Emmylou Harris Pt 1 Episode Transcript
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Sam Quinn's Posthumous Visit with Gram Parsons by Carole Perkins 2008
Sam Quinn's Posthumous Visit With Gram Parsons by Carole Perkins 2008 Sam Quinn and his band, the everybodyfields, recently stayed at The Joshua Tree Inn where legendary singer/songwriter Gram Parsons died from a drug and alcohol overdose in 1973 at the age of 26. Quinn, Jill Andrews, Josh Oliver, and Tom Pryor, comprise the everybodyfields whose music has been described as, "a fresh set of fingerprints in the archives of bluegrass, country, and folk music." The band was touring the west coast when Quinn discovered the band was booked to stay at The Joshua Tree Inn. The Joshua Tree Inn is a simple but mythical motel in California, about 140 miles east of Los Angeles. It was popular in the fifties for Hollywood rabble rousers and trendy in the seventies for rockers and celebrities. These days, the main attraction is the room Parsons passed away in, room Number Eight, where thousands of fans pilgrimage every year to pay homage to Parsons. Quinn says he's been a fan of Parsons since he was eighteen but never dreamed he'd be sharing a wall with Parson's old motel room one day. "It was really far out to find out we would be staying in the Joshua Tree Inn. I had just woken up in our van that was parked about a mile away. I knew we'd be in the vicinity of where Gram died but sharing a wall with Gram, no, not a chance," he says. "So we walk into the lobby and the lady at the front desk gives me a key to room Number Seven, the room right next to the one Gram died in. -
Biography Emmylou Harris
BIOGRAPHY EMMYLOU HARRIS A 13-time Grammy winner and Billboard Century Award recipient, Emmylou Harris’ contribution as a singer and songwriter spans 40 years. She has recorded more than 25 albums Photo: Veronique Rolland Veronique Photo: and has lent her talents to countless fellow artists’ recordings. In recognition of her remarkable career, Harris was inducted into the Country Music Hall of Fame in 2008. Harris is known as much for her eloquently straightforward songwriting as for her incomparably expressive singing. Admired through her career for her talent as an artist and song connoisseur, Harris shook up country radio in the 1970s, and established herself as the premiere songwriter of a generation selling more than 15 million records and garnering 13 Grammy Awards (this year she and Rodney Crowell won the Grammy for "Best Americana album"), three CMA Awards, and two Americana Awards. Harris is one of the most admired and inuential women in music. She has recorded with such diverse artists as Linda Ronstadt, Daniel Lanois, Bob Dylan, Mark Knoper, Neil Young, Gram Parsons, Willie Nelson, Dolly Parton, Roy Orbison, Ryan Adams, Beck, Elvis Costello, Johnny Cash, Lucinda Williams, Lyle Lovett and most recently Rodney Crowell. Few artists have achieved such honesty or have revealed such maturity in their writing. Forty years into her career, Harris continues to share the hard-earned wisdom Photo: Jack Spencer Photo: that—hopefully if not inevitably—comes with getting older, though she’s never stopped looking ahead. A longtime social activist, Harris has lent her voice to many causes. She has performed at Lilith Fair, helping promote feminism in music and organizing several benet tours to support the Vietnam Veterans of America Foundation. -
Country Music and the Expression of Loss
Country Music and the Expression of Loss THE RECIPIENT OF CSW’S 2008 CONSTANCE COINER GRADUATE AwARD TALKS ABOUT HIS by Marcus Desmond Harmon CURRENT RESEARCH ON GRIEF, LOSS, AND MOURNING IN THE MUSIC As a doctoral candidate in the Department of Musicology at UCLA, I have OF EMMYLOU HARRIS had the opportunity to work with a variety of scholars studying the intersection between music and cultural practice. In my research and my classroom teaching, I work to bring a class-aware, feminist perspective DEC08 14 CSupdateW Since the meaning of musical gestures is so often the result of individual experience artists of any ideological affiliation and how they contribute to the larger eschew the religious and patriotic American discourse about trauma, interacting with broader social and cultural norms, I’ve taken a psychoanalytic signifiers that make many secular critics grief, and memory. Since the meaning approach to interpretation–looking not just at what artists and audiences say about uncomfortable, but artists deploy of musical gestures is so often the result the music they listen to, but also the ways in which that music evokes (or resists) them in a number of complex ways. of individual experience interacting other artifacts and institutions. For example, it would be hard to discuss the age- In any case, working-class concerns with broader social and cultural norms, worn last albums of Johnny Cash without understanding the particular beliefs about have rarely been of great interest to I’ve taken a psychoanalytic approach to sin, punishment, and redemption that stem from his Southern Baptist cosmology. -
