Master Song List 2021
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Paul Clarke Song List
Paul Clarke Song List Busby Marou – Biding my time Foster the People – Pumped up Kicks Boy & Bear – Blood to gold Kings of Leon – Sex on Fire, Radioactive, The Bucket The Wombats – Tokyo (vampires & werewolves) Foo Fighters – Times like these, All my life, Big Me, Learn to fly, See you Pete Murray – Class A, Better Days, So beautiful, Opportunity La Roux – Bulletproof John Butler Trio – Betterman, Better than Mark Ronson – Somebody to Love Me Empire of the Sun – We are the People Powderfinger – Sunsets, Burn your name, My Happiness Mumford and Sons – Little Lion man Hungry Kids of Hungary Scattered Diamonds SIA – Clap your hands Art Vs Science – Friend in the field Jack Johnson – Flake, Taylor, Wasting time Peter, Bjorn and John – Young Folks Faker – This Heart attack Bernard Fanning – Wish you well, Song Bird Jimmy Eat World – The Middle Outkast – Hey ya Neon Trees – Animal Snow Patrol – Chasing cars Coldplay – Yellow, The Scientist, Green Eyes, Warning Sign, The hardest part Amy Winehouse – Rehab John Mayer – Your body is a wonderland, Wheel Red Hot Chilli Peppers – Zephyr, Dani California, Universally Speaking, Soul to squeeze, Desecration song, Breaking the Girl, Under the bridge Ben Harper – Steal my kisses, Burn to shine, Another lonely Day, Burn one down The Killers – Smile like you mean it, Read my mind Dane Rumble – Always be there Eskimo Joe – Don’t let me down, From the Sea, New York, Sarah Aloe Blacc – Need a dollar Angus & Julia Stone – Mango Tree, Big Jet Plane Bob Evans – Don’t you think -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Victory and Sorrow: the Music & Life of Booker Little
ii VICTORY AND SORROW: THE MUSIC & LIFE OF BOOKER LITTLE by DYLAN LAGAMMA A Dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History & Research written under the direction of Henry Martin and approved by _________________________ _________________________ Newark, New Jersey October 2017 i ©2017 Dylan LaGamma ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION VICTORY AND SORROW: THE MUSICAL LIFE OF BOOKER LITTLE BY DYLAN LAGAMMA Dissertation Director: Henry Martin Booker Little, a masterful trumpeter and composer, passed away in 1961 at the age of twenty-three. Little's untimely death, and still yet extensive recording career,1 presents yet another example of early passing among innovative and influential trumpeters. Like Clifford Brown before him, Theodore “Fats” Navarro before him, Little's death left a gap the in jazz world as both a sophisticated technician and an inspiring composer. However, unlike his predecessors Little is hardly – if ever – mentioned in jazz texts and classrooms. His influence is all but non-existent except to those who have researched his work. More than likely he is the victim of too early a death: Brown passed away at twenty-five and Navarro, twenty-six. Bob Cranshaw, who is present on Little's first recording,2 remarks, “Nobody got a chance to really experience [him]...very few remember him because nobody got a chance to really hear him or see him.”3 Given this, and his later work with more avant-garde and dissonant harmonic/melodic structure as a writing partner with Eric Dolphy, it is no wonder that his remembered career has followed more the path of James P. -
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney. -
Popular Repertoire (1960’S – Present Day)
! " Popular repertoire (1960’s – present day) 9 To 5 – Dolly Parton Billie Jean – Michael Jackson 500 Miles – The Proclaimers Bittersweet Symphony - The Verve Adventure Of A Lifetime - Coldplay Blackbird – The Beatles Agadoo – Black Lace Blowers Daughter – Damien Rice Ain’t No Mountain High Enough – Ashford/ Simpson Bohemian Rhapsody - Queen All About That Bass – Meghan Trainor Brown Eyed Girl – Van Morrison All About You - McFly Budapest – George Ezra All I Want Is You – U2 Build Me Up Buttercup – The Foundations All Of Me – John Legend Burn – Ellie Goulding All The Small Things – Blink 182 Can’t Help Falling In Love – Elvis Presley All You Need Is Love – The Beatles Can’t Stop The Feeling – Justin Timberlake Always a Woman – Billy Joel Can’t Take My Eyes Off You – Bob Crewe/Bob Gaudio Always On My Mind – Elvis Presley Chasing Cars – Snow Patrol Amazing (Just The Way You Are) – Bruno Mars Cheerleader - OMI Amazed - Lonestar Close To You - America – Razorlight Burt Bacharach Apologize – One Republic Come On Eileen – Dexy’s Midnight Runners At Last – Etta James Common People – Pulp Back for Good - Take That Copacabana – Barry Manilow Bad Romance – Lady Gaga Crazy In Love – Beyonce Beat It – Michael Jackson Crazy Little Thing Called Love - Queen Beautiful Day – U2 Dancing Queen - Abba Beautiful In White - Westlife Despacito – Justin Bieber/Luis Fonsi Ben – Michael Jackson Don’t Stop Believing - Journey Beneath Your Beautiful – Emeli Sande/ Labyrinth Don't Stop Me Now - Queen Best Day Of My Life – American Authors Don’t Stop Movin’ – S Club -
