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NSIDE: Bad Summer Movies

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The Go-Go’s 2B Friday, September 17,1982 Daily Nexus Contents:

UCSB Dramatic Art...... 3 University Art Museum...... 5 The Summer’s Worst Movies...... 6 Death watch ...... • • 10 The Victoria Street Theater...... 10 Album Reviews...... 11 Eventualities...... 12 Unispace *82: Vienna, Austria ... 13 The Arlington Theatre...... 14

RECORDS-TAPES & VIDEO vO ARTS,

Think UCOPICI First Editor: Barbara Postman

* ' • 7 4 1 1 Cover: Rob G ray

Seite new en these greet new re/eeses Staff this Issue:

Jonathan ____frem SLSHTHA MUSIC/AH! ___ Alburger

Julie Desnick

Barry Eberling

John Krist

Larry Martinez

Jane Musser 'LP er 'LP er LP er disette disette disette

W ^^Èìm t ÿ & 9 9 jt\~ • -I er eienemere 4# LP er .. _ . .. . l/pu***^**^ — disette eve/tette! disette o u . . good thru Sep* 29 Peg eng 2 £l£HTHA MUSICI AH IPs er eessettes end redine e free sempier e/heml

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COSTA MESA 1813 Newport Blvd NORWALK SQUARE 14021 Pioneer Blvd U P LA N D 327 Mountain Avenue catalog. 11,278 papere on file, all DOWNEY 11215 Lakewood Blvd ORANGE 1836 N Justin Avenue V IS A L IA 2147 S Mooney Blvd er we’/tg/ed/g esehenge it! academic subjects. ENCINITAS 131 N. El Camino Real PACIFIC BEACH 1321 Garnet Avenue WEST COVINA 1008 Garvey Avenue Research Assistane a 11322 Idaho ESCONOIDO 150S7 E Valley Parkway PASADENA 89 N. Lake Street WEST LA. 11876 Witshire Blvd. Ava., I206W, Los Angelas, CA 90025 (213)477-8220 Daily Nexus Friday, September 17,1962 3B Dramatic Art Not Just For Drama Majors There are some who think ject matter supplements events related to the for young audiences’ that university-level theater another course of study. For Renaissance artist — most production will be directed is only for that small group example, a dramatic notably, “ Leonardo’s Return by students Lisa Schunn of artists who hang out in literature lecture may feed to Vinci,” an exhibition Colston and Chester rustic coffee shops to discuss the hungry English major’s opening Sept. 22 at the Steinberg under the their most recent charac­ appetite for Albee, Williams University Art Museum. supervision of Marie Starr. terization or script in­ and Wilder. Or a class in Leonardo is scheduled for Mimania, directed by terpretation. Fortunately, technical theater may draw performances Nov. 11-13 and David Barker, is a student though, theater classes and in those engineers who want Nov. 17-20 at 8 p.m. in the mime show scheduled at 8 UCSB dramatic productions to obtain experience working UCSB Main Theatre. The p.m. March 3-5 in the Main include students from a in theater. And for the east will include members of Theatre. This will be an selection of diverse majors economist who always the dramatic art faculty, original event created by the and interests. wanted to receive acting townspeople, and students. students and the directin', Production Manager Ken instruction, there are now Auditions will be held Sept. who is himself a professional Small notes that there are two non-major acting 24-25. mime. several basic ways for the classes: Dramatic Art 5 Dance Gallery, which is During Spring quarter, the interested student to get and Dramatic Art 14. scheduled for Dec. 1-4 at 6:30 department will present involved in UCSB theater Thespian or not, you can p.m. and 8:30 p.m. in the (Please turn topg.15, col.l) NEXUS/Qrtg Harris without committing himself obtain more information on UCSB Studio Theatre, f to the dramatic arts major. auditions and classes from features six new First, UCSB quarterly the Dramatic Art Depart­ choreographic works by productions are open to all ment office. students of the dance It’s That Time Of university actors, not just division. Concert director those enrolled in the * * * Alice Condodina points out Dramatic Art Acting that the choreographers will Emphasis Program. Eleven events which will explore the different The Month At Auditions are held at the be enjoyed by over 12,000 possibilities of creating beginning of each quarter audience members have exciting dance within the and. script information is been scheduled by the UCSB intimacy of the Studio Hot L h BLUE available from the Dramatic Department of Dramatic Art Theatre space. Santa Lite) Santa Production Office. for the 1982-83 season. More 2 on Stage will feature two Barbara’s Barbara’s Rock n’ Roll MONDAY Also for those who adore than 60 performances, which one-act plays directed by * Finest . Finest EXIT Blue Margaritas stitching the garb of dif­ include the world premiere undergraduate students Ladies Night $1.25 THE THE ferent times and places or of a historical play, con­ David Holmes and Margaret Well Drinks$1.25 Featuring hammering the nails to temporary dramas and Solow. Both plays will be DREAMERS DREAMERS 9:30 Rock Video complete set designs there comedies, modern dance, presented nightly at 8 p.m. are two theater workshop mime, student directed Nov. 17-20 in the Old Little B'A Hot b b KTYD & Í¿ KXXN classes: Dramatic Art 49 projects, and a theater for Theatre. Rock n’ Roll -Dance Night Dance Party and Dramatic Art 149. In young audiences’ produc­ During Winter quarter, THE shop classes, the hours spent tion, will be given in the audiences will be treated to EXIT Bar Specials Kamakazis working on a project are fit coming season of events. performances of a mime Long Island All Night $1.25 $1.25 PUPS into the student’s individual Stanley Glenn, director of show, a theater for young Ice Teas $1.25 No Cover No Cover schedule. The student must theater for the department, audiences’ production, and have blocks of two hours or has announced that the The Shadow of a Gunman. & £ Ladies BLUE s p e c ia l more to sign up for a specific world premiere of Leonardo, Judith Olauson will direct Night MONDAY ^ CONCERT project. Usually the shop a new play by Paul Jarrico, The Shadow of a Gunman, Hot Rock n’ Roll THE Well Drinks $1.25 Blue Margaritas classes are directly related will be highlighted in the fall written by Sean O’Casey. with EXIT The Irish play will be per­ to the UCSB production in season. The play, which is PUPS Dance to the $1.25 & Special Guests progress. Anyone interested based on the life of Leonardo formed in the Studio Theatre New Sounds of Featuring IAN MATTHEWS may attend an orientation da Vinci, is the first stage Feb. 17-19 and Feb. 23-26. TRIX Rock Video & DAVID SURKAMP meeting on shop work the play by Jarrico, an in­ Marco Polo and the Prince week of Sept. 27. ternationally known screen Timur is a play adapted by KTYD S i ) CAPTAIN A majority of the classes writer and producer. Marie Starr and Lisa Merkl Dance Night BARNEY’S! in the Dramatic Art The performances of for performances on Feb. 26 New Wave Disco Department are open to all Leonardo are linked to a and March 5 in the UCSB Bar Specials majors, and often the sub­ series of other campus Main Theatre. This theater All Night Men’s Night $1.25 Beer/Tequila BAKER'S No Cover $1.25--No Cover FOOD & DRINK ★ 5918 HOLLISTER AVE 964-7838______

