137 Columbia Ave, Athens, OH 45701 – 740.487.5708 [email protected]
Total Page:16
File Type:pdf, Size:1020Kb
Robert McClure 137 Columbia Ave, Athens, OH 45701 – 740.487.5708 [email protected] - www.robertwmcclure.com TEACHING EXPERIENCE 2017 - present Assistant Professor of Composition/Theory – Athens, OH, USA School of Music, Ohio University • Director of Ohio University Electronic Music Studios • Curator of CLICK Electronic Music Concert Series • Senior Thesis Advisor • Served on CoFA Diversity Committee, School of Music Technology Committee Courses Spring 2019 MUS3080/3090/5080/5090 Composition MUS4170/5170 Computer Music Programming MUS4902/5902 Special Topics in Post-Tonal Music Theory (Reverse Engineering Theoretical Concepts into Composition Tools) Fall 2018 MUS2020 Theory V (Chromatic Harmony, Post-Tonal Materials) MUS3080/3090/5080/5090 Composition MUS4150/5150 Computers and Music Production (Stereo and 8-Ch. Acousmatic Music) Spring 2018 MUS1020 Theory II (Tonal Harmony) MUS3080/3090/5090 Composition MUS4170/5170 Computer Music Programming Fall 2017 MUS1010 Theory I (Fundamentals, Counterpoint) MUS3080/3090/5090 Composition MUS4130/5130 History and Practice of Electronic Music 2016 - 2017 Visiting Professor of Music - Shanghai, China Shanghai Conservatory of Music Weekly lectures on topics in Electronic Music Advising four doctoral students in Applied Composition and Electronic Music 2013 – 2017 Assistant Professor of Music Composition - Suzhou, China School of Music, Soochow University • Director of Soochow University Electronic Music Studios • Composition and Theory Curriculum Design • Served on Academic Affairs, Curriculum, Outreach and Recruitment, and Advisory Committees (Chair of Advisory Committee) • Served on Composition, Theory, Solfege Search Committees Courses Spring 2017 MUPE 4016 Electronic Music II (Software Instruction, Electroacoustic and Spatial Acousmatic Compositions) Advanced Composition for Majors (Graduate Level) Advanced Orchestration (Graduate Level) MUPE 3061 Technology for Musicians (Practical Technology Skills) Fall 2016 MUPE 4017 Electronic Music I (History, Software Instruction, Acousmatic Compositions, Group Composition Projects) The New York School (Graduate Seminar on Composers, Performers, and Artists of the so-called “New York School” in the 1950-60’s) Advanced Electronic Music I (Graduate Level) Advanced Composition for Majors (Graduate Level) Spring 2016 MUPE 4016 Electronic Music II MUPE 2001 Form and Analysis II Advanced Electronic Music II (Graduate Level) Advanced Composition for Majors (Graduate Level) Fall 2015 MUPE 4017 Electronic Music I Vitæ: Robert McClure 2 MUPE 2001 Form and Analysis I Advanced Electronic Music I (Graduate Level) Advanced Composition for Majors (Graduate Level) Spring 2015 MUPE 4016 Electronic Music II Spring 2014-5 MUPE 1002 Theory II (Tonal Harmony) Fall 2014 MUPE 4017 Electronic Music I MUPE 1001 Theory I (Fundamentals and Species Counterpoint) Spring 2014 Music in the Digital World for Non-Majors (Co-taught with Musicology Colleague, Software Instruction, Acousmatic Composition) Fall 2013 MUPE 1005 Lab I (Aural and Keyboard Skills) 2010 - 2013 Graduate Teaching Assistant - Houston, TX Shepherd School of Music, Rice University • Independent Curriculum Design • Specialized in Electronic Music Courses Spring 2013 MUSI 117 Fundamentals of Music Fall 2010-12 MUSI 403 Basic Electronic Music Spring 2012 MUSI 225 Bjork & Radiohead: Connections with the Past, Present, and Future (Curriculum designed as part of Classroom Pedagogy course and selected to be offered as elective to undergraduate students. Analytical study of the music of Bjork, Radiohead, composers such as Cage, Berio, Stockhausen, Lansky, Meredith Monk, Charles Mingus, Kevin Puts, Pauline Oliveros, etc.) Spring 2011 MUSI 318 Theory for Non-Majors (Chromatic Harmony) EDUCATION 2009 - 2013 Rice University, Shepherd School of Music - Houston, TX Doctor of Musical Arts in Composition: May 2013 • Composition with Shih-Hui Chen, Arthur Gottschalk, Richard Lavenda, Kurt Stallmann • GPA: 4.01 2007 - 2009 The University of Arizona - Tucson, AZ Master of Music in Composition: May 2009 • Composition with Daniel Asia • GPA: 4.0 2003 - 2007 Bowling Green State University - Bowling Green, OH Bachelor of Music in Music Education: May 2007 • Percussion Studies with Roger Schupp • Summa cum laude / Presidential Award • GPA: 4.0 RESEARCH and CREATIVE ACTIVITY Selected Awards and Honors March 2018 Runner-Up of SCTI Composition Contest (Warzone for timpani and fixed media) Ann Arbor, MI April 2016 Composer Fellow 2016 Intimacy of Creativity (Warning Colors for orchestra) Bright Sheng and Hong Kong Philharmonic, Hong Kong, China July 2015 Winner of Bassoon Chamber Music Composition Competition (Desert Miniatures: Insects for three bassoons) BCMCC, Bowling