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INFORMATION TO USERS This manuscript has been reproduced from the microfihn master. UMI fihns the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 A PEOPLE^S AIR FORCE: AIR POWER AND AMERICAN POPULAR CULTURE, 1945 -1965 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Steven Charles Call, M.A, M S. -
The Atrocity Exhibition
The Atrocity Exhibition WITH AUTHOR'S ANNOTATIONS PUBLISHERS/EDITORS V. Vale and Andrea Juno BOOK DESIGN Andrea Juno PRODUCTION & PROOFREADING Elizabeth Amon, Laura Anders, Elizabeth Borowski, Curt Gardner, Mason Jones, Christine Sulewski CONSULTANT: Ken Werner Revised, expanded, annotated, illustrated edition. Copyright © 1990 by J. G. Ballard. Design and introduction copyright © 1990 by Re/Search Publications. Paperback: ISBN 0-940642-18-2 Limited edition of 300 autographed hardbacks: ISBN 0-940642-19-0 BOOKSTORE DISTRIBUTION: Consortium, 1045 Westgate Drive, Suite 90, Saint Paul, MN 55114-1065. TOLL FREE: 1-800-283-3572. TEL: 612-221-9035. FAX: 612-221-0124 NON-BOOKSTORE DISTRIBUTION: Last Gasp, 777 Florida Street, San Francisco, CA 94110. TEL: 415-824-6636. FAX: 415-824-1836 U.K. DISTRIBUTION: Airlift, 26 Eden Grove, London N7 8EL TEL: 071-607-5792. FAX: 071-607-6714 LETTERS, ORDERS & CATALOG REQUESTS TO: RE/SEARCH PUBLICATIONS SEND SASE 20ROMOLOST#B FOR SAN FRANCISCO, CA 94133 CATALOG PH (415) 362-1465 FAX (415) 362-0742 REQUESTS Printed in Hong Kong by Colorcraft Ltd. 10987654 Front Cover and all illustrations by Phoebe Gloeckner Back Cover and all photographs by Ana Barrado Endpapers: "Mucous and serous acini, sublingual gland" by Phoebe Gloeckner Phoebe Gloeckner (M.A. Biomedical Communication, Univ. Texas) is an award-winning medical illustrator whose work has been published internationally. She has also won awards for her independent films and comic art, and edited the most recent issue of Wimmin's Comix published by Last Gasp. Currently she resides in the San Francisco Bay Area. Ana Barrado is a photographer whose work has been exhibited in Italy, Mexico City, Japan the United States. -
UC Irvine UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Publishing Words to Prevent Them from Becoming True: The Radical Praxis of Günther Anders Permalink https://escholarship.org/uc/item/5nr2z210 Author Costello, Daniel Christopher Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Publishing Words to Prevent Them from Becoming True: The Radical Praxis of Günther Anders DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Comparative Literature by Daniel C. Costello Dissertation Committee: Professor Jane O. Newman, Chair Professor Emeritus Alexander Gelley Associate Professor Kai Evers 2014 © 2014 Daniel C. Costello TABLE OF CONTENTS Page Acknowledgments vi Curriculum Vitae vii Abstract of the Dissertation viii INTRODUCTION I. A Writerly Life a. Beginnings 1 b. A Note on Style 13 c. Prelude 19 CHAPTER ONE: COMPETENCE AND AUTHORITY I. Introductions a. The Promethean Discrepancy 25 b. Network and Actor-Network Theories 29 c. Archives and the Occasional Philosophy 31 II. Historical Contexts: The Scientists’ Movement a. Genesis 34 b. One World Government 37 c. The Changing Role of Science 44 d. Generational Outcomes 51 III. Backgrounds: Anders and the Bomb a. Wars and Exile 55 b. Return to Vienna 62 IV. Historical Contexts: The Second Wave a. Fallout 65 b. Forms: Diary, Fable, Dialog, and Commandment 69 c. Groundwork to Praxis 73 V. Organizational Work a. Pursuing Scientists 81 ii b. A Pugwash for the Humanities 86 VI. Conclusions 88 CHAPTER TWO: THE CASE OF CLAUDE EATHERLY I. Introductions a. -
World War Ii Veteran’S Committee, Washington, Dc Under a Generous Grant from the Dodge Jones Foundation 2