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J Daily Nexus Friday, September 17,1982 5B Hidden Treasures in the University Art Museum By JULIE DESNICK exhibit entitled “ Leonardo’s for the first published edition in collection. The collection in­ Many students, old and Return to Vinci” from Sept. 1651 of Leonardo’s Treatise on cludes paintings of the new, do not realize what 22 to Oct. 24. This exhibit Painting. European masters, pre- treasures exist right here on gives the public an op­ The other manuscript is Columbian and Iranian ar­ this campus. Hidden from portunity to view rare works Theory of the Human Figure, cheological artifacts, and 1,000 the naked eye, even though of the Renaissance genius, which contains “ tote of two fine prints. In the entire world, many of us will pass by it Leonardo da Vinci. Four transcripts of a notebook which there are only a few collections every day, is the University studies of draped fabric and Peter Paul Rubens kept on his comparable to the museum’s Art Museum, located right an oil painting on wood travels in Italy between 1600 400-piece Morgenroth Collection next to the UCen in the Art called a Salvator Mundi, and 1608. As the original of intricately sculpted Building complex. which depicts the head and notebook burned in a fire at the medallions and plaquettes. UCSB has the privilege of shoulders of Christ, are Louvre in 1720, this manuscript Three more large galleries being one of the three U.C. among the works in the provides one of the only existing are custom-designed for each of campuses with an excellent exhibition, in addition to two records of Rubens’ interests as the four or five special art museum displaying manuscripts illustrating how a young artist. Some of the exhibitions the museum shows permanent as well as special Leonardo influenced artists drawings which illustrate the each year. David Farmer, exhibitions. This fall, the who lived after him. One is text clearly show Leonardo’s director of the museum, ex­ museum will present an the preparatory manuscript influence. plained that he aims to appeal Besides the special to a broad audience by exhibitions, the museum displaying exhibits that range reserves three of its galleries from contemporary to for the display of its very im­ pressive and varied permanent Leonardo da Vinci’s Salvator Mundi. (Please turn to pg.15, col.4)

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5855 Hollister Goleta SIGNATURE 964-3545 967-5261 OPEN 7 DAYS A WEEK 6 B Friday, September 17,1962 Daily Nexus End of the Summer Hollywood Trash Liar’s Moon Concrete Jungle

By JANE MUSSER looking guys who has been who is very much in love and as Dillon's, father, is a hick By JANE MUSSER walls, and new inmates Matt Dillon is (me of the told too many times how very much confused about farmer who borders on, but Though it’s not the kind of learn quickly that no one is most highly touted good looking he is. He tries what being in love means. doesn’t quite make it to, thing most reasonably in­ on their side. Concrete newcomers to hit the movie desparately to come across being charming. Yvonne telligent, almost-college focuses on the deadly and industry for a long time. as a brooding James Dean- And the actors who play Decarlo (of that TV classic -educated women would ad­ brutal power games played Critics have nothing but type, but instead he only Dillon’s and Fisher’s The M unsters) is em- mit, I am somewhat of a by the prison warden, the praise for this young actor, seems to be, with his hometown friends offer a barassing in her role as the Charlie’s Angels fan. The guards and the inmates his brooding good looks, his drooping lower lip and realistic and funny look at young couple’s heavily series, at least for the first themselves. natural screen style. Maybe slurred speech, a dumb kid just how dull small town life French-accented landlady. couple of seasons, with its Jill St. John, as the nasty he is as good as many people who is having trouble not can be, and what kids have For the most part, Liar’s original, no-talent cast, was prison warden, is completely seem to think, maybe he just moving his eyes while he to do to liven it up. Moon is an undistinguished perfect television fluff — you unconvincing in what should filmed Liar’s Moon during reads the cue cards. The older actors in Liar’s film that with hope, will could sit in front of the tube, be a ruthless portrayal of a an off period, maybe future only half paying attention, power-crazed woman. St. films will provide a better and still be mildly en­ John, who has never been showcase for his talent. tertained. Not-entertained to much of an actress, should Maybe, but maybe not. If the point of having to think stop pretending and stick to Liar’s Moon is taken as the about what was going on, trying to make the cover of only evidence of Dillon’s just entertained to the point People and hooking Robert talent (or lack thereof), he is of not having to think about Wagner. awful. anything else. In fact, Dillon is so awful One particularly Barbara Luna is the queen in this little melodrama that unriveting show, a two- of the inmates, holding he makes the performances parter as I recall, had the power over nearly everyone of those around him look Angels in prison ( “ Angels in by her control of the prison great by comparison. Chains/’ I think). With drug market, her goon squad Liar’s Moon, set in 1949, is television censors what they which enjoys killing and the story of two young Texas are, a realistic look at prison torturing, and her personal kids, one dirt poor (Dillon), brutality could not actually magnetism. Though her role and the other filthy rich be shown. Besides, realism is mercilessly stereotypical, (Cindy Fisher), who fall in was never an aim of Luna brings an exciting and love. Their relationship is Charlie’s Angels. Instead, unpredictable energy to the vehemently opposed by the horrors of penitentiary screen, making her por­ Fisher’s father (Christopher life were lamely hinted at. It trayal interesting and Connelly), and his oppostion was with expectations of a slightly frightening. makes the kids even more kind of Beyond Charlie’s certain of their feelings for Angels (I figured it would each other. Dillon and achieve about the same level Bregman, who begins the Fisher run off together, get of mild entertainment, and, movie portraying a sweet, married and work hard to without television’s stan­ wholesome and slightly build and maintain a dards, perhaps reach a annoying character, seems relationship against all the higher level of realism) that at first to be a recent usual young-kids-in-love-in- I went to see The Concrete graduate of the Farrah the-movies odds. Jungle, directed by Tom De Fawcett School of Acting. Unfortunately, writer/- Simone. Really bad. But as the movie director David Fisher is not What a mistake. One of the and her stay in prison content to follow the almost nice things about Charlie’s progress, her character gets realistic ups and downs of Angels was that it didn’t cost tougher, and her portrayal the simple love story, but anything to watch it. becomes increasingly instead forces the plot to Another nice thing about the convincing. take some terribly contrived TV show was that the nice and cliched twists: the gals always won. Another Besides these two above- backroom abortion that really nice thing about it was average performances, the seems destined to end in that nothing bad ever film is not much more than a tragedy, the private in­ happened to the characters I series of ugly incidents vestigator hot on the young Matt Dillon: Just another pretty face. cared about. All those, nice played for shock value. couple’s trail, the twisted elements are missing from Murders and rapes, inmate family lines that may mean The Concrete Jungle, fights and assorted other the kids are not only husband It is the other young actors Moon give unimaginative mark the beginning of more making it a little more brutalities, are awkwardly and wife but brother and that make Liar’s Moon, if not performances, though it isn’t distinguished careers for realistic, a lot less en­ done rather than being sister as well, and the fateful great, at least bearable. fair to blame the performers several of the young and tertaining, and almost as shown as a terrifying but phone call that comes too Fisher, in direct contrast to for bad lines and plot they talented actors who don’t bad as Charlie's Angels. real part of prison life. The late. Dillon, seems unaffected by didn’t write. Connelly is have much of a chance here, Tracy Bregman plays the filmmakers seem unsure of The whole film is pretty her good looks. She is overly tense and Maggie in Matt Dillon’s mighty young innocent we are what they want their movie bad, and it is only made straightforward and natural, Byle (Dillon’s mother) is shadow of talentlessness, to supposed to sympathize with to be — a feature-length worse by Dillon’s presence. giving a warm and gentle overly melodramatic. prove all that they may be and root for. She is set up by Charlie’s Angels episode or a Dillon is one of those good portrayal of a young woman capable of. Country singer Hoyt Axton, her drug-dealing boyfriend, serious drama about sur­ who, in a smuggling at­ viving the penitentiary tempt, stashes cocaine in her experience. Consequently STEPHEN CLOUD and KJMS-FM BAD TO THE BONE TOUR skis. Arrested for tran­ The Concrete Jungle is lost proudly announce sporting narcotics, she is in limbo between being too An evening with sentenced to 1 to 3 years in a brutal to be mindlessly California prison. entertaining and too min­ Survival is the name of the dless to be a brutal ex­ game behind the prison ploration of prison life.

