INDIECAN ENTERTAINMENT INC. APL FILM US & CANADA DISTRIBUTOR INTERNATIONAL SALES AGENT AVI FEDERGREEN BRIAN SWEET [email protected] brian@aplfilm.com 416 898 3456 FILM wwn@aplfilm.com www.indiecanent.com www.aplfilm.com “A consistently charming film.” Andrew Parker at The Gate.

“Red Rover is very well-made and anchored by a funny and thoughtful script.” Ferdosa Abdi at The Reel Roundup

“There is enough heart and care in Red Rover that it will make you appreciate life on Earth.”

Christopher Cross at Goomba Stomp.com

APL FILM INDIECAN ENTERTAINMENT INC. INTERNATIONAL SALES AGENT US & CANADA DISTRIBUTOR BRIAN SWEET AVI FEDERGREEN brian@aplfilm.com [email protected] wwn@aplfilm.com 416 898 3456 www.aplfilm.com www.indiecanent.com INDIECAN ENTERTAINMENT INC. presents RED ROVER

a film by SHANE BELCOURT

100 min | Canada | Colour | 2018

Film Festivals

Whistler Film Festival (2018) World Premiere Cara Gee - Star to Watch Award Borsos Competition for Best Canadian Feature Nominee

Canadian Film Festival (2019) Opening Night Film

Austin Film Festival (2019) USA Premiere

Kingston Canadian Film Festival (2019)

Quinte Film Festival (2019) Opening Night Film

Weekgushk Film Festival (2019)

Oakville Film Festival (2019)

Yukon Film Society (2019) Canadian Screning Week

Vancouver International Film Festival (2019) Canadian Screening Week LOGLINE

After feeling he has nothing left to live for on earth, a lonely geologist tries to qualify for a one-way mission to Mars with the help of an offbeat musician who is just as lost as he is.

SHORT SYNOPSIS

Damon (Kristian Bruun) spends his waking hours searching for that elusive something. Whether it’s for deeper meaning, love, or just “treasure” on the beach with his metal detector, but to no avail. So when Damon meets an offbeat musician named Phoebe (Cara Gee) handing out flyers for a one-way trip to Mars, a bond quickly forms. She’s going to help him find that thing he is looking for by sending him 33.9 million miles away, even though what he needs might be right in front of him.

LONG SYNOPSIS

Damon’s in a bit of a rut. He works a passionless job for a boss who doesn’t appreciate him. He lives in the basement of the house his ex-girlfriend and he still own together where he listens to her have passion-filled, tantric sex with her new Australian boyfriend over and over. And he spends countless, lonely hours on the beach with his metal detector searching for something he’ll seemingly never find. Finally, when he gets unceremoniously fired and his ex offers to buy him out, he feels as if there is nothing left for him on Earth.

So when Damon meets Phoebe - a woman dressed as an astronaut handing out flyers for “Red Rover”, a one-way trip to begin life on Mars - his life takes an unexpected turn. All he has to do is be one of the few people selected from thousands of applicants around the world. Thing is, getting picked is more about winning an online popularity contest than actually being qualified, so Phoebe agrees to help him create the ultimate application video.

A bond quickly forms between these two lost souls, complicating Damon’s reasoning for going through with this. 33.9 million miles is a long way to go to find what you need when it’s right in front of you. Q & A with RED ROVER Director, Shane Belcourt

What Inspired you to come up with the idea for the film?

In 2012, “Mars One” announced that it was going to fund four lucky applicants on a one-way trip to Mars to start colonizing the Red Planet. By 2014 it was all over the news: thousands of applicants started to send in their demo videos or talking on podcasts about why they would be willing to leave everything behind. This seemed utterly insane to Duane and me; who the hell would do that? Just up and leave everything and everyone to live in a space pod, and never come back? Why would someone do this? What kind of person would apply to this? It was impossible to not deep dive into this, which in turn inspired the screenplay.

Why did you want to tell this story?

