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ZRO Tripolar Mp3, Flac, Wma
ZRO Tripolar mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Tripolar Country: US Released: 2013 Style: Gangsta, Thug Rap, Screw MP3 version RAR size: 1814 mb FLAC version RAR size: 1190 mb WMA version RAR size: 1640 mb Rating: 4.4 Votes: 901 Other Formats: MIDI MP1 DMF DXD TTA MP3 AU Tracklist Hide Credits 1 Can't Complain 5:08 2 Mo City Thugz 3:49 3 Joy 4:30 4 Look Good 4:54 Pain Of My Pen 5 5:03 Featuring – Born 2wice 6 Love These Bitches 4:02 7 Cash Flow 1:13 Loving U 8 3:40 Featuring – Slim Thug Azzfest 9 4:18 Featuring – Wino* 10 I'm Alive 4:26 11 Where My Money 3:25 12 K-Rino Interlude: The Law 4:18 FTP 13 2:57 Featuring – Slim Thug 14 Porcupine 3:59 All Day 15 4:20 Featuring – Propain 16 Shindig 3:21 17 I Don't Love U 4:53 18 Stalker 4:02 19 This Aint Livin Extended Version (Screwed And Chopped) 7:08 Companies, etc. Manufactured By – Trace Mob Inc. Credits Design – Slfemp Notes Manufactured By Trace Mob Inc. 6312 Exchange Dr, Houston, Tx 77621 There exists a 7-song ep version of this release with different track durations. This version is an unofficial compilation album confirmed by Z-Ro himself. Barcode and Other Identifiers Barcode (Printed): 8 46315 85739 3 Barcode (String): 846315857393 Matrix / Runout: V23833 8/16/13 8:24:59 AM Other versions Category Artist Title (Format) Label Category Country Year The Mo City Tripolar (7xFile, MP3, One Deep none none US 2013 Don* EP, 320) Entertainment Related Music albums to Tripolar by ZRO Street Life - Natural Born Hustler Juvenile - Juve The Great Slim Loc 1 - Spoils Of War Thug Pimp - Thug Pimp Lil Flip - The Takeover Part 2 • Screwed & Chopped Slim Thug - Underground Hoggin' The Mo City Don - Tripolar Tyga Feat. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
University of Houston Oral History of Houston Project Houston History
HHA# 00812 Interviewee: Obi, Anthony Interview Date: March 25, 2013 University of Houston Oral History of Houston Project Houston History Interviewee: Anthony “Fat Tony” Obi Interview Date: March 25, 2013 Place: Agora on Westheimer, Houston, Texas Interviewer: Narmi Mena Transcriber: Michelle Kokes Keywords: Fat Tony, Anthony Obi, hip hop culture, hip hop music, rap music, EPs, mixtapes, solo artists, independent artists, 2000s, Hollywood Floss, Roc-a- fella Records, Cam‟Ron, Juelz, DIY music, 80s punk rock, DIY punk, Minor Threat, Black Flag, the Ramones, DJ Screw, UGK, Prince, chopped and screwed, Rap-A-Lot Records, Geto Boys, Scarface, Devin the Dude, Odd Squad, South Park Coalition, SPC, Swishahouse, Chamillionaire, Paul Wall, Mike Jones, VICE News, VICE Documentaries, Black Panthers, Houston rap, Houston music scene, Carnegie Vanguard High School, experimental music, local music, regional music, southern rap, southern culture, mainstream rap, A$AP Rocky, Kendrick Lamar, Drake, Purple Swag, marijuana, lean, purple drank, codeine, drug culture, Lil Wayne, SCREWDARGAB, RABDARGAB, OG Ron C, Youtube, Rice University, culture, music industry, 1990s, 1980s, Compton, Los Angeles, New Orleans, Lil B, Childish Gambino, Riff Raff, Fitzgerald‟s, Free Press Summer Fest Abstract: Anthony Obi is a Houston native Nigerian-American rap artist that goes by the name “Fat Tony.” Having an interest in music since a very young age, Fat Tony began making music with a group of friends during his high school years. After the group‟s disbandment Fat Tony released his first song called “Love Life” while collaborating with local artist Hollywood Floss. Fat Tony cites his earliest influences to an early 2000s single called “Oh Boy” by Cam‟Ron and Juelz, two Roc-a- fella Records artists. -