Black History Month
Black History Month As part of our passionaTe commitment to building an inclusive future for our communities, The Adecco Group proudly celebraTes the contributions, achievements, heritage and culture of African Americans during Black HisTory Month and throughout the year. To fosTer a culture of belonging and purpose, we’re offering this downloadable resource on our Diversity and Inclusion resource page. Here, you can learn more about the origins of Black HisTory Month, as well as ways to appreciaTe Black music, literature and entrepreneurship during this month and beyond. Black History Month: How It Started What started out as one week dedicated to the contributions and celebration of African American’s by Carter G. Woodson in 1926, expanded into one month starting in 1976. Woodson chose the month of February because it housed the birthdays of two men –Frederick Douglass and Abraham Lincoln– who greatly influenced the history of the Black American culture. For more information on the observance of Black History Month (also known as National African American History Month), please refer to the links provided below: Origins of Black History Month African American History Month The Continuing Importance of Black History Month The Black American Music Experience African American influence permeates every facet of our lives and culture throughout history, and music is no exception. Much of the struggle and triumph from Black Americans has been continuously chronicled through music. We present this curated playlist of artists, from sacred music to hip hop and rap, who have made a long-lasting impression throughout different genres and periods in history. -
History Through Stories | University of Winchester
09/28/21 History through stories | University of Winchester History through stories View Online These stories relate to a general historical theme, such as change through time, or they are set in a specific historical time period. The selection reflects National Curriculum recommendations for KS1 and KS2. This list can be accessed on the Library catalogue by entering the phrase ‘History through stories’ in the keyword search screen, where additional titles can also be found. The list is available online from the EHSC Library News & Information page on the Learning Network. You can also search the catalogue directly for individual historical stories set in particular periods by combining “history through stories” and the topic. E.g. A search combining “history through stories” Victorians will give stories set in the Victorian period. 1. Blackwell, Moira & Nankivell, Liz. Binky in trouble. (Avenue, 2012). 2. Butler, Philippa & Smith, George. Pawprints in time. (Viking, 1998). 3. Cooling, W. Centuries of stories: new stories for a new millennium. (Collins, 1999). 4. Dunbar, James & Remphry, Martin. When I was young. vol. Wonderwise (Watts, 1999). 1/49 09/28/21 History through stories | University of Winchester 5. Fleischman, Paul & Ibatoulline, Bagram. The matchbox diary. (Walker Books, 2013). 6. Foreman, Michael. Angel and the box of time. (Andersen Press, 1997). 7. Foreman, Michael. Grandfather’s pencil and the room of stories. (Red Fox, 1995). 8. Francaviglia, R. & Sgarlata, M. My great-great-great-great-great grandfather-- was a warrior! (Siphano, 2002). 9. Daughters of time: an anthology from The History Girls. (Templar, 2014). 10. Kubick, Dana. Midnight teddies. -
Full Results of Survey of Songs
Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents. -
Sam Smith Og John Legend Med Ny Versjon Av Lay Me Down
