The Beginner's Guide to Planning a Charity Run / Walk Event Classy.Org 1 TABLE of INTRODUCTION CONTENTS PAGE 3
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The BET HIP-HOP AWARDS '09 Nominees Are in
The BET HIP-HOP AWARDS '09 Nominees Are In ... Kanye West Leads The Pack With Nine Nominations As Hip-Hop's Crowning Night Returns to Atlanta on Saturday, October 10 and Premieres on BET Tuesday, October 27 at 8:00 p.m.* NEW YORK, Sept.16 -- The BET HIP-HOP AWARDS '09 nominations were announced earlier this evening on 106 & PARK, along with the highly respected renowned rapper, actor, screenwriter, film producer and director Ice Cube who will receive this year's "I AM HIP-HOP" Icon Award. Hosted by actor and comedian Mike Epps, the hip-hop event of the year returns to Atlanta's Boisfeuillet Jones Civic Center on Saturday, October 10 to celebrate the biggest names in the game - both on the mic and in the community. The BET HIP-HOP AWARDS '09 will premiere Tuesday, October 27 at 8:00 PM*. (Logo: http://www.newscom.com/cgi-bin/prnh/20070716/BETNETWORKSLOGO ) The Hip-Hop Awards Voting Academy which is comprised of journalists, industry executives, and fans has nominated rapper, producer and style aficionado Kanye West for an impressive nine awards. Jay Z and Lil Wayne follow closely behind with seven nominations, and T.I. rounds things off with six nominations. Additionally, BET has added two new nomination categories to this year's show -- "Made-You-Look Award" (Best Hip Hop Style) which will go to the ultimate trendsetter and "Best Hip-Hop Blog Site," which will go to the online site that consistently keeps hip-hop fans in the know non-stop. ABOUT ICE CUBE Veteran rapper, Ice Cube pioneered the West Coast rap movement back in the late 80's. -
Statement of the Department of Justice on the Closing of the Antitrust Division’S Review of the ASCAP and BMI Consent Decrees
DEPARTMENT OF JUSTICE Statement of the Department of Justice on the Closing of the Antitrust Division’s Review of the ASCAP and BMI Consent Decrees Washington, D.C. August 4, 2016 The American Society of Composers, Authors and Publishers (ASCAP) and Broadcast Music, Inc. (BMI) are “performing rights organizations” (PROs). PROs provide licenses to users such as bar owners, television and radio stations, and internet music distributors that allow them to publicly perform the musical works of the PROs’ thousands of songwriter and music publisher members. These “blanket licenses” enable music users to immediately obtain access to millions of songs without resorting to individualized licensing determinations or negotiations. But because a blanket license provides at a single price the rights to play many separately owned and competing songs – a practice that risks lessening competition – ASCAP and BMI have long raised antitrust concerns. ASCAP and BMI are subject to consent decrees that resolved antitrust lawsuits brought by the United States in 1941 alleging that each organization had unlawfully exercised market power acquired through the aggregation of public performance rights in violation of Section 1 of the Sherman Act, 15 U.S.C. § 1. The consent decrees seek to prevent the anticompetitive exercise of market power while preserving the transformative benefits of blanket licensing. In the decades since the ASCAP and BMI consent decrees were entered, industry participants have benefited from the “unplanned, rapid and indemnified access” to the vast repertories of songs that each PRO’s blanket licenses make available. Broadcast Music, Inc. v. CBS, Inc., 441 U.S. 1, 20 (1979). -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research. -
Robert G. Elliott's Financial News I
Winter Edition 2021 Robert G. Elliott’s Wiley Bros. Aintree Capital, LLC. - Member SIPC Financial News 40 Burton Hills Blvd., Suite 350 .. Nashville, Tennessee 37215 . Phone (615) 255-6431, Toll-Free 800-827-7862 wileybros.com Focus on the Basics It’s easy to become overwhelmed your lifestyle. Don’t have any money left or change investment allocations. when faced with all the decisions that over for investing? Ruthlessly cut your - Understand that risk can’t be need to be made to ensure you select living expenses – dine out less often, stay totally avoided. All investments are appropriate investments to help pursue home rather than going away for vacation, subject to different types of risk, which your long-termWiley Bros. investment Aintree Capital, goals. LLC. - Member How SIPC do rent a movie rather than going to the theater, can affect the investment’s return. Cash is you choose the right combination of cut out morning stops for coffee. Redirect primarily affected by purchasing-power investments to help you work towards a all those reductions to investments. This risk, or the risk that its purchasing-power goal that may be a decade away? The should help significantly with your retire- will decrease due to inflation. Bonds are answer is to focus on the basics. Make ment. First, you’ll be saving much more for subject to interest-rate risk, or the risk that sure you are getting these fundamentals that goal. Second, you’ll be living on less interest rates will rise and cause the right: than you’re earning, so you’ll need less for bond’s value to decrease, and default risk, - Don’t wait – invest now. -