Chris Taylor Rice University Hip Hop Parody As Veiled Critique
Chris Taylor Rice University Hip Hop Parody as Veiled Critique 1 Introduction Inherently intertextual, parodies involve the use of semiotic practices indexically associated with the subject of parody, in some cases a particular person or socially- recognizable personae.1 Parodists employ these indexically-linked semiotic practices in an exaggerated fashion, to ridicule indirectly the parodied subject. In the domain of hip hop cultural production, artists marginalized by institutionally-sanctioned systems of distribution use parody to interrogate the naturalness or desirability of prevailing norms which tie semiotic practices to characterological qualities. These parodies involve recognizing norms shared in dissonance, norms regarding authenticity and indigeneity, essentializing discourses which render adherents to opposing norms deviant. Though in this sense discursive formations such as authenticity constrain social action, it is through recognizing and interrogating the normativity of such discourses that social actors – in the case examined here a small population of MCs from Houston, Texas – exercise some measure of agency (Butler 2004, Carter 2007), portraying those who police dominant norms negatively, as less skillful, materialistic, and disingenuously sociopathic. Hip hop parodists achieve this social end by leveling a veiled critique at popular artists. To succeed in their critique, these MCs exploit prior texts (i.e. songs) by transposing strategies popular artists use in styling their personae. For example, in order to communicate a sense of rootedness in a particular neighborhood,2 hip hop artists often employ what I term metastylistic discourse, that is, speech about style. By referring to contextually-bound stylistic practices such as “getting smoked out” and “jammin Screw”3 in the ’hood with their friends, artists establish a connection to place indexically, evoking subterranean, characterological qualities associated with lived experiences of their neighborhoods. -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change. -
Abstract Humanities Jordan Iii, Augustus W. B.S. Florida
ABSTRACT HUMANITIES JORDAN III, AUGUSTUS W. B.S. FLORIDA A&M UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1998 THE IDEOLOGICAL AND NARRATIVE STRUCTURES OF HIP-HOP MUSIC: A STUDY OF SELECTED HIP-HOP ARTISTS Advisor: Dr. Viktor Osinubi Dissertation Dated May 2009 This study examined the discourse of selected Hip-Hop artists and the biographical aspects of the works. The study was based on the structuralist theory of Roland Barthes which claims that many times a performer’s life experiences with class struggle are directly reflected in his artistic works. Since rap music is a counter-culture invention which was started by minorities in the South Bronx borough ofNew York over dissatisfaction with their community, it is a cultural phenomenon that fits into the category of economic and political class struggle. The study recorded and interpreted the lyrics of New York artists Shawn Carter (Jay Z), Nasir Jones (Nas), and southern artists Clifford Harris II (T.I.) and Wesley Weston (Lii’ Flip). The artists were selected on the basis of geographical spread and diversity. Although Hip-Hop was again founded in New York City, it has now spread to other parts of the United States and worldwide. The study investigated the biography of the artists to illuminate their struggles with poverty, family dysfunction, aggression, and intimidation. 1 The artists were found to engage in lyrical battles; therefore, their competitive discourses were analyzed in specific Hip-Hop selections to investigate their claims of authorship, imitation, and authenticity, including their use of sexual discourse and artistic rivalry, to gain competitive advantage. -