When my co-writer Duane Murray and I started to watch the applicant videos … they weren’t “losers” or “nutjobs”, not at all. They were dreamers with what seemed like a connective tissue amongst them all: Desperation. Desperate to do something heroic with their lives. Desperate to escape feeling alone on a planet with people all around them. Something to shake their lives up, to provide for them a chance to touch the impossible from their day-to-day grinds. Um … so, they’re like Duane and I? Replace “Mars” with “movies” and, um, we’re kinda the same? Once we saw the videos, saw ourselves in these applicants, we couldn’t drop the idea, we wanted to make a movie about this. You know, it’s a tragic comedy … like our lives. Q & A con’t

How do you relate to your characters? RED ROVER is a movie about lost and lonely people who want something magical to snap them out of their rut, to awaken a deeper spirit inside themselves that feels capped, or neglected. That desire to feel like you have purpose, your life has meaning, connection. I want to say here that this was a chance for me to explore a world and characters that I never knew existed until we started this film … I REALLY want to be able to say that here …

What influenced the visual style of the film? I really want to say here that we looked at all of the work of Roger Deakins and Robert Richardson and sought to create a visual palette ripe with colour and light, capturing life in long explorative and innovative ways … The truth of the matter is: $50,000. That’s what inspired the visual style, a massively limited budget, which in turn meant limited working hours with the cast and crew. I would say the visual style represents our ability to survive a limited budget that required working insanely fast with mostly available light, but as opposed to going “fly-on-wall” documentary with it (THE OFFICE, etc) we tried to capture more of a classic romantic comedy feel, something more like WHEN HARRY MET SALLY or A SURE THING.

What was the most courageous decision you and your crew made during production? The decision to work with a $50,000 budget, was it courageous or stupefying? But, we all know how this goes: with a great cast, every day is a dream. And it was, so despite the limited resources, a small band of friends (crew of eight people) came together and created a space for the actors to do their thing with the script. They brought it and that was what worked so damn wonderfully. Everyone came to this project because of the script and their faith in Duane and I to get it done no matter what. That’s a courageous act on their part to trust us to pull this rabbit out of our butts. Q & A con’t

What advice would you go back and give yourself before making this film? If I reveal that list I’m concerned no one will attend the screening! Look, above I noted that Duane and I related to the real-life inspiration of “Mars One” in terms of the “desperation”. That feeling that you just want to make something happen, man! You just want to shake things up and make a damn feature! I was working on many documentaries, commercials, and various scripts and TV ideas that would go into development or meetings and never get to those next stages. With RED ROVER, armed with $50,000 in cash that we raised, we just went for it, all within a few months. There is something wonderful about that can-do spirit, but upon reflection way past the shooting finish line … maybe some more time to raise additional funding? Let me put it this way, again, the cast was AMAZING. One day in speaking with Kristian Bruun, he seemed rightfully frustrated about a delay we were having. I said to him, “You are an astoundingly great and professional actor, and whether we’re shooting with $2M or $50K, your performance is in many cases the same: It’s dialled in and playing opposite the great cast you’re paired with - namely Cara Gee. But for me, the difference in what I can do is markedly different.” But look, I’m extremely proud of the film and when we screen it people laugh and have great discussions about it afterwards!

What is going to surprise audiences most about your film? From the screenings we’ve had so far, time and time again, people are most surprised by the $50,000 budget, that the film feels like a “real movie” despite that limit. I will again say, it feels that way because the entire cast is hilarious and charming as hell. About the CAST Kristian Bruun - Damon