BONNIE RAITT with special guest THE LEGENDARY George Thorogood SIPPIE WALLACE & The Destroyers MONDAY, SEPT. 27 - 8 PM Friday, October 8 8 PM ARLINGTON THEATRE Arlington Theatre Reserved seats $12.50/10.50 Available at Ticket Bureau, Morninglory Music, Reserved Seats: $10.50. Ticket Bureau, Morninglory Turning Point and the usual tri-county outlets. Turning Point, Studio 10 Records, and all the usual outle A STEPHEN CLOUD PRESENTATION A Stephen Cloud Presentation Daily Nexus Friday, September 17,19B2 7B •••and Drive-in Disasters Slumber Party Massacre H om ework By JOHN KRIST status of parody, but fails Admittedly, the girls are By JOHN KRIST signal erf imminent demise guppy’s mother. Only two of Watching movies at a utterly and miserably to idiots, they’ t&Ml to dress in A warning to television for those with fairly well- her many scenes were drive-in theater is not the provide even a remotely “ provacative” clothing, and soap-opera stars who want to known names who feel filmed with another actor or rare treat it once was. When acceptable justification for not one of them has an ounce make the big break into compelled to accept roles in actress; the rest take place I was a child, I can its own existence. of sense when it comes to feature-length motion pic­ them. in a badly-lit bedroom remember my parents Based on the film ’s total avoiding hazardous ture careers: unless you Basically a run-of-the-mill (probably filmed on the packing the kids into the lack of merit, screenwriter situations. This is not, have something to recom­ adolescent fantasy featuring Dynasty set to save money, family station wagon, ar­ Rita Mae Brown, feminist however, adequate mend you besides the ability sex or, rather, imaginary or composed of footage cut ming us all with pillows and author (her autobiography, justification for their grisly to portray a single character instances of it dreamed up from an episode of the blankets, and provisioning Rubyfruit Jungle, gained television show), and feature us liberally with popcorn and serious critical attention Collins pacing aimlessly other goodies. We’d always when published in 1973), about, talking about the fall asleep before the movie should be forcibly prevented difference between her ended of course, but the from ever attempting to childhood and that of her adventure was as important write another word. At the daughter, while a male voice as the entertainment. very least, she should be off-camera complains In high school, drive-ins banned from the cinema. enigmatically about over­ were fun for other reasons, As an excuse for a plotline, starched shirts. some of which need not be the audience is provided Then there’s the detailed here. But the ex­ with the unlikely spectacle of skateboarding bass player, a citement of sneaking a few a psychotic mental in­ tiny blonde 14-year-old (or friends and a couple of stitution escapee who likes to somewhere thereabouts) sixpacks into the theater in poke big holes in living who wants to be 24, a callous the trunk of the car was bodies with a cordless rock-star who gives thebass compensation for the electric drill. Especially in player her first audition and generally mediocre quality attractive female bodies, a dose of gonorrhea at the of the movie. Laughable and preferrably after some same time, and the usual fright flicks and mildly excuse has been found to crop of high schoolers: the violent action films were display them to the audience talented but funny-looking standard fare in those days, in a state of at least partial student, the rich but and they all seemed just fine undress. unhappy student, the under the influence of a A small group of these talented but unhappy couple of beers. girls (half the aspiring student, and the popular but Now, it seems, the drive-in Playboy bunnies in Los unhappy student. Not much is becoming an endangered Angeles must have been diversity, unless you throw species. High gas prices recruited for this film ) get in the guppy, who is rich, coupled, no doubt, with the together for a “slumber unhappy and stupid as well. radical downsizing of the party” (? ) at the Venice, The popular but unhappy average car in response, California home of a friend student is miserable because have combined to eliminate whose parents are away for he thinks constantly about patronage at the theaters I the weekend. Mayhem en­ sex. Unfortunately for him, frequented years ago, and sues. fate, especially when it with lackluster effect, or a preoccupation with sex the increasing value of real One by one, all are by those who seldom ex­ comes at the hands of a man body that looked terrific 20 denotes lack of occupation estate resulted in the dispatched messily, with the perience it, Homework gives using a tool with a 24-inch bit years ago, but pales when with sex, and he begins to disappearance of many of buzzing whine of the por­ us several memorable who utters the classic lines compared to the ripe feel that perhaps something them. table drill providing ac­ characters. First, there’s a of a deranged rapist in the physiques of your young co- is wrong. A school If the double bill I endured companiment. Waving his young swimmer who aspires only scene where he talks, stars, forget it. You will psychiatrist fails to help at one of our local theaters ominous weapon and to competitive status but i.e. “ you know you want it, probably end up looking as much, his French teacher is last weekend is represen­ creeping through the displays all the form of a it’s going to be so good,” etc. silly as Joan Collins does in too dumb to identify a tative of average drive-in shrubbery, the silent killer distressed guppy. Perhaps in If this is supposed to be an problem even in herself (she fare, extinction would be stalks his unsuspecting prey. the completely forgettable an attempt to overcome this allegory representing the manages to give failing justified, demolition more Actually, the female new film Homework. handicap, she spends the rape scenario, it is so ineptly grades to the only student in fulfilling. characters are all so stupid, Another in a long string of entire film ineptly crawling done as to elicit nothing but recently released end-of-the- her class who speaks French Slumber Party Massacre, one almost feels that they in the family pool. contempt for abilities of the summer dogs, Homework a low-budget imitation of the deserve whatever happens Joan Collins plays the (Please turn to pg.15, col.l) person who conceived and boasts a cast of unknowns renowned cinematic to them. wrote it. If it is just a really who, with any luck, will triu m p h T h e T e x a s That is precisely where it rotten movie, then allowing remain so. Pictures like this Chainsaw Massacre, seems becomes difficult to decipher are the kiss of death for at times to aspire to the the intent of the filmakers. (Please turn to pg.15, col.2) aspiring talent, and the

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The Greatest ChaBengr BONUS PERFORMANCE ROCKY Isaac Stern TÊ m b ™ Master musician with brilliant Mummenschanz technique and sensitive artistry Famed Swiss mime-and-mask in rare Santa Barbara appear­ troupe returns by popular re­ . )> 967-0744 ' v ance. Tues., Feb. 8 quest with its unique program. Thurs., Apr. 21 ma 8 p.m. * 8 p.m. tfA m o n } N . 251 N. Fairwew J

MM1 I Arlington Celebrity Series Æft ALSO: GALA SERIES ORDER FORM ENDANGERED Section Number Series THIS Series Section of Seats Price Amount SPECIES A B/D C/E S u bscriber $109 $98 $89 cL\3 /o Dividend Gala TICKET TOTAL $ LOVE. I 9 SHOWS FOR THE PRICE OF 8 M/C & Visa Handling j f í i 967-0744 Add $2.00 per each Series subscription $_ Gala Series includes the nine events ' Fairview‘2) «*< All mall orders must include a J f listed above. MUMMENSCHANZ is a 2S1 N. Fairview stamped, self-addressed envelope. TOTAL AMOUNT, ENTIRE ORDER $ Lau reni BONUS EVENT. Series subscribers Sorry, no refunds or exchanges deduct $2.00 from each Mummen- Renewal subscribers have first J; Make checks payable and mail to schäm ticket! choice to keep their seats. Ticket Bureau of Santa Barbara 1317 State Street, Santa Barbara, CA 93101 PG Tickets: 805/966-4566—Info: 805/963-3686 D Check End. □ BankAmericard/VIsa □ Mastercard

VISA' Name. B Address. jr 964-8377 1 A irport ori«« REMEMBER: City ___ ! Zip. ' v H ollltUr WM> TalnaWw Tickets can be Phone day_ Phone night 1 1 3 2 ch a rg e d by PHONE: Call Credit card no. Exp. date. ALSO: INCUBUS (805) 966-4566 Signature as on credit card Check I.D. (Calif. Driver’s Lie., Check O R C H E S TR A uarantee Card. M/C or Visa No.V OFF-CAMPUS ENTERTAINMENT!