W WORLD WWAR IIII A TEACHING LESSON PLAN AND TOOL DESIGNED TO PRESERVE AND DOCUMENT THE WORLD’S GREATEST CONFLICT PREPARED BY THE WORLD WAR II VETERAN’S COMMITTEE, WASHINGTON, DC UNDER A GENEROUS GRANT FROM THE DODGE JONES FOUNDATION 2 INDEX Preface Organization of the World War II Veterans Committee . Tab 1 Educational Standards . Tab 2 National Council for History Standards State of Virginia Standards of Learning Primary Sources Overview . Tab 3 Background Background to European History . Tab 4 Instructors Overview . Tab 5 Pre – 1939 The War 1939 – 1945 Post War 1945 Chronology of World War II . Tab 6 Lesson Plans (Core Curriculum) Lesson Plan Day One: Prior to 1939 . Tab 7 Lesson Plan Day Two: 1939 – 1940 . Tab 8 Lesson Plan Day Three: 1941 – 1942 . Tab 9 Lesson Plan Day Four: 1943 – 1944 . Tab 10 Lesson Plan Day Five: 1944 – 1945 . Tab 11 Lesson Plan Day Six: 1945 . Tab 11.5 Lesson Plan Day Seven: 1945 – Post War . Tab 12 3 (Supplemental Curriculum/American Participation) Supplemental Plan Day One: American Leadership . Tab 13 Supplemental Plan Day Two: American Battlefields . Tab 14 Supplemental Plan Day Three: Unique Experiences . Tab 15 Appendixes A. Suggested Reading List . Tab 16 B. Suggested Video/DVD Sources . Tab 17 C. Suggested Internet Web Sites . Tab 18 D. Original and Primary Source Documents . Tab 19 for Supplemental Instruction United States British German E. Veterans Organizations . Tab 20 F. Military Museums in the United States . Tab 21 G. Glossary of Terms . Tab 22 H. Glossary of Code Names . Tab 23 I. World War II Veterans Questionnaire . -
Au Temps Du Semblant Par Jean-Louis Comolli
Au temps du semblant Par Jean-Louis Comolli Réalisateur et écrivain « Puisque ces mystères nous dépassent, feignons de les organiser », écrivait Jean Cocteau. N’est-ce pas exactement ce que font les différents États face à la crise sanitaire actuelle ? Alors que règne le désordre depuis près d’un an, les experts et les dirigeants font « comme si » on avait su déjà, on avait prévu, on savait comment… C’est peut-être là le propre des sociétés de protection. La maîtrise, si elle a besoin de s’afficher, c’est parce qu’elle est de l’ordre du semblant. Opinion jeudi 25.02.21 Au temps du semblant Par Jean-Louis Comolli La pandémie virale exige à tout le moins d’être pensée dans tous ses aspects. Nous comprenons alors que nous ne la comprenons qu’incomplètement. Il aura été paré au plus urgent, absolue nécessité, mais en laissant dans l’ombre nombre de causes et de conséquences : une deuxième infection est-elle possible après guérison de la première ? Quelle est la durée de l’immunité conférée par le vaccin ? Des effets à long terme sont soupçonnés mais qu’en est-il ? Tant d’inconnues… et pour cause : il fallait pour aller très vite renoncer aux leçons de l’expérience, brûler les étapes, négliger l’analyse approfondie des modalités de transmission, encore trop vaguement devinées. Aller vite, très vite, on le voit bien, c’est renoncer aux temps attentifs de la science. publicité De la même façon, l’activisme frénétique qui s’est emparé de plusieurs laboratoires et industriels de la pharmacie à travers le monde, et qui a fait accoucher de cinq ou six vaccins différents, correspond aux temps hyper-rapides de la concurrence marchande mais ne laisse aucun temps pour la concertation, la mise en commun des données et solutions, et tout simplement la réflexion collective qui reste l’une des forces de l’approche scientifique. -
A Meditation on the Life of Hiroshima Pilot Paul Tibbets, Jr