Kristian Bruun is a Toronto-born actor who has worked extensively on stages and screens around the world. He is best known for playing Donnie Hendrix on BBC America’s hit sci-fi series ORPHAN BLACK, and Constable “Slugger” Jackson for six seasons on CBC’s MURDOCH MYSTERIES. He can now be seen alongside Jerry O’Connell as a lead on Bravo and Sony Television’s newest detective procedural CARTER. Other recent TV appearances include recurring roles in Hulu’s Emmy Award winning THE HANDMAID’S TALE and the J.J.Abrams and Stephen King thriller 11.22.63. Notable Film appearances include Anton Corbijn’s biopic about James Dean’s Life (Berlinale ‘16 Official Selection) where he worked alongside Sir Ben Kingsley, Robert Pattinson and Dan DeHaan, and Jeremy LaLonde’s hilarious comedies HOW TO PLAN AN ORGY IN A SMALL TOWN (Slamdance ’16 Official Selection) and THE GO-GETTERS (Cinequest ’18 Official Selection) and the recent box office smash READY OR NOT. He is a graduate of the George Brown Theatre School, Queen’s University and Valley Forge Military Academy. Kristian is a citizen of Canada and Finland and currently lives in Los Angeles.

Cara Gee - Phoebe

Cara Gee was primarily known as a stage actress in Toronto, Ontario, where her acting credits have included productions of Margaret Atwood’s THE PENELOPIAD, Daniel MacIvor’s ARIGATO, Tokyo, Tomson Highway’s THE REZ SISTERS, Cliff Cardinal’s STITCH, BIRDTOWN and Swanville’s 36 LITTLE PLAYS ABOUT HOPELESS GIRLS and Louise Dupré’s TOUT COMME ELLE.

She made her feature film debut in EMPIRE OF DIRT for which she was nominated for a Canadian Screen Award. For this role, she also won a Special Jury award at the 2013 Toronto International Film Festival as well as an award for Best Actress at the American Indian Film Festival. In 2013, at TIFF, Gee was named one of the festival’s annual Rising Stars. Gee has also worked in television, recently playing guest roles in the television series KING and REPUBLIC OF DOYLE. In 2014, she starred as one of the lead characters in the Western drama series STRANGE EMPIRE on CBC Television. In 2017 she began to star in the recurring role of Camina Drummer on the Syfy television series THE EXPANSE and will be starring opposite Harrison Ford and Karen Gillan in CALL OF THE WILD in 2020.

Meghan Heffern - Beatrice

Named Canada’s Sweetheart by Entertainment Tonight Canada, Meghan has worked with comedy greats such as Eugene Levy, Colin Mochrie, Paul Reiser, Martin Short and Ricky Gervais. She played a pivotal role in Atom Egoyan’s film CHLOE starring Liam Neeson and Julianne Moore, and appeared alongside Daniel Radcliffe and Zoe Kazan in the romantic comedy The F WORD. Meghan recently wrapped a recurring role on the Peabody award winning series UNREAL as well as the SYFY drama WYNNONA EARP, and will be reprising her role as Jane in the second season of the Emmy award winning CBC web series series HOW TO BUY A BABY. Select acting credits include RED ROVER, OLD STOCK, A SUNDAY KIND OF LOVE, HOME SWEET HOME,THE SHRINE, SPIKES BLUE MOUNTAIN STATE, Disney’s AARON STONE, CW’s REIGN and as Maya Dunning on the Kiefer Sutherland lead series DESIGNATED SURVIVOR. About the CAST

Morgan David Jones - Mark

Morgan David Jones is a graduate of Australia’s leading acting school. He is most known for Aaron Sorkin’s film MOLLY’S GAME, with television credits including V WARS, DAMNATION, DESIGNATED SURVIVOR, REIGN and SUPERNATURAL. He is a voice actor on the popular video game series ASSASSINS CREED: SYNDICATE.

Morgan worked alongside Cate Blanchett and Joel Edgerton in the international tour of A STREETCAR NAMED DESIRE, he was then nominated for a Helen Hayes Award for Outstanding Supporting Performer for his role in this production.

Josh Peace - Brad

Joshua Peace, also known as Josh Peace, is a Canadian actor. He is best known for his roles on DEVIL as Detective Markowitz and in the films CUBE, ZERO, YOU MIGHT AS WELL LIVE, and SURVIVAL OF THE DEAD.