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“‘GARDE His father's gone. A V U E ’ IfrtSLS'O Adm ission! * M His mother's a memory. ISA ;:^SPj|gM^i|»ri.UTE PRICES £ His brother's moving on. MUST-SEE THRILLER!” f^AJf showings before 5:00 p.m. ai! theatres except/' But Tex McCormick isn't giving in. - M k k C r i M . WOR-TV Starring ♦MONDAY arid TUESDAY BARGAIN NITES UNO VENTURA MICHEL SERRAULT " ,$2.50 admission all night hsng.for alt theatres ROMY SCHNEIDER 1. \ except , AFtDmKEK nLMS IIELEAS£ . 1981BROADAL£COMMNY TOUGH.TENDER. TODAY OPENING OCT. 24 >;c j$ A d m is s io n RIVIERA THEATRE 2 .0 0 MATT DILLON 7 nights a week. p Magic Lantern OPENING OCT. 1

FT— 965-5792 365-5792 ^ THE WHO ( F iis t a '1 It's one summer 916 State Street you’ll never V KiA * * ■ ■ — ** * * * forget Metropolitan Theatres Corporation THE SUMMER i ' a W ä& kß' & & & £& , BEACH 1216 State Street, Granada Building, Suite 200 963-3686 GIRLS 10VERS® ICTURES RELEASE

...Where the City - Warning This Movie May Be w Morgue rurns into O /L 965-5792 X A MIDSUMMER swinging business MMm { Fie $ta*2 ) Dangerous To Your Healthy NIGHT’S SEX HENRY WINKLER 916 Slat« Street A* You May Never jm m t C O M E D Y MGM/UNITEO ARTISTS Stop Laughing. m WOODY ALLEN Q totallyfklf Awesome! nmejmmk AT RIOGEMONT^W^j MIA FARROW I He’s got a funny L - A way of looking . 9 * ^ 965-5792 ”7 »*, at life. ROBIN WILLIAMS ROBIN ( F iesta 3 ) in S. ^-.WILLIAMS THE WORLD THE l.T —** j j w ! ' . WORLD ACCORDING ACCORDING TO ‘TO A H e ’s got a Modern funny way of looking at life. Horror Story

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966-4045 * * 'V LOVE. DESTINY. HEROES. A" 967-9447 H HE’S OUR (Granada #2} War Changes Everything. ( Cinema * GOVERNMENTS Laurence Olivier Ben Gazarra 6050 Hollister Ave. MOST GUARDED Jacqueline Bisset SECRET. DOLBY STEREO SOLDIER SOUND AN EMBASSY PICTURES RELEASE

IVE. DESTINY. HEROES. J r . 966-4045 ''*> Burt& 967-9447 \ H© IS Afar Changes Everything. He is (Granada #3 alo n e S . 1216 State Street D o lly (C inema1^} <*«** S», 6050 Hollister Ave. U lurence Olivier Ben Gazarra S a - ^,-1 * **»•■ «•*** Jacqueline Bisset HENRY WINKLER STEVEN t h e E x t r a - MtoHT 5PIELDERGS T e r r e s t r i a l [HD A STOTT A UNIVERSAL-RKO PICTURE I A UNIVERSAL PICTURE

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“ They’re totally Awesome: here.” IT KNOWS WHAT ÍAVT TfMtr SCARES YOU. AT RIDGEMON HIGH POLTERGEIST A UNIVERSAL (SI SOLDIER PICTURE I S A CROWN INTERNATIONAL PICTURES RELEASE 10B Friday, September 17,1982 Dally Nexus An Alternative on Victoria Street Death Watch: By JONATHAN ALBURGER Imagination and programming variety, comfort, and Less of a challenge than an alternative to the ruling technical competence are all important ingredients. Dying with Dignity Metropolitan Theatres Corporation chain in Santa Barbara, Structurally unique, the Victoria used to be a church the Victoria Street Theater is a sanctuary from the plethora (built in the 1920’s), and with its huge stained glass win­ By JONATHAN ALBURGER of truly awful Rims cranked out by the Hollywood mass- dows, beautifully crafted wood paneling antfstone exterior, There was more than a little of Future Shock and 1984 in appeal machine. it still lends a feeling of being transported to a time past. French filmmaker Bertrand Tavervier’s mind when he Just over a year old, the Victoria Street Theater is where German-crafted 35 millimeter projection equipment help conceived his Arst English language film, Death Watch. that obscure foreign flick will most likely pop up for a to enhance an already pleasurable viewing experience. Society vs. the individual, technology vs. craftsmanship, couple of days or, unusually, for even a week. It is the type Additionally, the theater features a central proscenium and privacy vs. common good are all strains prevalent in of place that attracts a very identifiable clientele and is, in stage, contributing to the novelty of the theater and useful this Aim which typifies the near future as less a itself, as popular as any of the Aims featured there. for the live concerts and plays Arganbright books. stereotypical mechanical wasteland as a time in which Proprietor Paul Arganbright fought hard to realize his F inishing off the month of September for special concert “ everything’s of interest, but nothing matters.” dream theater, a place of distinction and class that would appearances will be Alex De Grassi and Scott Cossu, two Furthered by the maniacal wheelings and dealings of the screen significant cinematic art, not just the run-of-the-mill respected acoustic jazz artists. With just a few concerts nation’s national television network, Tavervier’s society is slop so prevalent these days. To gain a loyal audience, planned for October by press time, the Victoria will bring a place in which most people have lost their individuality, Arganbright believes that a great deal of care in. Junior Walker and the All Stars on the 3rd, followed closely their creativity, and their dignity. Television is the shaper management, a positive attitude, and a feel for the im by jazz and blues musician Mose Allison on the 5th. One of perceptions and responses, and a probing intruder into teres ting and provocative is needed. play, The Ritz, has been inked in to open Oct. 22. the most sensitive areas of human existence — grief, Indeed, going to the movies must be a lot more engaging Currently of interest in the theater’s Australian Film despair, and death. than sitting at home and watching a banal sit-com rerun, Series, some tired reruns, some second-timers, and a few For one woman, Katherirt? (Romy Schneider), dying is a and the Victoria Street Theater has earned a distinctive area premieres. painful passage climaxed by one moment of purgation. But pla'ce in the community. her imminent decline is not pleasant. She is unique, and valuable to the media hounds because she represents the opportunity to launch a dazzlingly successful mini-series of ARMS RACE ROCK their “ Death Watch” true-life soap opera in which a person is told by his/her doctor they will die soon and a camera crew follows the poor wretches in the final days of breathing. Katherine is attractive, mysterious, intelligent, and dying; in short, her death represents a jackpot for 7 mogol Harry Dean Stanton. He can profit in the ratings and audience share, but, almost as importantly, he can test out LOYAL DEFENSE WORKERS the latest technological wizzardry: cameras which have been inplanted into the eyes of a “ reporter,” played by MARK 964-0133 JOE 969-4369 Harvey Keitel. Keitel can slip into the most dangerous of events unnoticed and record (with audio somehow) the _ Dances • Parties • Special Events entire scene. The plot thickens, but also becomes very predictable as Keitel and Schneider romp across the countryside, she lonely and in pain and he lonely and on assignment. STEREO