Green, OH October 2014 Winner of Chou’s Annual Composition Commission Award (for new chamber orchestra composition) Soochow University, Suzhou, China Vitæ: Robert McClure 3 May 2014 Winner of Paul and Christiane Cooper Prize in Composition (Warning Colors for orchestra) Rice University, Houston, TX February 2013 Director’s Choice Award (now our grief is put away for soprano and computer) Boston Metro Opera Contempo Festival 2013, Boston, MA January 2013 Winner (Integrated Elements No. 3 “Divide by Five” for gyil and fixed media) Frame Dance Composition Competition, Houston TX November 2012 Winner: Call for Works (Five Miniatures for flute, vibraphone, viola, cello) TEMPO New Music Ensemble, University of Maryland, College Park, MD March 2012 Best Digital Art (…the paint while it’s dripping. for audio/visual installation) celebrateART 2012 Festival, Rice University, Houston, TX Selected Festivals and Conferences 2019 Spaced-Out RADIA Padova, Italy Society of Electro-Acoustic Music in the United States, Boston, MA Washington State University Festival of Contemporary Music Pullman, WA Ohio Music Educators Association Cleveland, OH 2018 Festival DME Lisbon, Portugal Sound Thought 2018 Belfast, Northern Ireland Ecos Urbanos Mexico City, Mexico MUSLAB Electroacoustic Music International Exhibition Buenos Aires, Argentina International Double Reeds Society Congress, Granada, Spain Bowling Green State University New Music Festival, Bowling Green, OH Splice Festival II, Bowling Green, OH International Computer Music Conference, Daegu, South Korea New York City Electronic Music Festival, New York, NY Elektro Arts 2018, Cluj-Napoca, Romania Cube Fest 2018, Blacksburg, VA Beijing Modern Music Festival, Beijing, China Society of Electro-Acoustic Music in the United States, Eugene, OR 2017 Toronto International Electroacoustic Symposium, Toronto, Canada New York City Electronic Music Festival, New York, NY West Fork New Music Festival, Fairmont, WV 2016 Intimacy of Creativity, Hong Kong 2015 Workshop on Computer Music and Audio Technology, Hsinchu, Taiwan International Computer Music Conference, Denton, TX New York City Electronic Music Festival, New York, NY 87.9 radiophrenia, Glasglow, Scotland 2014 INTIME2014 Symposium, Coventry, United Kingdom Toronto International Electroacoustic Symposium, Toronto, Canada Charlotte New Music Festival, Charlotte, NC New York City Electronic Music Festival, New York, NY Euroclassical Festival, Oporto, Portugal Sonorities Festival of Contemporary Music, Belfast, Ireland Last Friday Listening Room, San Diego, CA Musiquem Festival, Lleida, Spain North American Saxophone Alliance Conference, Champaign, IL New Music Edmonton Now Hear This Festival, Edmonton, Canada 2013 Society of Electro-Acoustic Music in the United States, St. Paul, MN Bulldog Bytes, Orangeburg, SC CSUF New Music Festival, Fullerton, CA Espacio Sonoro, Havana, Cuba 2012 Unruly Music Festival, Milwaukee, WI Mid-American Center for Contemporary Music New Music Festival, Bowling Green, OH Vitæ: Robert McClure 4 celebrateART 2012 Festival, Houston, TX 2011 Electronic Music Midwest Festival, Kansas City, KS Studio 300 Festival, Lexington, KY Society of Electro-Acoustic Music in the United States, Coral Gables, FL 2010 Electronic Music Midwest Festival, Romeoville, IL Publications ABLAZE Records untangle my tongue (2011) for fixed media Albany Records the edge of still (2016) for dizi, sheng, computer ADJ•ective New Music Publications at water’s edge (2014) for violin and percussion Desert Miniatures (2010) for piano Five Miniatures (2008) for flute, vibraphone, viola, cello Memory Variations (2013) for electric guitar and marimba a veil (2018) for piano sounding field (2017) for low brass trio sounding field: the deep (2018) for low brass trio and wind symphony Bachovich Publications …of the Earth (2007) for percussion quartet A Natural Regression (2007) for marimba/prepared vibraphone Go! (2007) for marimba and percussion glue, tape, and other adhesives (2010) for percussion Integrated Elements No. 3 (2008) for gyil and fixed media Imagine Publications Desert Miniatures: Insects (2012) for three bassoons Innovative Percussion Publications Preludes (2007) for solo marimba The Dance of Wind (2005) for percussion ensemble Media Press, Inc. Passacaglia on a theme by Mark Rothko (2008) for steel pan and fixed media Resolute Publications in Steel (2009) for alto saxophone and percussion New Focus Records in excess (2017) for fixed media (Upcoming in 2019) Tapspace Publications In My Mother’s Garden (2006) for vibraphone trio Integrated Elements No. 2 (2008) for multiple percussion and fixed media Moments (2009) for marimba Warzone (2015) for timpani and fixed media Wind Chimes Beneath a Summer Rain (2005) for marimba Research Presentation February 2019 Recent Ideas, Techniques,