Anna Hopkins - Maya

Originally from Montreal, Anna Hopkins now splits her time between Los Angeles and Toronto. She has worked extensively in film and television, from starring alongside Paul Giamatti in critically acclaimed BARNEY’S VERSION to playing fan favourite series regulars and recurring characters on television shows such as SHADOWHUNTERS, ARROW and THE EXPANSE. In conjunction with acting, she is busy developing original material. Her short film directorial debut, THE GIVE AND TAKE was a recipient of a bravoFACT production grant, and will have it’s US premiere at Hollyshort Film Festival (2018). Anna was shortlisted as one of ten artists within the US and UK by the prestigious KSF Foundation for their Artist Choice Award (2017) for her short screenplay which she is set to direct, MAMA OF DADA, a surrealist comedy about the modern art world. That screenplay also recently won top prize at the Nashville Film Festival (2018) for Best Comedy Short. Anna can next be seen going head to head opposite Kim Coates in the explosive new season of BAD BLOOD on City TV, and she will be heading to Los Angeles to attend the Teen Choice Awards for her nomination for Choice TV Villain for her role as Lilith on SHADOWHUNTERS.

Sugith Varughese - Gopi

Sugith Varughese has over 80 film and TV credits, most currently on the hit TV comedy KIM’S CONVENIENCE. He has also made many stage appearances, including last season’s Dora Award nominated performance starring in LITTLE PRETTY and THE EXCEPTIONAL at Toronto’s Factory Theatre. He is also a Writers’ Guild of Canada award winning screenwriter and Gemini nominated TV writer. He was the first minority to attend the prestigious Canadian Film Centre and his short films have screened at festivals globally and won several awards. His stage play ENTITLEMENT premiered at the Summerworks Theatre Festival in Toronto and he co-wrote the acclaimed outdoor play with music, THE POSTMAN that premiered at the Panamania arts festival as part of the 2015 Pan Am Games. He is listed in Who’s Who in Canada. About the FILMMAKERS

Shane Belcourt - Director & Co-Writer

Shane Belcourt is a two-time CSA-nominated Director, with award-winning narrative and documentary works in both film and TV. His debut feature film TKARONTO, had a theatrical release, was sold to SuperChannel and Air Canada, and was showcased in both the TIFF Indigenous Cinema Retrospective and the UCLA Film & Television Archive traveling exhibition, “Through Indian Eyes: Native American Cinema”. Shane also directed CHANIE WENJACK which Walrus Magazine noted as “the Heritage Minute Canada needs to see”. His most recent feature film, RED ROVER, premiered at the Whistler Film Festival, opened the Canadian Film Festival.

On the documentary side of things, Shane directed KAHA:WI, which features dancer and choreographer Santee Smith. It premiered at the imagineNATIVE Film + Media Arts Festival, aired on APTN and CBC Docs, and won a CSC award for Best Cinematography in 2016, along with a CSA Best Director nomination. Shane co-directed (with Lisa Jackson) the CBC one-hour INDICTMENT: THE CRIMES OF SHELLY CHARTIER which won Best Doc at imagineNATIVE. And most recently, Shane is in post-production on a new 13-part music documentary series, AMPLIFY, which he created and will air on APTN in the Spring of 2020. And was a Consulting Producer (writing room story editor) on CBC”s new drama seres, THE TRICKSTER, set to air Spring 2020.

Shane is an alumna of the TIFF Talent Lab and NSI’s Totally Television programs, and a member of the DGC.

Duane Murray - Producer & Co-Writer

Duane Murray has been writing, producing and acting professionally since graduating from York University’s Acting Conservatory in 1998. He has script consulted and coached actors on projects for studios including Warner Brothers, Dreamworks, HBO and most recently on the upcoming Netflix film Eurovision. He co-founded The Story Attic, for the creation and development of original content, including an adaptation of New York Times Best Selling author Jeff Lemire’s award winning Graphic Novel ROUGHNECK, which Duane developed through the prestigious TIFF Studio.