One of the best known Aims to emerge out of Australia is REPAIR the widely-shown Walkabout, directed by Nicholas Roeg, about a young girl and her brother who become lost in the wilderness, but strangely rescued by an aborigine boy who, in the midst of his “ walkabout” training to prove his DESIGN & maturity and survival competence, befriends the siblings. The film is as stunning visually as it is moving in narrative. Sharing the double bill with Walkabout is Peter Weir’s MODIFICATION Gallipoli, a gorgeous and gripping acount of the 1915 British invasion of Turkey. Weir winds his story up oh the fighting grounds of the Gallipoli Peninsula where thousands of Advanced Audio young men were brutally massacred. Mark Lee and Mel Gibson portray two soldiers who become close companions 5822 Gaviota, Goleta during the height of war hostilities. Walkabout (1971) and Gallipoli (1981) will play tonight, 967-5765 Saturday, and Sunday. Sunday afternoon at 2:30 p.m. Australian filmmakers Gil Romy Schneider Serine and Allesandro Cavadini will appear in person to talk about and screen their films, Home on the Range, Together they bridge the professional gap, she un­ winner of the 1982 Sydney Film Festival Award for Best suspecting almost to the end, as he gives her inspiration Documentary, and Two Laws, a unique feature film made and she gives him a deepened sensitivity to and ap­ by the Borrolooloa Aboriginal Community. preciation for life. A triple feature of Peter Weir’s best works plays Sept. Schneider signs a contract with NTV to cover her death 20—22. Homesdale, The Last Wave, and The Plumber. for $600,000 but reneges on the agreement when she dumps Judy Davis is brilliant in My Brilliant Career (1979), her husband and the money in order to travel to an old portraying a fiercly independent young author who falls in lover/friend (Max Von Sydow), who lives the “ passionately love with dashing Sam Neill but rejects marriage in favor lazy” life of an intellectual recluse near the water of her blossoming career. The Devil’s Playground is the co­ somewhere in Scotland. To Katherine, Keitel is not an in­ strument of a shady operation, he merely is a friend; oddly, USED RECORDS: We buy and sett feature, a huge artistic and commercial hit in the they deceive each other while at the same time they fulfill Í used records and cassettes. Get cash for your good homeland, which intimately explores the close association very important needs. With the aid of Keitel, she manages * condition LPs and cassettes; get great deals from of young men in a rigidly disciplinarian religious in­ stitution. The two films will play Sept. 23—26. to reach Von Sydow and resolve a disturbing piece of her our huge selection of recycled records and Capping off the two-week-long affair is the screening of past. I The Last Tazmanian, set in 1803 when the British colonized Keitel goes blind because of a design error in his tran­ primitive Tasmania, and The Chant of Jimmy Blacksmith. smitting eyes, but he winds up better visionless. His ac­ Dates are Sept. 27-29. cident occurs strategically after he witnesses an in­ ¡RECORD RENTALS: R em n e w Admission will be only $3, and the first screenings are stallment of the Katherine story on “ Death Watch,” a [records from our selection of over 1,000 rental generally at 7 p.m. Definitely a worthwhile expenditure of moving scene in which he cries tears of self-hate and titles for only $1.89 for three days! Hundreds of time. compassionate love for Katherine. Katherine’s tragedy satisfied customers save money by renting records. turns to a bold assertion of strength and dignity. Keitel is absolved; Katherine is released. [ . /» . . /,•. » .V \ A • .'. ?. -. A/. .\.v VV.'. >. \ A * The portrayals of disturbingly complex characters, /. /, /, >%k ' x 1’:-:-; v x v . v X x - x " .AUDIO ACCESSORIES: mm- k / . A A ’ * particularly by the late Romy Schneider, are magnificent. cassette players, headphones, blank tape, and other The tastiest, most affordable [audio necessities are selectively stocked and Pizza close by campus com petitively priced. THE TRANSCENDENTAL IGUITAR ACCESSORIES: y MEDITATION™ PROGRAM p ic k s , capos, slides, tuners, metronomes, har­ tisiuUfair'* m onicas, and other musicians’ items are always in IStock, TAKE & BAKE PIZZA & PASTRY STEREO REPAIR: Quality service on “ W e make ’em, You bake ’em” [recovers, amps, tape players, and video recorders Comes piping hot out of your oven ¡M:reasonaMe;raies. in only 10 Minutes! •CONCERT TICKETS: C e .t h .b e « Prices start at only $2.50! seats available on rock concerts and other events In the Santa Barbara area. 7-grain crust available! Italian Subs and delicious Pastries too! FREE INTRODUCTORY LECTURE PERIODICALS: Get the latest issues of Ip p tlg Stone, Musician/Pfayer and Listener, Thurs. Sept. 23 Noon & 8 pm Guitar Player, Stereo Review, add other fine U C en 2292 publications. Hollister La Cumbre Plaza Sponsored By Students fotomationai Meditation Society

Isla Vistaf e t a l UCSB 9 6 8 - 4 6||| 6 5 910 Embocadero del Norte 4421 HOLLISTER AVE. at Modoc 967-7338 Open 10-10 Daily /Sun 12-8 Daily Nexus Friday, September 17,1962 1 1 B

impenetrable lyrics. Her strongest contribution is “ Gypsy," a long, wandering poem in the vein of her hit Traditional Big Mac “ Sara.” In it, Nicks resumes the mystical role that has led * many critics to label her as an airhead. No matter; the By BARRY EBERLING song’s musical hook is irresistible. There’s good or bad news about Fleetwood Mac’s Mirage, McVie offers four songs which, with the exception on the depending on your viewpoint. single, “ Hold Me,” are ballads. Exceptional are “ Only For Those who enjoyed the ragged, eccentric pieces sprinkled You” and “ Wish You Were Here,” with her haunting, throughout Tusk won’t find them here. The sound is poignant vocals piercing a spectral, layered background uniformly smooth and backed by lush harmonies, with harmony. nothing as surprising as Tusk’s title track. As always, Buckingham supplies the record’s punchier In fact, the one fault with Mirage is that some of the songs. “ Can’t Go Back” and “ Book of Love” are the melodies echo previous ones. For example, Christine standouts, as Buckingham sings the catchy melodies in a McVie’s “ Love in Store” sounds vaguely like her earlier voice dripping with frustration and bitterness. “ Think About Me.” Buckingham also adds the record’s two mold breakers. Still, one can’t be too upset with Fleetwood Mac for “ Eyes of the World,” with its skewed chorus and “ Oh returning to an earlier formula; they’re good at it and the Diana,” a ’50s-ish song, both sound like they’re off territory hasn’t been overmined yet. Buckingham’s solo Law and Order album rather than a m Stevie Nicks, McVie and Lindsey Buckingham are again,, Mac disc. the group’s lead vocalists and main songwriters.'And, Overall, Mirage is full of lyrical and musical hooks, Pns ;v although the Mac plays and sings together as a band, the seductive background vocals, and Buckingham’s inventive, three’s distinct styles are apparent. plucky guitar riffs. There are few surprises, but then, who ksommmK As usual, Nicks delivers strong melody hooks and often can have everything? Go-Go’s Lack Splash By BARRY EBERLING All signs point to the Go- Go’s new album, Vacation, being a huge commercial success. The band is coming off a number one debut disc that yielded two top 10 singles. Their new “ Vacation” single is already tearing up Billboard’s charts and, along with the record, will probably challenge for the top spot. Also, they getting an inordinate amount of publicity. You’ve probably seen them water-skiing across your television screen or posing in theii* underwear on a recent issue of Rolling US Stone. OUTSTANDING But a commercially successful record isn’t S T O R E S IN always a fantastic one. Credit the Go-Go’s for ONE making Vacation more than CONVENIENT a rehash of Beauty and the Beat. More prominent guitar LOCATION! rhythms and starker background harmonies give it a grittier sound. Whether this is good or bad is a matter of individual taste. Unfortunately, another key element keeps Vacation from reaching its f FEATURING full potential. PLUS FASHIONS The songs’ hooks are just not as alluring and catchy as FROM NEW in the Go-Go’s earlier tunes. The title track, “ Beachnik the YORK...LOS Beach,” “ I Think It’s Me,” absolute and other songs are pleasant but routine. After awhile, latest ANGELES... they begin to sound alike. in AND AROUND Also, there are two songs shoes that just fail to work. “ He’s TH E WORLD, So Strange’’ sounds jew elry disconcertingly out of key, clothing and “ Girl of 100 List” has too W E’R E TH E much of a sing-songy feel. accessories B E S T OF Since the Go-Go’s perform frothy, party music, A L L TH E seductive and varying hooks are a must. The group isn’t BEAUTIFUL going to capture an audience with their emotional depth. THINGS SANTA NoVv for the good news. The Go-Go’s are simply a BARBARA HAS good rock and roll band. Their instrumentals are TO O FFER ! always interesting, especially Charlotte Caffey and Kathy Valentine’s guitar riffs. Also, some of the tunes are gems. The two reflective songs, “ Worlds Away” and “This Old Feeling” especially stand out, maybe because they provide relief from the sound-alike up ; V & tempo numbers. Ultimately, Vacation is a good record, though un- 813 State memorable. If the next time x k Santa around they can only meld B a rb ara their new, leaner sound with PICCADILLY SQUARE the overpowering hooks on Beauty and the Beat — now that will be a fantastic record. 12B Friday, September 17,1982 Daily Nexus Eventualities An Exotic Evening of Enchantment will be The University Symphony at UCSB invites all presented by Valeil, a Middle Eastern dance musicians to audition during the first week of troupe, tonight at 8 p.m. at the Santa Barbara classes. Non-music majors are welcome. Museum of Natural History’s*" Fleishman Contact Serge Zehnackër, conductor, at the Auditorium. The show will feature per­ Music Department Office for more in­ cussionist Mary Ellen Donald. For tickets and formation. information, call 646-4952.