Sentence Fragments and Run-On Sentences
Sentence Fragments and Run-on Sentences A sentence is a group of words that names something and makes a statement about what is named. A sentence fragment is an incomplete sentence because it lacks a subject, lacks a verb, or is a dependent clause. Fragments usually begin with a subordinate conjunction or a relative pronoun. When sentences begin with subordinate conjunctions or relative pronouns, they must be joined to a main clause. Fragments Although he wanted to go to the meeting. Whoever goes to the meeting. Complete sentences Although he wanted to go to the meeting, his doctor advised him to stay home. Whoever goes to the meeting should bring back handouts for the rest of the group. Subordinate Conjunctions: after, although, as, as if, as though, because, before, except, if, since, though, unless, until, when, whereas Relative Pronouns: that, what, whatever, which, who, whoever, whom, whose Run-on sentences usually occur as comma splices or fused sentences. A fused sentence occurs when independent clauses are joined with no punctuation. A comma splice occurs when only a comma joins two independent clauses. An independent clause is a sentence. It can stand alone and make sense. A dependent clause is a fragment. It cannot stand alone and make sense. Sentence Fragment Practice Place a ( ) in the left hand column if the sentence is actually a fragment. _ _ 1. While they were gone to the grocery store. _ _ 2. Going to Florida and to Jamaica for Spring Break. _ _ 3. Before the children have to go to bed. ___ 4. -
The Year Walk Ritual in Swedish Folk Tradition
http://www.diva-portal.org Postprint This is the accepted version of a chapter published in Folk Belief and Traditions of the Supernatural. Citation for the original published chapter: Kuusela, T. (2016) "He Met His Own Funeral Procession": The Year Walk Ritual in Swedish Folk Tradition. In: Tommy Kuusela & Giuseppe Maiello (ed.), Folk Belief and Traditions of the Supernatural (pp. 58-91). København: Beewolf Press N.B. When citing this work, cite the original published chapter. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-131842 [58] Folk Belief and Traditions of the Supernatural Chapter 3 “He Met His Own Funeral Procession”: The Year Walk Ritual in Swedish Folk Tradition Tommy Kuusela Stockholm University, Sweden Introduction The belief in prophetic signs bound to specific and important dates can be seen all over Europe as early as Medieval times, with weather and harvest divinations being the most common kinds (Cameron 2013: 65-67). In Sweden, one oracular method was a ritual known as year walk, and those who ventured on this perilous journey were known as year walkers. Success meant that the omen-seeker could acquire knowledge of the following year; it was a ritual that sought answers regarding the unbearable uncertainty of being. Year walk (or annual walk) is known in Swedish as årsgång, with regional and lexical variations: ådergång, julagång, ödegång, adergång, dödsgång, sjukyrkegång, and so on. Although the term årsgång has a southern Swedish pattern of distribution (Götaland), similar practices, as well as the same motifs in different types of folk legends, are common and can be found throughout the Nordic countries. -
Inside This Issue
3000 W. Congress St. Lafayette, LA 70506 Inside This Issue: •A Review of 2017 pg. 11 •Rally Details pg. 9 •An Update on The Performing Arts pp. 8-9 •Details on A Guest Speaker pg. 8 •A Debate on Homework pp. 16-17 •School News pg. 3 Lafayette High Teacher of the Dr. Rachel Brown joins the Lafayette Year, Mrs. Jennifer Morrow, has High School faculty as one of its •A Memorial to been selected from the entire administrators. Dr. Brown was pre- JP Judice parish as its Teacher of the viously a teacher at Lafayette High. pg. 18 Year. 22 NEWS January 2018 January 2018 NEWS BRIEFS 33 Parlez-Vous Staff A Successful New New Year’s Landry, junior. Editors “Go to chemistry more.” Breanna Gabriel, Quote of the Month Year Resolutions junior. Hannah Primeaux “The new year stands before us, by Hannah Primeaux by Kate Manuel and Gabby Perrin Gabby Perrin Editor-In-Chief Junior Staff Writer and Co-Editor like a chapter in a book, waiting “To read more.” Jordyn Benoit, junior. to be written.” 1.Mrs. Jennifer Morrow has been “To be more adventurous.” Mallory “To stop speeding.” Aubrey Adams, junior. Senior Staff Writer Domingue, senior. Andrew Degeyter -Melody Beattie named Lafayette Parish teacher of the year. “I didn’t make one because I knew I “To not make a New Year’s Resolution.” wouldn’t fulfill it.” Madeline Miller, junior. Sydney Thibodeaux, senior. Junior Staff Writers 2. The Lafayette High Winter Guard Olivia Cart teams recently competed in the season “I’m taking a kickboxing class.” Lauren “Stop cursing, but I already failed Oakes, junior. -
