An Examination of the Border in Northern Ireland and Its Relevance to the Global Change in the Importance of World Borders Aaron Patterson
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Genre and Identity in British and Irish National Histories, 1541-1691
“NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 A dissertation presented by Sarah Elizabeth Connell to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts April 2014 1 “NO ROOM IN HISTORY”: GENRE AND IDENTIY IN BRITISH AND IRISH NATIONAL HISTORIES, 1541-1691 by Sarah Elizabeth Connell ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2014 2 ABSTRACT In this project, I build on the scholarship that has challenged the historiographic revolution model to question the valorization of the early modern humanist narrative history’s sophistication and historiographic advancement in direct relation to its concerted efforts to shed the purportedly pious, credulous, and naïve materials and methods of medieval history. As I demonstrate, the methodologies available to early modern historians, many of which were developed by medieval chroniclers, were extraordinary flexible, able to meet a large number of scholarly and political needs. I argue that many early modern historians worked with medieval texts and genres not because they had yet to learn more sophisticated models for representing the past, but rather because one of the most effective ways that these writers dealt with the political and religious exigencies of their times was by adapting the practices, genres, and materials of medieval history. I demonstrate that the early modern national history was capable of supporting multiple genres and reading modes; in fact, many of these histories reflect their authors’ conviction that authentic past narratives required genres with varying levels of facticity. -
249 Nathalie Rougier and Iseult Honohan CHAPTER 10. Ireland
CHAPTER 10. IRELAND Nathalie Rougier and Iseult Honohan School of Politics and International Relations, University College Dublin Introduction Ireland’s peripheral position has historically often delayed the arrival of waves of social and cultural change in other parts of Europe. Part of its self-identity has derived from the narrative of its having been as a refuge for civilisation and Christianity during the invasions of what were once known as the ‘dark ages’, when it was described as ‘the island of saints and scholars’. Another part derives from its history of invasion, settlement and colonisation and, more specifically from its intimate relationship with Great Britain. The Republic of Ireland now occupies approximately five-sixths of the island of Ireland but from the Act of Union in 1800 until 1922, all of the island of Ireland was effectively part of the United Kingdom of Great Britain and Ire- land. The war of Independence ended with the 1921 Anglo-Irish Treaty, and on 6 December 1922 the entire island of Ireland became a self-governing British dominion called the Irish Free State (Saorstát Éireann). Northern Ire- land chose to opt out of the new dominion and rejoined the United King- dom on 8 December 1922. In 1937, a new constitution, the Constitution of Ireland (Bunreacht na hÉireann), replaced the Constitution of the Irish Free State in the twenty-six county state, and called the state Ireland, or Éire in Irish. However, it was not until 1949, after the passage of the Republic of Ireland Act 1948, that the state was declared, officially, to be the Republic of Ireland (Garvin, 2005). -
Representation and Memory in the Bogside Murals in Northern Ireland
