Diaz – Don't Clean up This Blood
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It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Matteo Garrone's Gomorrah.” Master’S Thesis, University of North Carolina at Chapel Hill, 2010
http://www.gendersexualityitaly.com g/s/i is an annual peer-reviewed journal which publishes research on gendered identities and the ways they intersect with and produce Italian politics, culture, and society by way of a variety of cultural productions, discourses, and practices spanning historical, social, and geopolitical boundaries. Title: Matteo Garrone’s Gomorra: A Politically Incorrect Use of Neapolitan Identities and Queer Masculinities? Journal Issue: gender/sexuality/italy, 2 (2015) Author: Marcello Messina, Universidade Federal do Acre Publication date: July 2015 Publication info: gender/sexuality/Italy, “Open Contributions” Permalink: http://www.gendersexualityitaly.com/matteo-garrones-gomorra/ Author Bio: Marcello Messina is Assistant Professor at the Universidade Federal do Acre, Brazil. He is recipient of the PNPD post-doctoral bursary from CAPES (Brazil) and of the Endeavour Research Fellowship (Australia – Macquarie University). He is also active as a composer and musicologist. Abstract: Taking as a starting point John Champagne’s recent argument about the queer representations of Italian masculinity contained in Garrone’s Gomorra, this paper aims to connect the queer masculinity of the film’s characters with the negative judgement on their lives and actions suggested by the film. In particular, it will be argued that queerness is used alongside the Neapolitan- ness of the characters to portray them as Others, in order to alienate the audience from them. In other words, it will be suggested that the film does not celebrate the queerness of the characters, but uses it as a means to portray them as deviant to a non-Neapolitan, heterosexual audience. Copyright Information g/s/i is published online and is an open-access journal. -
Playlist Piano & Guitar Duo #1 (2020)
PIANO & GUITAR DUO #1 https://bit.ly/2UfLZk7 - Male voice, keyboard and guitar for ceremony - Male voice, keyboard and guitar for aperitif (max 2h) - Male voice, keyboard and guitar for dinner (max 2h) - Audio system - Pop, soul, reggae, rock, Italian, international music GENERAL CONDITIONS 1. SIAE PERMISSION is not included into the price. 2. The arrival of the musicians and the installation of their equipment is expected about 60 minutes before the beginning of their performance. In case of request of early arrival at the venue, an extra cost may be applied. 3. In case of performance of musicians under direct sunlight or in presence of bad weather, an adequate sunshine cover or weathering cover shall be guaranteed. 4. In case of event’s delay of more than 1 hour with respect to the agreed timeline, the musicians are entitled to reduce the duration of the performance in relation to the amount of the delay exceeding 1 hour. 5. 2 chairs are requested. 6. A bottle of water for each musician is requested. 7. In the case of a double performance, moving from one area to to another can take up to 10 minutes. 8. In case of performance during dinner or party, staff meals are requested for each musician involved at the event. In case of no staff dinner the musicians may NOT guarantee the proper execution of their performance. 9. Dietary requirements in case of staff meals: - Total persons: 2; - NO vegetarian or vegan; - 1 intolerant to raw onion. 10. In case one of musicians should not be ft to perform due to illness during the event, it will be replaced and it will be guaranteed the best serviced, with the highest quality standards and without incidence on the timing and quotation. -
26. Stars and Masculinities in Contemporary Italian Cinema-O
