Jazz Services Annual Report 2010-2011
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Bbc Music Jazz 4
Available on your digital radio, online and bbc.co.uk/musicjazz THURSDAY 10th NOVEMBER FRIDAY 11th NOVEMBER SATURDAY 12th NOVEMBER SUNDAY 13th NOVEMBER MONDAY 14th NOVEMBER JAZZ NOW LIVE WITH JAZZ AT THE MOVIES WITH 00.00 - SOMERSET BLUES: 00.00 - JAZZ AT THE MOVIES 00.00 - 00.00 - WITH JAMIE CULLUM (PT. 1) SOWETO KINCH CONTINUED JAMIE CULLUM (PT. 2) THE STORY OF ACKER BILK Clarke Peters tells the strory of Acker Bilk, Jamie Cullum explores jazz in films – from Al Soweto Kinch presents Jazz Now Live from Jamie celebrates the work of some of his one of Britain’s finest jazz clarinettists. Jolson to Jean-Luc Godard. Pizza Express Dean Street in London. favourite directors. NEIL ‘N’ DUD – THE OTHER SIDE JAZZ JUNCTIONS: JAZZ JUNCTIONS: 01.00 - 01.00 - ELLA AT THE ROYAL ALBERT HALL 01.00 - 01.00 - OF DUDLEY MOORE JAZZ ON THE RECORD THE BIRTH OF THE SOLO Neil Cowley's tribute to his hero Dudley Ella Fitzgerald, live at the Royal Albert Hall in Guy Barker explores the turning points and Guy Barker looks at the birth of the jazz solo Moore, with material from Jazz FM's 1990 heralding the start of Jazz FM. pivotal events that have shaped jazz. and the legacy of Louis Armstrong. archive. GUY BARKER'S JAZZ COLLECTION: GUY BARKER’S JAZZ COLLECTION: GUY BARKER'S JAZZ COLLECTION: 02.00 - 02.00 - GUY BARKER'S JAZZ COLLECTION: 02.00 - THE OTHER SIDE OF THE POND: 02.00 - TRUMPET MASTERS (PT. 2) JAZZ FESTIVALS (PT. 1) JAZZ ON FILM (PT. -
Jazz Services National Touring Support Scheme Data 1992 – 2011
Jazz Services National Touring Support Scheme Data 1992 – 2011 Presented By: Steve French Computer Consultant Jazz Services 132 Southwark Street London SE1 0SW Telephone: 0207 928 9089 Email: [email protected] Website: www.jazzservices.org.uk Facebook: British Jazz Twitter:@jazzservices 15th March 2012 Table of Contents FOREWORD ......................................................................................................................... 3 1. GENERAL ACTIVITY: FINANCIAL YEARS 1992-2011.................................................... 4 1.1 TABLE 1: Data Relating to the Financial Years April to March 1992/2011 .............................. 4 1.2 TABLE 1: Notes to the figures .................................................................................................. 5 2. BAND ACTIVITY: FINANCIAL YEARS 1992-2011 ........................................................... 6 2.1 TABLE 2: Data Relating to Band Award for Financial Years April to March 1992/2011 .......... 6 2.2 TABLE 2: Notes to the figures .................................................................................................. 7 3. REGIONAL STATISTICS 1992-2011 ................................................................................ 8 3.1 TABLE 3: Number of gigs by Financial Year and Region ........................................................ 8 3.2 TABLE 4: Gigs by Financial Year and Region as a Percentage 1992-2011 ............................ 9 3.3 TABLE 5: Number of gigs by Financial Year and Region as a % 1992-2011 ....................... -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Ne W Burysprin G Fe Stival