54 ARTICLE ‘Look What We Have Gone Through’: Representation and Memory in the Bogside Murals in Northern Ireland LAURA AGUIAR, Queen’s University Belfast ABSTRACT Murals have been painted on the outside walls of houses and businesses in Northern Ireland and have functioned as visual evidence of people’s experiences of the conflict known as the Troubles. Created in 1994, The People’s Gallery is a series of twelve murals painted by three local artists in the Bogside district in Derry. This article examines how the murals ‘remember’ the conflict, what stories are included or excluded, how ‘Us’ and ‘Them’ are portrayed, and how the depiction of the past relates to the present. The analysis shows that the murals focus on the Bogside’s own experiences, portraying ‘Us’ as victims and as activists. The Other is represented directly by the image of the British army/RUC, and indirectly by the image of the chaos and violence caused to ‘Us’. Due to the lack of sectarian messages, The People’s Gallery can have a positive use as a storytelling tool in Northern Ireland’s current transitional scenario. KEYWORDS Murals; Bogside; Derry; Memory; Othering; Representation; Troubles Introduction Voted as one of the Top Ten cities in the world to visit in 2013 by Lonely Planet (2012), and holding the title of UK City of Culture for the same year, Derry-Londonderry (Northern Ireland) has increasingly seen tourists flocking into its historic walls to enjoy a wealth of cultural events. With such optimist atmosphere, it may be hard for tourists to imagine the city’s troubled past, which has been ‘shaped by violent and traumatic conflict focused on spatial imposition and contestation of state power, remembered in highly politicised cultures of public commemoration’ (Dawson 2007, 92). -
A History of Modern Ireland 1800-1969
ireiana Edward Norman I Edward Norman A History of Modem Ireland 1800-1969 Advisory Editor J. H. Plumb PENGUIN BOOKS 1971 Contents Preface to the Pelican Edition 7 1. Irish Questions and English Answers 9 2. The Union 29 3. O'Connell and Radicalism 53 4. Radicalism and Reform 76 5. The Genesis of Modern Irish Nationalism 108 6. Experiment and Rebellion 138 7. The Failure of the Tiberal Alliance 170 8. Parnellism 196 9. Consolidation and Dissent 221 10. The Revolution 254 11. The Divided Nation 289 Note on Further Reading 315 Index 323 Pelican Books A History of Modern Ireland 1800-1969 Edward Norman is lecturer in modern British constitutional and ecclesiastical history at the University of Cambridge, Dean of Peterhouse, Cambridge, a Church of England clergyman and an assistant chaplain to a hospital. His publications include a book on religion in America and Canada, The Conscience of the State in North America, The Early Development of Irish Society, Anti-Catholicism in 'Victorian England and The Catholic Church and Ireland. Edward Norman also contributes articles on religious topics to the Spectator. Preface to the Pelican Edition This book is intended as an introduction to the political history of Ireland in modern times. It was commissioned - and most of it was actually written - before the present disturbances fell upon the country. It was unfortunate that its publication in 1971 coincided with a moment of extreme controversy, be¬ cause it was intended to provide a cool look at the unhappy divisions of Ireland. Instead of assuming the structure of interpretation imposed by writers soaked in Irish national feeling, or dependent upon them, the book tried to consider Ireland’s political development as a part of the general evolu¬ tion of British politics in the last two hundred years. -
Scotch-Irish"
HON. JOHN C. LINEHAN. THE IRISH SCOTS 'SCOTCH-IRISH" AN HISTORICAL AND ETHNOLOGICAL MONOGRAPH, WITH SOME REFERENCE TO SCOTIA MAJOR AND SCOTIA MINOR TO WHICH IS ADDED A CHAPTER ON "HOW THE IRISH CAME AS BUILDERS OF THE NATION' By Hon. JOHN C LINEHAN State Insurance Commissioner of New Hampshire. Member, the New Hampshire Historical Society. Treasurer-General, American-Irish Historical Society. Late Department Commander, New Hampshire, Grand Army of the Republic. Many Years a Director of the Gettysburg Battlefield Association. CONCORD, N. H. THE AMERICAN-IRISH HISTORICAL SOCIETY 190?,, , , ,,, A WORD AT THE START. This monograph on TJic Irish Scots and The " Scotch- Irish" was originally prepared by me for The Granite Monthly, of Concord, N. H. It was published in that magazine in three successiv'e instalments which