Imelda Romualdez Marcos the Verdict
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The Rise and Fall of Virata's Network: Technocracy and the Politics Of
The Rise and Fall of Virata’s Network: Technocracy and the Politics of Economic Decision Making in the Philippines Teresa S. Encarnacion Tadem* The influence of a technocratic network in the Philippines that was formed around Cesar E. A. Virata, prime minister under Ferdinand Marcos, rose during the martial law period (1972–86), when technocracy was pushed to the forefront of economic policy making. Applying concepts of networks, this essay traces the rise and even- tual collapse of Virata’s network to a three-dimensional interplay of relationships— between Virata and Marcos, Virata and the International Monetary Fund and World Bank, and Marcos and the United States. Virata’s close links to social, academic, US, and business community networks initially thrust him into government, where he shared Marcos’s goal of attracting foreign investments to build an export-oriented economy. Charged with obtaining IMF and World Bank loans, Virata’s network was closely joined to Marcos as the principal political hub. Virata, however, had to contend with the networks of Marcos’s wife, Imelda, and the president’s “chief cronies.” While IMF and World Bank support offered Virata some leverage, his network could not control Imelda Marcos’s profligacy or the cronies’ sugar and coconut monopolies. In Virata’s own assessment, his network was weakened when Marcos’s health failed during an economic crisis in 1981 and after Benigno Aquino’s assassination in 1983. In those crises, Imelda Marcos’s network and Armed Forces Chief of Staff General Fabian Ver’s faction of the military network took power amidst the rise of an anti-dictatorship movement. -
'New Society' and the Philippine Labour Export Policy (1972-1986)
EDUCATION IN THE ‘NEW SOCIETY’ AND THE PHILIppINE LABOUR EXPORT POLICY (1972-1986) EDUCATION IN THE ‘NEW SOCIETY’ AND THE PHILIPPINE LABOUR EXPORT POLICY (1972-1986) Mark Macaa Kyushu University Abstract: The ‘overseas Filipino workers’ (OFWs) are the largest source of US dollar income in the Philippines. These state-sponsored labour migrations have resulted in an exodus of workers and professionals that now amounts to approximately 10% of the entire country’s population. From a temporary and seasonal employment strategy during the early American colonial period, labour export has become a cornerstone of the country’s development policy. This was institutionalised under the Marcos regime (1965-1986), and especially in the early years of the martial law period (1972-81), and maintained by successive governments thereafter. Within this context, this paper investigates the relationship between Marcos’ ‘New Society’ agenda, the globalization of migrant labour, and state sponsorship of labour exports. In particular, it analyses the significance of attempts made to deploy education policy and educational institutions to facilitate the state’s labour export drive. Evidence analyzed in this paper suggests that sweeping reforms covering curricular policies, education governance and funding were implemented, ostensibly in support of national development. However, these measures ultimately did little to boost domestic economic development. Instead, they set the stage for the education system to continue training and certifying Filipino skilled labour for global export – a pattern that has continued to this day. Keywords: migration, labour export, education reforms, Ferdinand Marcos, New Society Introduction This paper extends a historical analysis begun with an investigation of early Filipino labour migration to the US and its role in addressing widespread poverty and unemployment (Maca, 2017). -
The Future of the Alien Tort Claims Act of 1789: Lessons from in Re Marcos Human Rights Litigation