www.newburyspringfestival.org.uk MAXX-DESIGN.CO.UK We are proud to have sponsored 36th international 2014 may – 24 10 Newbury Spring Festival since 1999 newburyspringfestival Welcome English Chamber Sat Orchestra 10th 2014 marks the centenary of the outbreak of The Great War and our Stephen Barlow conductor opening and closing days are Ruby Hughes soprano dedicated to it. The Festival begins Anna Huntley mezzo soprano with a performance of Mozart’s Thomas Herford tenor Requiem featuring four young Morgan Pearse baritone soloists, the same age as many of Newbury Spring Festival Chorus those who lost their lives, and it ends with three events at the Corn Exchange: a lunchtime recital From Your Ever Elgar Sospiri Loving Son Jack, which mixes songs with letters from Butterworth The Banks of Green Willow a 19 year old soldier killed at the Somme, an afternoon Grieg The Last Spring Handel Eternal Source of Light Divine symposium where four of the country’s leading military Mozart Laudate Dominum historians examine and debate the causes and outcome Mozart Requiem of the conflict, and finally a screening of the classic film All Quiet on the Western Front. A poignant start to the Festival in the year that commemorates the outbreak of the First World War, We remain however, predominantly a music festival, and featuring four young soloists whose ages reflect those of continue to present a world class line up of orchestras, so many who lost their lives. The elegiac first half includes soloists and ensembles of the highest international Butterworth’s The Banks of Green Willow, composed before standards, bringing together young and established artists. -
JAZZLONDONLIVE FEB 2019 01/02/2019 CON CELLAR BAR, NW1 21:00 CASH DOOR TRUDY KERR VOCALS-PIANO DUO Bass, David West - Drums
02/02/2019 ARCHDUKE, WATERLOO 19:30 FREE Miss Rosie - Vocals, Reuben Ard - Piano, Stephanie Legg - Clarinet & Sax, Jose Canha - JAZZLONDONLIVE FEB 2019 01/02/2019 CON CELLAR BAR, NW1 21:00 CASH DOOR TRUDY KERR VOCALS-PIANO DUO Bass, David West - Drums NICK MALCOLM'S 'J A D E' + JZ REPLACEMENT Nick Malcolm - trumpet / compositions, Jake 02/02/2019 RONNIE SCOTT'S, SOHO 19:30 £30 - £52.50 02/02/2019 ARCHDUKE, WATERLOO 22:00 FREE 01/02/2019 SOUTHBANK CENTRE 13:00 FREE McMurchie - sax, Will Harris - bass, Ric NU CIVILISATION ORCHESTRA FIRST HOUSE FRIDAY LUNCH: TAMAS TESZARY QUARTET Yarborough - drums SIMON PURCELL QUARTET PIANO-LED QUARTET Peter Edwards - musical director, Cherise What in the world is nouveau-bop? Find out from 01/02/2019 PIZZAEXPRESS JAZZ CLUB, SOHO 21:00 Adams-Burnet - vocals, Becca Toft - trumpet 1, the jazz vibraphonist and his quartet £38.50 Ife Ogunjobi - trumpet 2, Rosie Turton - 02/02/2019 RONNIE SCOTT'S, SOHO 23:00 £30 - £52.50 trombone 1, Hanna Mbuya - trombone 2, PAUL BROWN & MARC ANTOINE NU CIVILISATION ORCHESTRA SECOND HOUSE 01/02/2019 LE QUECUMBAR, BATTERSEA 18:00 FREE Nathaniel Facey - alto sax, Alam Nathoo - tenor sax, Rhiannon Jeffreys - baritone sax, Shirley BEFORE 8PM £6 AFTER 8PM 01/02/2019 606 CLUB, CHELSEA 21:30 £14.00 Tetteh - guitar, Sarah Tandy - keys, Jay Darwish - 02/02/2019 RONNIE SCOTT'S, SOHO 23:30 £12 DOOR bass, Tello Morgado - percussion, Rod Youngs - GOLDEN GIRL AVA SINGS FOR YOU... TESS BURRSTONE VOCAL-LED GROOVE/R&B BAND £6 NUS/ MU drums, Rhiannon Dimond - violin, Valeria Pozzo - Tess Burrstone-vocals, -
Jazz Saxophone Syllabus Grades
JAZZ HORNS REGULATIONS Jazz Flute (Subject Code: 56) Jazz Baritone Sax (Subject Code: 58) Jazz Clarinet (Subject Code: 47) Jazz Trumpet (Subject Code: 50) Jazz Soprano Sax (Subject Code: 57) Jazz Cornet (Subject Code: 59) Jazz Alto Sax (Subject Code: 48) Jazz Flugelhorn (Subject Code: 60) Jazz Tenor Sax (Subject Code: 49) Jazz Trombone (Subject Code: 52) (a) Schedule of maximum marks for all grades: Tunes: 1 ( Blues & Roots ) 30 2 ( Standards ) 30 3 ( Contemporary Jazz ) 30 Scales and Arpeggios 21 Quick Study 21 Aural Tests 18 Total 150 (b) Order of the exam Candidates must offer all six elements as listed in the table above, but they may choose to do the exam in any order (they will be asked at the outset which section they prefer to start with). Candidates will be allowed appropriate preparation/ warming-up time in which to tune their instrument and, if appropriate, set up their chosen accompaniment (see subheading (d) below); this will be included in the total exam times given in the current Exam Information & Regulations booklet. The accompa - nist(s) may be present only for the tunes section of the exam, and so exams with live accompaniment will normally begin with the tunes. (c) Tunes Candidates should present a contrasted and balanced programme of three tunes (one from each list: Blues & Roots, Standards, and Contemporary Jazz). The tunes must be performed following the forms and chord sequences of the arrangements in ABRSM’s publications – the albums for each instrument at Grades 1–3 and The AB Real Book at Grades 4 & 5. -
A Dictionary of Cultural and Critical Theory, Second Edition
a dictionary of CULTURAL AND CRITICAL THEORY Second Edition Editors MICHAEL PAYNE JESSICA RAE BARBERA Advisory Board Simon Frith Henry Louis Gates, Jr David Rasmussen Janet Todd A John Wiley & Sons, Ltd., Publication a dictionary of CULTURAL AND CRITICAL THEORY Second Edition a dictionary of CULTURAL AND CRITICAL THEORY Second Edition Editors MICHAEL PAYNE JESSICA RAE BARBERA Advisory Board Simon Frith Henry Louis Gates, Jr David Rasmussen Janet Todd A John Wiley & Sons, Ltd., Publication This second edition first published 2010 © 2010 Blackwell Publishing Ltd, except for editorial material and organization © 2010 Michael Payne and Jessica Rae Barbera; “Ordinary Language Criticism” © 2010 Toril Moi; “Graphic Narrative” © 2010 Hillary Chute (adapted from “Comics as Literature?: Reading Graphic Narrative” © 2008 MLA) Edition history: Blackwell Publishing Ltd (1e, 1996) Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientific, Technical, and Medical business to form Wiley-Blackwell. Registered Office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom Editorial Offices 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell. The right of Michael Payne and Jessica Rae Barbera to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Downbeat.Com April 2011 U.K. £3.50
£3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, -
Td Vancouver International Jazz Festival
Music is where we all belong. TD is a proud sponsor of over 90 music festivals and 100 community programs from coast to coast. #MusicMatters The TD logo and other trade-marks are the property of The Toronto-Dominion Bank. TDCT-0396_FestivalPrograms_Vancouver_5.25x8_v1.indd 1 2018-03-06 11:27 AM CHAN CENTRE PRESENTS SERIES SEP 22 Aida Cuevas: Totalmente Juan Gabriel SEP 30 I’m With Her OCT 21 Goran Bregović and His Wedding and Funeral Band NOV 13 Joshua Redman: Still Dreaming FEB 17 Bobby McFerrin: Circlesongs MAR 2 Ladysmith Black Mambazo with Habib Koité and Bassekou Kouyate APR 11 Cristina Pato Quartet APR 27 Anoushka Shankar BEYOND WORDS SERIES OCT 3 Kealoha FEB 24 No Blue Memories: The Life of Gwendolyn Brooks SUBSCRIPTIONS ON SALE NOW! Cristina Pato Joshua Redman I’m With Her Bobby McFerrin chancentre.com Welcome to the 33rd Annual TD Vancouver International Jazz Festival As a committed and long-standing supporter of Canadian music and artists, TD is thrilled to support the 2018 TD Vancouver International Jazz Festival, a world- class event celebrating the diversity of music across Canada and beyond. For 10 straight days the festival will erupt with the best jazz, blues and world music and has become a passport to a music-loving community where one can feel truly connected. From up-and-coming talent to acclaimed headliners, join us at the many events taking place around the city as we celebrate the love of music. At TD, we see music as a conversation-starter, something that has the power to bring communities together and give us all somewhere to belong. -
