarhus C, Denmark c Ludwig-Maximilians-Universität München, Geschwister-Scholl-Platz 1, 80539 München, Germany d University of Iceland, Háskóli Íslands, Sæmundargötu 2, 101 Reykjavík, Iceland
    [Show full text]
  • The Basic Colour Terms of Finnish1
    Mari Uusküla The Basic Colour Terms of Finnish1 Abstract This article describes a study of Finnish colour terms the aim of which was to establish an inventory of basic colour terms, and to compare the results to the list of basic terms suggested by Mauno Koski (1983). Basic colour term in this study is understood as Brent Berlin and Paul Kay defined it in 1969. The data for the study was collected using the field method of Ian Davies and Greville Corbett (1994). Sixty-eight native speakers of Finnish, aged 10 to 75, performed two tasks: a colour-term list task (name as many colours as you know) and a colour naming task (where the subjects were asked to name 65 representative colour tiles). The list task was complemented by the cognitive salience index designed by Sutrop (2001). An analysis of the results shows that there are 10 basic colour terms in Finnish—punainen ‘red,’ sininen ‘blue,’ vihreä ‘green,’ keltainen ‘yellow,’ musta ‘black,’ valkoinen ‘white,’ oranssi ‘orange,’ ruskea ‘brown,’ harmaa ‘grey,’ and vaaleanpunainen ‘pink’. These results contrast with Mauno Koski’s claim that there are only 8 basic colour terms in Finnish. However, both studies agree that Finnish does not possess a basic colour term for purple. 1. Introduction Basic colour terms are a relatively well studied area of vocabulary and studies on them cover many languages of the world. Research on colour terms became particularly intense after the publication of Berlin and Kay’s (1969) inspiring and much debated monograph. Berlin and Kay argued that basic colour terms in all languages are drawn from a universal inventory of just 11 colour categories (see Figure 1).
    [Show full text]
  • Berlin and Kay Theory
    Encyclopedia of Color Science and Technology DOI 10.1007/978-3-642-27851-8_62-2 # Springer Science+Business Media New York 2013 Berlin and Kay Theory C.L. Hardin* Department of Philosophy, Syracuse University, Syracuse, NY, USA Definition The Berlin-Kay theory of basic color terms maintains that the world’s languages share all or part of a common stock of color concepts and that terms for these concepts evolve in a constrained order. Basic Color Terms In 1969 Brent Berlin and Paul Kay advanced a theory of cross-cultural color concepts centered on the notion of a basic color term [1]. A basic color term (BCT) is a color word that is applicable to a wide class of objects (unlike blonde), is monolexemic (unlike light blue), and is reliably used by most native speakers (unlike chartreuse). The languages of modern industrial societies have thousands of color words, but only a very slender stock of basic color terms. English has 11: red, yellow, green, blue, black, white, gray, orange, brown, pink, and purple. Slavic languages have 12, with separate basic terms for light blue and dark blue. In unwritten and tribal languages the number of BCTs can be substantially smaller, perhaps as few as two or three, with denotations that span much larger regions of color space than the BCT denotations of major modern languages. Furthermore, reconstructions of the earlier vocabularies of modern languages show that they gain BCTs over time. These typically begin as terms referring to a narrow range of objects and properties, many of them noncolor properties, such as succulence, and gradually take on a more general and abstract meaning, with a pure color sense.
    [Show full text]
  • Color Naming Experiment in Mongolian Language
    International Journal of Applied Linguistics & English Literature ISSN 2200-3592 (Print), ISSN 2200-3452 (Online) Vol. 4 No. 6; November 2015 Flourishing Creativity & Literacy Australian International Academic Centre, Australia Color Naming Experiment in Mongolian Language Nandin-Erdene Osorjamaa (Corresponding author) The National University of Mongolia, Orkhon school, Department of Translation Studies, Mongolia E-mail: [email protected], [email protected] Nansalmaa Nyamjav School of Science, Faculty of Humanities, Department of European Studies The National University of Mongolia, Mongolia E-mail: [email protected] Received: 20-03- 2015 Accepted: 21-06- 2015 Advance Access Published: August 2015 Published: 01-11- 2015 doi:10.7575/aiac.ijalel.v.4n.6p.58 URL: http://dx.doi.org/10.7575/aiac.ijalel.v.4n.6p.58 Abstract There are numerous researches on color terms and names in many languages. In Mongolian language there are few doctoral theses on color naming. Cross cultural studies of color naming have demonstrated Semantic relevance in French and Mongolian color name Gerlee Sh. (2000); Comparisons of color naming across English and Mongolian Uranchimeg B. (2004); Semantic comparison between Russian and Mongolian idioms Enhdelger O. (1996); across symbolism Dulam S. (2007) and few others. Also a few articles on color naming by some Mongolian scholars are Tsevel, Ya. (1947), Baldan, L. (1979), Bazarragchaa, M. (1997) and others. Color naming studies are not sufficiently studied in Modern Mongolian. Our research is considered to be the first intended research on color naming in Modern Mongolian, because it is one part of Ph.D dissertation on color naming. There are two color naming categories in Mongolian, basic color terms and non- basic color terms.