St. John's Law Review Volume 67 Number 3 Volume 67, Summer 1993, Number 3 Article 3 April 2012 The Future of the Alien Tort Claims Act of 1789: Lessons from In re Marcos Human Rights Litigation Joan Fitzpatrick Follow this and additional works at: https://scholarship.law.stjohns.edu/lawreview Recommended Citation Fitzpatrick, Joan (1993) "The Future of the Alien Tort Claims Act of 1789: Lessons from In re Marcos Human Rights Litigation," St. John's Law Review: Vol. 67 : No. 3 , Article 3. Available at: https://scholarship.law.stjohns.edu/lawreview/vol67/iss3/3 This Symposium is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in St. John's Law Review by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. THE FUTURE OF THE ALIEN TORT CLAIMS ACT OF 1789: LESSONS FROM IN RE MARCOS HUMAN RIGHTS LITIGATION JOAN FTZPATRCK* INTRODUCTION On September 24, 1992, a federal civil jury in Honolulu ren- dered a verdict for the plaintiffs in the multidistrict human rights litigation against the estate of Ferdinand Marcos and several of his former associates and family members.' In re Marcos Human Rights Litigation ("Marcos") is a milestone for the Alien Tort Claims Act ("ATCA7)2 for several reasons. First, Marcos was the first human rights case brought under the ATCA to be fully con- tested in a trial on the merits, illustrating the numerous obstacles that plaintiffs must overcome in proving human rights allega- tions. -
Bridges Across Oceans: Initial Impact Assessment of the Philippines Nautical Highway System and Lessons for Southeast Asia
Bridges across Oceans Initial Impact Assessment of the Philippines Nautical Highway System and Lessons for Southeast Asia April 2010 0 2010 Asian Development Bank All rights reserved. Published 2010. Printed in the Philippines ISBN 978-971-561-896-0 Publication Stock No. RPT101731 Cataloging-In-Publication Data Bridges across Oceans: Initial Impact Assessment of the Philippines Nautical Highway System and Lessons for Southeast Asia. Mandaluyong City, Philippines: Asian Development Bank, 2010. 1. Transport Infrastructure. 2. Southeast Asia. I. Asian Development Bank. The views expressed in this book are those of the authors and do not necessarily reflect the views and policies of the Asian Development Bank (ADB) or its Board of Governors or the governments they represent. ADB does not guarantee the accuracy of the data included in this publication and accepts no responsibility for any consequence of their use. By making any designation of or reference to a particular territory or geographic area, or by using the term “country” in this document, ADB does not intend to make any judgments as to the legal or other status of any territory or area. ADB encourages printing or copying information exclusively for personal and noncommercial use with proper acknowledgment of ADB. Users are restricted from reselling, redistributing, or creating derivative works for commercial purposes without the express, written consent of ADB. Note: In this report, “$” refers to US dollars. 6 ADB Avenue, Mandaluyong City 1550 Metro Manila, Philippines Tel +63 2 632 -
Emindanao Library an Annotated Bibliography (Preliminary Edition)
eMindanao Library An Annotated Bibliography (Preliminary Edition) Published online by Center for Philippine Studies University of Hawai’i at Mānoa Honolulu, Hawaii July 25, 2014 TABLE OF CONTENTS Preface iii I. Articles/Books 1 II. Bibliographies 236 III. Videos/Images 240 IV. Websites 242 V. Others (Interviews/biographies/dictionaries) 248 PREFACE This project is part of eMindanao Library, an electronic, digitized collection of materials being established by the Center for Philippine Studies, University of Hawai’i at Mānoa. At present, this annotated bibliography is a work in progress envisioned to be published online in full, with its own internal search mechanism. The list is drawn from web-based resources, mostly articles and a few books that are available or published on the internet. Some of them are born-digital with no known analog equivalent. Later, the bibliography will include printed materials such as books and journal articles, and other textual materials, images and audio-visual items. eMindanao will play host as a depository of such materials in digital form in a dedicated website. Please note that some resources listed here may have links that are “broken” at the time users search for them online. They may have been discontinued for some reason, hence are not accessible any longer. Materials are broadly categorized into the following: Articles/Books Bibliographies Videos/Images Websites, and Others (Interviews/ Biographies/ Dictionaries) Updated: July 25, 2014 Notes: This annotated bibliography has been originally published at http://www.hawaii.edu/cps/emindanao.html, and re-posted at http://www.emindanao.com. All Rights Reserved. For comments and feedbacks, write to: Center for Philippine Studies University of Hawai’i at Mānoa 1890 East-West Road, Moore 416 Honolulu, Hawaii 96822 Email: [email protected] Phone: (808) 956-6086 Fax: (808) 956-2682 Suggested format for citation of this resource: Center for Philippine Studies, University of Hawai’i at Mānoa. -
