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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
SIR PETER BLAKE Education 1946
SIR PETER BLAKE Education 1946 – 1951 Gravesend Technical College & School of Art 1953 – 1956 Royal College of Art, London Short Biography 1964 – 1967 Taught at Royal College of Art, London 1967 Cover design for Beatles’ Sgt. Pepper’s Lonely Hearts Club Band 1970 Lewis Carroll’s Through the Looking-Glass (watercolour illustration) 1975 Founder of the Brotherhood of Ruralists 1981 Elected Royal Academician 1983 Major retrospective at Tate Gallery 1983 Awarded CBE 1994 Third Associate of the National Gallery 1998 Honorary Doctor, Royal College of Art, London 2002 Received knighthood Selected Solo Exhibitions 2013 Pop Imagery , Waddington Custot Galleries, London 2013 When Britain Went Pop! British Pop Art: The Early Years , Christies Mayfair 2013 The House of Fairy Tales Cartographic Portfolio, TAG Fine Arts, London Original Print Fair, Royal Academy of Arts, London 2012 Peter Blake and Pop Music , Pallant House Gallery, Chichester 2012 Sir Peter Blake , CCA at the Mall Galleries, London 2012 Sir Peter Blake at 80 , CCA at the Royal Albert Hall, London 2012 Sir Peter Blake – new and vintage works , Railings Gallery, London 2007 Peter Blake: A Retrospective , Tate Liverpool 2006 Peter Blake: 1975 – 2005 , Wetterling Gallery, Stockholm 2006 Peter Blake Prints and Sculpture , The Harley Gallery, Welbeck 2001-6 Alphabet (touring exhibition) , York College of Further and Higher Education 2005 Peter Blake: 1 – 10 (Collages, Constructions, Drawings & Sculpture) & the Marcel Duchamp Paintings , Waddington Galleries, London 2005 New Prints by Peter -
Sir Peter Blake-Solo Exhibition 31St March - 14Th April 2012
Sir Peter Blake-Solo exhibition 31st March - 14th April 2012 Sir Peter Blake is often referred to as the Godfather of British Pop Art. His work crosses all generational divides, and inspires great respect from younger artists such as Damien Hirst, Gavin Turk, Pure Evil and Tracey Emin. Knighted in 2002, an honorary doctor of the Royal Col- lege of Art, and with his work represented in major collections throughout the world, Sir Peter Blake truly is a grandee of British Art. Sir Peter Blake's work reflects his fascination with all streams of popular culture, and the beauty to be found in everyday objects and surroundings. Many of his works feature found printed ma- terials such as photographs, comic strips or advertising texts, combined with bold geometric patterns and the use of primary colours. The works perfectly capture the effervescent and opti- mistic ethos of the sixties, but are also strikingly fresh and contemporary. Blake is renowned for his connection with the music industry, having produced iconic album covers for the Beatles, ‘Sgt Peppers’ Lonely Hearts Club Band’, Paul Weller, The Who, and Oasis, as well as designing this years Brit Award. Blake remains as busy as ever in his 80th year; currently working on a new painting of St Martin for St Paul’s Cathedral (the first new artwork to be commissioned for the Cathedral since Wil- liam Holman-Hunt’s ‘The Light of the World’), a series of book covers for penguin, amongst many other projects. Please note that a * by any print in this catalogue means that this is the only copy available Found Art ‘Found Art-England Forever’ £3,000.00 ‘Found Art-Buttons’ £3,000.00 Image & Paper Size: 101.6cm x 122cm digital print with silkscreen glazes. -
William Blake 1 William Blake
William Blake 1 William Blake William Blake William Blake in a portrait by Thomas Phillips (1807) Born 28 November 1757 London, England Died 12 August 1827 (aged 69) London, England Occupation Poet, painter, printmaker Genres Visionary, poetry Literary Romanticism movement Notable work(s) Songs of Innocence and of Experience, The Marriage of Heaven and Hell, The Four Zoas, Jerusalem, Milton a Poem, And did those feet in ancient time Spouse(s) Catherine Blake (1782–1827) Signature William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His prophetic poetry has been said to form "what is in proportion to its merits the least read body of poetry in the English language".[1] His visual artistry led one contemporary art critic to proclaim him "far and away the greatest artist Britain has ever produced".[2] In 2002, Blake was placed at number 38 in the BBC's poll of the 100 Greatest Britons.[3] Although he lived in London his entire life except for three years spent in Felpham[4] he produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God",[5] or "Human existence itself".[6] Considered mad by contemporaries for his idiosyncratic views, Blake is held in high regard by later critics for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings William Blake 2 and poetry have been characterised as part of the Romantic movement and "Pre-Romantic",[7] for its large appearance in the 18th century. -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image. -