He is currently Head of Development for RHP, acting as Consulting Producer on the feature horror Isabelle which made it’s World Premiere at the prestigious 2018 Busan International Film Festival and is currently developing TV adaptations of International Best selling novels THE LAST RITUALS through Brad Peyton’s ASAP Entertainment, PREY and MYTHAGO WOOD as well as a recently adapting the English remake of the Scandinavian feature horror hit, I REMEMBER YOU and the animated feature film IGGY THE EAGLE for Orka Productions in Poland. Duane is also an actor with over 60 produced film and TV credits highlighted by playing the role of Hansi Kalkofen in the Academy Award winning Best Picture SPOTLIGHT and the role of Sam in the YouTube hit IMPULSE. About the FILMMAKERS

Michelle St. John - Producer

Michelle St. John is a two-time Gemini Award winning actor, writer, singer, producer and director. As an actor, Michelle has appeared in WHERE THE SPIRIT LIVES, SMOKE SIGNALS, E.N.G. Disney’s POCAHONTAS, NORTHERN EXPOSURE, and many more. Michelle was a Co-Founder of Turtle Gals Performance Ensemble, a Native women’s theatre company based in Toronto. For ten years, she and colleagues, Monique Mojica and Jani Lauzon created, produced and toured their original works, THE SCRUBBING PROJECT, THE TRIPLE TRUTH, and THE ONLY GOOD INDIAN… across Turtle Island. Michelle also created, produced and hosted REDTALES, a weekly Indigenous literature show on Aboriginal Voices Radio. As Co-Artistic Director of Red Diva, she has collaborated with playwright/director Marie Clements on several theatre, film and music productions including the THE EDWARD CURTIS PROJECT, TOMBS OF THE VANISHING INDIAN and acclaimed live productions of THE ROAD FORWARD along with short films, JESUS INDIAN and PRISON CHRONICLES. Michelle frequently works with director Shane Belcourt – producing the short film, APIKIWIAK, the documentary series URBAN NATIVE GIRL and Heritage Minutes NASKUMITUWIN and CHANIE WENJACK. Their new documentary series AMPLIFY will premiere in 2020 on APTN with Michelle as producer and director of two episodes. Michelle also co-produced Shane’s most recent feature film RED ROVER, which is currently touring film festivals internationally. Her first documentary, COLONIZATION ROAD has screened the world over and has garnered a Golden Sheaf Award from the Yorkton Film Festival and a Canadian Screen Award nomination for the Donald Brittain Award – Best Social/Political Documentary.

Mike MacMillan - Executive Producer

Mike MacMillan has been producing award-winning independent film since founding Lithium in 2010. Named in 2015 to Screen International’s distinguished Future Leader’s list, his features have played at TIFF, Berlinale, Cannes and other top festivals internationally.

With WEIRDOS (dir: Bruce McDonald) entertaining audiences after a strong festival run (TIFF 2016, Berlinale 2017) and MOBILE HOMES (dir: Vladimir de Fontenay) turn at Cannes (Quinzaines) in 2017, Lithium anticipates the festival release of Don’t Talk to Irene (dir: Pat Mills) in fall of 2017. Mike’s first feature, the dark comedy/thriller I PUT A HIT ON YOU premiered at Slamdance Film Festival (Mongrel) and his second – dark comedy GUIDANCE (Strand) – premiered at TIFF14.