The Asia-Pacific Journal | Japan Focus Volume 6 | Issue 1 | Number 0 | Jan 2008 Defending the Indefensible: A Meditation on the Life of Hiroshima Pilot Paul Tibbets, Jr. by Peter J. Kuznick Defending the Indefensible: A Meditation on the publicly and thoughtfully on the A-bomb Life of Hiroshima Pilot Paul Tibbets, Jr. decision, the lives it cost and also the lives it saved.”[1] A closer look at Tibbets’s life and Peter J. Kuznick comparison of his views with those of others who participated in the atomic bombings will shed On November 1, Paul Warfield Tibbets, Jr., the light not only on whether Tibbets was as humane man who piloted the plane that dropped the and thoughtfully reflective as Kamm suggests, atomic bomb on Hiroshima, died at hisbut on why so many World War II veterans share Columbus, Ohio home at age 92. Throughout his Tibbets’s difficulty in moving beyond official adult life, he was a warrior. He bravely fought pieties of 1945 and today to understand the the Nazis in 1942 and 1943. He fought the complex history of the end of the Pacific War, the Japanese in 1944 and 1945. And he spent the next role the atomic bombings played in the Japanese 62 years fighting to defend the atomic bombings. surrender, and their own role in the historical process.[2] Paul Tibbets was born in Quincy, Illinois on February 23, 1915 and raised mostly in Miami, Florida. His father, a wholesale confectioner, sent him to Western Military Academy in Alton, Illinois. As a young man, Tibbets had aspired to become a doctor. -
On Guenther Anders, Political Media Theory, and Nuclear Violence Babette Babich Fordham University, [email protected]
Fordham University DigitalResearch@Fordham Articles and Chapters in Academic Book Philosophy Collections 2018 On Guenther Anders, Political Media Theory, and Nuclear Violence Babette Babich Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/phil_babich Part of the Continental Philosophy Commons, Digital Humanities Commons, Ethics and Political Philosophy Commons, Other Film and Media Studies Commons, and the Other Philosophy Commons Recommended Citation Babich, Babette, "On Guenther Anders, Political Media Theory, and Nuclear Violence" (2018). Articles and Chapters in Academic Book Collections. 94. https://fordham.bepress.com/phil_babich/94 This Article is brought to you for free and open access by the Philosophy at DigitalResearch@Fordham. It has been accepted for inclusion in Articles and Chapters in Academic Book Collections by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected], [email protected]. Article Philosophy and Social Criticism 1–17 ª The Author(s) 2018 On Gu¨nther Anders, Article reuse guidelines: sagepub.com/journals-permissions political media theory, DOI: 10.1177/0191453718794741 and nuclear violence journals.sagepub.com/home/psc Babette Babich Fordham University, USA Abstract Gu¨nther Anders was a philosopher concerned with the political and social implications of power, both as expressed in the media and its tendency to elide the citizenry and thus the very possibility of democracy and the political implications of our participation in our own subjugation in the image of modern social media beginning with radio and television. Anders was particularly concerned with two bombs dropped on Japan at the end of World War II, and he was just as concerned with the so-called ‘peaceful’ uses of nuclear power, what he named our apocalypse-blindness and the urgency of violence. -
A Meditation on the Life of Hiroshima Pilot Paul Tibbets, Jr
Volume 6 | Issue 1 | Article ID 2642 | Jan 01, 2008 The Asia-Pacific Journal | Japan Focus Defending the Indefensible: A Meditation on the Life of Hiroshima Pilot Paul Tibbets, Jr. Peter J. Kuznick Defending the Indefensible: A Meditation Basing his judgment of Tibbets on the on the Life of Hiroshima Pilot Paul“accounts of those who knew him,” Kamm Tibbets, Jr. declared that Tibbets was “a humane man, who reflected publicly and thoughtfully on the A- Peter J. Kuznick bomb decision, the lives it cost and also the lives it saved.”