Leonardo’s Return to Vinci will go on view at Santa Barbara Middle Eastern Percussion the UCSB University Art Museum beginning Seminar will take place Saturday at the Santa Sept. 22. The show focuses on works by Barbara Recreation Department. Registration Leonardo da Vinci from the Comtesse de begins at 9:15 a.m. For information, call 646- Behague Collection, Paris. A catalogue 4952. featuring over 140 illustrations will be available for purchase at the museum. The show runs through Oct. 24. The Santa Barbara Blues Society presents John Littlejohn, Chicago’s hot slide guitar, on Monday, Sept. 20 at La Casa De La Raza, 601E. The Caretaker, a Harold Pinter play, will have Montecito St, at 8 p.m. Special guests will be the three revival performances at 8 p.m. Thursday, Robert Cray Band from Eugene, Oregon. Sept. 23 through Saturday, Sept. 25, in the UCSB Tickets are available at the Music Galaxy and The Pickle Family Circus returns to Santa Main Theatre. Tickets are available from the at the door. Barbara for the weekend of Sept. 25, at Dwight Arts & Lectures Ticket Office, 961-3535. Murphy Field, located across from East Beach The UCSB Jazz Combo will give a free per­ in Santa Barbara. Two shows will be presented formance at noon on Tuesday, Sept. 21, in the each day at noon and 3 p.m. The circus ex­ Of Mice and Men, John Steinbeck’s award­ Music Bowl, located in the music building travaganza is sponsored by the Lobero Theatre winning portrait of California during the courtyard. Light refreshments will be served. Foundation. For more information, qontact the Depression, will open the Ensemble Theatre The concert will be preceeded by a tour of the foundation at 966-4946. Project’s 1982-83 season on Friday, Sept. 24, at music building at 11:30 a.m. Interested faculty, the Old Alhecama Theatre, 914 Santa Barbara staff and students should meet in front of the George Carlin will be performing at the St. For tickets and information, call the project Music Office, Rm. 1315A. Arlington Theater on Friday, Sept. 24. at 962-8606.

Editor: (A. S. PROGRAM BOARD James Watt This page provided and paid for by the A.S. Program Board

Program Board Open For Student Involvement

Every student is encouraged to become involved in Program Board. A.S. Program Board is a group of students who provide much of the entertainment on campus — anything from renowned speakers and lecturers to movies and live bands. The Board is a subdivision of A.S. and receives appropriations from the A.S. fees that every un­ dergraduate pays quarterly. Program Board consists of nine different committees each headed by a chairperson, two leg council representatives, two reps-at-large and a com­ missioner.

Concerts UCen Events Reps The Concert Committee The UCen Events Com­ The Reps-at-Large and the promotes shows of their own mittee is responsible for Leg Council Reps are the and works in conjunction events in and around the emergency support system with promotional companies UCen. Events featuring local for the Board and its com­ who want to bring a par­ as well as professional talent mittees. There are four reps ticular act to campus. The has made the UCen II a combined who are appointed committee strives to bring a showcase of entertainment. to help out wherever they diverse selection of music are needed. from .acoustical jazz to rock and roll to new wave. Cultural Events Security Lectures The Cultural Events Committee is slightly dif­ 'Welcome Back Concert' The Lecture Committee ferent in that it works with The Production and The Generics will be works to bring international, Boys, will open the concert. for a small dedicated group other cultural groups to help Security Committees are in headlining a “ welcome back national and local speakers The following band to appear of fans at a little club down them organize events on charge of the more technical to school” concert, (better to campus to talk on a will be the local favorite on State Street. After their campus. The Board also aspects of programming. known as a “ party before number of topics. The Norman Allen. According to popularity increased, the financially assists groups The production committee you regret it” concert), on committee provides lec­ lead guitar player Eric Generics released an EP who want to sponsor a supplies the lights, sound Monday, September 20 at 8 turers of both interest and Eisenberg, Norman Allen which is simply titled The cultural week. and stage crew for the major p.m. in Storke Plaza. Last education to the student will be playing some original Generics. Although the slick Program Board events. year over 300 people showed body. tunes that will be featured on promotional package used Students with technical up to dance under the stars their upcoming album as on the band’s E P jacket Special Events knowledge are always to the beat of the Jetsuns and Rims well as cover tunes by Elvis resembles a generic can of needed. The security the Dreamers. This year an Costello and The Clash. beer, the Generic’s sound The Films Committee The Special Events committee works in coor­ even larger crowd is an­ The headlining act was can hardly be considered provides an alternative to Committee provides events dination with the campus ticipated for the annual formed about two and a half generic. the comm ercial movies that do not quite fit into any police for the larger events. outdoor concert. years ago when a group of Admission to the show on shown in town. Conveniently other committee’s boun­ Security also provides a The ’60s, a pop dance band young musicians got Monday night will be free. located on campus, the films daries. They cater to the team of ushers for the that specializes in cover together and became the And, naturally you can once combine education with students’ special interests events. If you are interested tunes by The' Stones, the Generics. The Generics again thank the A.S. entertainment and culture •ind are anxious foi your in ushering, contact the Beatles, and The Beach began playing original tunes Program Board. with interest. input. security chairperson. Daily Nexus Friday, September 17,1962 13B Unispace ’82: Vienna, Austria Peaceful Uses of Outer Space