Rodney Crowell
As a self-employed performer and small business owner, I am unable to provide my traveling companions and collaborators with group health insurance. I simply can’t afford it. In fact, very few touring entities can. With 56,000 people making their living in the music business, 76% of us are self-employed, which leaves a large portion of our industry uninsured. When I ask most Nashville music industry insiders how much they know about Music Health Alliance, more often than not their answer is “not very much.” Most are surprised to learn that since the not-for-profit MHA was founded in 2013, over 5,600 people who earn their living in the music business have been connected by Music Health Alliance to life-changing healthcare resources, enabling access to doctors, medicine, health insurance and financial assistance in times of medical emergency. To date MHA has saved over $16 million dollars in medical bills and successfully reduced premiums. And these services are rendered by MHA entirely for free. If ever there was a friend to the middle class working musician and, for that matter, members of the day-to-day music business workforce, it is Music Health Alliance. The testimonials I’ve been privileged to hear in which MHA has walked uninsured music professionals through unimaginable health problems — brain tumors, ovarian cancer, end of life care, heart and liver transplants, traumatic brain injury, Parkinson’s Disease to helping working musicians and their families navigate the murky waters of health insurance — have made me a staunch supporter. While shooting a music video in downtown Nashville, the thought occurred to me that on weekends there must be hundreds of musicians working in the clubs lining either side of Broadway. -
Emmylou Harris and Rodney Crowell the Traveling Kind
Titelliste der Sendung “Country Special” vom 31.5.2015 EMMYLOU HARRIS AND RODNEY CROWELL THE TRAVELING KIND GRAM PARSONS/EMMYLOU HARRIS BRAND NEW HEARTACHE EMMYLOU HARRIS AND RODNEY CROWELL IF YOU LIVED HERE, YOU'D BE HOME BY NOW DOLLY PARTON/L. RONSTADT/EMMYLOU HARRIS WILDFLOWERS EMMYLOU HARRIS AND RODNEY CROWELL NO MEMORIES HANGING 'ROUND ROSANNE CASH WHEN THE MASTER CALLS THE ROLL EMMYLOU HARRIS AND RODNEY CROWELL BRING IT ON HOME TO MEMPHIS LUCINDA WILLIAMS I JUST WANTED TO SEE YOU SO BAD DOUG SEEGERS/EMMYLOU HARRIS SHE NORAH JONES IF THE LAW DON'T WANT YOU EMMYLOU HARRIS AND RODNEY CROWELL JUST PLEASING YOU MARK KNOPFLER/EMMYLOU HARRIS RED STAGGERWING EMMYLOU HARRIS AND RODNEY CROWELL YOU CAN'T SAY WE DIDN'T TRY SOLOMON BURKE/EMMYLOU HARRIS WE'RE GONNA HOLD ON EMMYLOU HARRIS/DON WILLIAMS IF I NEEDED YOU WILLIE NELSON AND MERLE HAGGARD IT'S ALL GOING TO POT WILLIE NELSON AND MERLE HAGGARD DJANGO AND JIMMIE JIMMIE RODGERS WAITING FOR A TRAIN BOB DYLAN MY BLUE EYED JANE WILLIE NELSON AND MERLE HAGGARD DON'T THINK TWICE, IT'S ALRIGHT ROSIE FLORES GIRL HAGGARD WILLIE NELSON AND MERLE HAGGARD UNFAIR WEATHER FRIEND BRUCE ROBISON WHAT WOULD WILLIE DO WILLIE NELSON AND MERLE HAGGARD/BOBBY BARE MISSING OL' JOHNNY CASH DJANGO REINHARDT NUAGES WILLIE NELSON AND MERLE HAGGARD ALICE IN HULALAND ASLEEP AT THE WHEEL/OLD CROW MEDICINE SHOW TIGER RAG POKEY LAFARGE SOMETHING IN THE WATER B.B. KING/WILLIE NELSON NIGHT LIFE WILLIE NELSON AND MERLE HAGGARD THE ONLY MAN WILDER THAN ME . -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
August 2012 Newsletter
August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th. -
Stu Davis: Canada's Cowboy Troubadour