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
287 Students Graduate from UPVTC Jessa A
May - June 2014 UPViews 1 OFFICIAL PUBLICATION OF U.P. VISAYAS May - June 2014 Vol. XVIII No. 4 Read UPViews online at www.upv.edu.ph 287 students graduate from UPVTC Jessa A. Amarille “Even though I suffered in the past, I can use its memory to learn, be healed, and be a better me now, towards a better future.” —Adrian Pantonial This statement best describes the thoughts and sentiments of the students of the UP Visayas Tacloban College (UPVTC) in Tacloban, Leyte, one of the hardest-hit areas when Yolanda struck central Philippines on November 8, 2013. Seven and a half months after Yolanda stormed in and trampled on their future, just like any other survivor, their lives simply must go on. Various scenes from UPVTC’s 38th Commencement Exercises. UPVTC held its 38th Arts and Sciences grounds. students were conferred various UP campuses for the second Commencement Exercises semester after the typhoon struck on June 27, 2014 at the HS Two hundred eighty-seven degrees including those students who cross registered in other UPV, Miagao LGU celebrate 287 STUDENTS / 8 4th Friendship Day Lydia G. Callano before midnight, were graced by UPV and Miagao LGU officials. JUNE 6, 2014 was a special This year’s theme was “Sa day for every constituent of UP paghirupay kag pagtamdanay, Visayas and the Municipality nag usbong ang kalipay kag pag- of Miagao. For the fourth time, abyanay.” The whole-day affair the two institutions gathered to was spearheaded by the UPV celebrate their friendship and Office of the Vice Chancellor cooperation through a fun run/ for Planning and Development walk, Mass, breakfast, boodle and the Office of the Municipal lunch, games and binayle Mayor of Miagao. -
UNIVERSITY of CALIFORNIA RIVERSIDE Naming
UNIVERSITY OF CALIFORNIA RIVERSIDE Naming the Artist, Composing the Philippines: Listening for the Nation in the National Artist Award A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Neal D. Matherne June 2014 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. René T.A. Lysloff Dr. Sally Ann Ness Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Neal D. Matherne 2014 The Dissertation of Neal D. Matherne is approved: Committee Chairperson University of California, Riverside Acknowledgements This work is the result of four years spent in two countries (the U.S. and the Philippines). A small army of people believed in this project and I am eternally grateful. Thank you to my committee members: Rene Lysloff, Sally Ness, Jonathan Ritter, Christina Schwenkel. It is an honor to receive your expert commentary on my research. And to my mentor and chair, Deborah Wong: although we may see this dissertation as the end of a long journey together, I will forever benefit from your words and your example. You taught me that a scholar is not simply an expert, but a responsible citizen of the university, the community, the nation, and the world. I am truly grateful for your time, patience, and efforts during the application, research, and writing phases of this work. This dissertation would not have been possible without a year-long research grant (2011-2012) from the IIE Graduate Fellowship for International Study with funding from the Andrew W. Mellon Foundation. I was one of eighty fortunate scholars who received this fellowship after the Fulbright-Hays Doctoral Dissertation Research Abroad Program was cancelled by the U.S. -
(Intermittent Sections) (B00018LT), Daang Maharlika Leyte - Samar
Contract ID No.: 21I00093 Contract Name: Repair/Maintenance of San Juanico Bridge – Approach and Concrete Deck (Intermittent Sections) (B00018LT), Daang Maharlika Leyte - Samar Location of the Project: Daang Maharlika Leyte - Samar Republic of the Philippines DEPARTMENT OF PUBLIC WORKS AND HIGHWAYS REGIONAL OFFICE VIII Baras, Palo, Leyte BIDDING DOCUMENTS F OR Procurement / Contract ID: 21I00093 Contract Name: Repair/Maintenance of San Juanico Bridge – Approach and Concrete Deck (Intermittent Sections) (B00018LT), Daang Maharlika Leyte - Samar Contract Location: Daang Maharlika Leyte - Samar Deadline of Receipt/Submission of Bids: July 13, 2021 (1:00 P.M.) Date of Opening of Bids : July 13, 2021 (1:00 P.M.) Start Date for Issuance of Bidding Documents : June 22, 2021 – July 13, 2021 – December 2 2, 2020, 2020 Prepared by: Checked/Reviewed: MAINTENANCE DIVISION ANGELITA C. OBEDIENCIA End User/Implementing Office Head, BAC-TWG NOTED:A L. TALDE Chief Administrative Officer Bidding Documents to be posted in BAC Chairperson No. of Pages: 78 the DPWH & PhilGEPS Websites on: December 2, 2020 Prepared by: Checked/Reviewed: ANGELITA C. OBEDIENCIA Head, BAC-TWG 1 Contract ID No.: 21I00093 Contract Name: Repair/Maintenance of San Juanico Bridge – Approach and Concrete Deck (Intermittent Sections) (B00018LT), Daang Maharlika Leyte - Samar Location of the Project: Daang Maharlika Leyte - Samar TABLE OF CONTENTS Glossary of Terms, Abbreviations and 4 Acronyms……………………..