Chad Williams - Executive Producer

Originally from Hudson, Quebec, Chad Williams has proven himself to be a successful entrepreneur. With over 15 years’ experience in the finance industry with more than 10 years dedicated to investment banking, Chad is currently the Chairmain of Quantum International Inc, a public gaming company. He is a founder of Agilith Capital Inc. (an investment fund) as well as Westwind Capital Inc. (a stock broker). An artist at heart with a strong drive to follow his passions, Chad is new to the film and music industry although he studied film well before the internet was invented. About the FILMMAKERS

Luke Higginson - Editor

Luke Higginson has been editing for film and television since graduating from Ryerson University in 2005. In- between editing for the last 4 Olympic Games and the hit CBC show DRAGONS’ DEN, Luke has cut seven feature films and a slew of award-winning shorts. He also wrote and directed (and edited) RELAX, I’M FROM THE FUTURE, which was a TIFF 2013 inductee.

David Hannan - Production Designer

David Hannan is a production designer in both theatre and film for over twenty years. Hannan has been a part of a number of award winning projects including KAHA:WI – THE CYCLE OF LIFE, directed by Shane Belcourt starring Santee Smith. This one-hour performance arts documentary has shown in both film festivals and national television in 2014. In 2013 Hannan designed a short film called A COMMON EXPERIENCE which was based on a short story “Dear Mr. Buchwald” by Yvette Nolan. The film is a poetic reflection on what it means to be a child of a residential school survivor. TKARONTO a feature film produced by The Breath Films in 2007 which has played in a number of international film festivals. Along with his work as a production designer Hannan is an accomplished visual artist who has shown his work nationally and Internationally and is part of a number of public and private collections. Recently David served as production designer for Zoe Hopkin’s new feature film RUNNING HOME which is expected to be released in the Fall of 2020.

Anthony Wallace - Composer

Anthony Wallace is a composer, sound artist and filmmaker. His musical pursuits have taken him on adventures in West Africa where he studied hand percussion and drum construction, to the far north in the Arctic Circle making sound installations in canyons and mountain peaks to down south in the Caribbean to produce dance music. He is the producer and director of THE PEEL PROJECT, an interdisciplinary feature documentary and touring art exhibit exploring six artists journey through the Peel River Watershed in the Yukon and Northwest Territories. Anthony has scored feature films, televisions series as well as theatrical productions. His music has been played on CBC radio, his sound installations have toured nationally and he has worked on film/TV productions for CBC, APTN, Vision TV and Historica Canada. Anthony obtained an Honours BFA in composition and improv violin from York University. In 2017 he released his first solo album “Of The Woods Pride”. In 2018 he was the resident artist for the Chilkoot Trail artist Residency program. Anthony has written and performed strings for numerous musicians including The Weather Station, Lcon, and Saida Bab Talibah. He has produced singles for musicians Nick Sherman, Melody McKivor, Chelsea Russell, and Nigel Irwin; produced full albums for Howl Canyon, Cow girl Choir, Orchards and is currently working on The Holy Gasps next album. RED ROVER DIGITAL MEDIA KIT — LINKS

Click HERE to view the TRAILER

Click HERE to view SCENE CLIPS Cara Gee as “Phoebe” & Kristian Bruun as “Damon”

Morgan David Jones as “Mark” Josh Peace as “Brad” & Meghan Heffern as “Beatrice”

Sugith Varughese as “Gopi" Anna Hopkins as “Maya” INDIECAN ENTERTAINMENT INC. PRESENTS