! http://www.gendersexualityitaly.com g/s/i is an annual peer-reviewed journal which publishes research on gendered identities and the ways they intersect with and produce Italian politics, culture, and society by way of a variety of cultural productions, discourses, and practices spanning historical, social, and geopolitical boundaries. Title: Book Review: Stars and Masculinities in Contemporary Italian Cinema by Catherine O'Rawe Journal Issue: gender/sexuality/italy, 2 (2015) Author: Elena Dalla Torre, Saint Louis University Publication date: July 2015 Publication info: gender/sexuality/italy, “Reviews” Permalink: http://www.gendersexualityitaly.com/book-review-stars-and-masculinities/ Copyright information g/s/i is published online and is an open-access journal. All content, including multimedia files, is freely available without charge to the user or his/her institution and is published according to the Creative Commons License, which does not allow commercial use of published work or its manipulation in derivative forms. Content can be downloaded and cited as specified by the author/s. However, the Editorial Board recommends providing the link to the article (not sharing the PDF) so that the author/s can receive credit for each access to his/her work, which is only published online. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License O'Rawe, Catherine. Stars and Masculinities in Contemporary Italian Cinema. Palgrave McMillan, 2014. Pp. 230. ISBN 9781137381460. $71.05 (Paperback); -
Il Cinema E Bologna
si svolge a Bologna e coinvolge numerosi luoghi del centro storico, tra 9. Centochiodi i quali piazza Maggiore. Il festival contribuisce a rendere sempre vivo e vitale il legame tra cinema e città. di Ermanno Olmi (2007) www.cinetecadibologna.it Stazione Centrale Via Zamboni, 35 viale P. Pietramellara via I. Barozzi via G. Matteotti via A. Muggia via Bovi Campeggi Autostazione via Boldrini 11. LaPiazza banda XX Casaroli via Boldrini Settembre viale A. Masini via F. Zanardi via L. Cipriani via Cairoli via Amendola di Florestano Vancini (1962) via Stalingrado via Milazzo Piazza Medaglie d’Oro Piazza Maggiore Il Cinema Ritrovato. viale P. Pietramellara via Milazzo Parco della via C. Casarini Montagnola Porta viale C. Berti Pichat via AntonioE’ Gramsciin una Bologna nebbiosa che si svolge La bandaMascarella Casaroli, ispirato via F.lli Rosselli via Don Minzoni alle vicissitudini della banda di rapinatori che tenne in scacco la città Grafiche E. GASPARI - Cadriano di G. (BO) -stampa ottobre 2015 Piazza via C. Ranzani dei Martiri via Pier de’ Crescenzi agli inizi degli anni Cinquanta. Sullo sfondo di grandi eventi storici, Porta via del Porto 1943-1945 via dei Mille via Galliera Lame come la caduta del fascismo evia del Pallonela seconda guerra mondiale, il regista via Mascarella via Capo di Lucca via delle Lame fa emergere la povertà e la rabbia di unavia del Borgo di gioventùS. Pietro disorientata. Una via del Porto via dell’Indipendenza via Azzo Gardino via F.lli Rosselli Piazza delle scene finali si svolge nel piazzalevia Irnerio della stazione, dove passa un via Malvasia dell’8 Agosto Scena da Centochiodi di E. -
96 Pagine Interne Layout 1 16/05/11 12:59 Pagina 3 96 Pagine Interne Layout 1 16/05/11 12:59 Pagina 4
96 pagine interne_Layout 1 16/05/11 12:59 Pagina 3 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 4 ASSOCIAZIONE NAZIONALE INDUSTRIE CINEMATOGRAFICHE AUDIOVISIVE E MULTIMEDIALI - LA PRODUZIONE ITALIANA 2010 LA PRODUZIONE ITALIANA 2010 THE ITALIAN PRODUCTION Edito da ANICA I film compresi nel catalogo sono Associazione Nazionale Industrie lungometraggi di produzione italiana forniti Cinematografiche Audiovisive e Multimediali di visto censura nell’anno 2010 In collaborazione con il cast e crediti non contrattuali Ministero per i Beni e le Attività Culturali Direzione Generale per il Cinema ANICA Viale Regina Margherita, 286 A cura dell’Ufficio Stampa ANICA 00198 Roma (Italia) Tel. +39 06 4425961 Coordinatore Editoriale Fax +39 06 4404128 Paolo Di Reda email: [email protected] Elaborazioni Informatiche Elenco Inserzionisti Gennaro Bruni Alberto Grimaldi Productions p. XVII con la collaborazione di Cinetecnica 73 Romina Coppolecchia Eurolab 74 Kodak 75 Redazione e reperimento dati Medusa 76 Claudia Bonomo Panalight XXI Antonio Dell’Erario Sound Art V Technicolor II-III Progetto Grafico e impaginazione Una vita per il cinema 72 Selegrafica‘80 s.r.l. Stampa Selegrafica‘80 s.r.l. - Guidonia (Rm) www.selegrafica.it [email protected] Concessionaria esclusiva della pubblicità Fotolito e impianti Via Tor dè Schiavi, 355 - 00171 Roma Composit s.r.l. - Guidonia (Roma) Tel. 06 89015166 - fax. 06 89015167 [email protected] [email protected] - www.apsadvertising.it Le schede complete della produzione italiana 2010 sono consultabili al sito www.anica.it IV 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 5 ità 7 g.it 96 pagine interne_Layout 1 16/05/11 12:59 Pagina 6 ASSOCIAZIONE NAZIONALE INDUSTRIE CINEMATOGRAFICHE AUDIOVISIVE E MULTIMEDIALI - LA PRODUZIONE ITALIANA 2010 ELENCO REGISTI LIST OF DIRECTORS A D I Adriatico, Andrea pag. -
In Nanni Moretti's La Stanza Del Figlio
09-Mary Ann_0Syrimis 2/10/14 10:31 AM Page 113 MORETTI ’S CHILDREN : T HE NEXT GENERATION ? MARY ANN MCDONALD CAROLAN Summary : Nanni Moretti’s La stanza del figlio/The Son’s Room (2001) reveals the effects of a child’s death on the protagonist Giovanni (a psy - coanalyst played by Moretti) and his family. This film appears after Aprile/April (1998), which narrates both the birth of the director’s son Pietro as well as the Italian electoral campaign in 1996 in the month of the title. The arrival of a biological son followed by the death of a fic - tional one in Moretti’s oeuvre suggests greater implications for the par - ent-child relationship in Italy. This phenomenon also comments on the relationship between generations of Italian directors. An examination of Moretti’s earlier autobiographical film Caro diario/Dear Diary (1994) gives insight into this director’s relationship to other artists and also sug - gests implications for the future of Italian filmmaking. In Nanni Moretti’s La stanza del figlio /The Son’s Room (2001), the death of a child allows the narrative to explore the highly personal realm of grief. The title of Moretti’s film refers to a now uninhabited space that serves as a metaphor for the void in the family created by Andrea’s (Giuseppe Sanfelice) accidental drowning while scuba diving. The son’s death devas - tates his father Giovanni (Nanni Moretti), mother Paola (Laura Morante), and sister Irene (Jasmine Trinca). Moretti examines the family members’ reactions to this unimaginable loss that leads ultimately to a redefinition of self. -
Curriculum Vitae Valter Malosti
Curriculum Vitae Europass Torino, 07 febbraio 2021 Informazioni personali Nome Cognome Valter Malosti Indirizzo Telefono E-mail Cittadinanza Data di nascita Sesso Esperienze professionali Date 2018 - 23 maggio 2021 Lavoro o posizione ricoperti Direttore Fondazione TPE – Teatro Piemonte Europa Teatro di Rilevante Interesse Culturale Principali attività e responsabilità - Programmazione e direzione artistica - Coordinamento amministrativo e organizzativo TPE 2018-2020 il primo triennio firmato Valter Malosti Il primo triennio di Valter Malosti alla direzione del TPE – Teatro Piemonte Europa ha impresso fra il 2018 e il 2020 una svolta radicale verso un aumento dell’impegno produttivo e la ricerca di collaborazioni di rete, sempre più strette e organiche, con le più prestigiose realtà teatrali italiane ed europee. Sono state complessivamente 57 le nuove produzioni (esecutive o co- produzioni) firmate TPE nel triennio 2018-2020. Quattro i filoni attorno ai quali