By LARRY MARTINEZ the least, for it was being Hofburg Palace in Vienna, justing both the computer in various positions in space, older media-painting and Arthur C. Clarke, creator done by the consensus ap­ Austria, at a U.N. Con­ and the projectors one could one could in effect see the printing . with the in­ of 2001 : A Space Odyssey proach. If one country, let’s ference closed to the general select the most true-to-life earth as a “ whole,” that is, stantaneous newer elec­ and originator of the com­ say Lower Spubodia, ob­ public and accessible only to color renditions and boun­ see the entire earth at on tronic visual and data munications satellite, jected to a paragraph that those with a Unispace pass, dary outlines for the 15-foot- time. This aspect of “ The processing media. “ Whereas grinned mischeviously as he the other more than 100 which got one through the wide image of the earth. In Living Earth” is central to painting takes a long time to poured a third sugar packet countries agreed to, then numerous Austrian Uzzi- addition, the computer could the theme of the project. interact,” Stallard con­ into the demitasse of black that paragraph had to be toting soldiers ensuring the store in its memory hun­ “What we’ve done,” tinued, “ now the artist of Viennese espresso. “ Here, dropped or wording ac­ security of the delegations, dreds of images and present Stallard explained, “ is to today with the electronic take a look at these pictures ceptable to the distinguished were three other U.C. Santa them in sequence so that one have created a sculpture of media can enter into the of my recent trip to the delegation from Lower Barbarians! The finger could observe how storms ourselves, the Earth as an world’s conversation. What USSR,” he said, pulling two Spubodia had to be found. which tapped my shoulder developed or even how the object in space with all the we’re seeing is the earth in album pages of snapshots Needless to say the Math belonged to Bill Brown (M.S. day-night terminator line forces that surround us.” context, a moving painting out of his briefcase. “ Do you Department wouldn’t have ’81) who introduced me to moved across the face of the “The Living Earth,” ac­ of the contextural know who this is?” pointing been able to find a “ lower” the other UCSBers Penn earth. Since the pictures cording to its energetic relationship between our­ to a picture of himself common demoninator from Stallard (’81) and Lee were received from several originator-designer, repre­ selves and our environment standing with another rather among the 100-odd fractional Smolin of the Institute for different weather satellites sents the merging of the (Please turn to pg.15, col.3) average looking chap. variations of the truth. Theoretical Physics. “ No, I’m sorry I don’t.” In contrast to the “ must- The UCSB contribution to “ Well, that’s Alexi Leonov, speak” of international Unispace was unique. the first human being to take diplomacy which only fir- Among all the official A Good Game Plan! ...one could see a luminous blue, green Fine Food & Outrageous Libations. Served in a roaring twenties and white full-disk projected image of the atmosphere of good tim es, good fun, earth showing clouds, oceans and continents. and good friends. Join us any day of the week a walk in space.” med up over hard drinks at exhibitors to the conference, between 11:00 am and 10:00 pm for a At Unispace ’82 this type of the ubiquitous receptions, “ The Living Earth” was the conversation occurred the exhibitions of space only example of space art. good time and a good meal. repeatedly during the course technology showed first­ On the far wall of the Happy Hours: Mon-Fri 4:00 pm-6:00 pm of the two-week conference exhibition room, hanging hand examples of how space Try a “ Fender Bender,” you’ll be amazed! held from August 9-21 in exploration and exploitation above the tops of the other Vienna, Austria. Unispace touches each of our daily exhibitors’ stalls, one could ’ 82, th e s h o rte n e d lives. For this student- see a luminous blue, green designation for the official journalist from California’s and white full-disk projected name, “ The Second United second Silicon Valley, this image of the earth showing Nations Conference on the aspect of Unispace had a clouds, oceans and con­ Exploration and Peaceful special attraction. With tinents. Every few seconds Uses of Outer Space,” was Intelligent Computer the image would change as attended by over 100 national Systems of Huntsville, the latest picture from space li e would be received by one of I W delegations, numerous U.N. Alabama, one could access BAR & EATERY specialized agencies with remote data banks the dish antennas located space-related areas of in­ anywhere in the world, or so outside the palace. Stallard, 5112 Hollister Ave., Santa Barbara • 964-8656 terest such as the World it was claimed. I decided to former student of the College Meteorological Organization test them on this, so I asked, of Creative Studies and the originator of “The Living and the International “ Would I be able to access U S B E t AVALON ATTRACTIONS is proud to bring you Telecommunications Union, my computer account at Earth,” attributed the idea as well as non-governmental UCSB?” “ Sure,” they said and its development to her organizations such as In­ with a noticeable southern course work and studies telsat, the International drawl. “ What’s the phone undertaken at CCS under Telecommunications Satell­ number of the UCSB com­ faculty members Glen Wade ite Organization. puter?” Though satellite and of the Electrical The purpose and goal of telephone facilities paid for Engineering Department Unispace was to complete by Austrian taxpayers, and sculptor John Mc- the drafting of a report, Intelligent Computer 'Cracken. which, upon being presented Systems could connect to On the technological aide, to the U.N. General any telephone-accessed data Stallard, Brown and Smolin Assembly, would serve as bank in the world. had assembled together into the authoritative global Twenty seconds later on a a working configuration a statement on peace terminal in Vienna, Austria Data General Nova 4 knowledge and technology, flash the words: “ Abbot computer with two 50 how that technology is being welcomes you to Unix.” Megabyte Drives (Stallard: applied, and how to further Incredible — Unix in “The big mulha” ). Along cooperation from the “ Space Austria, via satellite! Just with a satellite receiver the Powers” to the developing then I feel an excited tap on computer processed and countries. my shoulder and a voice recorded the images from The process of drafting the saying, “ Say, that’s UCSB! ” space and fed them to the report was arduous, to say At an exhibition in the video projectors. By ad-

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ZALES CREDIT. INCLU D ING "90-DAY P L A N -S A M E AS CA SH " MasterCard * VISA • American Express • Carte Blanche • Diners Club •Chain sold separately. Your choice of initials " N o purchase necessary, fust register at our new store. Illustrations enlarged. PRODUCED BY ATTRACTIONS 14B Friday, September 17,1962 Daily Nexus Tll0 Arlington: From Hay Field to Movie House By JONATHAN ALBURGER One of the area’s fastest assembled buildings of the time, houses, and a landmark for Santa Barbara. Santa Barbara has always bad an artistic, alluring the new hotel featured 120,000 square feet of heaven. It has Now under the auspices of Metropolitan Theatres Cor­ quality which has made this Southern California city a been reported that the Old Mission-like showplace was poration, the Arlington and its history have been the job of favorite resort for travelers from around the world. constructed of over a million “ native” adobe bricks. The David Bisol who speaks fondly and with pride about the Twice a grandly majestic hotel, housing rich and in­ old annex was given a stucco veneer face-lift as many of the Arlington; fluential guest from the far comers of the globe, the old hotel loyalists preferred to stay where they found the “ The Arlington is in a class of theaters known in the trade Arlington Hotel epitomized Hollywood glamour and surroundings more familiar and “ cozy.” as ‘atmospheric theaters,’ designed to create an illusion. It aristocratic high society. For half of a century, the mighty On the morning of June 29, 1925, Mother Nature took a is one of the last movie palaces built in an era that began in A r lington Hotel symbolized the alluring ambience of Santa powerful swing, rocking the ground with a sizeable quake a struggle with the Great Depression. It was a time when Barbara. that caused the twin towers of the hotel to totally collapse. people longed for escape. For less than a quarter, Style and class were foremost at the Arlington. The Many guests were killed in the dramatic episode. audiences could participate in this illusion and indulge bellmen wore cocoa uniforms with Prussian collars, all Undaunted, the City of Santa Barbara adopted a uniform themselves in screen and stage fantasy.” studded with brass. The interior was elaborately decorated architecture code. The firm of William Edwards and The fantasy of the Arlington rests in the ornate interior, a with heavy oak and satin drapery. Flowers sprouted Joseph Plunkett was instrumental in creating a new look recreation of a small Spanish village which lines either side everywhere, highlighed by a fabulous rose garden. for Santa Barbara, which included the laying of plans for of the structure. Each mini-building is complete in ap­ Twice this awesome resort rose, and twice it fell. the quintessential movie palace showplace. The Arlington pearance to last detail, with roofs, lighted windows, It all started in a hayfield before the twentieth century. In Theatre was conceived. balconies, stairways, and elaborate grill and metal work. 1875, the new, spacious 90-room Arlington Hotel opened its A lonely, empty field once again, the one-time hay field The original theater had a Roman archway that bridged doors to the public. Proprietor Colonel Hollister chose the would not lie fallow for long. If two extravagant and for- both sides, joining the Spanish towns. name in homage to Robert E. Lee’s Virginia mansion which later was inhabited by Ulysses S. Grant. The regally luxurious hotel, despite its seemingly auspicious opening, met an unfortunate demise when a fire ravaged the hotel in August 1909. Faulty wiring was the blame for what nearly destroyed the entire premises; only a small annex to the main structure could be saved by firefighters. •Merely two years later, the second Arlington arose out of the ashes like a Phoenix. Owner Walter N. Hawley, a San Francisco financier, spent $300,000, or twice the 1875 hotel cost, to create Santa Barbara’s grandest of grand hotels.

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flexatod K/tOtD t* <3LCA ( W midable hotels rose from that square of earth so too could a Now, 50 years later, the Arlington is a comprehensive lavish and formidable theater. Fox West Coast Theatres performing arts center, housing films, dance per­ 0 > 4 decidedfto build a movie palace on the location, a kind of formances, plays, concerts and special events. Parent sister to the Granada Theater which sprang up, sur­ company Metropolitan has invested, well over three prisingly enough, six years earlier. quarters of million dollars for rejuvination. All refurbishing Architect Plunkett realized that the Fox theatre could be and replacing has been to maintain the historical and a truly spectacular showplace and he journeyed to Los aesthetic roots of the theater. Footwear, Legwear, Bodywear for Angeles many times to cohvice the Fox executives to put The Arlington is no huge profit gainer. It is a big financial the time and money into a project worthy of their name. loser but a substantial artistic success. Dance, Theatre and Recreation Erected was something bigger, better and altogether The regular function of the theater is to screen films and special. be available to outside promoters for new shows. Perennial Before Hollywood was the movie capital of the w o rld s events are scheduled by the Community Arts Music Assoc., 10% Discount to Students Santa Barbara held that title. Having exhausted locations the Music Academy of the West, the Santa Barbara sym­ in the San Diego area, American Film Company, a.k.a. with I.D . phony, Santa Barbara Ballet Theatre, and UCSB’s Arts & “ Flying A ” Studio, moved here. Diamond in the Sky, The Lectures Series, as well as the only in-house sponsored Perils of Pauline, and other serials such as Winners of the presentations, the Arlington Celebrity Series. Programs West were filmed in our foothills. Santa Barbara offered the are often cosponsored through outside endowments which best all-around filming ease the financial pinch on those who enjoy the arts but who conditions: moderate in cannot afford L. A.-type show prices. climate and varied in The Arlington building and facilities are often donated scenery. Arriving in Santa free of charge to worthy organizations. Hand Thrown Barbara in 1912, the Flying A Scheduled in the Arlington Celebrity Series are the Naw York Style Pizza Studio left just nine years following performances: Sandwiches & Salads later for the hub of Los Wiener Strauss-Capelle and A Musical Night in Old Angeles. But that’s another Vienna, Oct. 22, is a presentation of highlights from “ The Pizza story. Merry Widow,” “The Gypsy Baron” and “The Countess With the Fox opening of Maritza,” plus waltzes and Strauss favorites. Daddy Long Legs, a star- Pirin Folk Ballet, Nov. 10, a celebration of Bulgaria’s studded gala event, the 1300th anniversary. Arlington quickly became Pirates of Penzance, Dec. 12, the Gilbert and Sullivan established as one the movie classic, will be displayed by Richard Sheldon and his affy industry’s top premiere (Please turn to pg.15, col.l)