appeared, respectively, in the issues of January, February and March, 1888. With the exception of a few minor changes, the monograph is now reproduced as originally written. The paper here presented on How the Irish Came as Builders of The Natioji is based on articles contributed by me to the Boston Pilot in 1 890, and at other periods, and on an article contributed by me to the Boston Sunday Globe oi March 17, 1895. The Supplementary Facts and Comment, forming the conclusion of this publication, will be found of special interest and value in connection with the preceding sections of the work. John C. Linehan. Concord, N. H., July i, 1902. THE IRISH SCOTS AND THE "SCOTCH- IRISH." A STUDY of peculiar interest to all of New Hampshire birth and origin is the early history of those people, who, differing from the settlers around them, were first called Irish by their English neighbors, "Scotch-Irish" by some of their descendants, and later on "Scotch" by writers like Mr. -
Re-Imaging Final Evaluation.Pdf
INDEPENDENT RESEARCH SOLUTIONS IRS _________________________________________________________ COTETS ACKOWLEDGMETS v EXECUTIVE SUMMARY vi LAYOUT OF THE REPORT xvii CHAPTER 1 : BACKGROUND TO THE STUDY AND ITS IMPLEMENTATION 1 1.1 Introduction 1 1.2 Intentions of the Re-imaging Communities Programme 2 1.3 The wider background to the Re-imaging Communities Programme 4 1.4 Aims and objectives of the evaluation 5 CHAPTER 2: METHODOLOGY 7 2.1 Introduction to methodology 7 2.2 Literature review 7 2.3 Sampling of projects 8 2.3.1 Choosing the samples 8 2.4 Observations, interviews and focus groups 10 2.5 Monitoring information 11 2.6 Survey data 11 2.7 Outputs and meetings 12 CHAPTER 3: THE WIDER BACKGROUND OF GOVERNMENT POLICIES , INITIATIVES AND PROGRAMMES 13 3.1 Policies, Initiatives and Programmes 13 3.2 Re-imaging Communities 14 3.3 The Executive’s Programme for Government (PfG) 16 3.4 A Shared Future (OFMDFM) 16 3.5 Neighbourhood Renewal 20 3.6. The Art of Regeneration 21 3.6.1 Background literature and ideas 21 3.6.2 The Art of Regeneration in Northern Ireland 22 3.7 Renewing Communities 24 3.8 Police Service of Northern Ireland (PSNI) 27 3.9 The Department for Social Development (DSD) 29 3.10 Northern Ireland Housing Executive (NIHE) 31 3.11 International Fund for Ireland (IFI) 33 CHAPTER 4: REVIEW OF THE LITERATURE ON SYMBOLISM 35 4.1 Purpose of the study 35 4.2 Role of the arts in economic and social regeneration 35 4.3 The political background 37 4.4 The meaning and role of symbols 40 4.5 Symbols in Northern Ireland 42 __________________________________________________________________ -
Republic of Ireland. Wikipedia. Last Modified
Republic of Ireland - Wikipedia, the free encyclopedia What links here Related changes Upload file Special pages Republic of Ireland Permanent link From Wikipedia, the free encyclopedia Page information Data item This article is about the modern state. For the revolutionary republic of 1919–1922, see Irish Cite this page Republic. For other uses, see Ireland (disambiguation). Print/export Ireland (/ˈaɪərlənd/ or /ˈɑrlənd/; Irish: Éire, Ireland[a] pronounced [ˈeː.ɾʲə] ( listen)), also known as the Republic Create a book Éire of Ireland (Irish: Poblacht na hÉireann), is a sovereign Download as PDF state in Europe occupying about five-sixths of the island Printable version of Ireland. The capital is Dublin, located in the eastern part of the island. The state shares its only land border Languages with Northern Ireland, one of the constituent countries of Acèh the United Kingdom. It is otherwise surrounded by the Адыгэбзэ Atlantic Ocean, with the Celtic Sea to the south, Saint Flag Coat of arms George's Channel to the south east, and the Irish Sea to Afrikaans [10] Anthem: "Amhrán na bhFiann" Alemannisch the east. It is a unitary, parliamentary republic with an elected president serving as head of state. The head "The Soldiers' Song" Sorry, your browser either has JavaScript of government, the Taoiseach, is nominated by the lower Ænglisc disabled or does not have any supported house of parliament, Dáil Éireann. player. You can download the clip or download a Aragonés The modern Irish state gained effective independence player to play the clip in your browser. from the United Kingdom—as the Irish Free State—in Armãneashce 1922 following the Irish War of Independence, which Arpetan resulted in the Anglo-Irish Treaty. -
