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Gledališki List SNG Nova Gorica, Letnik 59, Številka 4 Izdajatelj SNG Nova Gorica, Predstavnik Mag

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Gledališki List SNG Nova Gorica, Letnik 59, Številka 4 Izdajatelj SNG Nova Gorica, Predstavnik Mag Eric Chappell Kraja SLOVENSKO NARODNO GLEDALIŠČE NOVA GORICA 20 let nove hiše 10 let narodnega gledališča SKUPAJ NAPREJ GRADIMO NAŠE GLEDALIŠČE Zasedba ..................................................................................................................................2 O avtorju Eric Chappell ............................................................................................................4 Jure Gantar Gledališka nanizanka v štirih epizodah ..................................................................................9 Marijana Koren Protislovja lastnine ............................................................................................................15 Gojmir Lešnjak Gojc V Spriggsov zagovor! .........................................................................................................19 Branko Drekonja Kraja (karikatura) ...............................................................................................................20 Nagrada Srečko Fišer ......................................................................................................................25 In memoriam Primož Bebler ....................................................................................................................26 Različno pravično Neven Borak ......................................................................................................................28 Pregled sezone 2012/2013 v SNG Nova Gorica .....................................................................30 1 Slovensko narodno gledališče Nova Gorica, sezona 2013/2014, uprizoritev 4 Premiera 12. decembra 2013 na velikem odru SNG Nova Gorica Eric Chappell KRAJA Theft Prevajalka Tina Mahkota Režiser Jaša Jamnik Dramaturginja Ana Kržišnik Lektor Srečko Fišer Scenografinja in kostumografinja Vasilija Fišer Avtor glasbe Davor Herceg Oblikovalec svetlobe Samo Oblokar Vodja predstave Boro Vujičić, šepetalka Urška Modrijan. Tehnični vodja Aleksander Blažica, tonski in video mojstri Vladimir Hmeljak, Majin Maraž (vodja) in Stojan Nemec, lučni mojstri Samo Oblokar (vodja), Marko Polanc in Renato Stergulc, rekviziterja Damijan Klanjšček in Jožko Markič, frizerki in maskerki Hermina Kokaš in Katarina Božič, garderoberki Jana Jakopič in Mojca Makarovič (vodja), odrski mojster Staško Marinič, odrski tehniki Dean Petrovič, Bogdan Repič in Dominik Špa- capan, vrviščarja Damir Ipavec in Ambrož Jakopič, odrski delavec Jure Modic, šivilje Nevenka Tomašević (vodja), Marinka Colja in Tatjana Kolenc, mizarja Darko Fišer (vodja) in Marko Ipavec. Predstava ima odmor. 2 Trevor Farrington Tomislav Tomšič k. g. John Miles Gorazd Jakomini Jenny Farrington Arna Hadžialjević Barbara Miles Maja Nemec Spriggs Gojmir Lešnjak Gojc k. g. 3 O avtorju Eric Chappell Nekega vročega dne v začetku sedemdesetih si je Eric Chappell (1933, Grantham, Velika Britanija), zaposlen kot finančni nadzornik v elektrodistribucijskem podjetju East Midlands Electricity Board, v Leamingtonskih toplicah pre- ganjal čas s časopisom. Naletel je na zgodbo o črnskem študentu, ki se je v nekem hotelu predstavljal za afriškega princa; hotelsko osebje je bilo nad tem tako impresioni- rano, da ga je res postreglo kot kralja. Chappell je menil, da je to odlična ideja za igro. Ker je bilo njegovo poznava- nje luksuznih hotelov omejeno, je zgodbo postavil v hišo s podnajemniškimi stanovanji in tako je nastala njegova prva igra The Banana Box (Škatla za banane) (Hampstead Theatre Club, 1970; Apollo Theatre, 1973). Ta igra je bila predloga za kasnejšo humoristično nadalje- vanko Rising Damp (Vlaga v zidu), ki so jo na televizijski postaji ITV predvajali med leti 1974 in 1978 z Leonardom Rossiterjem v glavni vlogi. Na televizijski postaji BBC, ki jo je kasneje uvrstila med sto najboljših humorističnih nani- zank, pa so scenarij sprva zavrnili, češ da vsebuje preveč šal. Vsekakor je nadaljevanka postala klasika, po kateri Chappell slovi še danes in ki večkrat zasenči njegove osta- le televizijske, sploh pa gledališke komedije. Prejela je tudi nagrado BAFTA (The British Academy Film Award) za naj- boljšo situacijsko komedijo in leta 1979 nagrado Evening Standard Film za najboljšo komedijo. Preden se je lotil pisanja dialogov, se je Chappell preizkusil 4 Eric Chappell že v pripovedništvu; agentom je poslal nekaj besedil, vendar podjetju, ki mu je priskrbelo material za večino njegovih naj- mu, kot večini dobrih dramatikov, ni šlo. Celo žena Muriel je boljših komičnih likov. Ti so tipični povzpetniški sanjači ali menila, da njegovo pisanje ni kaj prida. Bil je star že skoraj zafrustrirani pisarniški delavci, zaznamovani s svojo razred- štirideset let, ko je odkril, da je boljši v pisanju dramatike, in no pripadnostjo in okoljem, v katerem živijo. Njegove kome- to mu je spremenilo življenje. Sam je rekel: »Ko odkriješ, da dije se odlikujejo po dobro začrtanih karakterjih, čudaških nekaj znaš, moraš to razvijati.