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2026 De La Vina 250STORKE RD. 1840 Cliff Drive 741 De La Guéna Plaza Santa Barbara, CA 93101 (805) 965-2400 687-3083 968-9578 962-6560 Daily Nexus Friday, September 17,1982 15B formances of Repertory- Drama Department.. West are scheduled for Jan. 20-22 in the Main Theatre. University Art Museum... (Continued from pg.3) During the 1982-83 year, In addition to the per­ (Continued from pg.5) university has a certain viewer, both visually and Dance Currents and two the department will also formances listed above, traditional, from oriental to inertia regarding the concerning the background contemporary plays. Rona present the Theatre Artists several of the department ethnological. A major museum, and hopes that the of the exhibits. But this in no Sande will direct Dance Company of Santa Barbara events will have special exhibition of contemporary response from professors way detracts from the pure Currents, which will feature in performances of The performances for the newly art, which is of particular and students will improve in entertainment value of the original choreography by Caretaher and the Reper­ formed Drama and Dance importance to art students, the future. The museum is a exhibitions for the casual faculty and advanced dance tory-West Dance Company. Affiliates. The affiliates are is displayed each year. separate department of the viewer. students, in performances on The Caretaker, which the already planning a Farmer said in choosing university which is available April 6-9 in the UCSB Main department presented scholarship fund raising an exhibit he looks for fine as a valuable educational Among the other special Theatre. earlier this summer, is being “ Supper at The Pub” in quality and a relationship to resource and for the en­ exhibitions to be presented Paul Zindel’s comedy, And revived for performances conjunction with a special something that is going on at joyment of the entire this year are Santa Barbara: Miss Reardon Drinks a Sept. 23, 24, and 25 at 8 p.m. performance of The the university. A show may campus and the community. The Creation of a New Spain, will be directed by in the UCSB Main Theatre. Little, Caretaker on Sunday, Sept. relate to a course being It receives funds as a Jeffrey Vallance: Richard Homan. It will be The Harold Pinter play is 26. More information about taught, or it may be the department of the university Correspondence Sculptures, presented in the Studio directed by Stanley Glenn this event or joining the result of a student’s a q d from student and Eadweard Muybridge: Theatre May 12-14 and May and is performed by David Drama and Dance Affiliates research. Some of the registration fees. Plates from “Animal 18-21. Barer as Aston, Robert Egan can be obtained by calling exhibits come from other Locomotion” series. The The Good Woman of as Mick, and John Harrop as 961-2745. museums, but many are Farmer also explained museum will be open Stezuan, written by Bertolt Davies. Other activities during the organized by the museum that unlike a public museum, beginning Sept. 22 from 10 Brecht, will be presented Repertory-West Dance year will include student itself and then circulated to the University Art Museum a.m.-4 p.m. on Tuesdays May 19-21 and May 26-28 in Company was founded in directed plays, original other museums. attempts to offer more of an through Saturdays and 1-5 the Main Theatre. John 1976 and is Santa Barbara’s script workshops, and the Farmer feels the intellectual challenge to the p.m. on Sundays. Harrop will direct this only professional modem spring theater for young Brecht classic. dance company. Per- audiences’ tour to area schools. Ticket information Homework for Drama Department and dance division events is SPEAKER WIRE (Continued from pg.7) available from the Arts and does the disrobing. If they go Lectures Ticket Office or by as a native language), and to see Collins act, forget it — 1WE'VE GOT M ILES OF IT. calling 961-3535. even an experience with a she does a better job on I ALSO IN STOCK: hooker fails to cure his television. And anyone under h e a d p h o n e c a b l e s anxiety. the misapprehension that mmrnmrn* Throughout the movie, this is a warmly funny story Unispace... TA PE D ECK PATCH CO RD S ♦ N EED LES • R IS E S flashback scenes linked to of adolescent longing' and (Continued from pg.13) , C A S if SPLITTERS * STEREO REPAIR SERVICE® Collins’ soliliquies in the coming of age will be sorely on this little planet.” backlit bedroom have in­ disappointed. It’s just a And indeed, Stallard, timated that the ’50s were cinematic wet-dream, the Brown and Smolin had GUITAR STRIN GS ♦ CA PO S * PICK S • KAZOOS not as celibate an age as product of a voyeur who utilized space technologies tradition implies. To be somehow convinced people to create and present a more precise, Mother Guppy he was really a film director. moving, changing image of (actually a stand-in who the earth in context of its bears little to resemblance interaction with the to Collins in any decade of surrounding environment of her life), screwed around in Slumber... space and the sun’s energy. her youth. (Continued from pg.7) Every few seconds the latest With a leap of logic that it to be distributed is clear view of the changing cloud astounds one with its daring, proof of the First Amend­ swirls over blue oceans and the moviemakers decide ment’s protection of an in­ brown-green continents that Collins is the right, the dividual’s right to make a attested to the influence of only, person to help out the public ass out of him or the space environment on frustrated youngster. This herself. the image of the earth. And seems to be the rationale The movie is rated “ R ” for perhaps in the manner and behind the rest of the plot — stupidity and amateurish method of art, “ The Living a letdown climax if there gore. Drive-in movies may Earth” was also making a ever was one. not be the same as they were political statement which the If anybody goes to the when I was a child, but one delegates to Unispace ’82 movie in the hope of seeing a thing hasn’t changed: it’s should heed. The luminous bit of Joan’s unclothed bod, still entirely possible to fall picture of earth from space forget it — even in the big asleep before the movie made one especially seduction scene the stand-in ends. poignant point: from 35,000 kilometers in space, no national boundaries are Arlington Theatre... visible. So while in the (Continued from pg.14) various committee meetings “ Opera A La Carte,” the country’s foremost Gilbert and the divisive political and Sullivan repertory company. economic aspects of space Tintypes, direct from a successful run in Los Angeles and exploration were being hotly New York, is a rambunctious tum-of-the-century musical debated and contested, “ The that will feature Metropolitan Opera star Patrice Munsel Living Earth” created and Jan. 22. presented by three former Isaac Stern, one of the world’s most influential musicians UCSB individuals provided and virtuoso violinist, will make a “ once in a lifetime” to th e delegations appearance in Santa Barbara Feb. 8. Last year his film representing the peoples of documentary, From Mao to Mozart played to very en­ the earth the fact that our thusiastic responses. destinies are linked on this Ferrante & Teicher, an incomparable team of superb small planet in the in­ piano entertainers, will present their repetoir of selections terstellar void. from Bachrach to the Beatles March 5. Some Like it Cole, a revue of the “ Sassy Songs of Cole Porter” in a slick, cabaret-style presentation will feature such memorables as “ My Heart Belongs to Daddy,” “ Let’s Do It,” and “ Night and Day.” The program of 32 oldies-but- goodies comes April 10. Mummenschanz returns April 21 by popular demand for what the promoters say will be the last chance to see the company locally. Mummenschanz sold out when it came to Santa Barbara last year.

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