si aggregano gli indirizzi produttivi di TPE perseguiti da Malosti: i Grandi maestri italiani e internazionali, i Giovani maestri italiani, il Viaggio nel corpo della lingua italiana e il dialogo fra i Linguaggi espressivi della contemporaneità. Tra gli artisti coinvolti nel progetto produttivo del TPE dal 2018 al 2020: Jan Fabre, Eugenio Barba, Fabrizio Gifuni, Lino Musella, Anagoor, Claudio Morganti, Elena Bucci, Cristiana Morganti, Antonio Latella, Luigi Lo Cascio, Michela Lucenti, Daria Deflorian Antonio Tagliarini, Édouard Louis, Nicolas Bovey, Alessio Maria Romano, Amir Reza Koohestani, Marco Angelilli, Carmelo Rifici, Teho Teardo, Anna Della Rosa, Alessandro Serra, Silvia Costa, Gup Alcaro, Cesare Accetta, Daniele Spanò, Luca Brinchi, Gianluca Sbicca, Leonardo Lidi, Antonio Rezza, Flavia Mastrella, Licia Lanera, Valerio Binasco, ErosAntEros, Hubert Westkemper, Carlo Boccadoro, Margherita Mauro, Rafael Spregelburd, Federica Fracassi, Lamberto Curtoni, Lucilla Giagnoni, Roberta Caronia, Marco Foschi, Jacopo Gassmann, Marco Lorenzi, Gianni Staropoli, Gup Alcaro, Valentina Lodovini, Margherita Palli. -
Meraviglie Lucane
MERAVIGLIE LUCANE RISORSE 2 PARCHI NAZIONALI NATURALI Parco del Pollino Parco Nazionale dell’Appennino Lucano-Val d’Agri-Lagonegrese 2 PARCHI REGIONALI Parco di Gallipoli Cognato e Piccole Dolomiti Lucane Parco della Murgia Materana 8 RISERVE STATALI Riserva naturale Agromonte Spacciaboschi (Potenza) Riserva Naturale Coste Castello (Lagopesole) Riserva naturale Grotticelle (Potenza) Riserva naturale i Pisconi (Potenza) Riserva naturale Marinella Stornara Riserva naturale Metaponto Riserva naturale Monte Croccia Riserva naturale Rubbio RISORSE NATURALI 7 RISERVE REGIONALI Riserva Regionale Lago Piccolo di Monticchio Riserva Regionale Abetina di Laurenzana Riserva Regionale di San Giuliano Riserva naturale orientata Bosco Pantano di Policoro Riserva naturale speciale dei Calanchi di Montalbano Riserva Regionale Lago Laudemio (Monte Sirino) Riserva Regionale Lago Pantano di Pignola NUMEROSE AREE NATURA 2000 – Siti di interesse comunitario (S.I.C.) PATRIMONIO STORICO ARCHITETTONICO 1 Sito UNESCO Sassi di Matera 24 CASTELLI Avigliano-Lagopesole, Brienza, Genzano di Lucania, Laurenzana, Lavello, Melfi, Moliterno, Muro Lucano, Oppido Lucano, Palazzo San Gervasio, Pietragalla, Senise, Venosa, Bernalda, Ferrandina, Irsina, Matera, Miglionico, Nova Siri, San Mauro Forte, Scanzano Jonico, Tricarico, Valsinni 4 AREE DELLA MAGNA GRECIA Bernalda - Metaponto: Tavole Palatine Bernalda - Metaponto: Parco archeologico di Metaponto Policoro: Museo Nazionale della Siritide Policoro: L'Antica Siris PATRIMONIO STORICO ARCHITETTONICO 5 PARCHI LETTERARI Albino -
Italian Films (Updated April 2011)
Language Laboratory Film Collection Wagner College: Campus Hall 202 Italian Films (updated April 2011): Agata and the Storm/ Agata e la tempesta (2004) Silvio Soldini. Italy The pleasant life of middle-aged Agata (Licia Maglietta) -- owner of the most popular bookstore in town -- is turned topsy-turvy when she begins an uncertain affair with a man 13 years her junior (Claudio Santamaria). Meanwhile, life is equally turbulent for her brother, Gustavo (Emilio Solfrizzi), who discovers he was adopted and sets off to find his biological brother (Giuseppe Battiston) -- a married traveling salesman with a roving eye. Bicycle Thieves/ Ladri di biciclette (1948) Vittorio De Sica. Italy Widely considered a landmark Italian film, Vittorio De Sica's tale of a man who relies on his bicycle to do his job during Rome's post-World War II depression earned a special Oscar for its devastating power. The same day Antonio (Lamberto Maggiorani) gets his vehicle back from the pawnshop, someone steals it, prompting him to search the city in vain with his young son, Bruno (Enzo Staiola). Increasingly, he confronts a looming desperation. Big Deal on Madonna Street/ I soliti ignoti (1958) Mario Monicelli. Italy Director Mario Monicelli delivers this deft satire of the classic caper film Rififi, introducing a bungling group of amateurs -- including an ex-jockey (Carlo Pisacane), a former boxer (Vittorio Gassman) and an out-of-work photographer (Marcello Mastroianni). The crew plans a seemingly simple heist with a retired burglar (Totó), who serves as a consultant. But this Italian job is doomed from the start. Blow up (1966) Michelangelo Antonioni. -