Art 150: Introduction to the Visual Arts David Mccarthy Rhodes College, Spring 2003 414 Clough, Ext
Art 150: Introduction to the Visual Arts David McCarthy Rhodes College, Spring 2003 414 Clough, Ext. 3663 417 Clough, MWF 11:30-12:30 Office Hours: MWF 2:00- 4:00, and by appointment. COURSE OBJECTIVES AND DESCRIPTION The objectives of the course are as follows: (1) to provide students with a comprehensive, theoretical introduction to the visual arts; (2) to develop skills of visual analysis; (3) to examine various media used by artists; (4) to introduce students to methods of interpretation; and (5) to develop skills in writing about art. Throughout the course we will keep in mind the following two statements: Pierre Auguste Renoir’s reminder that, “to practice an art, you must begin with the ABCs of that art;” and E.H. Gombrich’s insight that, “the form of representation cannot be divorced from its purpose and the requirements of the society in which the given language gains currency.” Among the themes and issues we will examine are the following: balance, shape and form, space, color, conventions, signs and symbols, representation, reception, and interpretation. To do this we will look at many different types of art produced in several historical epochs and conceived in a variety of media. Whenever possible we will examine original art objects. Art 150 is a foundation course that serves as an introduction for further work in studio art and art history. A three-hour course, Art 150 satisfies the fine arts requirement. Enrollment is limited to first- and second-year students who are not expected to have had any previous experience with either studio or art history. -
The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. -
Architectural Forum: the Magazine of Building, October 1951
BER 1951 ARCHITECTURAL FORUM THE MAGAZINE OF BUILDING m HOUSES ISSUE Arch/fecf & C//en' E/even oufsfanan juses, /nc/uding.- -Farnsworth house by Mies von der Rohe fp. 156; Second-sfory house by Miifon Ryan fp. J62; Portfolio of work by Harwell Harris (p. 166) Architect & Builder Five outstandirig houses, /"nc/uding.- Coogon's $6,850 design by Parker (p. 209) Eichler's $13,000 house by AnzhenS. Allen (p. 212) LevUfs' new $9,990 design fp. 217) Low-cost ways to improve low-cost houses (p. if6) Small house floor plans (p- 198) New ideas for better kitcher)s (p- 202) Builder round-up—plans for '52 (p- 206) Two new magazines for the industry (p. 153) ARCHITECTURAL FORUM THE MAGAZINE OF BUILDING OCTOBER 1951 NEWS 35 Published by TIME Incorporated LETTERS 83 EDITOH-IK-CBIEF Henry R. Luce PHEaiMjiT Roy E. Urten BEHIND THE BLUEPRINTS EDITORIAI. OniECTOR John Shaw Billings 130 REVIEWS Architectural Forum 140 THE MAGAZINE OF BUILDING EDITOR AND PUBLISHER EDITORIAL—Two new magazines for the industry 153 P. I. Prentice EXECUTIVE EDITOR HOUSES—Architect and Individual Client Joseph C Haiea. Jr. 155 ARCHITECTURAL EDITOR • Ludwig Mies van der Rohe. Farnsworth house in Fox River, III. Douglaa HaakelJ. AIA 156 ART DIRECTOR Milton Ryan, second story house in San Antonio. Tex. Paul Crotx 162 ASSOCIATES: Peter Blake, Cumey Breckenfeld, Louise Harwell Harris, three houses in Southern California Cooper, Mary Jane Lighlbown, Walter McQuade, Carl 166 Norcroaa, Boyce P. Price, Amnon Rubinstein, Richard Saunders (Washington). Madelaine Thatcher. (In mili• tary service: Wilson Dizard; Harry J. Middlelon.) Nemeny & Geller, three houses in Suburban New York ASSISTANTS: RoMlind KJein BerUn, Linn Ericaon, 175 Marilyn Grayboff, Henry T. -
The Ephemeral Aesthetic of Spontaneous Design on the Streets of São Paulo, Brazil