Stu Davis: Canada’s Cowboy Troubadour by Brock Silversides Stu Davis was an immense presence on Western Canada’s country music scene from the late 1930s to the late 1960s. His is a name no longer well-known, even though he was continually on the radio and television waves regionally and nationally for more than a quarter century. In addition, he released twenty-three singles, twenty albums, and published four folios of songs: a multi-layered creative output unmatched by most of his contemporaries. Born David Stewart, he was the youngest son of Alex Stewart and Magdelena Fawns. They had emigrated from Scotland to Saskatchewan in 1909, homesteading on Twp. 13, Range 15, west of the 2nd Meridian.1 This was in the middle of the great Regina Plain, near the town of Francis. The Stewarts Sales card for Stu Davis (Montreal: RCA Victor Co. Ltd.) 1948 Library & Archives Canada Brock Silversides ([email protected]) is Director of the University of Toronto Media Commons. 1. Census of Manitoba, Saskatchewan and Alberta 1916, Saskatchewan, District 31 Weyburn, Subdistrict 22, Township 13 Range 15, W2M, Schedule No. 1, 3. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. CAML REVIEW / REVUE DE L’ACBM 47, NO. 2-3 (AUGUST-NOVEMBER / AOÛT-NOVEMBRE 2019) PAGE 27 managed to keep the farm going for more than a decade, but only marginally. In 1920 they moved into Regina where Alex found employment as a gardener, then as a teamster for the City of Regina Parks Board. The family moved frequently: city directories show them at 1400 Rae Street (1921), 1367 Lorne North (1923), 929 Edgar Street (1924-1929), 1202 Elliott Street (1933-1936), 1265 Scarth Street for the remainder of the 1930s, and 1178 Cameron Street through the war years.2 Through these moves the family kept a hand in farming, with a small farm 12 kilometres northwest of the city near the hamlet of Boggy Creek, a stone’s throw from the scenic Qu’Appelle Valley. -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. •>- I The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrougb, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. -
2019 Session 1 Chapbook
“If I’m not for myself, who will be for me? If I’m only for myself, what am I? And if not Creative Writing now, then when?” Chapbook – Pirkei Avot Session One 2019 CONTENTS Notes from the Editor “The Narrators of Life” by Benjamin B. 3 This summer, 6 Points Creative Arts Academy added a creative writing “Wongarts” by Becca N. 7 major comprised of passionate wordsmiths from both Bonim and Olim. These majors constructed narrative works, exploring dialogue, exposition, “The Death Dance” by Naomi J. 10 and scene, before crafting their final pieces all of which centered around the theme of the summer, which comes from Pirkei Avot: “If I am not for “Nine Lives” by Natanya D. 15 myself, who will be for me? If I am only for myself, what am I? And if not now, then when?” In a minor titled: Adapting Stories, campers from a “Time” by Rebecca B. 17 variety of majors came together to read, write, and create fractured fairy tales and Torah stories. Some of those stories are included in this chapbook. “The Butterfly Room” by Olivia S. 20 “Speechless” by Sunny C. 23 Creative Writing Arts Mentor: Carly Husick “Beaut-evil” by Hanna P. 24 Instructors: Allison Woitte “The Art of Trying” by Maya F. 29 Noy Israeli Tani Prell Epstein “The Ransacking” by Charlie R. 32 Abe Frankel “The Man of Iron” by Jonathon N. 34 Artistic Director: David Loewy “The Lady and the Beast” by Ciera and Sophia 36 “Grandmother” by Isabel, Hannah, and Brandon 38 “Theadora” by Ellis S. -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds. -
Campfire Lyrics
Campfire Lyrics May 8, 2020 The Funky Chicken Song LEADER: Let me see your funky chicken. EVERYONE: What’s that you say? LEADER: I said let me see your funky chicken. EVERYONE: What’s that you say? (Altogether) I said ooh ahh funky chicken ooh ahh one more time ooh ahh funky chicken ooh ahh get back in line! Boom Chicka Boom (repeat each line after song leader) I said a Boom Chicka Boom I said a Boom Chicka Boom I said a Boom Chicka Rocka Chicka Rocka Chicka Boom Uh huh Oh yeah One more time ______ style. Astronaut Style: I said a blast me to the moon I said a blast me to the moon I said a moon blast-me shoot-me blast-me shoot-me-to-the-moon Janitor Style: I said a Broom Sweep-a Broom I said a Broom Sweep-a Broom I said a Broom Sweep-a Mop-a Sweep-a Mop-a Sweep-a Broom Flower Style: I said a bloom chicka bloom I said a bloom chicka bloom I said a bloom chicka POLLEN POELLEN Bloom chicka bloom Underwater style!: Make it sound like you are singing the first verse underwater! Race Car Style: I said a vroom shifta vroom I said a vroom shifta vroom I said a vroom shifta honk-a shifta honk-a shifta vroom Valley Girl Style: I said like boom chicka boom I said a totally boom chicka boom I said like boom chicka like rocka chicka like gag me with a spoon Like a Photographer: I said a zoom clicka zoom I said a zoom click a zoom I said a zoom a click a hold it right there, hold it right there, click a zoom Country Roads Bill Danoff / John Denver / Taffy Nivert Danoff Take Me Home, Country Roads (Original Version) lyrics © BMG Rights Management, Reservoir