Movie Museum FEBRUARY 2010 COMING ATTRACTIONS
Movie Museum FEBRUARY 2010 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY One Day Only AFTER MIDNIGHT ZOMBIELAND BRIGHT STAR Remembering Jean Simmons THE BOYS ARE BACK aka Dopo Mezzanotte (2009) (2009-UK/Australia/France) SO LONG AT THE FAIR (2009-Australia/UK) (1950-UK) (2004-Italy) in widescreen in widescreen in widescreen with Jean Simmons, Dirk in Italian with English with Woody Harrelson, Jesse with Clive Owen, Laura subtitles & in widescreen Bogarde, David Tomlinson. Fraser, Emma Booth, George Eisenberg, Emma Stone, with Ben Whishaw, Abbie 12:30, 2:30 & 4:30 only with Giorgio Pasotti, Cornish, Kerry Fox, Paul MacKay, Nicholas McAnulty, Francesca Inaudi, Fabio Abigail Breslin, Bill Murray, ---------------------------------- Schneider, Edie Martin, Emma Lung, Natash Little. Troiano, Francesca Picozza. Derek Graf. THE PROPOSITION Thomas Sangster. (2005-Australia/UK) Directed by Written and Directed by Directed by in widescreen Scott Hicks. Davide Ferrario. Ruben Fleischer. Written and Directed by with Guy Pearce, Danny Jane Campion. Huston, Ray Winstone. 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 12:15, 2:00, 3:45, 5:30, 7:15 Directed by John Hillcoat. & 8:30pm 6:30 & 8:30pm only 4 & 8:30pm 5 & 9:00pm 6 12:15, 2:30, 4:45 & 7pm 7 8 Valentine's Day President's Day BRIGHT STAR Hawaii Premiere! A SERIOUS MAN ELVIS AND ANNABELLE Hawaii Premiere! (2009-UK/Australia/France) SINGAPORE DREAMING (2009-US/UK/France) aka Mei Man Ren Sheng in widescreen (2007-UK/US) PROM NIGHT IN in widescreen in widescreen (2006-Singapore) with Michael Stuhlbarg, MISSISSIPPI in Mandarin/Hokkien w/ with Max Minghella, Blake (2008-Canada) in widescreen with Ben Whishaw, Abbie Richard Kind, Fred Melamed, Lively, Joe Mantegna. -
Scarica Il Pressbook Del Film
Domenico Procacci e Gianluca Arcopinto Presentano RUGGINE un film di DANIELE GAGLIANONE tratto dall’omonimo romanzo di Stefano Massaron con Filippo Timi, Stefano Accorsi, Valerio Mastandrea, Valeria Solarino e per la prima volta sullo schermo Giampaolo Stella, Giuseppe Furlò, Giulia Coccellato una produzione FANDANGO ZAROFF FILM in collaborazione con RAI CINEMA GIORNATE DEGLI AUTORI- 1 SETTEMBRE IN SALA DAL 2 SETTEMBRE distribuzione internazionale FANDANGO PORTOBELLO email: [email protected] UFFICIO STAMPA FILM: UFFICIO STAMPA FANDANGO Studio PUNTOeVIRGOLA Tel:+39.06.85218106- 06.85218123 Fax:+39.06.85218120 Tel. +39.06.39388909 [email protected] [email protected] www.studiopuntoevirgola.com Daniela Staffa Mob + 39.335.1337630 – [email protected] Olivia Alighiero: +39.335.6303795 Marinella di Rosa Mob: +39.335.7612295: Flavia Schiavi: +39.335.9793144 [email protected] Anna Funtò +39.334.7998286 Federica Ceraolo Mob: +39.3409172947: Chiara Lenzi: +39.333.3472894 [email protected] materiali stampa disponibili sul sito www.fandango.it CAST TECNICO Regia Daniele Gaglianone Sceneggiatura Daniele Gaglianone, Giaime Alonge, Alessandro Scippa tratta dall’omonimo romanzo di Stefano Massaron (ed. Stile Libero – Einaudi) Fotografia Gherardo Gossi Scenografia Marta Maffucci Montaggio Enrico Giovannone Musiche Evandro Fornasier, Walter Magri, Massimo Miride Canzone originale Vasco Brondi e Le Luci della Centrale Elettrica Costumi Lina Fucà / Francesca Tessari Suono Vito Martinelli Produttori