[1] A closer look at Tibbets’s life On November 1, Paul Warfield Tibbets, Jr., the and comparison of his views with those of man who piloted the plane that dropped the others who participated in the atomic bombings atomic bomb on Hiroshima, died at hiswill shed light not only on whether Tibbets was Columbus, Ohio home at age 92. Throughout as humane and thoughtfully reflective as Kamm his adult life, he was a warrior. He bravely suggests, but on why so many World War II fought the Nazis in 1942 and 1943. He fought veterans share Tibbets’s difficulty in moving the Japanese in 1944 and 1945. And he spent beyond official pieties of 1945 and today to the next 62 years fighting to defend the atomic understand the complex history of the end of bombings. the Pacific War, the role the atomic bombings played in the Japanese surrender, and their own role in the historical process.[2] Paul Tibbets was born in Quincy, Illinois on February 23, 1915 and raised mostly in Miami, Florida. -
Austrian Lives
Austrian Lives Günter Bischof, Fritz Plasser, Eva Maltschnig (Eds.) CONTEMPORARY AUSTRIAN STUDIES | Volume 21 innsbruck university press Copyright ©2012 by University of New Orleans Press, New Orleans, Louisiana, USA. All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without prior permission in writing from the publisher. All inquiries should be addressed to UNO Press, University of New Orleans, LA 138, 2000 Lakeshore Drive, New Orleans, LA, 70119, USA. www.unopress.org. Printed in the United States of America. Book and cover design: Lauren Capone Cover photo credits given on the following pages: 33, 72, 119, 148, 191, 311, 336, 370, 397 Published in the United States by Published and distributed in Europe University of New Orleans Press: by Innsbruck University Press: ISBN: 9781608010929 ISBN: 9783902811615 Contemporary Austrian Studies Sponsored by the University of New Orleans and Universität Innsbruck Editors Günter Bischof, CenterAustria, University of New Orleans Fritz Plasser, Universität Innsbruck Production Editor Copy Editor Bill Lavender Lauren Capone University of New Orleans University of New Orleans Executive Editors Klaus Frantz, Universität Innsbruck Susan Krantz, University of New Orleans Advisory Board Siegfried Beer Sándor Kurtán Universität Graz Corvinus University Budapest Peter Berger Günther Pallaver -
Anamorphic Images of World War III in Philip K. Dick, Thomas Pynchon, and J.G
doi: https://doi.org/10.26262/exna.v1i2.6735 Glimpses of the Unthinkable: Anamorphic Images of World War III in Philip K. Dick, Thomas Pynchon, and J.G. Ballard Umberto Rossi Independent scholar, Italy. __________________________________________________________________________________________ Abstract The representation of modern warfare has always been problematic, but depicting nuclear war seems to be an almost impossible task for writers, inasmuch as a real nuclear conflict has never taken place, so that there is no “real” model that writers may refer to. And yet in the Cold War years the threat of WWIII was such an important and urgent issue that fiction writers repeatedly attempted to stage the unreal war, and think the unthinkable. Some of them adopted a mix of the extrapolative strategies of science-fiction and conventional, “realistic” narrative protocols; others, such as Thomas Pynchon, Philip K. Dick, and J.G. Ballard, though also using science-fictional extrapolations, opted for more unconventional narrative strategies, drawing from modernism or devising new devices. This article attempts to survey what the consequences of these different approaches have been. Keywords: nuclear war, W.W.III, Thomas Pynchon, Philip K. Dick, J.G. Ballard, H-bombs, postmodernism. _________________________________________________________________________________________ One of the earliest books discussing the representation