The Piano Lesson
THE PIANO LESSON Synopsis The Piano Lesson is set in Pittsburgh in 1936. Boy Willie has come to his uncle’s house to retrieve a piano that holds significant historical and sentimental value to the family. A battle ensues over the possession of the piano, which carries the legacy and opportunities of the characters and determines the choices they must make. Characters AVERY: Thirty-eight years old, Avery is a preacher who is trying to build up his congregation. He is honest and ambitious, finding himself opportunities in the city that were unavailable to him in rural areas of the South. While fervently religious, he manages to find the time to court Berniece after her husband’s death. BOY WILLIE: Brother to Berniece, Boy Willie is a thirty year old brash, impulsive, and fast-talking man. He has an infectious grin and a boyishness that is apt for his name. His story provides the central conflict for the play in that he plans to sell the family piano in order to buy land that his family worked on as slaves. He feels it’s important he does this in order to avenge his father, who grew up property-less— but not everyone in the family agrees. LYMON: Boy Willie’s long time friend is a twenty-nine year old who speaks little, but when he does with a disarming straight-forwardness. As he flees the law, he makes a plan to begin anew in the North. Eliciting stories from the families past, Lymon proves a vehicle by which we learn about the family. -
Aerotalk! April 2019 Est 1974 Volume 2, Issue 7
Aerotalk! April 2019 Est 1974 Volume 2, Issue 7 Hi all of you fine Club members! Inside This Issue: It is so wonderful to see spring bringing back the spark of aviation in Manager’s Notes 1 so many people! The planes are flying more! Members are planning Welcome, Birthday, Ac- 2 their adventures. So what's your challenge to yourself this complishments year? I've heard some pretty interesting ones over the years. One Board of Dir Candidates 3 long time member from another club I belonged to on the east coast had the goal to fly on every day of the calendar. He slowly chipped BOD Continued 4 away at that every year filling in the gaps. I know another pilot look- BOD Continued 5 ing to land at every airport in Idaho, where another uses each of her BOD Continued 6 flight reviews to try something new. One year she got her float plane endorsement in Maine for her flight review. What are you thinking? 63E New Avionics 7 Back country training so you can go camping at Garden Valley this Springtime Weather Apps 8 year? Have you ever flown N9099K, the Piper Arrow? How about the exciting new panel that N2863E is getting? Would you like to learn Upcoming Events 9 to fly a lazy eight? How about becoming a Civil Air Patrol or Angel PAC’s 45th 10 Flight volunteer pilot? Never stop challenging yourself-in safe ways of course! It makes you a better pilot. There are so many rich oppor- My Story– by G Frasier 11 tunities not only here at PAC, but aviation all around us. -
LISTENING to DRAG: MUSIC, PERFORMANCE and the CONSTRUCTION of OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillmen
LISTENING TO DRAG: MUSIC, PERFORMANCE AND THE CONSTRUCTION OF OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Elizabeth Kaminski, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Vincent Roscigno, Advisor Professor Verta Taylor _________________________ Advisor Professor Nella Van Dyke Sociology Graduate Program ABSTRACT This study examines how music is utilized in drag performances to create an oppositional culture that challenges dominant structures of gender and sexuality. I situate this analysis in literature on the role of music and other cultural resources in the mobilization of social movement protest. Drawing from multiple sources of data, I demonstrate that drag queen performers make use of popular songs to build solidarity, evoke a sense of injustice, and enhance feelings of agency among audience members – three dimensions of cognition that constitute a collective action framework, conducive to social protest. The analysis is based on observations of drag performances; content analysis of the lyrics of drag songs; intensive interviews with drag queens at the 801 Cabaret in Key West, Florida; focus groups with audience members who attended the shows at the 801 Cabaret; and interviews with drag queen informants in Columbus, Ohio. I demonstrate how drag performers use music to construct new alliances and understandings of gender and sexuality among gay and heterosexual members of the audience. The data illustrate that drag performers strategically select songs to evoke an array of emotions among audience members. First are songs that utilize sympathy, sorrow, and humor to build solidarity. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption.