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978-1-4964-4748-7.Pdf
The Tyndale nonfiction imprint Visit Tyndale online at tyndale.com. Visit Tyndale Momentum online at tyndalemomentum.com. TYNDALE, Tyndale’s quill logo, Tyndale Momentum, and the Tyndale Momentum logo are registered trademarks of Tyndale House Ministries. Tyndale Momentum is the nonfiction imprint of Tyndale House Publishers, Carol Stream, Illinois. The Lord of the Rings is a trademark of the Saul Zaentz Company dba Tolkien Enterprises. Finding God in The Lord of the Rings Copyright © 2001 by Kurt Bruner; copyright © 2021 by Kurt Bruner and Jim Ware. All rights reserved. Cover illustration by Lindsey Bergsma. Copyright © Tyndale House Ministries. All rights reserved. Designed by Lindsey Bergsma Edited by Lisa A. Jackson All Scripture quotations, unless otherwise indicated, are taken from the Holy Bible, New International Version,® NIV.® Copyright © 1973, 1978, 1984 by Biblica, Inc.® Used by permission. All rights reserved worldwide. Scripture quotations marked KJV are taken from the Holy Bible, King James Version. Scripture quotations marked NASB are taken from the New American Standard Bible,® copyright © 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977 by The Lockman Foundation. Used by permission. Scripture quotations marked NLT are taken from the Holy Bible, New Living Translation, copyright © 1996. Used by permission of Tyndale House Publishers, Carol Stream, Illinois 60188. All rights reserved. Scripture quotations marked NKJV are taken from the New King James Version,® copyright © 1982 by Thomas Nelson. Used by permission. All -
Perspectives of Research for Intangible Cultural Heritage
束 9mm Proceedings ISBN : 978-4-9909775-1-1 of the International Researchers Forum: Perspectives Research for Intangible Cultural Heritage towards a Sustainable Society Proceedings of International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society 17-18 December 2019 Tokyo Japan Organised by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage Agency for Cultural Affairs, Japan Co-organised by Tokyo National Research Institute for Cultural Properties, National Institutes for Cultural Heritage IRCI Proceedings of International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society 17-18 December 2019 Tokyo Japan Organised by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage Agency for Cultural Affairs, Japan Co-organised by Tokyo National Research Institute for Cultural Properties, National Institutes for Cultural Heritage Published by International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI), National Institutes for Cultural Heritage 2 cho, Mozusekiun-cho, Sakai-ku, Sakai City, Osaka 590-0802, Japan Tel: +81 – 72 – 275 – 8050 Email: [email protected] Website: https://www.irci.jp © International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) Published on 10 March 2020 Preface The International Researchers Forum: Perspectives of Research for Intangible Cultural Heritage towards a Sustainable Society was organised by the International Research Centre for Intangible Cultural Heritage in the Asia-Pacific Region (IRCI) in cooperation with the Agency for Cultural Affairs of Japan and the Tokyo National Research Institute for Cultural Properties on 17–18 December 2019. -
The Great War, 1914-18 Biographies of the Fallen
IRISH CRICKET AND THE GREAT WAR, 1914-18 BIOGRAPHIES OF THE FALLEN BY PAT BRACKEN IN ASSOCIATION WITH 7 NOVEMBER 2018 Irish Cricket and the Great War 1914-1918 Biographies of The Fallen The Great War had a great impact on the cricket community of Ireland. From the early days of the war until almost a year to the day after Armistice Day, there were fatalities, all of whom had some cricket heritage, either in their youth or just prior to the outbreak of the war. Based on a review of the contemporary press, Great War histories, war memorials, cricket books, journals and websites there were 289 men who died during or shortly after the war or as a result of injuries received, and one, Frank Browning who died during the 1916 Easter Rising, though he was heavily involved in organising the Sporting Pals in Dublin. These men came from all walks of life, from communities all over Ireland, England, Scotland, Wales, Australia, Canada, New Zealand, South Africa, India and Sri Lanka. For all but four of the fifty-two months which the war lasted, from August 1914 to November 1918, one or more men died who had a cricket connection in Ireland or abroad. The worst day in terms of losses from a cricketing perspective was the first day of the Battle of the Somme, 1 July 1916, when eighteen men lost their lives. It is no coincidence to find that the next day which suffered the most losses, 9 September 1916, at the start of the Battle of Ginchy when six men died. -
Pamela King – [email protected] – University of Bristol, Bristol
King 0 Pamela King – [email protected] – www.bristol.ac.uk/medievalcentre University of Bristol, Bristol Thème/Topic Renaissance of Medieval Theatre Titre/Title The Renaissance of Medieval Theatre and the Growth of University Drama in England Résumé/Abstract The battle to be permitted to impersonate the deity on the stage in Britain is well documented, as is the role of theatrical impresarios such as William Poel, Nugent Monck and E. Martin Browne, the Religious Drama Society and the British Drama League. What has received less attention is the role of the universities in the latter part of this process, and in experimental productions of medieval plays. Oxford University Drama Society provided the test bed, but it was at Bristol, in the first department at a British University dedicated to the study of Drama in performance, that the renaissance of medieval religious drama found its first academic home under the aegis of Glynne Wickham and his colleagues. This paper will draw on many unpublished archive holdings from the Bristol University Theatre Collection. It will investigate the intersection between the movement which resulted in drama being accepted as a legitimate and autonomous university subject and the parallel campaign against the established conventions of censoring religious theatre in the United Kingdom. As well as charting this history, it will discuss the emergent understandings of the nature of medieval religious drama in the middle of the twentieth century in church, state and academy. King 1 The Renaissance of Medieval Theatre and the Growth of University Drama in England Pamela King The slim journal Theatre in Education, issue 5, number 25, for April 1951 carried three interestingly linked articles. -
NORTH OXFORD VICTORIAN SUBURB CONSERVATION AREA APPRAISAL Consultation Draft - January 2017
NORTH OXFORD VICTORIAN SUBURB CONSERVATION AREA APPRAISAL Consultation Draft - January 2017 249 250 CONTENTS SUMMARY OF SIGNIFICANCE 5 Reason for appraisal 7 Location 9 Topography and geology 9 Designation and boundaries 9 Archaeology 10 Historical development 12 Spatial Analysis 15 Special features of the area 16 Views 16 Building types 16 University colleges 19 Boundary treatments 22 Building styles, materials and colours 23 Listed buildings 25 Significant non-listed buildings 30 Listed parks and gardens 33 Summary 33 Character areas 34 Norham Manor 34 Park Town 36 Bardwell Estate 38 Kingston Road 40 St Margaret’s 42 251 Banbury Road 44 North Parade 46 Lathbury and Staverton Roads 49 Opportunities for enhancement and change 51 Designation 51 Protection for unlisted buildings 51 Improvements in the Public Domain 52 Development Management 52 Non-residential use and institutionalisation large houses 52 SOURCES 53 APPENDICES 54 APPENDIX A: MAP INDICATING CHARACTER AREAS 54 APPENDIX B: LISTED BUILDINGS 55 APPENDIX C: LOCALLY SIGNIFICANT BUILDINGS 59 252 North Oxford Victorian Suburb Conservation Area SUMMARY OF SIGNIFICANCE This Conservations Area’s primary significance derives from its character as a distinct area, imposed in part by topography as well as by land ownership from the 16th century into the 20th century. At a time when Oxford needed to expand out of its historic core centred around the castle, the medieval streets and the major colleges, these two factors enabled the area to be laid out as a planned suburb as lands associated with medieval manors were made available. This gives the whole area homogeneity as a residential suburb. -
Subjectxx Locals'guidetooxford
4 Think of England Saturday Guardian 19.01.13 5 XxxxxxxCalendar XxxxxxxxEngland: what’s xxxx onxxxxx where xxxxx and xx when SubjectxxLocals’GuideToOxford guardian.co.uk/travelguardian.co.uk/travel/england Oxford is a hive of honey-coloured heritage at the heart of England, laced through with water, stone and grass. What do the Oxford spires dream of? Everything under the sun. It’s all here: on display in the comprehensive museums; shelved in the many libraries, or met with in the teeming streets. Walk, cycle or sail away from the centre and you’ll find its arteries of interest: the river Thames and Port Meadow; Magdalen bridge and the river Cherwell; the kaleidoscopic Cowley Road. Everyone dreams about Oxford differently. For some it is dotted with doors to alternate realities, for others the streets are layered with memories. Compiled by Henry Eliot 1 OPEN-MIC NIGHTS AT 6 SAILING PAST PORT MEADOW THE CATWEAZLE CLUB Christina Hardyment author and journalist Brian Briggs FIRST IN HISTORY The Ashmolean lead singer of indie band Stornoway Museum, opened in Port Meadow, mentioned in the Domesday Book, is an expanse of common land that 1683, was the world’s affords unexpected vistas of Oxford, grazing cattle and vast spans of open sky. “I sail Briggs, an ecologist with a PhD in wildfowl conservation, lives near the vibrant Cowley first public museum north from here on the Thames but you can take the steamer south from Folly bridge. Road, which features in many of his lyrics. “Cowley Road is about as alternative as 9 This stretch of river is where Lewis Carroll first told the Alice in Wonderland stories. -
V the POSTHUMOUS NARRATIVE POEMS OF
'/v$A THE POSTHUMOUS NARRATIVE POEMS OF C. S. LEWIS THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Caroline L. Geer, B. A. Denton, Texas December, 1976 Geer, Caroline Lilian, The Posthumous Narrative Poems of C. S. Lewis. Master of Arts (English), December, 1976, 73 pp., bibliography, 15 titles. The purpose of this study is to introduce the three posthumous narrative poems of C. S. Lewis. Chapter One is an introduction to Lewis's life and scholarship. The second chapter is concerned with "Launceloti" in which the central theme of the story explores the effect of the Quest for the Holy Grail on King Arthur's kingdom. Chapter Three studies "The Nameless Isle," in which Celtic and Greek mythic ele- ments strongly influence both characterization and plot. The fourth chapter is an analysis of The Queen of Drum and its triangular plot structure in which the motivating impetus of the characters is the result of dreams. Chapter Five recapitulates Lewis1s perspectives of life and reviews the impact of his Christianity on the poems. The study also shows how each poem illustrates a separate aspect of the cosmic quest. TABLE OF CONTENTS Chapter Page I. INTRODUCTION. 1 II. "LAUNCELOT . 13 III. "THE NAMELESS ISLE" . 32 IV. THE QUEEN OF DRUM: A STORY jflFIVECANTOS ......... 50 V. CONCLUSION . * . 66 BIBLIOGRAPHY . 72 iii CHAPTER I INTRODUCTION Nothing about a literature can be more essential than the language it uses. A language has its own personality; implies an outlook, reveals a mental activity, and has a resonance, not quite the same as those of any other. -
Religion and Literature: C. S. Lewis and Tolkien Syllabus
1 Religion 4600/6600: Religion and Literature: C. S. Lewis and Tolkien Carolyn Jones Medine, Professor of Religion and in the Institute for African American Studies Office: 19 Peabody Hall Telephone: 706-542-5356 (messages) E-Mail: [email protected] Office Hours: Monday and Wednesday 1:30-2:30 and by appointment Graduate Teaching Assistants: Noah Pollock, Jessica Couch, Eduardo Mendez I Course Description Religion and Literature’s goal is to examine the problematic of religion in the modern world and to explore basic human questions, such as those of identity, community, ethical action, and spirituality and how those have been expressed in literature. The language of such an exploration is sometimes specifically Christian; sometimes it interprets Christian language in new way, but often, the religious meanings are hybrid, using a number of traditions in syncretic ways. The first work in the field was on specifically Christian writers. We will, this semester, revisit that landscape. This course will examine the works of two of the group of writers who called themselves The Inklings: J. R. R. Tolkien and C. S. Lewis. Each was a Christian who expressed his faith through his art. We want to ask: Why do Christian writers—not just the Inklings, but also, for example, Walker Percy, Flannery O’Connor, Madeline L’Engle, and others—turn to fiction—in particular, to what Lewis and Tolkien called “the fairy story”—as a medium of expression of their ideas? What is gained or lost by such a choice? What is the relationship between art, imagination and belief? II Course Goals: In this course we will learn and come to: 1. -
The Chronicles of War Repercussions in J. R. R. Tolkien and C. S. Lewis's
The Chronicles of War Repercussions in J. R. R. Tolkien and C. S. Lewis’s Life and Work by Nora Alfaiz B.A. in English, May 2007, King Saud University M.A. in English, May 2011, American University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 31, 2020 Dissertation directed by Marshall Alcorn Professor of English The Columbian College of Arts and Sciences of The George Washington University certifies that Nora Alfaiz has passed the Final Examination for the degree of Doctor of Philosophy as of May 06, 2020. This is the final and approved form of the dissertation. The Chronicles of War Repercussions in J. R. R. Tolkien and C. S. Lewis’s Life and Work Nora Alfaiz Dissertation Research Committee: Marshall Alcorn, Professor of English, Dissertation Director Kavita Daiya, Associate Professor of English, Committee Member Maria Frawley, Professor of English, Committee Member ii © Copyright 2020 by Nora Alfaiz All rights reserved iii Dedication To the writer of The Hobbit. And to my mother, who nudged me towards bookshops and calls me her Precious. iv Acknowledgments I could not have made it this far without my Dissertation Director, Marshall Alcorn, whose class lectures spurred my interest in trauma studies and eventually led to years of office visits and samosa meetings as I looked more into the Great War’s influence on my writers. I am also grateful to Kavita Daiya and Maria Frawley for their invaluable support from the first classroom discussion till the end of my doctoral experience. -
Postmaster & the Merton Record 2020
Postmaster & The Merton Record 2020 Merton College Oxford OX1 4JD Telephone +44 (0)1865 276310 Contents www.merton.ox.ac.uk College News From the Warden ..................................................................................4 Edited by Emily Bruce, Philippa Logan, Milos Martinov, JCR News .................................................................................................8 Professor Irene Tracey (1985) MCR News .............................................................................................10 Front cover image Merton Sport .........................................................................................12 Wick Willett and Emma Ball (both 2017) in Fellows' Women’s Rowing, Men’s Rowing, Football, Squash, Hockey, Rugby, Garden, Michaelmas 2019. Photograph by John Cairns. Sports Overview, Blues & Haigh Ties Additional images (unless credited) Clubs & Societies ................................................................................24 4: © Ian Wallman History Society, Roger Bacon Society, Neave Society, Christian 13: Maria Salaru (St Antony’s, 2011) Union, Bodley Club, Mathematics Society, Quiz Society, Art Society, 22: Elina Cotterill Music Society, Poetry Society, Halsbury Society, 1980 Society, 24, 60, 128, 236: © John Cairns Tinbergen Society, Chalcenterics 40: Jessica Voicu (St Anne's, 2015) 44: © William Campbell-Gibson Interdisciplinary Groups ...................................................................40 58, 117, 118, 120, 130: Huw James Ockham Lectures, History of the Book -
Cremation and Christianity: English Anglican and Roman Catholic Attitudes to Cremation Since 1885
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Nottingham Cremation and Christianity: English Anglican and Roman Catholic attitudes to cremation since 1885 Frances Knight Department of Theology and Religious Studies University of Nottingham, UK [email protected] Postal address: School of Humanities, University of Nottingham University Park Nottingham NG7 2RD Telephone: 0115 84 67778 1 Abstract: (175words) Britain was the first modern European country to adopt the widespread practice of cremation, and by 2010, it took place in around three-quarters of all funerals. Although the clergy had ceased to be the exclusive custodians of funeral ritual, their views and example remained highly significant in conveying approval, or disapproval, of cremation to their religious constituencies. This article explores attitudes to cremation among the English Anglican and Roman Catholic leadership in the twentieth-century. In the first half of the century, a number of high profile Anglican bishops promoted cremation by both teaching and example. The Roman Catholic Church, however, remained opposed to the practice, which it equated with atheism and inhumanity. Although the Catholic position began to soften from the 1960s, it is evident that some reticence about cremation remains. The different approaches to cremation illuminate a subtle religious and cultural fault line between the two ecclesial communities which has hitherto been little explored. The article highlights the role of the Cremation Society of Great Britain in working with members of both Churches to normalise cremation. Key words: Cremation, Christianity, England, Twentieth century, Church of England, Anglican, Roman Catholicism. -
North Oxford Victorian Suburb
North Oxford Victorian Suburb Conservation Area Appraisal North Oxford Victorian Suburb Contents Statement of Special Interest 3 1. Introduction 5 2. Context 7 3. Historical Development 8 4. Spatial Analysis 12 5. Buildings 16 6. Character Areas 23 Norham Manor 23 Park Town 26 Bardwell 29 Kingston Road 33 St Margaret's 36 Banbury Road 39 North Parade 42 Lathbury and Staverton Roads 45 7. Vulnerabilities, Negative Features and Opportunities for Enhancement 47 8. SOURCES 51 9. APPENDICES 52 1: Listed Buildings 52 2: Positive Unlisted Buildings 58 3: Maps 59 1 1. Summary of Significance Statement of Special Interest This conservation area’s primary signifi- cance derives from its character as a distinct area, imposed in part by topography as Summary well as by land ownership from the 16th century into the 21st century. At a time Key positive features when Oxford needed to expand out of its • Diversity historic core centred around the castle, the • Village-like enclaves medieval streets and the major colleges, these two factors enabled the area to be • Quality of the buildings laid out as a planned suburb as lands asso- • Residential houses a special feature ciated with medieval manors were made • Gothic, Italianate, Arts and Crafts, Vernacular styles available. This gives the area homogeneity • Purpose-built college teaching and as a residential suburb. In the eastern and residential accommodation central parts of the area as a whole, this • Contribution of 20th and 21st centuries to the area is reinforced by the broad streets and the feeling of spaciousness created by the • Three ecclesiastical buildings generously proportioned and well-planted • 73 listed buildings and a further 21 buildings gardens.