    [Show full text]
  • Kay (?) Color Naming Across Languages
    2. Color Naming Across Languages Paul Kay, Brent Berlin, Luisa Maffi and William Merrifield 1. Introduction: Prior cross-linguistic research on color naming This chapter summarizes some of the research on cross-linguistic color categorization and naming that has addressed issues raised in Basic Color Terms: Their Universality and Evolution (Berlin and Kay 1969, hereafter B&K). It then advances some speculations regarding future developments—especially regarding the analysis, now in progress, of the data of the World Color Survey (hereafter WCS). In the latter respect the chapter serves as something of a progress report on the current state of analysis of the WCS data, as well as a promissory note on the full analysis to come. B&K proposed two general hypotheses about basic color terms and the categories they name: (1) there is a restricted universal inventory of such categories; (2) a language adds basic color terms in a constrained order, interpreted as an evolutionary sequence. These two hypotheses have been substantially confirmed by subsequent research.1 There have been changes in the more detailed formulation of the hypotheses, as well as additional empirical findings and theoretical interpretations since 1969. Rosch’s experimental work on Dani color (Heider 1972a, 1972b), supplemented by personal communications from anthropologists and linguists, showed that two-term systems contain, not terms for dark and light shades regardless of hue—as B&K had inferred—but rather one term covering white, red and yellow and one term covering black, green and blue, that is, a category of white plus ‘warm’ colors versus one of black plus ‘cool’ colors.
    [Show full text]
  • Color Term Comprehension and the Perception of Focal Color in Young Children
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1973 Color term comprehension and the perception of focal color in young children. Charles G. Verge University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Verge, Charles G., "Color term comprehension and the perception of focal color in young children." (1973). Masters Theses 1911 - February 2014. 2050. Retrieved from https://scholarworks.umass.edu/theses/2050 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. COLOR TERM COMPREHENSION AND THE PERCEPTION OF FOCAL COLOR IN YOUNG CHILDREN A thesis presented By CHARLES G. VERGE Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE March 1973 Psychology COLOR TERI^ COMPREHENSION AND THE PERCEPTION OF FOCAL COLOR IN YOUNG CHILDREN A Thesis By CHARLES G. VERGE Approved as to style and content by: March 1973 ABSTRACT Thirty 2-year-old subjects participated in a color per- ception task designed to assess the :i.nfluence of color term comprehension on the perception of "focal" color areas. The subject's task was to choose a color from an array of Munsell color chips consisting of one focal color chip with a series of non focal color chips. Eacn subject was given a color com- prehension and color naming task.
    [Show full text]
  • Greek Color Theory and the Four Elements [Full Text, Not Including Figures] J.L
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Greek Color Theory and the Four Elements Art July 2000 Greek Color Theory and the Four Elements [full text, not including figures] J.L. Benson University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/art_jbgc Benson, J.L., "Greek Color Theory and the Four Elements [full text, not including figures]" (2000). Greek Color Theory and the Four Elements. 1. Retrieved from https://scholarworks.umass.edu/art_jbgc/1 This Article is brought to you for free and open access by the Art at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Greek Color Theory and the Four Elements by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Cover design by Jeff Belizaire ABOUT THIS BOOK Why does earlier Greek painting (Archaic/Classical) seem so clear and—deceptively— simple while the latest painting (Hellenistic/Graeco-Roman) is so much more complex but also familiar to us? Is there a single, coherent explanation that will cover this remarkable range? What can we recover from ancient documents and practices that can objectively be called “Greek color theory”? Present day historians of ancient art consistently conceive of color in terms of triads: red, yellow, blue or, less often, red, green, blue. This habitude derives ultimately from the color wheel invented by J.W. Goethe some two centuries ago. So familiar and useful is his system that it is only natural to judge the color orientation of the Greeks on its basis. To do so, however, assumes, consciously or not, that the color understanding of our age is the definitive paradigm for that subject.