The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs. -
Fly - Swag Surfin Free Mp3 Download Swag Surfing Mp3
fly - swag surfin free mp3 download Swag Surfing Mp3. We have collected a lot of useful information about Swag Surfing Mp3 . The links below you will find everything there is to know about Swag Surfing Mp3 on the Internet. Also on our site you will find a lot of other information about kitesurfing, wakeboarding, SUP and the like. Swag Surfin' (Explicit) - YouTube. https://www.youtube.com/watch?v=kf5QZ-WUGKo Jul 29, 2018 · Provided to YouTube by Universal Music Group Swag Surfin' (Explicit) · F.L.Y. (Fast Life Yungstaz) Jamboree ℗ 2009 The Island Def Jam Music Group Released on: 2009-01-01 Producer: Kevin "KE on . Author: FLYISDALIMIT. FLY – Swag Surfin Free Mp3 Download & Listen Online MP3GOO. https://imp3goo.co/download/fly-swag-surfin/ Free Download FLY – Swag Surfin Mp3. We have 20 mp3 files ready to listen and download. To start the download you need to click on the [Download] button. We recommend the first song named FLY - Swag Surfin HQ.mp3 with a quality of 320 kbps. F.L.Y. - Swag Surfin' [Prod. By K.E. On The Track] mp3 . https://www.livemixtapes.com/download/mp3/202862/fly_swag_surfin_prod_by_ke_on_the_track.html F.L.Y. Swag Surfin' [Prod. By K.E. On The Track] free mp3 download and stream. Swag Surfin - Wikipedia. https://en.wikipedia.org/wiki/Swag_Surfin "Swag Surfin" is the debut single by American hip hop group Fast Life Yungstaz. It is featured on their debut album Jamboree and is produced by K.E. on the Track.. It is the unofficial anthem of the WNBA's Washington Mystics and was played at the game in which the team won its first championship.Genre: Trap, pop rap. -
Asher Roth, Bow Wow, Brandy, Diddy, DJ Kid Capri, Drake
Asher Roth, Bow Wow, Brandy, Diddy, DJ Kid Capri, Drake, Fabolous, Geto Boys, Jonah Hill, Keri Hilson, Khujo Goodie, Lauren London, Romeo, Ray J, Silkk the Shocker and T.I. Join the 7th Annual '2010 VH1 Hip Hop Honors: The Dirty South' Celebration Premier 2010 Honorees Include Jermaine Dupri, J Prince of Rap-A-Lot Records, Luther "Luke" Campbell, The 2 Live Crew, Master P and Organized Noize Actor/Comedian Craig Robinson ("The Office"/"Last Comic Standing") Will Host NEW YORK, June 2, 2010 /PRNewswire via COMTEX/ --Back for its 7th year, the "2010 VH1 Hip Hop Honors" will celebrate the achievements of hip hop with a little southern twist. This year, the showwill celebrate the music, the influence and the artists from The South. Honorees Jermaine Dupri, J Prince of Rap-A-Lot Records, Luther "Luke" Campbell, The 2 Live Crew, Master P, and Organized Noize will be honored through performances in collaboration with some of today's hottest talent. Hosted by Craig Robinson, "2010 VH1 Hip Hop Honors: The Dirty South" will tape from NYC's Hammerstein Ballroom and air on VH1 on Monday, June 7 at 9:00 PM ET/PT. 100 Grand Band, A.K., Asher Roth, Black Don, Bow Wow, Cool Breeze, Diddy, DJ 5000 Watts, DJ Domination, DJ Freestyle Steve, DJ Jelly, DJ Mixx, DJ Kid Capri, DJ Mike Love, D.O.E., Drake, Fabolous, Geto Boys, Keri Hilson, Khujo Goodie, Lil D, Nasty Delicious, Romeo, Sebastian, Silkk the Shocker and Valentino will join previously announced performers Bone Crusher, Bun B, Chamillionaire, Dem Franchize Boyz, DJ Drama, DJ Khaled, Flo Rida, Gucci Mane, Juvenile, Lil Jon, Missy Elliott, Murphy Lee, Mystikal, Nelly, Paul Wall, Pitbull, Rick Ross, Slim Thug, T- Pain, Trick Daddy, Trina and Ying Yang Twins with performances that are sure to make the South proud. -