of the Third Word War in fiction, cinema and the other arts was Paul Brians’ 1987 annotated bibliography Nuclear Holocausts, which offered a survey of narratives dealing with nuclear wars from 1895 to 1984.1 Unsurprisingly, most of the novels and short stories listed by Brians belong to the science fiction genre: since we have fortunately not yet experienced the unthinkable,2 that is, a full-scale nuclear war, no writer, filmmaker, or artist can draw from his/her own experience to picture what the predicament of humankind might be if H-bombs were dropped or Intercontinental Ballistic Missiles (ICBMs) were launched. -
On Günther Anders' Endzeit — Endtime
Fordham University DigitalResearch@Fordham Articles and Chapters in Academic Book Philosophy Collections 2013 Angels, the Space of Time, and Apocalyptic Blindness: On Günther Anders’ Endzeit — Endtime Babette Babich Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/phil_babich Part of the Applied Ethics Commons, Continental Philosophy Commons, and the Ethics and Political Philosophy Commons Recommended Citation Babich, Babette, "Angels, the Space of Time, and Apocalyptic Blindness: On Günther Anders’ Endzeit — Endtime" (2013). Articles and Chapters in Academic Book Collections. 97. https://fordham.bepress.com/phil_babich/97 This Article is brought to you for free and open access by the Philosophy at DigitalResearch@Fordham. It has been accepted for inclusion in Articles and Chapters in Academic Book Collections by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected], [email protected]. Etica & Politica / Ethics & Politics, XV, 2013, 2, pp. 144-174 Angels, the Space of Time, and Apocalyptic Blindness: On Günther Anders’ Endzeit–Endtime Babette Babich Department of Philosophy Fordham University, New York City [email protected] ABSTRACT Anders was a preeminent critic of technology and critic of the atomic bomb as he saw this hermeneutico-phenomenologically in the visceral sense of being and time: the sheer that of its having been used (where the Nietzschean dialectic of the ‘having been’ reflects the essence of modern technology) as well as the bland politics of nuclear proliferation functions as programmatic aggression advanced in the name of defense and deterrence. The tactic of sheerly technological, automatic, mechanical, aggression is carried out in good conscience. -
Miranda, 18 | 2019, « Guerre En Poésie, Poésie En Guerre » [En Ligne], Mis En Ligne Le 15 Avril 2019, Consulté Le 16 Février 2021
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 18 | 2019 Guerre en poésie, poésie en guerre War in Poetry: Breaking into Family and Everyday Life Édition électronique URL : http://journals.openedition.org/miranda/15752 DOI : 10.4000/miranda.15752 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Miranda, 18 | 2019, « Guerre en poésie, poésie en guerre » [En ligne], mis en ligne le 15 avril 2019, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/15752 ; DOI : https:// doi.org/10.4000/miranda.15752 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE Guerre en poésie, poésie en guerre Introduction Stéphanie Noirard Echoes and Shadows: Creative Interferences from World War II Roderick Watson The War Cemetery and the City Park – “Saturated Landscapes” in Fanny Howe’s The Lives of A Spirit Bénédicte Chorier-Fryd War in the Garden: Reading and Translating James Fenton’s Poetry Sara Greaves Translating Caribbean thresholds of pain from without: Hispaniola out of bounds, Hispaniola unbound? Laëtitia Saint-Loubert “This sudden Irish fury”: beleaguered spaces in Eavan Boland’s Domestic Violence Bertrand Rouby Bugging the Bog: Sonic Warfare, Earwitnessing and Eavesdropping in the Works of Seamus Heaney Fanny Quément Prospero's Island Mr. Smith Goes West : La portée politique du jeu de