    [Show full text]
  • Diachronic Trends in Latin's Basic Color Vocabulary
    Diachronic Trends in Latin’s Basic Color Vocabulary Emily Gering University of North Carolina at Greensboro Faculty Mentor: David Wharton University of North Carolina at Greensboro ABSTRACT The Latin language contains a number of synonymous terms in its basic color categories. The goal of this essay is to trace the diachronic trends of such terms; to discover which term, if any, is the favored term for a color category; and to determine whether it became established as such in sequence with the Universal Evolution (UE) model. I examine the frequencies of all potentially-basic color terms in the extant texts of five authors chosen to represent a span of about six hundred years: Plautus, Cato the Elder, Cicero, Seneca, and Saint Jerome. My initial hypothesis was that niger was displacing ater as the basic Black term; a similar shift was occurring as candidus displaced albus as the default White term; and other shifts between Red and Yellow terms are uncertain. The hypothesis that niger was displacing ater proved to be accurate; niger increased from occurring only incidentally in Plautus (third century BCE) to being the dominant Black term in Seneca (first century CE), although it did not completely displace ater until late antiquity. In Plautus, candidus and albus formed an equal percentage of total color vocabulary, and displayed only slightly divergent trends, which may reflect the use of albus for “matte white” and candidus for “shiny white.” Ruber was the favored Red term, but it was not displacing other Red terms, nor were the other Red terms displacing each other.
    [Show full text]
  • Tutorial on the Importance of Color in Language and Culture
    Tutorial on the Importance of Color in Language and Culture James A. Schirillo Department of Psychology, Wake Forest University, Winston–Salem, NC 27109 Received 11 December 1998; revised 30 July 1999; accepted 13 July 2000 Abstract: This tutorial examines how people of various the eye are considered first. A brief description follows of cultures classify different colors as belonging together un- the medium that transposes these external events into per- der common color names. This is addressed by examining ceptions, that is, the human biology that regulates color Berlin and Kay’s (1969) hierarchical classification scheme. vision. Once the physics of external reality and the biolog- Special attention is paid to the additional five (derived) ical filter that processes those energies has been outlined, a color terms (i.e., brown, purple, pink, orange, and gray) discussion of Berlin & Kay’s 1969 hypothesis1 and support- that must be added to Herings’ six primaries (i.e., white, ing works are used to tie color categorization to linguistics. black, red, green, yellow, blue) to constitute Berlin and Since Berlin & Kay’s work has received several significant Kay’s basic color terms. © 2001 John Wiley & Sons, Inc. Col Res criticisms, a number of counterexamples follow. What is Appl, 26, 179–192, 2001 most significant regarding Berlin & Kay’s hypothesis is that as cultures develop, they acquire additional color names in Key words: color naming; language; culture; evolution; systematic order. Berlin & Kay initially postulated that this development was due to successive encoding of color foci, while in later work they considered it to be due to the successive parti- INTRODUCTION tioning of color space.
    [Show full text]
  • Colour and Colour Terminology Author(S): N
    Colour and Colour Terminology Author(s): N. B. McNeill Source: Journal of Linguistics, Vol. 8, No. 1 (Feb., 1972), pp. 21-33 Published by: Cambridge University Press Stable URL: http://www.jstor.org/stable/4175133 . Accessed: 10/08/2011 16:58 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Journal of Linguistics. http://www.jstor.org JL8 (1972) i-i99 Printed in Great Britain Colour and colour terminology N. B. McNEILL PsycholinguisticLaboratories, The Universityof Chicago (Received 30 May I97I) The continuous gradation of colour which exists in nature is represented in languageby a series of discrete categories.1Athough there is no such thing as a natural division of the spectrum, every language has colour words by which its speakerscategorize and structurethe colour continuum. The number of colour words and the mannerin which differentlanguages classify the colourcontinuum differ. Bassa, a language of Liberia, has only two terms for classifying colours; hui and ziza (Gleason, I955: 5). Hui corresponds roughly to the cool end of the spectrum (black, violet, blue, and green) and ziza correspondsto the warm end of the spectrum (white, yellow, orange and red); in Bambara,one of the languagesof the Congo area, there are three fundamentalcolour words: dyema, blema and fima (Zahan, 195I: 52).
    [Show full text]