A STORY ATTIC PRODUCTION

IN ASSOCIATION WITH LITHIUM STUDIOS

A FILM BY SHANE BELCOURT RED ROVER

KRISTIAN BRUUN

CARA GEE

MEGHAN HEFFERN

MORGAN DAVID JONES

JOSH PEACE

ANNA HOPKINS

AND SUGITH VARUGHESE COSTUMES BY CAROLEE CUSTUS

MUSIC BY ANTHONY WALLACE

EDITED BY LUKE HIGGINSON

PRODUCTION DESIGN BY DAVID HANNAN

EXECUTIVE PRODUCERS MIKE MACMILLAN CHAD WILLIAMS

PRODUCED BY DUANE MURRAY MICHELLE ST. JOHN SHANE BELCOURT

SCREENPLAY BY DUANE MURRAY SHANE BELCOURT

DIRECTED BY SHANE BELCOURT CREDIT ROLL

Additional Sound Recordists: Damon – Kristian Bruun Stuart Henderson Phoebe – Cara Gee Nick Davey Beatrice – Meghan Heffern Myles Bendeth Mark – Morgan David Jones Script Supervisor – Jessica Lea Fleming Brad – Josh Peace Location DM – John Reed Hryszkiewicz Maya – Anna Hopkins Location Manager – Daniel Fortin Gopi – Sugith Varughese Food & Catering by Michelle St. John and Falen Johnson Female Network Executive – Laura Wilson Production Assistants: Power Broker – Amanda Armagon Suzanne Belcourt Ikea Builder – Richard Lee Myles Bendeth Demi Oyebanji Red Rover Video Narrator – Helen Johns Susy Alvarez Special Appearances and with thanks to the Mars One Project: Sound Designer – Thomas Groom • Cody Don Reader Sound Mixer – Danny Chodirker • Ryan Macdonald Colourist – Darren Place • Oscar Matthews • Glenn Brooks Slaughter Visual Effects – Crystal Reeves • Sonia Van Meter Additional Visual Effects – Darren Place Online Digital Output – Frank Digital Inc. Director of Photography – Keesic Douglas & Shane Belcourt Score by – Anthony Wallace Additional Editing – Shane Belcourt Songs: Production Manager – Michelle St. John “Jane Fonda Would Be Proud” 1st Assistant Camera – John Reed Hryszkiewicz Written, Arranged, and Produced by Anthony Wallace Additional Camera Operator – John Reed Hryszkiewicz Whistling by Amanda Greener Additional Camera Operator & 2nd AC – Anthony Wallace “Got Up Today” Cell Phone Footage Shot by Cara Gee Written by Shane Belcourt Arranged and Produced by Anthony Wallace Associate Producer – Karimah Issah Vocals by Gabrielle Charron-Merritt First AD – David Hannan “Buffalo Bones” Daily First AD – Adam Mahaffey Written, Arranged, and Produced by Anthony Wallace Grip and Gaffer – John Reed Hryszkiewicz Vocals by Gabrielle Charron-Merritt Graphic Design – David Hannan “I’ve Been Here Before” Hair, Make-Up and Wardrobe – Carolee Custus Written by Shane Belcourt & Anthony Wallace Assistant Set Dresser – Kate Stevenson Arranged and Produced by Anthony Wallace Vocals by Gabrielle Charron-Merritt Props Master – David Hannan “Come Back” Location Sound Recordist – Anthony Wallace Written by Shane Belcourt Arranged and Produced by Anthony Wallace Performed by Cara Gee and Shane Belcourt CREDIT ROLL - CON’T

Stock Footage Provided by: • NASA • The Mars One Project • Shutter Stock Special Thanks to the following for locations: • Paul Bruce at Cota • Jamie Patterson and Kate Scullin • Phil and Tom Cacace at Wenona Lodge

The Producers Wish to Thank: • Amanda Greener & Claire Belcourt • Laura Wilson and Emblyn Murray • Rochelle St. John • Christi Belcourt • Judith Pierce Martin & Peter Birtwistle • Tony Belcourt & Danielle Choquette • Morris & Adelle Greener • Elaine Brindley • Jeremy Edwardes • Gabrielle Charron-Merritt • Pasha Patriki @ Red Square • Chris McIvor @ Frank Digital • Tasso Lakas

Coffee generously provided by Susy Alvarez & Alternative Grounds Insurance provided by – Kirk R. Thompson at Front Row Insurance Brokers Inc. Accident on Set Insurance Legal Services provided by Nicholas Dobbek at DobbekLaw Professional Corporation Made with the Generous Support of: • The Ontario Arts Council • ACTRA Toronto • the CMPA • Lithium Studios • Frank Digital

Shot in Toronto, Ontario, Canada © 2018 2524681 Ontario Inc. END SCROLL