……………………………………………………............... Section I - Invitation to Bid (IB) …………………………………………………... .. 6 Section II - Instructions to Bidders (ITB) …………………………………………….. 7 1. Scope of Bid……………………………………………………………………………. 11 2. Funding Information………………………………………………………………….. 11 3. Bidding Requirements………………………………………………………………… 11 4. Corrupt, Fraudulent, Collusive, Coercive, and Obstructive Practices……………. 11 5. Eligible Bidders……………………………………………………………………...... 11 6. Origin of Associated Goods…………………………………………………………… 12 7.Subcontracts……………………………………………………………………………. -
INFORMATION to USERS the Most Advanced Technology Has Been
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 Nortfi Zeeb Road. -
THE POLITICS of TOURISM in ASIA the POLITICS of TOURISM in ASIA Linda K
THE POLITICS OF TOURISM IN ASIA THE POLITICS OF TOURISM IN ASIA Linda K. Richter 2018 Open Access edition funded by the National Endowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. Licensed under the terms of Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 In- ternational (CC BY-NC-ND 4.0), which permits readers to freely download and share the work in print or electronic format for non-commercial purposes, so long as credit is given to the author. Derivative works and commercial uses require per- mission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Cre- ative Commons license described above does not apply to any material that is separately copyrighted. Open Access ISBNs: 9780824880163 (PDF) 9780824880170 (EPUB) This version created: 17 May, 2019 Please visit www.hawaiiopen.org for more Open Access works from University of Hawai‘i Press. © 1989 University of Hawaii Press All rights reserved Contents Acknowledgments vi Abbreviations Used in Text viii 1. The Politics of Tourism: An Overview 1 2. About Face: The Political Evolution of Chinese Tourism Policy 25 3. The Philippines: The Politicization of Tourism 57 4. Thailand: Where Tourism and Politics Make Strange Bedfellows 92 5. Indian Tourism: Pluralist Policies in a Federal System 115 6. Creating Tourist “Meccas” in Praetorian States: Case Studies of Pakistan and Bangladesh 153 Pakistan 153 Bangladesh 171 7. Sri Lanka and the Maldives: Islands in Transition 178 Sri Lanka 178 The Maldives 186 8. Nepal and Bhutan: Two Approaches to Shangri-La 190 Nepal 190 Bhutan 199 9. -
Sample Chapter
Copyrighted material – 9781137270955 Contents List of Illustrations vii Acknowledgements ix Introduction 1 PART I Reading Texts Chapter 1 ‘A Tale as Old as Time’: Narrative Theory 9 Chapter 2 ‘A Man Who Can Interpret Could Go Far’: Semiotics and Semiology 26 Chapter 3 ‘Razzle Dazzle ’em’: Performance Studies, Reception Theory and the Epic Musical 44 Chapter 4 ‘Life Is a Cabaret’: Cultural Materialism 61 PART II Interpreting Contexts Chapter 5 ‘You’ve Got to Be Carefully Taught’: Orientalism and Musical Theatre 79 Chapter 6 ‘I Wanna Be a Producer’: Globalization, Capitalism and Consumerism 97 Chapter 7 ‘What’s the Buzz?’: Meta-narratives and Post-linearity 115 PART III Performing Identities Chapter 8 ‘Marry the Man Today’: Feminism and the Performance of Identity 135 Chapter 9 ‘The Bitch of Living’: Youth Cultures, Power and Sexuality 152 Chapter 10 ‘I Am What I Am’: Sexuality and Queer Theory 169 v Copyrighted material – 9781137270955 Copyrighted material – 9781137270955 vi CONTENTS PART IV Rethinking Relationships Chapter 11 ‘It’s the Last Midnight’: Playing with Time and Space 187 Chapter 12 ‘I’m Just a Broadway Baby’: Intertextuality in Music and Lyrics 202 Chapter 13 ‘Dreamgirls Will Make You Happy’: The Pleasures of Voice and Body 217 Chapter 14 ‘Make ’em Laugh’: The Politics of Entertainment 233 Notes 249 Bibliography 252 Index 263 Copyrighted material – 9781137270955 Copyrighted material – 9781137270955 Introduction It can be diffi cult to know where to start exploring musical theatre. ‘Start at the very beginning’, someone once said – very sensibly, no doubt. But Maria didn’t really give any of us a proper handbook for getting to grips with the wonderful world of the musical.