Heritage Trail HT HT
Tourist Information Tourist Information Centre Services • Your one stop shop for visiting Ireland, for 32 • Experience a journey through history with county tourist information and friendly, a selection of Guided Walking Tours. helpful advice from multi-lingual staff. • Visit the Gift Shop which offers a range of • Make your journey time less by booking souvenirs to suit all tastes. through our accommodation reservation service • Exchange those Euro or dollars through our Bureau de Change • Free literature and itinerary advice on travelling throughout Ireland. • 24 hour public information kiosk for enquiries any time, day or night. • Information available on the local area - free guide books and maps. • For cyclists lock your bicycles away and enjoy your stay by using cycle lockers. Opening Hours OPEN ALL YEAR Mon-Fri 9.00am-5.00pm MAR-JUNE & OCT Mon-Fri 9.00am-5.00pm, Sat 10.00am-5.00pm JULY-SEPT Mon-Fri 9.00am-7.00pm, Sat 10.00am-6.00pm, Sun 10.00am-5.00pm Dialling Codes Dialling from the Republic of Ireland All eight digit telephone numbers must be prefixed with (048) eg (048) 7126 7284 Dialling Internationally All telephone numbers must be prefixed with +44 and the area dialling code eg +44 28 7126 7284 DERRY THE WALLED CITY For further information on any of these services please contact Derry Visitor and Convention Bureau 44 Foyle Street, Derry BT48 6AT Tourist Information Centre T: 028 7126 7284 F: 028 7137 7992 Administration & Marketing T: 028 7137 7577 F: 028 7137 7992 E: [email protected] www.derryvisitor.com ©Derry Visitor and Convention Bureau Every effort has been made to ensure the accuracy in the compilation of this brochure. -
Senates in Ireland from the Late Middle Ages to the Present
Precarious Bicameralism? Senates in Ireland from the late Middle Ages to the Present MacCarthaigh, M., & Martin, S. (2019). Precarious Bicameralism? Senates in Ireland from the late Middle Ages to the Present. In N. Bijleveld, C. Grittner, D. E. Smith, & W. Verstegen (Eds.), Reforming Senates: Upper Legislative Houses in North Atlantic Small Powers 1800-present (pp. 239-54). (Routledge Studies in Modern History). Routledge. Published in: Reforming Senates: Upper Legislative Houses in North Atlantic Small Powers 1800-present Document Version: Peer reviewed version Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2019 Taylor & Francis. This work is made available online in accordance with the publisher’s policies. Please refer to any applicable terms of use of the publisher. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact -
Resources for Further Reading & Study
RESOURCES FOR FURTHER READING & STUDY GENERAL LINKS Ask about Ireland AskAboutIreland.ie and the Cultural Heritage Project are initiatives of public libraries. Together with local museums and archives the digitisation and online publication of material from local studies’ collections has been utilised to create a national Internet resource for culture. http://www.askaboutireland.ie/ Corpus of Electronic Texts (CELT): CELT, the Corpus of Electronic Texts, has a searchable online textbase consisting of 17.9 million words, in 1575 contemporary and historical documents from many areas, including literature and the other arts. http://www.ucc.ie/celt/ Movies SONG OF THE SEA (beautifully animated, kids & adults) THE WIND THAT SHAKES THE BARLEY THE COMMITMENTS (lots of cursing, but it’s great) HUNGER (About hunger striker Bobby Sands) 66 DAYS (Bobby Sands) SOME MOTHER’S SON (About Northern Ireland hunger strikes) PHILOMENA THE MAGDALENE SISTERS MICHAEL COLLINS YouTube BLOODY SUNDAY DOCUMENTARY Movie – John Hume in America https://www.youtube.com/watch?v=zafhOg79l0o Frederick Douglass & Daniel O’Connell http://irishamerica.com/2013/09/the-black-oconnell/ TV comedy DERRY GIRLS Netflix FATHER TED (Cult comedy) Climate Justice A Man-Made Problem with a Feminist Solution Mary Robinson Bloomsbury 2018 A Modest Proposal- Jonathan Swift Environment Texts Whittled Away Padraig Fogerty (Gill & Macmillan Ltd, 1 Mar 2017) Links Sustainability & biodiversity https://president.ie/en/diary/details/president-addresses-the-national-biodiversity-conference/video -