«1 Zato je, potem ko je že na- obratih v govoru, neverjetnih gagih in mojstrsko izpisanih, pisal The Banana Box in so ga ljudje s televizije vprašali, če hitro tekočih zgodbah. Chappellovo pisanje je suho in duho- lahko napiše humoristično nanizanko, brez zadržkov sprejel vito, njegov humor pa izraža pristno razumevanje človeških ponudbo: »V tem poslu ne rečeš ne.«2 stanj. Lahko bi rekli, da njegove humoristične nanizanke tudi zahtevajo poseben igralski stil: tako kot ima denimo Po uspehu z The Banana Box je nato leta 1973 pustil službo David Mamet svojo govorico, jo ima tudi Eric Chappell. in začel pisati profesionalno. Pisal je za televizijo; njegove Sam je leta 1980 v nekem intervjuju povedal: »Menim, da je največje uspešnice so še: The Squirrels (Veverice) (ITV, moja vrlina v pisanju naturalistične komedije; pišem, kolikor 1974–77), The Bounder (Capin) (ITV, 1982–83), Home to realistično je mogoče, ne da bi izgubil smisel za humor.«3 Roost (Sam vanjo pade) (ITV, 1986–1990) – vse te so bile nagrajene z nagrado PYE TV Award; Only When I Laugh Chappell je uspel ohraniti zanimanje televizijskih producen- (Samo, ko se smejim) (ITV, 1979–82), Duty Free (Brez tov dvajset let; v tem času je napisal čez dvesto epizod za carine) (ITV, 1984–86), Singles (Samski) (ITV, 1988–91), humoristične nanizanke. Po letu 1996 pa je začel pisati gle- Fiddlers Three (Trije goslači) (ITV, 1991) in njegova zadnja, dališke komedije, saj je njegova televizijska kariera začela Haggard (ITV, 1990–1992). Navdih zanje je črpal iz delav- drseti navzdol. Povedal je: »Začutil sem, da ni več interesa. skega okolja Granthama, kjer je odraščal, in iz dvaindvaj- Pojavila se je poplava detektivk in limonad. Ko sem začenjal, setletne delovne prakse nadzornika v elektrodistribucijskem je bilo sedem humorističnih nanizank na desetih najbolj gle- danih programih. Na koncu je bila ena na tridesetih.«4 1 http://www.thetelegraphandargus.co.uk/news/local/ localbrad/10512968.Writer_Eric_Chappell_tells_how_Rising_ Damp_inspiration_came_about/ 3 http://eustonfilms.blogspot.com/2012/06/misfits-by-eric-chappell- 2 http://www.thetelegraphandargus.co.uk/news/local/ yorkshire-tv.html localbrad/10512968.Writer_Eric_Chappell_tells_how_Rising_ 4 http://www.thetelegraphandargus.co.uk/news/local/ Damp_inspiration_came_about/ localbrad/10512968.Writer_Eric_Chappell_tells_how_Rising_ Damp_inspiration_came_about/ 5 Danes ne piše več za televizijo in je vesel, da je izstopil iz nov, ki priletijo na tla, ali gledam, kako ljudje zaspijo.«7 podganje dirke in se lahko posveča pisanju iger. To pa ima, kakor pravi, tako prednosti kot slabosti: »vsekakor pogre- Tokrat uprizorjeno besedilo Kraja je komedija in triler hkrati. šam denar«, pravi osemdesetletni komediograf. »Ampak ko Prvič je bila uprizorjena leta 1995 v Theatre Royal v Wind- je na televiziji predvajana tvoja nadaljevanka, dobiš največ sorju. V Sloveniji Krajo, tako kot samega avtorja, uprizar- dva telefonska klica, mogoče tri, če je rating visok. Če pa je jamo prvič. Krajo zaznamujejo kratke replike in ostroumne eno mojih besedil uprizorjeno na majhnem odru pred 160 opazke o zakonu, denarju in zločinu. Chappel pravi, da si je ljudmi, so govorice in odzivi toliko bolj vznemirljivi. Ljudem takšno igro želel napisati že leta: » … je dobro napisana, je všeč ali pa jim ni všeč, ampak vsekakor od njih dobiš nek zelo smešna in liki so preprosto čudoviti. Vsakdo pozna odziv.«5 »Napisati igro in jo objaviti je kot napisati sporočilo kakšnega Johna, Trevorja, Jenny in Barbaro, in to je tisto, in ga odposlati v steklenici. Nikoli ne veš, kje bo končala.«6 kar res naredi to igro. Pogosto slišimo, da je med komedijo Njegove igre, več kot dvajset jih je, uprizarjajo po celem in tragedijo tanka črta, in ti liki so vsak po svoje tragični in svetu; Chappell je danes brez dvoma eden največjih britan- komični obenem.«8 skih piscev komedij. Med njegovimi najboljšimi odrskimi deli so: že omenjena The Banana Box, Only When I Laugh Pripravila A. K. (ki temelji na predhodni humoristični nanizanki), Up and Running (V polnem teku), Natural Causes (Naravni vzroki), Haunted (Obseden) in Theft (Kraja). Kljub svoji eksplicitni komedijski naravnanosti pa se je preizkusil tudi v pisanju psihološkega trilerja. Kot sam pravi, je bil Dead Reckoning (Račun z mrličem) njegova prva »resna« igra. »Prej tega nisem počel, ker sem si mislil, da sem pač pisec komedij. Ampak ko sem dobro premislil, sem ugotovil, da je med pisanjem komedije in trilerja veliko podobnosti. V komediji ljudi nasmejiš, tako da jih presenetiš. Enako je v trilerju: presenečenje dvigne ljudi s stolov. Težava je edino v tem, da pri komediji lahko
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