Nov 2018 – Jul 2019
NOVbristololdvic.org.uk 2018 – JUL | 0117 987 7877 2019 1 23 Jan – 16 Feb 9 – 23 Feb WISE CHILDREN PRINCESS & THE HUSTLER Dear Bristol, We have been overwhelmed by the response to this beautiful new foyer, where audiences have been uplifted by its atmosphere before shows, after shows, indeed all day from breakfast to pumpkin time. Of course, our main job is to invite you to the fabulous shows we’ve lined up to entertain you, from A Christmas Carol to Wise Children, Barber Shop WELCOME Chronicles and Richard III – and to tempt you into the intimate throng of the new Weston Studio (where the artists of tomorrow make work that will blow corkscrews out of your ears). HIGHLIGHTS But what we actually want to do is say thank you for the extraordinary support you have given us, not only during the opening period, but during the last nine years of planning this refurbishment, raising funds for it, and 1 – 9 Mar & 2 – 13 Apr 2 – 18 May then building it. This theatre could only have survived its extraordinary RICHARD III BARBER SHOP CHRONICLES 252 years if the people of Bristol had loved it, cherished it, rescued it and rebuilt it time after time after time. So thank you from us both. This theatre is, in every sense, yours. Tom Morris Emma Stenning Artistic Director Chief Executive Twice Weekly Open Daily THEATRE TOURS NEW MENUS AT 1766 P.S. Some of you might have noticed that the mighty Emma Stenning has been poached by the prestigious Soulpepper Theatre Company in Toronto to become their Executive Director. -
Ropetackle Comedy Festival Chris Difford Andrew Lawrence
SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM MAY – AUG 2015 CLAIRE MARTIN & LIANE CARROLL SHOWADDYWADDY NINE BELOW ZERO STEVE BELL STEWART LEE RUBY TURNER ROPETACKLE COMEDY FESTIVAL CHRIS DIFFORD ANDREW LAWRENCE ROPETACKLECENTRE.CO.UK MAY 2015 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 MAY 2015 WELCOME TO Open Monday – Saturday: 10am – 4.30pm Contact: [email protected] The Ropetackle Café is located in the foyer of Welcome to our summer programme! Full of amazing music, comedy, theatre, Ropetackle Arts Centre. We serve a delicious range of talks, family events, and much more, all running from May – August 2015. Now an teas, coffees, and soft drinks, plus a wonderful menu award-winning venue* we are delighted to offer another exceptional programme of of freshly made sandwiches, paninis, soups, jacket events with something for everybody to enjoy. Our newly re-opened Ropetackle Café potatoes, scrumptious cakes and more. The large, has been a huge success, and we hope you can enjoy its delectable delights, whether light and airy Ropetackle foyer is the perfect place to a coffee during the day, or one of our delicious pre-show meals (see opposite enjoy a relaxing coffee, meet with friends for a light page for more details). As a charitable trust staffed almost entirely by volunteers, lunch, or get some work done with our free wi-fi. donations make a significant contribution to covering our running costs and We have also expanded our pre-show dining programme delivery, and our Friends scheme is a great way to support the Centre experience and are delighted to be working with alongside other benefits (see page 53 for details).