Two Irelands.Indd
REPORTING TWO IRELANDS Bus With CCSU Students A Target For Paint Attack Eight CCSU journalism students embark on a journey to Northern Ireland and the Republic. ANALISA NOVAK DILLON MEEHAN BY RUTH BRUNO Among the many we visited was Michael Gallagher, Micheál Smith of the Pat Finucane Center, which seeks who lost his 21-year-old son, Aiden, in a car bombing in to bring justice to the victims and survivors of terrorist The bus was filled with CCSU journalism, history and ollowing our Spring 2016 trip to Cuba, the Central 1998 in which 29 people were killed. and para-military organizations made up of both Irish sociology students. Connecticut journalism department began We shuffled into a meetinghouse in Omagh where Catholic, Republicans and Protestants loyal to the reigning preparations to return to the sun-kissed island to Gallagher discussed the attack made by a splinter group Great Britain throne. BY DILLON MEEHAN Freport on the unfolding United States – Cuba relationship. from the Irish Republic Army which opposed the IRA’s With Brexit threatening to tear Northern Ireland We had landed on the pulse of one of the biggest efforts to enter into peaceful negotiations with Great apart once again, the world will be watching to see if the hile driving on the A6 coming back international headlines when we covered the repeal of the Britain, Protestant loyalists and their respective violent Good Friday Agreement will hold. But many fear that from Belfast, the bus containing CCSU long-standing embargo two years ago and were rearing for groups. along with the United Kingdom’s decision to overrule students was struck by paint from a follow-up stories. -
Hartwick - Yager Museum Hosts Exhibit of Northern Ireland Murals
Hartwick - Yager Museum Hosts Exhibit of Northern Ireland Murals ApplyContact UsSearch HOME / NEWS & EVENTS / Yager Museum Hosts Exhibit of Northern Ireland Murals Information For: l Prospective Students What's Happening News l Current Students ● Fri, 19 Sep Yager Museum Hosts Exhibit of Northern Ireland Murals Computer Training l Parents more... September 10, 2008 l Faculty and Staff ● Fri, 19 Sep The Yager Museum of Art & Culture at Hartwick College will play host l Pi Sigma Alpha Voter Registration Hartwick Alumni to a traveling exhibit called "From Protest to Peace: Murals by the Table l Community more... Bogside Artists of Northern Ireland," which tells the tale of the region's ongoing "Troubles." The stunning exhibition of Northern Irish public art is travelling the United States for the first time, and is on display at the RSS Yager Museum from September 4 through November 3, 2008. Subscribe to RSS for Hartwick News 'Wick Blogs 'Wick Blogs Home Newsmakers Hartwick in the News The display includes 11 murals originally located on buildings along Rossville Street in the Northern Ireland city of Derry, which depict events from More Events Professional Notes the recent troubled history of Northern Ireland. The murals have been digitally reproduced in large format, and they are exhibited with educational Professional Notes: July 2008 l Campus-Wide Events panels that explore the history depicted in each mural. Six additional banners build the context of the exhibition, covering topics such as "The Troubles," the Bogside Artists' reconciliation workshops, and the city of Derry's colonial past. l Student Events Campus Media The original images of the murals were photographed by Martin Melaugh, research fellow at the University of Ulster, Magee campus, in Derry.