Slim Thug Already Platinum Lp Full Album Zip
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Boss Hogg Outlawz Superstarz 2K3 Mp3, Flac, Wma
Boss Hogg Outlawz Superstarz 2K3 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Superstarz 2K3 Country: US Released: 2003 Style: Thug Rap, Gangsta, Screw MP3 version RAR size: 1530 mb FLAC version RAR size: 1302 mb WMA version RAR size: 1768 mb Rating: 4.1 Votes: 413 Other Formats: AC3 VOC MP2 APE ASF AHX AIFF Tracklist 1 –Slim Thug, Kyleon*, Sir Daily, Chris Ward, Doodie Flow 2 –Unknown Artist Damn 3 –Unknown Artist Gangsta Music 4 –Sir Daily, Lil' Mel, Cory Mo Flow 5 –Unknown Artist Shyne 6 –Unknown Artist La - La - La 7 –Mike Jones Flow 8 –Unknown Artist Can't Stop Won't Stop 9 –Unknown Artist Uh Oh (Remix) 10 –Unknown Artist Flipside 11 –Unknown Artist What You Going To Do 12 –Chris Ward, Kyleon* Flow 13 –Unknown Artist Never Scared (Remix) 14 –Slim Thug, LiL Keke* Southern Nigga 15 –Color Changing Click* Flow 16 –Unknown Artist Killa Mike 17 –Unknown Artist It's On Companies, etc. Manufactured By – Hug Productions – none Distributed By – Hug Productions Credits Artwork – Mike Frost Barcode and Other Identifiers Barcode (Printed): 5 702012 000737 5 Barcode (String): 57020120007375 Related Music albums to Superstarz 2K3 by Boss Hogg Outlawz 1. Various - Cosmic Alphonsus Vol.7 'A Balearic Mike Mix' 2. Various - Le Flow 3. Flow Click - Flow Click 4. Big Pokey Featuring Slim Thug - Boss Hogg On Candy 5. DJ Pro'Sha - Straight from PRO’jects: G-Style S3T Tapes Vol. 2 6. Slim Thug Presents Boss Hogg Outlawz - Serve & Collect 7. Swishahouse Presents Lil Keke Of Tha S.U.C. -
Sxsw 2007 **Special Edition** Devin Thedude
SXSW 2007 **SPECIAL EDITION** DEVIN theDUDE PIMP C // MONEY WATERS // RAPID RIC +OG RON C // TUM TUM // BIG CHIEF LIL PEACE // ROB G // CHINGO BLING BOSS HOGG OUTLAWZ // BILLY COOK SXSW 2007 **SPECIAL EDITION** lilpeace PIMP C+ // MONEY WATERS // RAPID RIC OG RON C // TUM TUM // BIG CHIEF LIL PEACE // ROB G // CHINGO BLING BOSS HOGG OUTLAWZ // BILLY COOK SXSW 2007 PUBLISHER: Julia Beverly CHIEF OPERATIONS OFFICER: o N. Ali Early GUEST EDITOR: Matt Sonzala CONTRIBUTORS: DeVaughn Douglas DJ Chill Edward Hall Eric Perrin Mike Frost Randy Roper PROMOTIONS DIRECTOR: Malik Abdul ART DIRECTOR: Tene Gooden SUBSCRIPTIONS: To subscribe, send check or money order for $11 to: Ozone Magazine 644 Antone St. Suite 6 SECTION A Atlanta, GA 30318 26-27 pimp C Phone: 404-350-3887 10 og ron C Fax: 404-350-2497 12 rapid ric Web: www.ozonemag.com 14-15 venue map 22-25 chingo bling COVER CREDITS: 16 hotel listing Devin the Dude (cover and this 18-19 event listing 17 venue listing page) by Mike Frost; Lil Peace 20 sXsw founder by Tony Boyatti; Rapid Ric by 11 photo gallerY Luxury Mindz. 09 guest editorial 21 entrepreneur profile DISCLAIMER: OZONE does not take responsibility 28-31 DEVIN THE DUDE for unsolicited materials, misin- formation, typographical errors, or misprints. The views contained SECTION B herein do not necessarily reflect those of the publisher or its 16-17 ROB G advertisers. Ads appearing in this 10 DJ CHILL magazine are not an endorsement 08 DJ DOMO or validation by OZONE Magazine 18-19 NAYROCK for products or services offered.