The ephemeral aesthetic of spontaneous design on the streets of São Paulo, Brazil HARLAND, Robert and LOSCHIAVO SANTOS, Maria Cecilia Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/542/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version HARLAND, Robert and LOSCHIAVO SANTOS, Maria Cecilia (2009). The ephemeral aesthetic of spontaneous design on the streets of São Paulo, Brazil. In: Undisciplined! Design Research Society Conference 2008, Sheffield Hallam University, Sheffield, UK, 16-19 July 2008. Repository use policy Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in SHURA to facilitate their private study or for non- commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. Sheffield Hallam University Research Archive http://shura.shu.ac.uk Undisciplined! Proceedings of the Design Research Society Conference 2008. Sheffield, UK. July 2008 The ephemeral aesthetic of spontaneous design on the streets of São Paulo, Brazil. Robert Harland , Programme Leader for undergraduate studies in Graphic Design at Nottingham Trent University, United Kingdom. Maria Cecilia Loschiavo dos Santos , Associate Professor at the School of Architecture and Urbanism, Design Department at the University of São Paulo, Brazil. CNPq - Scholar. Abstract There are few opportunities when the poor and prosperous can be spoken about with respect to the same, shared cultural experience. -
2010 Donor Report
2010 Donor Report JANUARY 1, 2010 THROUGH DECEMBER 31, 2010 United States Merchant Marine Academy ALUMNI ASSOCIATION AND FOUNDATION www.usmmaaf.com Lifetime Giving Societies The Ethel N. Babson Society This society honors the legacy of Ethel N. Babson and her son, James A. Babson ’44, whose gifts have touched - and con- tinue to touch - the lives of thousands of Kings Pointers. We are proud to thank donors whose cumulative lifetime giving is $1,000,000 or more through December 31, 2010. James H. Ackerman ‘44 J. S. Johnson William R. O’Gara ‘50 James H. Yocum ‘47 James A. Babson ‘44 J. S. Lanier ‘50 Paul H. Sonnen ‘53 John Brooks ‘44 Phillip LeBoutillier Dean V. White ‘45 The Nathaniel B. Palmer Society A celebrated 19th century shipmaster, Nathaniel Palmer’s versatility ranged from exploration and trading to yachting and ship design. His memory is honored at Kings Point where a building is named for him and through this Society. We are proud to thank donors whose lifetime giving has reached $750,000 or more through December 31, 2010. Norman A. Anderson ‘44 Jack A. Baker ‘46 Daniel E. Meehan ‘51 James F. Zievers ‘47 Ethel N. Babson Dean F. LeBaron Elizabeth Zievers The James Harvey Tomb Society This society honors the Academy’s first Superintendent, James Harvey Tomb, who oversaw the physical construction of the Academy. The James Harvey Tomb Society honors his legacy and those benefactors whose lifetime giving reached $500,000 or more through December 31, 2010. Prestley S. Blake Michael S. Greenwald Melvin M. Lawrence ‘54 Ralph R. -
Interview with Sir Peter Blake
Interview with Sir Peter Blake Lauren Barnes Sir Peter Blake, Everybody Razzle Dazzle, 2015. Photo: Mark McNulty Sir Peter Blake is the third contemporary artist to be invited to dazzle a ship in a co-commission by Liverpool Biennial, 14-18 NOW: WW1 Centenary Art Commissions and Tate Liverpool, in partnership with Merseytravel and National Museums Liverpool. 'Everybody Razzle Dazzle' is his design for the Mersey Ferry 'Snowdrop', which will remain in active service until December 2016. Blake is a seminal Pop artist, whose early ambition was to make works of art with which people could engage on the level of pop music. He initially trained as a designer, and is also an inveterate collector, who has amassed folk art, celebrity memorabilia, toys, circus paraphernalia and many other types of objects over decades. His fascination with amateur crafts and untrained making govern many aspects of his artistic practice and his collecting. Here he talks about 'Everybody Razzle Dazzle' and his own collection of maritime objects. The thing was to do a dazzle ship and also for it to be a memorial to the First World War – the two things tied in. So it started off being quite grey, dour and serious, much more of a memorial. The initial design had a big stencil of 1914–18 to commemorate the war. As we went on that slipped away a bit – we’d moved into 2015, so we were a year away from the centenary of the beginning of the First World War. I researched the historic dazzle ships that were done, and made a version of that using very bright colours, and introducing a Pop art element as well.