09-03-2015 17:29 CET Sam Smith og John Legend med ny versjon av Lay Me Down I morgen slippes en ny og nydelig versjon av Lay Me Down hvor Sam Smith har med seg John Legend. Versjonen slippes i forbindelse med Comic Relief og deres Red Nose Day. Sangen er originalt fra Sam Smiths multiplatinumselgende debutalbum In The Lonely Hour, hvor denne nye versjonen blir sluppet til inntekt for Comic Relief. Førstkommende fredag gjester også Sam Smith Skavlan. Les full pressemelding her og hør den nye versjonen av Lay Me Down her: Se video på YouTube her FULL PRESSEMELDING: SAM SMITH AND JOHN LEGEND TO RELEASE OFFICIAL RED NOSE DAY SINGLE The multi award winning transatlantic megastars collaborate for Comic Relief Today (9th March 2015) Comic Relief is delighted to announce that Brit and Grammy award winning superstar Sam Smith will be collaborating with Oscar winner John Legend to record a very special version of Sam’s song Lay Me Down, making it the official single for Red Nose Day. The original song is from Sam’s multi-platinum debut album In the Lonely Hour and this new version is being re-released as a one off single to raise money for Comic Relief. The track is available from today to download on iTunes and the single is available to buy exclusively in Sainsbury’s. UK born Sam Smith and American born John Legend will perform the ballad together for the first and only time on Comic Relief – Face the Funny on Friday 13th March on BBC One, where their special one off performance will be broadcast live from the London Palladium. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Quand La Chanson Connaît La Chanson Marc Gruas, Lenoble Martine
Quand la chanson connaît la chanson Marc Gruas, Lenoble Martine To cite this version: Marc Gruas, Lenoble Martine. Quand la chanson connaît la chanson. Centro de Investigação Cientí- fica, 2005, pp.1-31. halshs-00403934 HAL Id: halshs-00403934 https://halshs.archives-ouvertes.fr/halshs-00403934 Submitted on 15 Jul 2009 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. CIC – Centro de Investigação Científica do ISLA de Lisboa Quand la chanson connaît la chanson Marc Gruas Martine Lenoble WP n º 05/05 Avril 2005 1 Résumé : A partir d’un corpus de cinquante albums de chansons francophones produits entre 2000 et 2003, nous nous proposons de suivre les traces de transtextualité sous ses différentes formes (intertextualité vs hypertextualité) et ses fonctions au regard des avant-textes qui la constituent. «Encore un chanteur. J’en ai marre. Mais qu’est-ce que vous avez tous à chanter ? Pourquoi vous faites pas de la peinture ? D’accord, la peinture à l’huile, c’est bien difficile, mais c’est bien plus beau que la chanson à l’eau de rose […]1» Dans un récent entretien publié dans la revue Chorus , l’auteur-compositeur- interprète Jean-Louis Murat déclare non sans provocation que «[…] nous les chanteurs de maintenant, avons déjà tellement à lutter pour exister qu’on ne peut pas toujours être écrasé, par l’ombre de nos aînés. -
L'orient Klez' Destination Québec
NOVEMBRE 28TH to DECEMBRE 12TH 2015 FESTIVALSEFARAD.CA INFO : 514-733-4998 ONLINE BOX OFFICE : theatreoutremont.ca MEMBRE OF THE CUMMINGS CENTRE? PURCHASE A COMBO OF 3 SHOWS : 15 % OFF PRESENT YOUR 2015-16 MEMBERSHIP CARD (OUTREMONT THEATRE - MAIN VENUE ONLY) AT THE CSUQ (MULTIPLE DISCOUNT OFFERS CANNOT BE COMBINED) AND TAKE ADVANTAGE OF A 25 % DISCOUNT ON ALL OUR SHOWS! novembre BAKASHOT AND decembre FUSION D’ORIENT 28 PIYOUTIM 1 & ONDES SACRÉES tuesday Liturgical Evening tuesday 8 pm The famous cantor Moshe Louk (Israel), accompanied by twelve Hazanim 7:30 pm Moshé Louk (Israël) and Anouar Berrada (reciting Sufi, Morocco) weave a Or Hahayim from Montreal under the direction of cantor Daniel Lasry, presents an evening Outremont timeless encounter of the sacred. Both of Moroccan origins, they each master Oriental and Andalusian traditions of their respective religions. In a gesture Synagogue of liturgical songs. Theatre $ 40 of musical and spiritual unity, these two renowned artists accompanied by a FREE ADMISSION choir and musicians from Canada and the Middle East, with conductor, Khalil Moqadem, are sure to present a unique concert. decembre UN SIÈCLE EN CHANSON 3 A tribute to a century of French songs decembre SOIRÉE DE LA RELÈVE thursday Philippe Noireaut proposes a musical journey of memories and timeless My First Outremont songs with guests : Charles Bensoussan, Isaac Bensoussan, Alex Fredo, 7:30 pm 5 Sarah, Claud Michaud, Claire Garand and Raphael Torr. saturday The best young talent of 2015 Outremont Theatre Second part : Raphael Torr will pay tribute to Joe Dassin 8 pm This evening is dedicated to showcasing young talent under the age of 29.